Re: What kind of Star Wars book would you like to see from Trek Author
Writers who are good at working in one medium can't necessarily adapt to another. The comics writers who've worked on shows like JLU are generally ones who had a fair amount of screenwriting experience already. And if they weren't, comics scripting and film/TV scripting aren't too dissimilar, since they both involve telling a story with visuals, dialogue, and sound effects. And writing for animation is even more similar to writing for comics, because animation is often plotted as much or more through storyboards as through scripts.
Making the transition from prose to scriptwriting is more of a challenge (or vice-versa -- see Roddenberry's awkward prose style in the ST:TMP novelization). If any TrekLit authors were to have a chance at writing for a new Trek TV series, the edge would go to those who already have screenwriting experience, like Dave Mack, James Swallow, or Geoffrey Thorne. (I might be able to pull it off -- my scriptwriting chops were evidently good enough to get me invited to pitch to DS9 and VGR -- but I'm horrible at verbal pitching and I'm not sure I'd be comfortable trying it again.)
Basically, I hope that if we ever get more televised Trek, it either is in a way that TrekLit can go ahead as it is now, or it is really amazing, literally the best series to have come. (And either way, that it pulls in the TrekLit authorial community for storyline work, or maybe even screenplay writing. If JLU could do it with some of the top DC comics talent, why couldn't televised Trek do it with TrekLit authors?)
Writers who are good at working in one medium can't necessarily adapt to another. The comics writers who've worked on shows like JLU are generally ones who had a fair amount of screenwriting experience already. And if they weren't, comics scripting and film/TV scripting aren't too dissimilar, since they both involve telling a story with visuals, dialogue, and sound effects. And writing for animation is even more similar to writing for comics, because animation is often plotted as much or more through storyboards as through scripts.
Making the transition from prose to scriptwriting is more of a challenge (or vice-versa -- see Roddenberry's awkward prose style in the ST:TMP novelization). If any TrekLit authors were to have a chance at writing for a new Trek TV series, the edge would go to those who already have screenwriting experience, like Dave Mack, James Swallow, or Geoffrey Thorne. (I might be able to pull it off -- my scriptwriting chops were evidently good enough to get me invited to pitch to DS9 and VGR -- but I'm horrible at verbal pitching and I'm not sure I'd be comfortable trying it again.)