I imagine she jammed comms, prevented interception, all kinds of mayhem. Kept everyone off their back.
Later on, she caught up with them on Vulcan.
Yep. As detailed in the novelization, but not compelling enough to add scenes to a movie.
I imagine she jammed comms, prevented interception, all kinds of mayhem. Kept everyone off their back.
Later on, she caught up with them on Vulcan.
Enterprise is always the only ship in the quadrent.
Enterprise is always the only ship in the quadrent.
Damn Right! And they can run it with Chimpanzees!
Chekov the destruct scene and they are just background button pushers for the rest of the movie
I remember reading some slash about what Uhura did with "Mister Adventure" in that closet.
I read in a magazine interview that on original reading Nichelle counted her lines and complained to Bennett. He asked her if she read the lines themselve. She admitted she didn't and when she did she was extremely happy with what she was able to do and was grateful for the spotlight Bennet put on her in that scene.
Yep. "Starlog" interview with Harve Bennett. Nichelle was also pressuring for a skirt version of the Starfleet uniform (in ST II) and he made sure that wish was granted for ST III.
Nice save.I remember reading some slash about what Uhura did with "Mister Adventure" in that closet.
Had him eating...
out of her hand.![]()
I hated it that they blew up the Enterprise. One of my beefs with all the movies is that the Enterprise was never really grand it always ended up getting pumeled or destroyed.
I imagine she jammed comms, prevented interception, all kinds of mayhem. Kept everyone off their back.
Later on, she caught up with them on Vulcan.
Yep. As detailed in the novelization, but not compelling enough to add scenes to a movie.
I'm not sure if it was just the author's imagining or part of a bit of cut material, but in the novelization, Uhura goes to the Vulcan embassy and Sarek, just ahead of Federation security and gets asylum, which is how she got to Vulcan.
Not sure what the actual reason for her lack of usage was, but I can easily imagine the execs considering that not as exciting so they wanted it left out.
Yeah, the novelization was top notch, full of awesome extra bits like this -- it was by far my favorite novelization. I remember reading it as a kid and getting at least 100 pages into it and still hadn't reached the first scene of the movie.
I hated it that they blew up the Enterprise. One of my beefs with all the movies is that the Enterprise was never really grand it always ended up getting pumeled or destroyed.
Uh...it got destroyed for a very good reason in Trek III though -- because Kirk was trying to save his f'n life. One of my favorite scenes of all Trek when the Klingons walk on to the bridge and find the computer counting down to 0. And Kirk is obviously upset at having to have destroyed it. Very dramatic.
The novelizations of both II AND III had a lot in them that was cut from the final films. The whole Saavik/David subplot being the biggest chunk.
Uhura's expanded part in the breakout of McCoy and the theft of the Enterprise was the other one.(Not only did she provide covert transport to the ship, but she hacked Starfleet Communications and scrambled them up so badly that only the Excelsior even knew about the attempt for some time. THEN she made a run for the Vulcan embassy.)
The novelizations of both II AND III had a lot in them that was cut from the final films. The whole Saavik/David subplot being the biggest chunk.
Fairer to say that Vonda McIntyre did lots of extrapolation as she wrote the novelizations. There was never any scripts that had actual romance between Saavik and David, just suggestive cut-away shots, posed publicity stills, etc, in much the same way as Meyer shot the alternative version of the ST II elevator scene, to suggest (in some takes) that Saavik and Kirk were attracted.
Uhura's expanded part in the breakout of McCoy and the theft of the Enterprise was the other one.(Not only did she provide covert transport to the ship, but she hacked Starfleet Communications and scrambled them up so badly that only the Excelsior even knew about the attempt for some time. THEN she made a run for the Vulcan embassy.)
Again, this wasn't scripted.
My understanding is that novelization writers work from at least a semi-final version of the script. Sometimes a major rewrite strikes portions of it or substantially alters them.
Exactly, but the "subplot" was never actually there in the script. The teasing lines were the barest suggestion of an attraction, which McIntyre then had to develop into something more. It was more improvisation on set, and a hope (by Harve Bennett?) for what might come about if Saavik and David ever became the new Decker and Ilia of a series of telemovies, to carry the legacy after the departures of Nimoy and (eventually) Shatner.I know that at least one late version of the script of WoK (for example) has Saavik teasing David on the bridge in the final scene about "indeed being a bastard", which was part of the David/Saavik subplot.
Yep, and from that one line, McIntyre had to develop the whole katra-needs-to-reunite-with-body-one-more-time stuff, which is why Sarek was asking Kirk why Spock's body wasn't brought home.It also has a reference to the "Hall of Ancient Thought"![]()
I hated it that they blew up the Enterprise. One of my beefs with all the movies is that the Enterprise was never really grand it always ended up getting pumeled or destroyed.
Uh...it got destroyed for a very good reason in Trek III though -- because Kirk was trying to save his f'n life. One of my favorite scenes of all Trek when the Klingons walk on to the bridge and find the computer counting down to 0. And Kirk is obviously upset at having to have destroyed it. Very dramatic.
Kind of makes me wonder whether any books dealt with any of them besides Carol and David prior to the events of TWoK.
I remember reading some slash about what Uhura did with "Mister Adventure" in that closet.
Jeez!
Joe, not easily shocked
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