I am simply observing that 1) there is no credible evidence from the "text" of the film that Diana herself has either messed around with any of said women, or 2) that, whether or not she has done so, she is bi. (These are separate questions, in case you hadn't caught on.)
Really? A half-second shot of somebody in the being especially upset over a death is evidence of a romantic connection?! That woman could be Antiope's sister or niece for all we know. When, in the documentary Restrepo, a (real-life) soldier's death sent a fellow soldier into agonized hysterics, was that clear evidence that they had a romantic relationship? You clearly didn't concede any point of mine if you keep making inane fanon arguments like this.Don't know what you're arguing with me for mate, I conceded the point!
Also: -
PSA: This character is just *really good friends* with Antiope. Totally platonic. Nothing to read into there!![]()
I called that line a hint (nothing more or less) back in post #822, and again in #826. So, are you trolling, or just totally inept at debate?All those books Diana read on females getting it on and not needing men wasn't a hint?
Try again (post #837):It was directed at guys in this thread who are proclaiming the Amazons straight unless they provide "evidence" to the contrary
Not what you said here.
Are you aware that we're talking about a movie? As in, a piece of fiction filmmaking? Because you seem to be having trouble with the basic ideas at hand. No, I have not and am not suggesting that in this hypothetical society, none of the women have sexual relations with each other. I am simply observing that 1) there is no credible evidence from the "text" of the film that Diana herself has either messed around with any of said women, or 2) that, whether or not she has done so, she is bi. (These are separate questions, in case you hadn't caught on.)
Well luckily this is not a court of law, it's a *fictional story* where things being "implicit" has real weight and the audience is expected to be able to put two and two together.^ "Hint" and "evidence" are not interchangeable terms. Example: "Eyewitness statements hinted that Prisoner McConvict committed the murder in question in that particular dark alley that one time, but DNA evidence later proved that the actual culprit was Psycho McKiller." Capiche?
Really? A half-second shot of somebody in the being especially upset over a death is evidence of a romantic connection?! That woman could be Antiope's sister or niece for all we know. When, in the documentary Restrepo, a (real-life) soldier's death sent a fellow soldier into agonized hysterics, was that clear evidence that they had a romantic relationship? You clearly didn't concede any point of mine if you keep making inane fanon arguments like this.
I called that line a hint (nothing more or less) back in post #822, and again in #826. So, are you trolling, or just totally inept at debate?
Try again (post #837):
it seems a tad early to declare these movie characters unambiguously straight.
If my posts seem "condescending", maybe that's because it's exasperating to have to repeat myself over and over because I'm not gushing about how wonderful and Best Picture-deserving the film is, while my clear and actual observations (not opinions, but observations) are willfully ignored in search of cheap points for the home team.
^ "Hint" and "evidence" are not interchangeable terms. Example: "Eyewitness statements hinted that Prisoner McConvict committed the murder in question in that particular dark alley that one time, but DNA evidence later proved that the actual culprit was Psycho McKiller." Capiche?
For Your Consideration in all categories including:
BEST PICTURE
CHARLES ROVEN, p.g.a.
DEBORAH SNYDER, p.g.a.
ZACK SNYDER, p.g.a.
RICHARD SUCKLE, p.g.a.
BEST DIRECTOR
PATTY JENKINS
BEST ADAPTED SCREENPLAY
ALLAN HEINBERG
Story by
ZACK SNYDER
& ALLAN HEINBERG
and JASON FUCHS
BEST ACTRESS
GAL GADOT
BEST SUPPORTING ACTRESS
ROBIN WRIGHT
CONNIE NIELSEN
ELENA ANAYA
BEST SUPPORTING ACTOR
CHRIS PINE
DAVID THEWLIS
DANNY HUSTON
EWEN BREMNER
BEST CINEMATOGRAPHY
MATTHEW JENSEN, ASC
BEST PRODUCTION DESIGN
Production Designer
ALINE BONETTO
Set Decorator
ANNA LYNCH-ROBINSON
BEST FILM EDITING
MARTIN WALSH, ACE
BEST COSTUME DESIGN
LINDY HEMMING
BEST VISUAL EFFECTS
Visual Effects Supervisor
BILL WESTENHOFER
Additional Visual Effects Supervisor
FRAZER CHURCHILL
Visual Effects Supervisor
ALEX WUTTKE
Special Effects Supervisor
MARK HOLT
BEST SOUND MIXING
Production Sound Mixer
CHRIS MUNRO, AMPS, CAS
Re-Recording Mixers
CHRIS BURDON
GILBERT LAKE
BEST SOUND EDITING
Supervising Sound Editor
JAMES H MATHER
BEST MAKEUP AND HAIRSTYLING
Makeup & Hair Designer
CHRISTINE BLUNDELL
BEST ORIGINAL SCORE
RUPERT GREGSON-WILLIAMS
We use essential cookies to make this site work, and optional cookies to enhance your experience.