Well, yeah, the whole point of the CIC is to be within the hull of a vessel. Even Star Trek adheres to this, in that the closest thing we've had to a CIC in Trek would be the command center installed on the NX-01 for the Xindi mission, which was located within the hull. Even on The Expanse, the CIC might have been within the hull of their ships, though that doesn't rule out the possibility there was also a bridge at the ship's top most point. As was supposed to be the case with Nu BSG, though this was only established in a brief throwaway line in the pilot miniseries, and as the show went on the CIC began sloppily being referred to interchangeably as the bridge anyway.
That's one way to do it.
No, no, no. The writers are only to be concerned with the story and the characters.
I concur.
The science/technical people are not writers, they are consultants.
We can change that dyanmic / relationship / structure for the specific domain expertise.
This way the core writers never have to worry about solving those technical issues.
You hand off those issues to the specific domain experts, they'll come up with a solution.
The Storyline/Character writers will integrate the solutions.
They provide input, the writers may include their input if they desire, but ultimately the needs of the story come first.
Sure, I'm sure we can find a way to make the needs of the Writers happen while the Science/Technical/Domain experts handle the rest and solve their problems.
If that means ignoring what the consultants have to say, then they are ignored. The story and characters are what carries the show, not the technical minutia.
That makes for a boring show to me.
I loved it when "24" brought realism to the drama and followed the time clock.
Adding Realism doesn't have to hurt the Drama IMO.
As Real as Possible can also be dramatic & engaging, it doesn't have to be mutually exclusive IMO.
Like on BSG, one time the entire writers room began arguing over the ship's internal layout and how one would move about the ship, pulling up ship schematics and cutaway diagrams and all manner of nonsense until finally Ron Moore got fed up and sent everyone home early for the day. The next day everyone comes in to find written on the room's white board in all caps "IT'S ABOUT THE CHARACTERS, STUPID!" Ron Moore knew that at the end of the day, it was the characters and storyline the audience were going to remember and discuss, not Galactica's internal layout and deck plans and made sure the rest of the writers knew to prioritize the characters and story over everything else.
That's Ron's way of handling things.
This basic principal is true no matter what kind of television you're watching. Everyone knows the various cop, lawyer, hospital and firefighter shows on network TV don't have a shred of realism to them.
We can change that moving forward, having more dramas based on IRL Cops, Lawyers, Hospitals, FireFighters.
No more fake
Hollywood non-sense.
There's very good reason why everybody clowns on Hollywood and how fake / trashy it is that it's as a trope in and of itself.
But that doesn't matter, most of them succeed because the audience becomes invested in their characters and want to watch what happens to these characters. Unless people give a damn about the characters in a work of fiction, that particular work of fiction isn't going to last no matter how scientifically or technically accurate it might be.
It's a good thing that other shows seperate the technical work and the storyline writers.