Comparing STAR TREK and LOST IN SPACE is like comparing HILL STREET BLUES and CAR 54 WHERE ARE YOU.
same here.When I was six and seven I know I liked LIS and Batman more than Star Trek
They did and, arguably, it made more sense on Land of the Giants. Smith tried to kill them all a few times in the first few episodes, but he and Will, for no reason whatsoever, became good friends. Barry and Fitzhugh grew closer because they were the outcasts and Barry's late father was a Navy officer. Fitz masqueraded as one in the pilot and wore the uniform throughout the series. Barry was an orphan who had no father figure in his life, but Will had the perfect family. There was no reason for Will to latch on to Smith like that.
I just looked at his IMDB page, and it's a mystery to me. No awards, no nominations. He did some guest spots on well known TV shows when he started his career at 10, through 14. But the year Giants came out, he did appear in a TV movie that got a directors guild nomination, and a nomination in an Emmy category. He might have gotten a boost from that. I'm only 4 years older, I might have heard his name before Giants.. . .I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.
I just looked at his IMDB page, and it's a mystery to me. No awards, no nominations. He did some guest spots on well known TV shows when he started his career at 10, through 14. But the year Giants came out, he did appear in a TV movie that got a directors guild nomination, and a nomination in an Emmy category. He might have gotten a boost from that. I'm only 4 years older, I might have heard his name before Giants.. . .I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.
Actually, billing isn't based on when you sign, but what you negotiate. The billing for LIS was likely negotiated for the pilot. Since Harris was added to the show once they went to series, he could not command billing above the existing cast, hence his being credited last.
Actually, the theme didn't change until the third season. The predominantly silly second season retained the original theme.
They ran the third-year theme for Tom Snyder's radio show around 1990 when he interviewed June Lockhart and Angela Cartwright. ''That's one funky theme!'' he commented. ''No wonder they were lost!''![]()
And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth.![]()
Comparing STAR TREK and LOST IN SPACE is like comparing HILL STREET BLUES and CAR 54 WHERE ARE YOU.
Fixed that for you.
Not to offend the LIS fans here, but it always seemed to remind me of Gilligan's Island in space. Instead of the wacky Gilligan you had the wacky Dr. Smith... instead of the steady Skipper you had the steady Professor Robinson... and so on.
I wonder how Stefan Arngrim's agent managed to get him third billing over the majority of the adult actors.
One could assume ABC wanted Arngrim to such a serious degree they would almost anything to retain him--including giving him billing over adult actors with as much--or more visibility / experience. It makes one wonder why, as it is not like he was the most in-demand young actor, or considered one on the fast tack to bigger things.I didn't read for it. I was cast, I gather, by Irwin Allen from my previous work. I don't recall even meeting anybody until I was called to the network (ABC) for what they call network approval, which is when all cast members are introduced to the head of the network, and the network approves them. I'm not sure what they base that on, but they approved me.
I didn't really want to do it at first, but they really wanted me and they came back a couple of times and then my agent made a very good deal, both moneywise and billing.
Actually, the theme didn't change until the third season. The predominantly silly second season retained the original theme.
They ran the third-year theme for Tom Snyder's radio show around 1990 when he interviewed June Lockhart and Angela Cartwright. ''That's one funky theme!'' he commented. ''No wonder they were lost!''![]()
And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth.![]()
And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth.![]()
The aired versions of the LIS 3rd season, and LOTG 2nd season, main titles are very exciting pieces of music.
For instance, Ginger is fascinating because she wants to be loved by you. By you and nobody else but you. She wants to be loved by you, alone.
And as I recall, they played the Tee-Vee Tunes version of the theme, which sounded like crap. For whatever that's worth.![]()
The aired versions of the LIS 3rd season, and LOTG 2nd season, main titles are very exciting pieces of music.
I couldn't agree more,Zap! Both the music and the clips as well!
JB
For instance, Ginger is fascinating because she wants to be loved by you. By you and nobody else but you. She wants to be loved by you, alone.
Boop-boop-a-doop.
I see what you did there. And Ginger didn't need a mind-fusion to regain her memory, neither.
Wait, it was Mary Ann that thought she was Ginger. Mary Ann didn't need mind-fusion, the Minnow was her ship, her ship. The Professor realized that Mary Ann was the imposter.…
Hold on, Mr. Howell had a duplicate formed by the meteor that was irradiating the island….
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