Man who peed in your cornflakes this morning?
That anyone would think the above is in any way a suitable response to what were fairly tame critiques is quite revealing.
Man who peed in your cornflakes this morning?
That anyone would think the above is in any way a suitable response to what were fairly tame critiques is quite revealing.
What your problem with me? Seems like every time someone and I have an issue you feel the need to jump in and get in some shot at me.
Really don't you have better things to do than to wait for me to post something just so you can be a dick to me over a situation that you're not even involved in.
Sorry if the word "pee" offends you so much, as apparently does my mere presence here. I also find it pretty arrogant you presume to know me because of a fairly tame phrase that means "Why do you seem do ticked" and it "reveals" who I am to you.
If you want to get it out then be a man or woman and deal with me face to face so to speak. If you're not going to do that then I would appreciate you ceasing this passive/aggressive game you seem to be bent on playing.
I find it ironic your picture is Winston Churchill, a man who gave it to you straight, where you seem to be someone who will get in cheap shots and then whistle like you're not doing anything.
I could use much stronger language to describe this nonsense you engage in, but I'm going to try the diplomatic route of asking you to back off. Failing that though I will be more than happy to tell you what your posts "reveal" to me about you as a person.
I want to know that, in your opinion, do you think if the SFX had been on par with say TWOK or TUC would it have made a difference in your overall opinion of the film.
Nope. SFX is just icing on a cake, nothing more. You can have a great movie with zero special effects, or a shitty movie with cutting-edge effects (think Phantom Menace and Avatar.)
I know some people will disagree, but the SFX was never the problem with TFF. People just bring it up because Paramount went with someone a lot cheaper than ILM. Believe me, hundreds of rock men would not have helped this film.
In my opinion the effects were not "fine". They were sub-par, but not a major factor is the film's failure. YMMV.![]()
In my opinion the effects were not "fine". They were sub-par, but not a major factor is the film's failure. YMMV.![]()
Well that's okay. But I still say the script was what needed work, more so than the effects.
In my opinion the effects were not "fine". They were sub-par, but not a major factor is the film's failure. YMMV.![]()
Well that's okay. But I still say the script was what needed work, more so than the effects.
You do realize that I was agreeing with you that the VFX were not the problem. I only disagreed that they were "fine".![]()
Those updated VFX suffer the typical problems of non-filmmakers trying to to this kind of work: including the all-too-common breaking of basic cinematographic conventions, such as directional continuity going out the window.
its a pity Shatner couldn't have somehow 'found a way' to get ILM on board (did they really need to do Skin Deep, Always, Field of Dreams?) e.g.turning up to the ILM offices talking to the 80s long haired bearded guy in charge ...ILM man blabs on about impossible schedules etc etc. Shatner - "I need you. Damnit man I NEED you!....badly..."(holds out hand. ILM man is reluctant. Shatner extends it more forcefully...ILM guy takes it...)
I am referring to these videos:Those updated VFX suffer the typical problems of non-filmmakers trying to to this kind of work: including the all-too-common breaking of basic cinematographic conventions, such as directional continuity going out the window.
I'm sure you're right, but did you look at the FX in question?
Let me be CLEAR on my stance. I am not saying by any measure great SFX would have made this into a good film.
What I am saying, at least as far as I'm concerned, in the dreadful SFX on top on everything else made me, and many others, have pretty much ZERO respect for anything about the making of the film and the flim itself.
Here are are a couple of examples.
1. TMP. As a kid I hated it because it was so slow and boring and paled next to Star Wars. As and adult with more patience and greater understanding it's improved in my mind somewhat. Will I watch it on TV when it's on.....usually, am I going to run out and buy the limited edition blu ray collectors edition if it ever comes out....no. Truth is I still am only kind of blah over it, it's still a slow story that doesn't do it for me. BUT I can RESPECT the amount of time and effort that was put into the SFX for the film. It's clear they were of the highest quality of the time and they were trying to match Star Wars in that department. This is one reason I can watch it despite my indifference, because I respect it.
^^^One of the conventions I've seen used for space travel (and probably naval works as well) is that the ship will always be filmed from one side and move in that one direction while the ship is headig away from home. It will them be filmed from the other side, traveling in the opposite direction, any time they either are heading home, or being forced away from their goal. There are exceptions, but these are usually seen course changes in battle. Space Battleship Yamato uses this. While Yamato on its mission out from Earth she is shown from the port side and heads from screen right to sceen left. She rarely is shown from the starboard side unless forced to back off in battle, or when she has completed her mission and is on her way home. On the way home, she is always filmed going from screen left to screen right with the camera on the starboard side.
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