The Ultimate Computer, The Doomsday Machine, Stiles from TSFS...That reflects real life, though. At least according to all the military personnel I've ever known, including my dad.The retard admiral syndrome.
Every officer of a rank higher than Kirk appeared to be lobotomised when a shoddy plot demanded it."General so-and-so doesn't know his ass from a whole in the ground," and so forth.
I only recall this happening twice, A Taste of Armageddon and The Trouble with Tribbles. Of course I'm doing this from memory.![]()
Okay, okay, I fixed it. No need to be an asswhole.If one were fixated at the anal stage, one would be "wholly grounded" there . . .
The Ultimate Computer, The Doomsday Machine, Stiles from TSFS...
The Ultimate Computer, The Doomsday Machine, Stiles from TSFS...
Since this is the 'Where TOS stumbled....' thread, I don't think The Search for Spock would count.
Not sure what Commodore Wesley (The Ultimate Computer) did to be considered incompetent? Decker (The Doomsday Machine) seemed to have the wrong strategy but the right goal in mind trying to protect the Rigel colonies. Plus was in obvious trauma due to the events that lead to the loss of the Constellation. Spock was the one who seemed to come off as incompetent by abandoning Rigel.
So I don't think either of those would count.
- Commodore Stocker ("The Deadly Years") - a desk jockey with good intentions yet totally out of his depth.
^^ The point was that Daystrom was holding something back when he built the M5 and let everyone think the unit could be disengaged at anytime.
Agreed. We get the sense that when the Enterprise attacked at full force he didn't immediately think it was the M5 at fault.^^ The point was that Daystrom was holding something back when he built the M5 and let everyone think the unit could be disengaged at anytime.
That doesn't mean Wesley approved the project to begin with. He seemed to simply be the task force commander.
“A hole in the ground, SIR!”A whole what in the ground?
True..dull and boring TOS's music wasn't...yes it was repeated, sometimes to the detriment of the story..most often not.. (like many other shows of the period, as an example, Outer Limits reused so much of it's themes..you can follow the progression of the story just by the musical cues) But,one of the bright spots in the third season was the music...
“A hole in the ground, SIR!”A whole what in the ground?
Okay, okay, I fixed it. No need to be an asswhole.If one were fixated at the anal stage, one would be "wholly grounded" there . . .![]()
It could be an inconsistency of continuity within the series. It could be an episode you think they should never have done. Or it could be something within an episode. Or it could be an idea or concept within the series you think they shouldn't have done or missed an opportunity to do. It could be how a story ended.Do you mean where they stumbled from an artistic standpoint or from a continuity standpoint, Warped9? Or something else?
Take "Spock's Brain" for example. Should they have aborted the whole thing altogether or is there something within the episode they should or shouldn't have done that could have helped salvage it?
Or it could be something that's never occurred to me.
Turnabout Intruder shouldn't have been the series finale. We got no closure.
I prefer the non-closure of TOS and TNG, to the overt closure of DS9 and VOY, although in the case of Voyager they did it well.Turnabout Intruder shouldn't have been the series finale. We got no closure.
I prefer the non-closure of TOS and TNG, to the overt closure of DS9 and VOY, although in the case of Voyager they did it well.Turnabout Intruder shouldn't have been the series finale. We got no closure.
I like the idea that after Turnabout Intruder the Enterprise Prime and her crew then just went on to their next assignment.
And then the one after that, near endlessly.
...the Enterprise Prime...
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