The Cybermen and Daleks should have funked out to the song too.
That moment made the whole scene worth it.Actually the best bit of the Ra Ra Rasputin bit was the Dalek and Cyberman looking at each other in a WTF? moment![]()
Chibnall's gonna Chibnall. At least this time, it wasn't the Doctor herself directly facilitating one of history's most inspiring atrocities.
There were times when I was hoping the Doctor would just throw it back in the Master's face. "Oh, you've gotten the Daleks and Cybermen to team up to erase me from existence? It's been done, I would've invited you along if I'd known you were that invested in seeing it."
It actually kind of bothered me that there wasn't much of anything from the Modern Era. I appreciated the Classic stuff, some from stray episodes I've seen, some by reputation, some because it's a de facto Modern reference (hello, First and Eighth Doctors!), but they could've crammed in a little more fan service to appeal to the fans who have been with this show for seventeen years. The last two decades are part of the century, too, you know.
Off the top of my head;Namedropping, never a bad time for it. You can't afford Freema to come in for an afternoon, have Kate talk to Agent Jones on the phone for a second. Quote-dropping, the Master finally steals the Doctors body, and not one line about he'd "drezzz for the occasion." I know '96 is considered Classic Era, I'm rolling. Having the Master-Proof prison in the basement of UNIT be the Vault Missy was living in under that university. If you want to be saucy, throw in a line about the Master not recognizing his former home, it'd be a cleaner explanation for why this incarnation is so old-school than "Chibnall didn't watch the last three seasons of the show he was taking over."
The weirdest damn thing about the BBC is that every single episode, they insist on spamming the last scene across social media the second it airs. Makes me really appreciate streaming services at least giving forty-eight hours before they start acting like you've seen the new episode. The BBC can't give you forty-eight seconds. Also frustrating, considering I was barely aware the episode was even coming this week; no promotion, but the second it's done, hype the cliffhanger to hell and gone.
(And, on a related note, though not something exclusive to the BBC, but if you're going to show a preview scene and not just a trailer for the next episode, don't have it be from the end of the episode. "The Expanse" did it too, at least once, but I remember I figured out Missy's entire plan a week before "Dark Water" aired because they showed the second-to-last minute of the episode as a preview. Oh, and those webisodes, released on YouTube with active comments, and the top one was alway "Quote the surprise punchline!")
Same here.I hated pretty much everything to do with the Master. But then the only version of the character I like is Delgado
Why was he Rasputin? Why did he have to be captured by the UNIT? Why did he want to become the Doctor?
All very good questions. Pity the episode provided nothing whatever by way of answers.How did the defaced paintings factor into anything?
It is odd the Master didn't recognise Martin, but then I guess there had been a whole lot of previous incarnations and he might not have seen all of them.
Great idea if it had gone somewhere sadly sums up so much of Chibnalls writing for Doctor Who. A lot of people hate everything about this era, but I find it frustrating when I can see so much potential in a lot of his ideas that just never pan out. I'd go so far as to say that on paper, a lot of his plots sound better than Davies or Moffat's. Legend of the Sea Devils is perhaps the best example of this. It's one of the best setups for an episode, and yet it's a load of old nothing.
Is it really significantly more incoherent than The Five Doctors or "The Day of the Doctor" or any of the other multi-Doctor adventures?
Yeah, I was worried she would disappear after the forced regeneration, but between the magnificent waystation scenes and the wonderful hologram segments, she maintained a strong and important presence in the story until she was able to return to her body.There was one bit I was worried Jodie would disappear in her own swan song (not necessarily the bit where that's the actual plot either), but she held it together and was great. I think (hope) that time will show that she, like Colin, was at the mercy of the material she was given. If she comes back for anniversaries and/or Big Finish, I'll be looking forward to it.
Really? I loved the bonkers train capper sequence.I have to admit the whole start and end of that forced regeneration scene was good.... The worst part of the show was the train bit
We use essential cookies to make this site work, and optional cookies to enhance your experience.