Paramount should replace the shots of the Enterprise in TOS with the Disco/SNW-prise.
Why not. They’ve already shit on the show with the 2006 remastered effects.
What are your controversial Star Trek opinions?
- Thread starter Amasov
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Why not. They’ve already shit on the show with the 2006 remastered effects.
I hardly think it's shitting on the show. If they could have made things look that good in the 60s, they would have. This isn't like a Star Wars "Han shot first" kind of thing. They aren't digitally removing Shatner to add in Paul Wesley.
I love DS9, it's by far my favorite series, but if they decided to redo some of those later space battles (especially the ones from What You Leave Behind) to take out the reused effects and replace them with what the producers really wanted to do, I'd jump for joy.
Art is defined by its limitations. Star Trek was a product of the 1960’s, as such, it should be left alone. If someone wants to put their stamp on it, then just remake it. The work of the 60’s shouldn’t be overwritten just because something newer and flashier comes along.
Since we seem to be having the “TOS-R: Threat or Menace?” discussion again, here’s my take on it:
Back in the day, I tried to get my life partner into Trek by watching “The Menagerie”. She didn’t get very far, literally laughing at the old effects (which I thought were perfectly fine).
Years later, the Remaster came along, and we tried that version of “The Menagerie”. She never noticed the effects at all, but Part 2 ended and she turned to me and said, with surprise, “That was terrific!”
And that’s why I’ll never damn the Remaster, or complain that the CGI isn’t good enough—because that’s not the point. The point is that it enabled a modern viewer to get past their own visual prejudices and see the story. For that, TOS-R was a job well done, even if I disagree with some of its choices.
Back in the day, I tried to get my life partner into Trek by watching “The Menagerie”. She didn’t get very far, literally laughing at the old effects (which I thought were perfectly fine).
Years later, the Remaster came along, and we tried that version of “The Menagerie”. She never noticed the effects at all, but Part 2 ended and she turned to me and said, with surprise, “That was terrific!”
And that’s why I’ll never damn the Remaster, or complain that the CGI isn’t good enough—because that’s not the point. The point is that it enabled a modern viewer to get past their own visual prejudices and see the story. For that, TOS-R was a job well done, even if I disagree with some of its choices.
That's an opinion many have, but I think it's a very situational effort. Would I slather CGI over the practical effects in The Thing? No. But we've continuously seen that the creatures on Trek, many different Treks, have felt hamstrung by budget and technology limitations. If it isn't changing the story, then I don't see it as being a while lot different than doing restorations of fine art or translations of literary works.
I think in some cases they really did, whereas in some other places they did a good job.
The Mojave CGI replacing the backdrop in "The Cage" is an example of where they did well. The insertion of a glimpse of ShiKahr into "Amok Time" was also good.
Examples of the bad? Every new shot of the shuttlebay simply trashed the exceptional ambiance of the original shots. The dematerialization VFX in "Friday's Child" were also ruined.
The new musical soundtrack for the opening theme is, in a word, grating. The VFX of the ship flybys in the opening are vastly inferior to the originals used in the second season, they are disappointingly limp as opposed to exciting and lightning.
I'm trying to be positive here, but "mixed bag" is about as far as I can go in that direction.
I like SNW better than Discovery (which is probably my least favorite) but I think I can understand the appeal of Discovery for those that like it.
In that (imho) it does deviate the most from Trek’s usual patterns of storytelling, especially since it’s based in season-long arcs, and the relationships are more akin to modern dramas like Grey’s Anatomy.
And I think SNW tries to split the difference between Discovery’s tone and feeling more familiar and traditional.
With TOS-R, I remember seeing something where the Okudas explained their objective was not to replace the intention of the orginal vfx and they were very careful not to bring the effects up to current standards but to enhance and refine the effects as they existed.Paramount should replace the shots of the Enterprise in TOS with the Disco/SNW-prise.
They did NOT want to replace the TOS effects and act like they never existed. They just wanted to clean them up and make them the best they could be within the context that they originally existed.
Why stop at exterior shots?Paramount should replace the shots of the Enterprise in TOS with the Disco/SNW-prise.
Paramount should replace the shots of the Enterprise in TOS with the Disco/SNW-prise.
I’d do the reverse, wipe out all shots of the Discoprise and replace with the proper Enterprise. You can go straight to the series version instead of the 2nd pilot version if you must.
Brought to you in PAL pitch.Why stop at exterior shots?
Indeed. Using modern technology and tools is not "shitting" on the past. It's taking the same attitude as TMP and using technology to update the look. The principles behind the world are still the same; phasers still phaser, transporters still transport, warp drive is still speed of plot,and on it goes.
It's theater to me. Or special editions.
Now that's an interesting take.
Are these people who complain about the updated effects on TOS-R watching TOS on an actual 1960s TV to stay true to the original unaltered production intent they prize so much? Or are you watching it on a modern 4K flatpanel with surround sound for that authentic 1966 experience?
No and no.
No. I use a basic flat screen and VHS.
This simply isn't a good analogy, because the consumer has no choice in the matter. Just like, now, when watching TOS on OTA/Cable/Streaming TV, all we have are the 2006 versions. If you want the original effects, you have to go and hunt down the home video versions of the show.
Nothing I would love more than to have a 25" color TV and BetaMax and LaserDisc players, and media to enjoy the show. That is just no longer practical for me.
Soon, only the hardest of hard core fans will even know those 60's effects even exist. To me, that is something important being lost.
Medic!Paramount should replace the shots of the Enterprise in TOS with the Disco/SNW-prise.
It's not that I don't like it. I think it's a fine show. It's just not my favourite.
I can't help but think this is because CBS went cheap in the middle of the series remaster. A lot of the effects in the later episodes don't pass muster to the earlier ones.
While my original statement about the Discoprise was somewhat tongue-in-cheek, FredH nailed my reasoning. My wife, too, wouldn't watch TOS without the remastered effects, and I believe some of the "next generation" might laugh off even the remastered effects, given the sometimes clumsy CGI.
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