Oh, I don't think the movie has flopped or anything, and the positive reaction to it suggests it will have legs. It's just not nearly as high as I expected.
"Only" 56 million? Hardly a bomb. Let's see if the movie has legs throughout the consecutive weeks, first.
I do get that, and maybe it would have been different if I cared about Charles or Erik, but this movie didn't make me do that. I guess it was just an origin story I didn't need to see.I dunno, I just didn't like it all that much. I didn't like or care about the majority of the characters involved in the story.
This movie is about Charles and Erik. The rest are foils for them and can demonstrate who is better, the teacher or the fighter.
I guess that all depends on how much it does outside of the states. The US domestic box office whilst important to the studios isn't the be all and end all. If it makes a profit does it matter where it made that profit?
I saw it mentioned that FC made about as much in its opening weekend as the first film, however X-Men opened in 600 fewer theaters, so FC's got the worst per-theater average of any X-Men film to date.
We all sound really whiny.
"Only" 56 million? Hardly a bomb. Let's see if the movie has legs throughout the consecutive weeks, first.
od0_ital said:But, anyway, I have an idea of why this movie didn't do better - no tie-in toy line. Go to the store, ya see lots of Thor, Green Lantern & Captain America. Hell, they still have Iron Man 2 toys sellin' right now (and I know they are, 'cause they keep gettin' restocked, and never go on clearance).
It's just kind of silly that Temis felt the need in the discussion thread to declare a flop on just the midnight showing earnings. That was just a bit premature. It's possible since she used one of those big grin emoticons that she was being sarcastic but given her disdain for the film franchise I'm guessing it wasn't. Next weekend First Class will be up against "Super 8"...another period piece...it will be an interesting battle.
The international cume will help but it seems like it's always the domestic haul that makes or breaks the sequel decision.
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