And then it'll get bought by TKO or something else completely fucking insane.
the ST is creatively bankrupt, relying on nostalgia porn for things we liked about the OT.
This is, sadly, how I feel about Star Trek too now. It seems to be what fans want. They’ll lap up nostalgia based fanwankery like there’s no tomorrow as we saw with Picard s3 and their clamouring for “Legacy”. Is that what a franchise needs in order to survive, thrive and draw in new generations of fans though?
I’ve kind of given up on Trek for now. It pains me. But it’s just not for me right now. I’ll keep watching but I doubt I’ll be rewatch much of it. I want something fresh, bold and different and altogether less timid for fear of fan backlash. Something as brave as TNG and DS9 when they debuted; eager to forge their own unique way. Most the output on various franchises right now is just weighted down by nostalgia porn for the immediate gratification of the existing fanbase.
More money earned at this point.SNW was basically Paramount+ giving up and deciding they'd give us something which structurally resembles Berman Trek - a semi-serialized show with character continuity, and discrete, identifiable themes/messages in each of the episodes. It seems to have been better received than the earlier series, so lesson learned I guess?
And I think it would benefit from doing so.Ultimately, Paramount+ never tried a clean break, which would be a new ship, new crew, and no one even vaguely related to the characters of the past series
What would you do that Trek hasn't already done?
Disco tried the "brand new ship/brand new crew" approach (only to bring back Pike and Spock).
Even TNG brought back McCoy, Scotty, and Spock!
One reason Disco jumped to the 32nd century is to get away from all the "canon" entanglements.
No one wants the franchise to toss aside its almost-sixty-year history.
I agree. And unfortunately, I also see this as the thing Trek is moving away from, because the comfort and optimism is in the past, not in looking to the future.I’d love Trek to do something fresh, unconstrained by constant callbacks and yet with the core optimism and hope the show has always held.
I agree. And unfortunately, I also see this as the thing Trek is moving away from, because the comfort and optimism is in the past, not in looking to the future.
Pish posh, it's easily aa important as Canadian streaming numbers.I fail to see how a photo of a title of an op-ed piece is proof of anything.
I agree. I love old Trek for what it is, and will rewatch it all the time. But, new Trek is something I want to invite me to check something out new. Or even challenge some ideas with in Trek. I don't think everything in Trek should just be taken for granted or rest on the laurels of the past.But when it comes to new Trek if it’s new, let’s make it new. If I want my Olde Trekke Feels, I’ll rewatch the old shows, which I’ll be doing anyway.
the concept of a kid's show was kind of new for ST
Overall, Trek fans are middle aged or elderly, which is prime nostalgia territory.
https://deadline.com/2024/01/paramo...hari-redstone-national-amusements-1235810285/
Paramount’s dual-class ownership structure presents an interesting twist. Redstone’s combined stake in the company’s Class A and B shares is around 10%. But her nearly 80% of the Class A (voting) shares means that pretty much any bidder would have to buy both Paramount and NAI, as acquiring Paramount alone would still leave Redstone in control. Taking over her stake via NAI, on the other hand, would likely prompt a pileup of lawsuits if the new owner tried to force deals or mergers onto minority shareholders. Another salient detail: The Oracle of Omaha, Warren Buffett, is biggest individual shareholder of Paramount, even though he doesn’t control its voting shares. And “he doesn’t like to be taken advantage of,” one observer notes.
Allen’s diversified media company includes plenty of linear TV, including the Weather Channel and local stations. He not only would want those holdings, but also would likely finance the deal “by lining up a buyer(s) for Paramount Studios + LA real estate,” Cahall added. “These are assets that interested parties like Skydance likely want.”
Since Allen and Skydance each want different assets, could they team up on an offer?
“There’s taxes and egos involved, and whatever. But yes, it kind of makes sense,” one Wall Streeter reasoned. Still, that division of things is a bit simplistic, he noted – and they wouldn’t need to. Money is not the Ellisons’ problem if they want to do a deal.
I’m in my sixties. I’m sick to DEATH of memberberry nostalgia. I dig Lower Decks because it’s funny as hell, not because of the callbacks. In fact, I’m wearing a Moopsy t-shirt right now, because Moopsy makes me laugh so hard I practically cry. And Moopsy isn’t something any other Star Trek has ever — or would ever do. Moopsy is a new thing in Star Trek. So is Peanut Hamper. And Shaxs. And most everything else on LD. It’s fresh. I want more “fresh” in my Star Trek. Please.
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