I only got a link to some Weird Al film...
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Enjoy.

I only got a link to some Weird Al film...
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The Blu-rays have both versions. And you are so right, the CG is so cartoony. I love what they did with the composition and the rest of the FX, but the ships look horrible. To me they look worse than the 50+ year old compositing in the original. If they'd done it well, I'd be sold, but they didn't. So I stick with the originals on BR (which includes the original version of WNMHGB).I never bought TOS-R. They made some changes that didn't match what the creators' intent was, which I think is what a remastering should do. Plus I think a lot of the CGI looks too cartoony, which was the deal-breaker for me.
I stick with regular, un-remastered TOS. I still have the DVDs.
A lot of interesting points here to unpack and respond to.
Agree entirely. This is a miss on so many levels!
The bridge crew are background players on this show...and are not meant to be well-known or well-developed. It's part of the different format and formula that DSC has engaged in, rather than the same old- same old template of the bridge crew being all the primary characters. It's intentional to have them as backgrounds. They're the DSC version of Mr. Kyle and Mr. Leslie.
I'm a much bigger fan of serialized / arc driven television these days. Episodic does very little for me. I just can't care enough about individualized, contained stories with no true lasing impacts to the characters or the overall condition of the format.
Yes, I think this is a far more dynamic and kinetic show than the previous Treks...but this is television of a new era. I also don't really care for Star Trek "teaching morals on a weekly basis." If you mean that there's no thought-provoking material, and that the action overshadows that....I'd disagree. But, I think that's a preference thing. I do think DSC's way of exploring ideas is more subtle and less ham-fisted than Trek has been in the past (well...in some cases), and it's often done through the characters rather than the plot.
In fairlness, TOS has had 55 years to imprint itself in our consciousness and culture. DSC Season 3 is less than a year old. I don't think that's a fair comparison at all.
I think it's a pretty high bar to expect every character on a show to be to our liking. I think GoT is a great show...and I probably like about 30% of the characters. Different characters are set to appeal to different target audiences these days. I really like TNG, but I really only "truly" resonate with the characters of Riker, Troi and maybe Worf. Geordi, Data and Picard were "meh" (although the new series has me appreciating Picard a ton more because it humanizes him). Crusher I thought was worse than a wet, cold blanket on a winter day. Yar was weak as well.
Good discussion all around.
I'm not in a position in life yet where I should be double-dipping. Any money I spend on something I don't absolutely need makes me feel guilty. My 30s were pretty rough (financially speaking) and I'm still trying to get out of the hole I dug myself into during that period. Maybe some day I'll get the Blu-Rays.The Blu-rays have both versions. And you are so right, the CG is so cartoony. I love what they did with the composition and the rest of the FX, but the ships look horrible. To me they look worse than the 50+ year old compositing in the original. If they'd done it well, I'd be sold, but they didn't. So I stick with the originals on BR (which includes the original version of WNMHGB).
Just say NO to "Disco Sucks!"
I never bought TOS-R. They made some changes that didn't match what the creators' intent was, which I think is what a remastering should do. .
My opinion also would be that it's harder to write solely for a single character because sometimes you just don't know where to go. If you look at franchises built around a single character like Superman, Batman, Spider-Man, Wonder Woman, James Bond, etc., they get rebooted so often because so much focus on just one character eventually runs its course.The bridge crew are background players on this show...and are not meant to be well-known or well-developed. It's part of the different format and formula that DSC has engaged in, rather than the same old- same old template of the bridge crew being all the primary characters. It's intentional to have them as backgrounds. They're the DSC version of Mr. Kyle and Mr. Leslie.
Clearly not at Meyer is regraded as making some of Treks greatest movies. JJs will never be thatI think JJ understood Trek as well as Nick Meyers did.
Certainly better than most fans.I think JJ understood Trek as well as Nick Meyers did.
. If you look at franchises built around a single character like Superman, Batman, Spider-Man, Wonder Woman, James Bond, etc., they get rebooted so often because so much focus on just one character eventually runs its course.
I'm sure this has been mentioned before but I understand when people dislike Discovery for the lack of 'bottle' episodes, if that's the right description (?). I find it great to throw on something like 'Tin Man', 'Duet' or 'Tuvix' and kick back (although something like 'Magic to Make the Sanest Man Go Mad' actually works for me on that score).
I think it's a legitimate gripe to be honest but I think it's more related to modern TV story telling then something fundamentally wrong with Star Trek, blame the sin not the sinner....
Sadly, many fans see TOS as an institution to be mocked. Old = garbage, according to far too many people born after the internet age started. It's like that with Doctor Who fandom, as well.Elephant in the Room: I notice there are a lot of people on the board who aren't TOS Fans per se, but they see TOS as an institution to be revered.
