While I appreciate the awe inspiring greatness of TMP's SF concept, I miss the characters we know from TOS. They just don't really feel like they are the same characters, imo.
It is a fair criticism, though I think the whole point was that they’d moved on with their lives and were different people.

The 24th Century my favorite era for "Trek," but the limitations Bergman and Braga put on themselves during the 90s get really aggravating. Namely:
- "No modern slang! It has to sound like the 24th Century!" Resulting in a lot of stiff and clichéd dialogue.
- Rubber forehead aliens.
- No sense that any art, music or entertainment had been created after the 21st Century.
- The writers' cowardice about diversity. They played it more safe than other popular scifi shows that weren't even about diversity or pushing the limits, like "Trek" is supposed to.
The 24th Century my favorite era for "Trek," but the limitations Bergman and Braga put on themselves during the 90s get really aggravating. Namely:
- "No modern slang! It has to sound like the 24th Century!" Resulting in a lot of stiff and clichéd dialogue.
- Rubber forehead aliens.
- No sense that any art, music or entertainment had been created after the 21st Century.
- The writers' cowardice about diversity. They played it more safe than other popular scifi shows that weren't even about diversity or pushing the limits, like "Trek" is supposed to.
Where is this coming from? One example I can think of is we hear Vulcan and Klingon music in DS9, something that never happened on TOS/TAS.No sense that any art, music or entertainment had been created after the 21st Century.
Roddenberry's vision was depicting a utopian future society. At least, initially.Star Trek was never about extrapolating what a future society would be like.
Where is this coming from? One example I can think of is we hear Vulcan and Klingon music in DS9, something that never happened on TOS/TAS.
Roddenberry's vision was depicting a utopian future society. At least, initially.
Perhaps the distance from Earth and alieness of the worlds where Starfleet is serving makes people want something completely un-alien, traditionally human, and even non-technological (classical music, art, printed literature, etc.)Now as you mention it ... we hear bits of Tamarian music on TNG. And Bajoran music on DS9.
But Earth art always seems to be "classical".
Like avoiding "space-age" slang.To be fair, I feel like a '90s version of 24th Century culture and art would look extremely dated today. So, it's probably just as well that they stuck with classics.
Perhaps the distance from Earth and alieness of the worlds where Starfleet is serving makes people want something completely un-alien, traditionally human, and even non-technological (classical music, art, printed literature, etc.)
I wouldn't consider those films any less classic to them than Brahms is to us. The art is still very Earth-y and far removed from the relative isolation of deep space.They like holo novels, though, which is perhaps the 24th century equivalent to movies and video games ... and Tom likes campy 20th century tv and they got movie nights on ENT.
Where is this coming from? One example I can think of is we hear Vulcan and Klingon music in DS9, something that never happened on TOS/TAS.
Vulcan music too.Klingon music in Voyager.
Agreed. It's familiar and comfortable but not very dynamic at times. The human arts seem very moribund, with only Data or the Doctor showing much creative pursuits consistently.The 24th Century my favorite era for "Trek," but the limitations Bergman and Braga put on themselves during the 90s get really aggravating. Namely:
- "No modern slang! It has to sound like the 24th Century!" Resulting in a lot of stiff and clichéd dialogue.
- Rubber forehead aliens.
- No sense that any art, music or entertainment had been created after the 21st Century.
- The writers' cowardice about diversity. They played it more safe than other popular scifi shows that weren't even about diversity or pushing the limits, like "Trek" is supposed to.
Don't forget WW3 and all that presumably putting a damper on human society in general.We know that Human artistic endeavours circa late 20th-early 21st centuries would have face the challenge of all the turmoil happening at the time. To expect too many given works we have in the real world to be created regardless would be absurd. Some, sure.
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