^ yeah Moore was a military man and they were all of a generation where WWII were the heroes of the last Great War. And they did WWII in space for two seasons. A lot of good stuff in there, interesting arc experiments, but it didn’t have to be that long or one-note the entire time, and it didn’t have to be WWII. The over the top yet mundanity of red eyed villains and having to destroy and evil book no one’s ever heard of or cared about til two seconds ago also just kind of meh.
And I agree about the character work. We’d seen Worf become a better parent on TNG. Bashir as genetically-engineered didn't make sense (retconned his own internal mono/dialogue from earlier in the series) and we didn’t get enough out of it; he wasn’t that super duper most of the time though he should have been uncomfortably more, given his abilities. Plus, can you imagine if the Romulans were like if Starfleet’s letting this slide then fuck it and started engineering half their crews like that? There had to be agreements/reasons everyone wasn’t genetically engineering left and right. Anyway, I blame Buffy: The Vampire Slayer, who was every writer’s wet dream at the time, one by one making every mundane human cast member on the show now a brooding supernatural being with interesting story arcs.
The more nuanced work they did with Bashir earlier in the series, the more realistic bastard in Dukat in “The Maquis” two-parter for example, other stuff, were turned up to 11 later in the series. I mean Rom and Leeta too, come on, that for me was almost misogynistic. The classic Hollywood fantasy of nerd writers. And Heaven forbid a “male” and female character just be friends on a TV show; Odo and Kira were straight out of a Soap Opera. Plus he was 17 years older than her in the real world, and that never quite gelled for me. It was just eh.
There’s a lot to love in the show, even in its flaws, but yes it did have them.