And there was Klingon music in DS9. (Worf's Klingon operas, the Klingon restaurant owner.) Also at least once in TNG, in "Unification I", when Worf asks for "Aktuh and Maylota" in that bar.Klingon music in Voyager.
And there was Klingon music in DS9. (Worf's Klingon operas, the Klingon restaurant owner.) Also at least once in TNG, in "Unification I", when Worf asks for "Aktuh and Maylota" in that bar.Klingon music in Voyager.
Rubber forehead aliens.
The writers' cowardice about diversity. They played it more safe than other popular scifi shows that weren't even about diversity or pushing the limits, like "Trek" is supposed to.
No sense that any art, music or entertainment had been created after the 21st Century.
Perhaps the distance from Earth and alieness of the worlds where Starfleet is serving makes people want something completely un-alien, traditionally human, and even non-technological (classical music, art, printed literature, etc.)
I'll be honest here: The Berman era might be THE definition of "Star Trek".In a lot of threads recently I've seen people ragging on the entire Berman era, typically to suggest that SNW wipes the floor with it. It's a fascinating viewpoint and pretty novel; on the rest of the internet it's taken as given that TNG and DS9 represent some kind of objective high point.
I've rewatched many of them relatively recently and I have some thoughts, which I'll spoiler for length:
TNG - For me it hit a sweet spot in seasons 2 and 3, and started to become much more bland and haughty after that, though fantastic episodes still occur throughout. It's always at its best when it drops the pomposity and just writes the kind of straightforwardly fun plot that could slot into TOS. I think I'd still call myself a fan even though I've got no interest in watching about half of it. All the movies were pretty awful IMO, even the highly-rated First Contact.
DS9 - I really love a lot of the first three seasons, and it could have easily blossomed into my favourite Star Trek series of all from that starting point had it really focused on post-war Bajor, but it completely loses me from mid-season 4 onward with the string of boring war arcs (most of which are conveyed via WW2/Vietnam movie tropes transplanted wholesale). By the last two seasons it's basically on par with Picard for me, in that it just feels like a generic, unimaginative sci-fi series with the Star Trek name slapped on it. Can't call myself a fan since I think well over half the show is a complete washout, but I'd still rewatch those first three seasons any day.
Voyager - This is my favourite of the Berman shows easily, and as time goes on I find it more and more miraculous that it exists. It held firm to upbeat, high concept, mostly-episodic adventure into an era where that was increasingly seen as defunct, and eschewed the self-seriousness that defined latter-era TNG and DS9 (and much of TV in general by that point). It has its ups and downs but every season has a good amount of strong, imaginative science fiction, comedy, and character work. Along with TOS, this is the only Star Trek series I really like as a whole, and it's the only one I can really buy as a spiritual sequel to TOS/TAS.
Enterprise - I have mostly warm feelings about this, though I can't remember shit outside one or two episodes. Rarely great, but consistently enjoyable. T'Pol rules. Temporal Cold War sucked. Xindi arc went surprisingly well. It lost me in the fourth season, just absolutely no interest in that kind of "here's four Memory Alpha articles smashed together into a plot" type of storytelling.
tl;dr - I really like just under half of TNG and DS9, I love pretty much all of Voyager, and the first three seasons of Enterprise are solid.
On the whole, I'm really glad the Berman era happened, and compared with the Kurtzman era, it wins hands down for me. All four of these shows have their moments, and I'm always happy to revisit them (or at least, the first halves of them...) in a way that I just can't imagine doing with Discovery, Picard, or the latest season of SNW.
Go. Discuss. Are you a Berman Fan or a Berman Basher? What do you make of each of the shows on their own?
No. Not really. Especially not initially (if you’re talking about TOS).Roddenberry's vision was depicting a utopian future society. At least, initially.
Did they? Navy shoulderboards extend all the way from next to the collar to the shoulder seam. TMP straps looks more like US Army officer's straps of the 19th century, and I think have been reintroduced to current Army dress uniforms.The Shoulder Tabs for the ST:TMP era Uniforms were a good idea since it borrowed from IRL Navy uniforms.
Perhaps initially in TNG. But it definitely was not his initial vision for Star Trek, as TOS portrayed no such thing. It was somewhere during his touring of the lecture circuit in the 70's when Roddenberry bought into all the "he was a visionary" bullshit.Roddenberry's vision was depicting a utopian future society. At least, initially.
