The one thing it really has going for it is a gorgeous female lead. Otherwise, I find the characters pretty unappealing, the acting weak, and the story a fairly standard melange of high fantasy tropes. Even as stunning as Talon is, and even with her tragic backstory we're supposed to sympathize with, she's a rather unlikeable character, cold and angry and aloof, and I've never been a fan of revenge narratives. The soldier guy who's obviously meant to be the Tracy to her Hepburn is trying too hard to be the cool, funny male lead. And nobody else is all that interesting.
The action doesn't engage me that much either, since it seems to be focused more on a rather straightforward and prosaic use of weapons than on the more stylized stunt work of the Hercules/Xena-era shows, which were drawing on the same wuxia martial-arts genre that inspired The Matrix and Crouching Tiger, Hidden Dragon. This is just cut, stab, shoot, blood, pain, death. It stresses the violence, which is the part I don't like, more than the stunt choreography, which is the part I do like. The fight choreography doesn't even seem very competent or coherent; there were two or three moments where I could've sworn that Talon was supposed to have stabbed someone with her dagger or sliced them with her sword and they just kept on fighting.
The most '90s thing of all was the electronic music, which sounded surprisingly cheap and cheesy. I mean, the composition per se wasn't bad -- it sounded like it might've been Joseph LoDuca, which is possible given that this is a Dean Devlin-produced show -- but the synth it was performed on sounded really cheap. Moreover, I think the video may have been slightly accelerated, since the music had an unpleasant, warbling distortion to it.