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Spoilers Variety about the future of Star Trek

"Unwilling to work or use energy"

Writing that movie script literally took work and energy. By every single account, it was a stressful time.

We don't personally change definitions to suit our needs. That's not how words work.

You may not like the oversight. But calling it lazy is disrespectful to the people and profession.
It's simple shorthand of language now. It's hyperbolic and unfortunately impacts understanding.

I love hyperbole but it gets excessive ;)
 
In this new interview Kurtzman speaks again of surprises coming up.
https://www.latimes.com/entertainme...-star-trek-discovery-finale-starfleet-academy
Are you looking past “Starfleet” and “Section 31” to future projects?
There’s always notions and there are a couple of surprises coming up, but I really try to live in the shows that are in front of me in the moment because they’re so all-consuming.
I am guessing this is something to be announced at some bigger event (Comic Con, Star Trek Day). Movies, like Section 31, or a show?
 
In this new interview Kurtzman speaks again of surprises coming up.
https://www.latimes.com/entertainme...-star-trek-discovery-finale-starfleet-academy

I am guessing this is something to be announced at some bigger event (Comic Con, Star Trek Day). Movies, like Section 31, or a show?

Could be literally anything. As you say, streaming movies, new shows, short treks, long treks, something animated, something not animated, CG, documentary, game show...
But I'm excited to see what's in store, whatever it may be.
 
More from TrekCore.com:

https://blog.trekcore.com/2024/05/alex-kurtzman-star-trek-starfleet-academy-32nd-century-setting/

Franchise boss Alex Kurtzman — who will be directing the first two episodes of Starfleet Academy — went into detail about why Academy was designed for the far, far future in a new interview with the LA Times published today, explaining exactly why he and his team decided to explore the lives of future Starfleet officers in the Discovery future.

“There’s a specific reason for [the 32nd century setting]. As the father of a 17-year-old boy, I see what my son is feeling as he looks at the world and to his future. I see the uncertainty; I see all the things we took for granted as given are not certainties for him. I see him recognizing he’s inheriting an enormous mess to clean up and it’s going to be on his generation to figure out how to do that, and that’s a lot to ask of a kid.



My thinking was, if we set “Starfleet Academy” in the halcyon days of the Federation where everything was fine, it’s not going to speak to what kids are going through right now. It’ll be a nice fantasy, but it’s not really going to be authentic. What’ll be authentic is to set it in the timeline where this is the first class back after over 100 years, and they are coming into a world that is only beginning to recover from a cataclysm — which was the Burn, as established on “Star Trek: Discovery,” where the Federation was greatly diminished.



So they’re the first who’ll inherit, who’ll re-inherit, the task of exploration as a primary goal, because there just wasn’t room for that during the Burn — everybody was playing defense. It’s an incredibly optimistic show, an incredibly fun show; it’s a very funny show, and it’s a very emotional show. I think these kids, in different ways, are going to represent what a lot of kids are feeling now.”
 
Getting this thread back on topic:

https://variety.com/2024/biz/news/paramount-skydance-merger-deal-sweeten-1235963443/

Skydance Media Revises Paramount Global Bid to Make It More Attractive to Noncontrolling Shareholders

After months of on-again-off-again haggling, Skydance Media submitted a newly revised offer for Paramount Global. The revised bid would reduce the amount Skydance and its financial partners would pay Shari Redstone, Paramount’s controlling shareholder, and reallocate that more equitably to the company’s nonvoting Class B shareholders, Variety has confirmed. Skydance would also put in more cash upfront to swing the deal, sources said.
 
I'm not one who likes to do the whole "not Star Trek" or "Star Trek is this or that" but this reads like someone who misses the whole fucking point entirely:

My thinking was, if we set “Starfleet Academy” in the halcyon days of the Federation where everything was fine, it’s not going to speak to what kids are going through right now. It’ll be a nice fantasy, but it’s not really going to be authentic.

Should we tell him about the 1960s?
 
And I think Kurrtzman has a point about his son's generation, at least from my interactions with them.
Yup, they've just lived through a cataclysm of a sort with the pandemic just as they got into high school. Now the world is increasingly in tatters and fascism is on the rise. Now more than ever, a show like Starfleet Academy makes so much more sense in the post-Burn era. That shining light of hope in the reconstruction after a dark era is that much more impactful. Kurtzman's viewpoint is spot on.
 
Again, so what? Every generation has it share of badness. When Star Trek came along, there was the Vietnam War, the Civil Rights movement, and kids being told that hiding under their desks would somehow save them. TNG came along amidst an entirely different pandemic, that was also mired in some pretty dark political rhetoric. Then there was that thing that happened just as Enterprise was about to start.

Calling the core conceit "halcyon" and unauthentic fantasy because today is somehow different than yesterday reeks of recency bias and come across as a little out of touch.

Again, we circle back around to how the future time is all arbitrary and ultimately irrelevant -- as noted by how Discovery never managed to used the time shift to any great end and instead just continued to bring back one familiar forehead appliance face after another.

In fact, I'm willing to bet that, amidst all the inevitable callbacks and shoehorned familiarity, the "thirty-second centuryness" will be nothing more than background flavor, where one could easily pick up the entire show and place it in any Star Trek time period and not have to change much [story/plot] at all. (Because that's how it's always been.)
 
The funny thin about Kurtzman wanting to set this in the same timeframe as Disco because of the "uncertainty of the time" is that
thanks to the epilogue of Disco's finale, we know that "uncertain era" will turn out okay and society will not collapse in the next few decades.
 
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