Tom Anfinson, David Armstrong, Nick Borgani in The Trevi collection, an episode of Kolchak:The Night Stalker!
JB
JB
I did not know that!You ever wondered what kind of happy pills they gave Cloud William so his voice would be so low and dramatic in The Omega Glory?*
*I know they messed with the speed of his voice recording.
Since Our Man Flint was spoofing the spy-story genre in general and the then-recently-popular Bond movies in particular, I imagine it was also playing on Joseph Wiseman's titular character in Dr. No and dialing it up a few notches for comedic effect.BTW, I thought it was hysterical that Organian actor Peter Brocco played mad scientist "Dr. Wu" in Our Man Flint, while Asian actor Benson Fong played "Dr. Schneider," and at no time during the movie is the anomoly pointed out.I can imagine someone deciding to swap names just before production started to see if anyone notices. Brilliant.
True, Courage was already well-established in the industry as an orchestrator of music by other composers (incl. Williams, Andre Previn and Jerry Goldsmith) before becoming known as a composer himself.Another collaboration between John Williams and Alexander Courage was Superman IV: The Quest for Peace, where Courage scored the film based on Williams's themes -- sort of halfway between composing and orchestration (and basically the same job Ken Thorne had on the previous two Superman movies).
I think my father (a classical radio announcer and something of an authority on music) once told me -- probably in connection with a discussion of Superman IV -- that Courage was considered one of the great film orchestrators, more famous in industry circles as an orchestrator than as a composer.
True, Courage was already well-established in the industry as an orchestrator of music by other composers (incl. Williams, Andre Previn and Jerry Goldsmith) before becoming known as a composer himself.
Indeed, orchestration is in a way the more difficult job to do well; most composers learn to do a workmanlike orchestration of their own works, but only a handful really stand out for their orchestrations. In more recent film music, Hans Zimmer and Danny Elfman are two well-known names who would have been nowhere without the orchestrators on their staffs, and outside the industry there are pieces now quite highly-regarded which might never have been heard in their now-familiar orchestral form if not for the arranging skills of people like Maurice Ravel, Nikolai Rimsky-Korsakov, Alexander Glazunov or Ferde Grofé.
This post pretty much answers my question of "Is an orchestrator anything like an arranger?" I knew the term 'arranger' from many songs my high school choir put on, but was unfamiliar with 'orchestrator' until now. Thank you for the information.
If there's a difference, it's that an arranger takes a piece or song already set up to be played by one group of instruments and resets it for a different group of instruments (often a larger or smaller group,) while an orchestrator takes a condensed melodic idea as it was written on paper by the composer -- frequently in the form of a piano score -- and expands it, assigning different lines from the piano score to different groups of orchestral instruments so that it all works together as a whole.This post pretty much answers my question of "Is an orchestrator anything like an arranger?" I knew the term 'arranger' from many songs my high school choir put on, but was unfamiliar with 'orchestrator' until now. Thank you for the information.
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