As for ratings on BBC America, "The Return of Doctor Mysterio" was BBC America's top-rated program of 2016 with 1.7 million viewers.
Yeah, but people overlook the later scene where H.G. Wells offers a more generous interpretation of why Lois didn't see the resemblance. I don't remember exactly what it was, and I wasn't entirely convinced by it, but it was a nicer sentiment than Tempus's "stupidest reporter who ever lived" spiel.
Actually, it works reasonably well. Remember, her undercover work at the Harmony Shoal building was the first time Lucy met or even saw the Ghost, meaning her dinner with him was the first time she had any serious interaction with the Ghost, and that ends with his identity being revealed anyway. Obviously, up until actually seeing Grant holding a spaceship above himself with only one hand she had no reason to suspect the shy and harmless guy she went to school with and is now nanny to her child is a masked crime fighting vigilante.Certainly, the fact that Lucy is oblivious is reflective of the inspiration provided by a certain DC Comics property, but it doesn't work as well here. She seems to spend a lot more time with Grant than Lois does with Clark.
Damn. After a 1 year hiatus, only 150,000 more viewers for the return. :/The final UK rating was 7.83 million, slightly more (by about 150,000 viewers) than 2015's "The Husbands of River Song."
It's like the Colin Baker years all over again.
The show is entering its 12th year so it could be in a much worse position in all fairness so I think people need to be less critical of the ratings when taken into the proper context.
even if you ignore the number of bums-on-seats, the audience share, chart rankings and AI figures are still not what they used to be.
I'd love to be proven wrong but I don't think another series of Capaldi is going to turn the ship around either
Damn. After a 1 year hiatus, only 150,000 more viewers for the return. :/
Also, even if you rest the show for at least another 5 years before trying again, I can practically guarantee that the numbers will not be any higher with the standard bradcast model.
People are moving to on-demand models and that will only be continuing for the foreseeable future.
If anything it would make sense to move Doctor Who to a new business model that matches consumer habits more these days.
But then again that is difficult to combine with the BBC's mandate it still has.
I think this story definitely played a role. As you say, it was a very poor story that really didn't make much sense. It certainly wasn't fun to watch. Ongoing story lines were wrapped up in a rush of words. However, I suspect other stories and decisions played a role. After Day of the Doctor, it appeared like the series was gearing up for a search for Gallifrey. Alas that wasn't meant to be. Instead, that was dropped and then later resolved before we even knew it. Apparently no big deal. The Hybrid thing was just bizarre. The Missy season long thing was a misfire. I could go on but in a nutshell, Moffat likes to set up these complex, ongoing storylines but he is very poor at resolving them in a satisfactory way. There just isn't the payoff for staying tuned and paying attention. So, some viewers stopped doing just that!Looking at the ratings-over-time chart on the Doctor Who News Page (the link in my post above), I wonder two things.
1) Was "The Time of the Doctor" an outlier (its ratings increased by 1.25 million over the year before) because it was also a regeneration story? If you take that one out, there's a fairly consistent attrition from 2010 to 2014, with 2015 and 2016 apparently at a stable equilibrium.
I don't know that answer to where the floor is in terms of when would the BBC stop making the series. However, the viewership floor is probably around the viewing numbers of the low point of the classic series. I'm assuming the BBC would stop making the series before that point. However, there really doesn't seem to be a huge drop relative to other shows and it while it may not be at the top, it seems to be near the top. I'm thinking the BBC will keep making the series for the time being. It's actually impressive that there wasn't a drop in viewers given the year gap between Christmas specials!2) Where, exactly, is the floor for the number of people who will tune in for Doctor Who, no matter what? It's going to be lower than where the Christmas special was, because more people tune in for the Christmas special. But could it be as low as 4 million? Is Doctor Who viable for the BBC for an audience that small?
Of course their not what it used to be...
We are talking about a 12 year old TV show and in this day & age of audience erosion, its a bloody miracle that 7 million people still watch it. Doctor Who is not going be a 10-12 million+ show again during its current run simply because of how people choose to watch TV shows if they watch any at all. The BBC's best chance would be to rest the show for several years and bringing it back but they aren't going to do that because worldwide the show is a bonafide hit and generates far too much revenue at a time the BBC is facing cuts. They will retool the show after 2017 and probably a few years after that over and over until they have no choice but to rest it.
No matter who was playing the Doctor or the show runner, a TV show entering its 2nd decade in today's world is going to see audience drop off's at least domestically.
Also, even if you rest the show for at least another 5 years before trying again, I can practically guarantee that the numbers will not be any higher with the standard bradcast model.
People are moving to on-demand models and that will only be continuing for the foreseeable future.
If anything it would make sense to move Doctor Who to a new business model that matches consumer habits more these days.
But then again that is difficult to combine with the BBC's mandate it still has.
I don't know that answer to where the floor is in terms of when would the BBC stop making the series. However, the viewership floor is probably around the viewing numbers of the low point of the classic series.
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