Oh TOS absolutely already was a visionary Utopia. A unified humanity where race didn't matter, a colored woman in a uniform & high rank, no nation states, no classes, absolutely post-scarcity society without hunger, without crime, with miracle cures for almost all illnesses.Perhaps initially in TNG. But it definitely was not his initial vision for Star Trek, as TOS portrayed no such thing. It was somewhere during his touring of the lecture circuit in the 70's when Roddenberry bought into all the "he was a visionary" bullshit.
Where in TOS do you see evidence of a "post-scarcity society"? Where do you see evidence of it being a society "without crime"? I don't find that in TOS at all. In TOS, I see a universe in which humanity has improved itself and done some pretty amazing things, but where fundamentally we are still the same basic fallible human beings. Kirk, Spock, and McCoy have more than one conversation about how man is not meant for paradise, and that it's a constant struggle to fight our more base instincts. They also have some great fights with one another.Oh TOS absolutely already was a visionary Utopia. A unified humanity where race didn't matter, a colored woman in a uniform & high rank, no nation states, no classes, absolutely post-scarcity society without hunger, without crime, with miracle cures for almost all illnesses.
TOS did have utopian themes, but I have to point out - Star Trek wasn't necessarily leagues ahead of other progressive television in terms of representation. I'm sure people could name a lot of other examples, but even within Desilu, there were series like Mission: Impossible where race and sex didn't enormously matter within the IMF (in fact, the IMF appears more progressive than the TOS Federation half the time, since male characters don't randomly stop to talk about how much they hate women, as sometimes happens in post-S1 TOS). They even had a black woman as an agent in a 1966 episode, played by Eartha Kitt.Oh TOS absolutely already was a visionary Utopia. A unified humanity where race didn't matter, a colored woman in a uniform & high rank, no nation states, no classes, absolutely post-scarcity society without hunger, without crime, with miracle cures for almost all illnesses.
What? Not TOS I remember. McCoy even notes no cure for the common cold. No crime? Why did they have penal colonies? Rehabilitation for criminals of questionable efficacy?no classes, absolutely post-scarcity society without hunger, without crime, with miracle cures for almost all illnesses.
No. In fact, TOS was frequently voicing opinions against utopia, believing it could only lead to stagnation.Oh TOS absolutely already was a visionary Utopia.
Uhura didn't have that high a rank, and indeed, out of the ones who are basically considered TOS's core cast these days, there was only one who she outranked, Chekov. And he didn't join the show until the second season.a colored woman in a uniform & high rank,
Nothing in TOS indicates they were post-scarcity.absolutely post-scarcity society
I mean, Kirk witnessed a massacre during his childhood as a measure invoked in order to deal with hunger.without hunger,
Harry Mudd says hi.without crime
Huh?miracle cures for almost all illnesses.
And then ignored two movies later when Scotty declares that he just bought a boat.Hell, the whole idea that there was no money wasn't even introduced until the fourth movie, twenty years after TOS premiered.
Which is irrelevant to the point I was making which was there was nothing in TOS itself to indicate money was no longer a thing and that the very first time such an idea was introduced was in 1986. What a movie from 1991 said on the matter is completely immaterial.And then ignored two movies later when Scotty declares that he just bought a boat.
TOS showed humanity had improved a bit from the 20th century.Oh TOS absolutely already was a visionary Utopia. A unified humanity where race didn't matter, a colored woman in a uniform & high rank, no nation states, no classes, absolutely post-scarcity society without hunger, without crime, with miracle cures for almost all illnesses.
The big difference to TNG was - TNG was very proud of this vision & characters directly talked into the camera how great it is.
Whereas in TOS it's clearly "only" background worldbuilding, where they imagined I'd humanity has spaceships & other magic technologies, it's only logical that society has also involved, but the details didn't really matter for the story - just that the future is in general better than the present in pretty much every way.
The point I was making, whether relevant to your initial point or not, was that TVH's reference to there being no money seems to me to have been a one-off thing that was not consistent with what came before or after in the TOS era.Which is irrelevant to the point I was making which was there was nothing in TOS itself to indicate money was no longer a thing and that the very first time such an idea was introduced was in 1986. What a movie from 1991 said on the matter is completely immaterial.
Maybe he bought it with grain.And then ignored two movies later when Scotty declares that he just bought a boat.
Where in TOS do you see evidence of a "post-scarcity society"? Where do you see evidence of it being a society "without crime"? I don't find that in TOS at all. In TOS, I see a universe in which humanity has improved itself and done some pretty amazing things, but where fundamentally we are still the same basic fallible human beings.
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