I didn't see anything "butch" about Kira.Honest to goodness. I've tried to watch DS9. I can't.
Wether it's Kira's "butchiness bitchiness" or Garak's extreme air of superiority (why doesn't someone BEAT THIS GUY TO THE GROUND!!!), there are so many things I hate about this show, that I can sit an watch Enterprise easier than you'll get me to watch a DS9 rerun.
As for bitchiness, well, if "bitch" stands for strong, determined, energetic, principled women who are great at their job and don't take crap from anybody then yes, she was a great bitch!

Yes, it is.What, in the Pale Moonlight? He gets two punches or so in, and the episode isn't really that much of a milestone.
Unless you mean, it wasn't a milestone because DS9 had already in previous episodes shattered the annoying storytelling cliche of black and white ethics, preachiness and Trek captains being constantly morally superior and unblemished and still managing to get things done, complete with delievering the wheel-of morality speech, then, yes, you are right, DS9 managed to deliver intelligent, realistic and challenging storylines much before In the Pale Moonlight - which was just the best example of this.
I would've signed everything you wrote, if it weren't for the BSG remark. I suspect you've never actually watched BSG or didn't see more than one or two episodes. BSG characters are indeed darker and edgier and more obviously flawed than those on DS9 (or TOS), but none of them, except maybe one or two, were horrible people without any virtues who never tried to make things better or never strived to better themselves, and BSG certainly did not carry a message that the future sucks, that humanity sucks and that one shouldn't bother changing things. (BSG also did not even take place in the future.)Quite the opposite, most of the characters were doing quite fine considering the horrible situation they were in (for which there is nothing comparable in the entire world of Trek), they were fighting and hoping, and since the pilot, the importance hope in all the darkness (Earth, to the Colonial humans, represented hope) was one of the show's most important themes. The question of the bad and the good within humanity was constantly asked throughout the series (Adama's speech about being "worthy of survival"), several characters in the show can be described as idealistic and many as heroic, even though many of them were either deluded, or used questionable means to achieve their ends; and even certain characters who can be described as weak, cowardly and selfish showed a capacity for compassion, love and even heroism.I realize that you're the boards Number 1 DS9 hater, but that's complete crap. I like the fact that the characters worked together on Voyager. But not the super-happy family who love one another more then life itself by the second episode. I can see the characters working together, sure no problem there. What I can't buy is them acting like they love each other right off the bat. Ok, sure that's an exageration but it's not much of one. By the second season you'd be shocked to learn any of them may have had negative feelings towards one another when their pleasure cruise through the Delta Quadrant started. No conflict means no drama. And lack of drama in a TV show usually leads to boredom. Doesn't mean I want it overdone, like in NuBSG. But a return to TOS-style conflict would have been nice.The only major "flaw" that Niners howl their guts out over for VOY is that the entire crew, with no exceptions, didn't completely fall to pieces over their predicament in the first episode and spend the entire series hating and planning to murder one another.
Your're confusing DS9 with NuBSG. The characters in DS9 were no more "dark and edgy" then the characters of TOS were. What DS9 fans want is a return to TOS-style real humans working continuously toward a better future. In TNG humans are idealized versions and near perfection is already there, so there's nothing to work towards. It makes for a dull experience IMO.As for "going outside the box" for DS9, that's not hard. All they had to do was basically say "The future sucks as much as the present day does, humanity sucks and will never change so you should never bother trying to be anything better than what you are." Like all "dark and edgy" works do these days.