To wit:
Kirk as Luke. Young farmboy left in care of people that aren't his parents. He meets an older man (Pike as Obi-Wan here) who tells him of his destiny.
Uhura acts as Leia in the awkward love triangle of Kirk-Spock-Uhura.
The planet killers in each are destroyed by an end run straight into the center with a hero making a narrow escape. There's more stuff but well, Abrams is a Star Wars fanboy and I'm sure a lot of that was intentional in his work with Orci and Kurtzman. It's not necessarily a bad thing but to me, at least, the parallels are there.
You've made my point for me. The elements that reminded her of Joseph Campbell long pre-date Star Wars (and Star Trek) and each "universe" has borrowed liberally from what Campbell describes at length. I would argue that Star Wars has been a visual influence on sci-fi since 1977 (and that includes on Trek) but the commonalities in themes in Trek and Wars are a shared borrowing of older material, not necessarily one borrowing from the other.I dunno, the woman I saw the movie with leaned over and mentioned Joseph Campbell during Kirk's birth. A lurch toward Campbell is almost by definition a lurch toward Lucas--in SF, at least.
I never did call you a noob or anything else like that. Not to be mean but maybe it's just your headache making those inferences. All I said was that there's parallels between the new movie and Star Wars. .
It makes me wonder what they liked about the 1966 show to begin with, or indeed even if they did at all.
You've made my point for me. The elements that reminded her of Joseph Campbell long pre-date Star Wars (and Star Trek) and each "universe" has borrowed liberally from what Campbell describes at length. I would argue that Star Wars has been a visual influence on sci-fi since 1977 (and that includes on Trek) but the commonalities in themes in Trek and Wars are a shared borrowing of older material, not necessarily one borrowing from the other.I dunno, the woman I saw the movie with leaned over and mentioned Joseph Campbell during Kirk's birth. A lurch toward Campbell is almost by definition a lurch toward Lucas--in SF, at least.
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