TW1- childish rubbish that thought it was being adult and edgy
TW2-Childish rubbish that realised it was childish rubbish and consequently became fun to watch.
TW3- A Quatermass for the 21st Century.
TW4- WTF?
As for the original topic. I appreciate this is going to end up (if it hasn’t already) a Moffat slagfest but for what it’s worth here’s my honest and at least somewhat even handed two pence worth.
Rationally I knew we were unlikely to get something like Blink every week, but I think I did expect a more Hinchcliffe’esque Who than we got. The fairy-tale idea didn’t immediately grab me but pretty soon I thought it was wonderful, and in response to a poster earlier on, give me a Moffat Fairy-tale over an RTD soap opera any day of the week. I thought series 5 was great and count me amongst those who thought Series 6 was great. Yes it’s all over the shop but it has a wonderful, completely bonkers energy about it that I just love. 7A was ok, but essentially a bit pointless because Amy and Rory (much as I love em) should have headed off into the sunset in series 6. Series 7b was (aside from a couple of exceptions) terrible. I let Moffat off for that because of the 50th and The Day of the Doctor which was wonderful. Sadly it was downhill after that. Matt’s send off was poor and the notion to redo the idea of an unlikable Doctor (because it worked so well with Six) was a lousy idea (though I can see the logic and you can’t fault that 12 is very different to 10 and 11). Series 8 is poor aside from a few exceptions (Listen, Mummy on the Orient Express and the introduction of Missy) but I thought series 9 was something of a return to form. Not perfect, and still not up there with 5 and 6 but probably the most enjoyable the show had been (specials aside) since 7A. So now we’ll shortly have series 10, and the trailer does look good (but then again that’s what trailers are for) and a final Christmas special where both Moffat and Capaldi will sign off.
I think Moffat’s greatest strengths as a showrunner have also proven his greatest weaknesses. He overcomplicates matters, which keeps things interesting but if you can’t pull a great ending out of the hat that dilutes the impact somehow (see Dean Koontz for further details). I think he’s constantly tried to do something different with the show, but sometimes a desire to keep things fresh just makes it seem inconsistent. In an ideal world maybe he should have bowed out with Matt but he didn’t. Obviously the scuttlebutt used to be that he was refusing to leave. This has now been replaced somewhat by the notion that the BBC refused to let him leave. Who knows where the truth lies, I’m sure we’ll find out one day.
He’s been in the job way too long, doesn’t always finish what he’s started, and thinks he’s cleverer than he is a lot of the time, but, it comes down to one unassailable thing for me. At times RTD made me literally want to throw things at the TV. Moffat never has, and frankly that was probably the main thing I wanted when the showrunner change happened. The latter years will rightly be recorded as something of a mess, but at least the show hasn’t been predictable, and I think sometimes people forget just how utterly predictable the show was by the time RTD left, you could practically set your watch by the appearance of certain kinds of episodes and certain kinds of characters. Of course unpredictability has its downside too. Hand on heart I probably imagined the Moffat era would be better than it has been but, again being honest, give me Moffat/Smith over RTD/Tennant any day of the week (but by the same token I’d take RTD/Tennant over Moffat/Capaldi so go figure).