And let's not forget the Stardate debacle. Changing the system for Stardates took away the notion that this was another continuation of the franchise, though in another timeline. It seems now that Star Trek XI is clearly a complete reboot, and that Leonard Nimoy is not playing the same version of Spock he played before.
Plus the Kelvin is is bigger and more powerful than the Enterprise, our original Enterprise, which makes it feel more like a reboot.
And apart from the brewery looking awful and less advanced (Jar Jar seems to think all ship interiors are the same after 1950), but why concrete floors and cinder block walls? I mean I could accept that if it were some TV show B film on a shoe string budget, but this is supposed to be what, a multimillion, mega budget film, did Jar Jar spend so much of it on CGI and those annoying lens flares that he had to resort to a method that I last saw on the original V and use some old factory and say it's a space ship engine?
Plus the whole Delta Vega boo boo, as well as the Wrath of Khan Eels were like, "What?" It's like they used the names, but did not know what they were really doing. Same with the idea that because one ship, the Kelvin was trashed, everything with Starfleet and the Federation changed so much.
I think Jar Jar did a sorta bait and switch with "Alternate Universe" for Trek fans, like me, who did not want to go see a reboot, when it pretty much is one, since nothing seemed to gel with the established stuff prior to all this. And akin to what John Cleese said in "How to Irritate People", by this time it's not so much a reboot that's annoying folks, it's the inability to admit it's a reboot that's more irritating. Though reboots, to me, have always been the easy, lazy way out of something, since doing something original seems to be uncouth these days.