I can't believe I forgot about the alternate MUs seen in Fearful Symmetry and Q & A. I've actually used that argument before.DS9: Fearful Symmetry and TNG: Q & A have cameos by alternate iterations of the mirror universe where the Terran Empire survived into 2377 and 2380, respectively. Given what MU: The Sorrows of Empire established about interstellar militaries and politics in the late 23rd century, I wonder how the aforementioned cameo realities could have come about. I conjecture that it would make for an interesting media project like the Abramsverse, but with the sheer amount of cruelty and killing that the Terran Empire entails, how could it live up to Gene Roddenberry's legacy?
That's how I interpret Mirrored because I dislike it, but a lot of other people interpret that it was in fact an actual reality.I would love to see an Abramsverse take on the mirror universe.
And not like they did in the comics...
when it was just a story told by the "regular" Abramsversions of McCoy and Scotty
but a full-out, balls-to-the-wall, "real" Mirror Abramsverse blockbuster.
However in my opinion, their canon take on current events in the MU missed the point. The MU was about opposites, not shades of grey.
I wish that for the 30th anniversary
Correct. I am referring to TNG's 30th anniversary in 2017.TNG's is in 3 years, I think that might be what he is referring too.
However in my opinion, their canon take on current events in the MU missed the point. The MU was about opposites, not shades of grey.
And even in the aired episode, it's not really about everything being opposite [...] Also, the Halkans are exactly the same in both universes. So clearly it's not a literal reversal of the entire universe, it's just an alternate history where humanity (and evidently Vulcans) went down a more violent path.
Isn't the gimmick there that the Halkans are ethically "neutral," so there's nothing too reverse?
I am pretty sure that's the tack taken in Blish's novelization. (I don't have a copy, though.)
Anyway, I think arguing over plausibility misses the point. I don't think Tarheel was saying there was a "fantasy conceit of a world where everything is just magically the exact opposite of what we know"-- rather, I think they were saying the audience interest factor of the mirror universe lies in seeing evil opposites of our main characters, and the Deep Space Nine version of the mirror universe neglects that, as do its prose treatments.
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