The main creator of FlashForward is David S. Goyer. The flaws with the show are the same as with such things as Dark Knight Returns, namely, sacrificing logic to sensationalism, cheap tripe about terrorists, pointless interpersonal conflict. It's present in the pilot and since ABC revamped the show with still more show runners, it's become ever more shamelessly silly-sensational. By now, even supposedly mundane events, like murders, are extravagant displays of nonsense.
Although FlashForward's sf premise doesn't follow real world logic, it takes diagrams to really show this. Caprica seems to believe that artificial intelligence requires, basically, a soul. This makes no sense. It is aggressively stupid.
In the end what matters is that the the pilot, the episodes The Gift and Believe, and the occasional odd scenes (for instance, children on a playground, believe it or not,) are much, much superior to any episode of Caprica. That is, if you can muster any human empathy for the more or less ordinary people on FlashForward. The characters on Caprica are by and large extraordinary, colorful creatures not to be found on the surface of this planet. (I think this is what is meant by saying the Caprica characters are more interesting.)
Although FlashForward's sf premise doesn't follow real world logic, it takes diagrams to really show this. Caprica seems to believe that artificial intelligence requires, basically, a soul. This makes no sense. It is aggressively stupid.
In the end what matters is that the the pilot, the episodes The Gift and Believe, and the occasional odd scenes (for instance, children on a playground, believe it or not,) are much, much superior to any episode of Caprica. That is, if you can muster any human empathy for the more or less ordinary people on FlashForward. The characters on Caprica are by and large extraordinary, colorful creatures not to be found on the surface of this planet. (I think this is what is meant by saying the Caprica characters are more interesting.)