The problem is that the Discovery production people keep blathering that at some point Discovery will "mesh seamlessly" with TOS.I posted this in another thread in the GTD Forum, but I might as well re-type it here: How can I be such a big TOS Fan and not have a problem with the changes DSC made or soon SNW will make? Simple, I view it as three timelines. I'm one of those fans who subscribes to the Three Timeline Theory.
I view it as:
The Classic Timeline
The Prime Timeline
The Kelvin Timeline
How much effect do DSC, SNW, the Kelvin Films, or even ENT for that matter, have on my enjoyment of TOS? None whatsoever. How much effect does it have on how I view any of TOS? Zero.
When I watch TOS, I don't think about Discovery at all.
Captain Frat Boy, who never gave the impression of having actually grown up.Abrams Kirk was pure college jock muppet and I couldn't stand him
At its very best, Star Trek makes the audience think about new ideas, or old ideas in a new way.I guess it doesn't necessarily have to be morals being taught. It could be something that makes us think. What would I do in that situation, what would we do today if that were us. That technology we just encountered was cool or dangerous. Disco and Lower Decks feel like flashy entertainment and it's over, we move on. Picard might have been a little more like what I'm talking about but that may only be because we have a baseline from TNG to compare it to. Is this new Trek as inspiring as the old?
Kyle was definitely memorable, as he appeared in multiple episodes, including the Mirror universe, and even appeared in TWoK.They're the DSC version of Mr. Kyle and Mr. Leslie.
That's what I really hated about some of the TNG episodes. Human emotions were absolutely stifled to the point of absurdity. No conflicts, and the episodes where young children lost their parents were ludicrous. It just defies common sense that a little boy whose only parent dies is left on his own in the family quarters (we never saw, to my recollection, any scenes of an adult crewmember or extended family or even a civilian neighbor supervising him), and is scrubbed squeaky clean, hair unnaturally neat, and showing no emotion. I don't care what century it is - kids are just not wired that way.... the "Roddenberry Box" in which humans don't mourn, they don't have conflict, they get along with each other with no problem. Which was fully on display in early TNG.
Yep. I became a Trekker in 1975, at age 12. People who became fans after the premiere of TNG have no idea how spoiled they are, pretty much never having to wait for anything, and always having some kind of video library of episodes available to rewatch, and not having to depend on reruns.I’ve said this before, but I think my perspective on Trek is based largely on how I “grew up” in the franchise. I started watching TOS reruns in the late 70s as a young kid. Then all of a sudden there’s this big movie where everything is totally different (uniforms, sets, music, characters, Klingons... literally almost everything). Then, two years later, there’s another movie and tons of stuff has changed again and a major character dies. Then the next movie they steal the ship and blow it up.
A few years later there’s a whole new series with new people on it that aren’t Kirk and Spock. Then they make another show, this time in a space station!
If you grew up in the franchise at any other time, you’re not used to those kinds of jarring changes. If you started in the 60’s, you had a whole decade of built up expectations to fight with when TMP came out. If you’re a child of TNG, you had 3 series that all looked, sounded, and felt almost exactly the same.
I think our tastes and expectations are shaped heavily by how we grew up with the franchise.
One of the TOS analogies that was often used is that Kirk = Horatio Hornblower. So it's more than apt for a director to be into 19th-century literature.Technically the truth. JJ Abrams is a Star Wars fan and Nick Meyer is a non-fan whose true passion is 19th Century Literature.I think JJ understood Trek as well as Nick Meyers did.
Heh. I have an audio recording of one of Shatner's early Star Trek convention appearances on 8-track. Unfortunately, I no longer have an 8-track player to listen to it.Crap, if only I could have back my 1968 Camaro RS with the 8-Track, her and be 16 again. That car would be worth a shit-load of $ today.![]()
Prequel to TMP. I think DSC doesn't mesh too bad with the TOS Movies. The design for the Discovery itself actually comes from the unused design for Planet of the Titans, an undeveloped Star Trek movie in the '70s, back when they were volley-balling between the idea of whether or not Star Trek would come back as a TV series or a movie. The black and dark-blue computer graphics fit right into Post-TUC. If they'd set this show in the Early-24th Century, it would look seamless.The problem is that the Discovery production people keep blathering that at some point Discovery will "mesh seamlessly" with TOS.
That's utter bullshit. It cannot possibly mesh with TOS, seamlessly or otherwise. Too much has been retconned, and too much is more akin to a prequel to TNG, rather than TOS. I posted the same complaint about Enterprise - it's as though the events and conventions of TOS are being ignored, yet we're supposed to believe it's all a "seamless" whole.
Yep, and we all know it just can't. It's a 1960s TV show with better production values than many shows of the era but it will still always look the way it does. I'm convinced the voices are saying it to help sell it (obviously) but they're secretly thinking..The problem is that the Discovery production people keep blathering that at some point Discovery will "mesh seamlessly" with TOS.
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