Love it! A spiritual successor for Trek, embracing optimism and hope for the future, along with some good old fashioned exploring and dealing with real world issues, with some great actors and solid writing.
If you got rid of all art that bothered anyone or is capable of causing bad behavior in anyone, you’d be left with bland generic nothing. And worse than that, you make hatred from a public subject under discussion to a forbidden fruit that angry people will mistake for subversive honesty.
Does the concept of the comedic anti-hero really need to be explained again?
Cartman is funny because he's wrong. Because he's so obviously wrong...
Cartman, and other comedic sociopaths, are not idolized as rolemodels. They are a tool of satire to take concepts like bigotry and show off the underlying ridiculousness of them.
That doesn't mean much, and the license holders are not doing their best considering how poorly enforced those labels are. They're priority is on financial profit. Not social responsibility. Look at the creation of the Parental Advisory label on music. And yet minors are the main consumer/listener of albums that have that label and the industry is very aware of that.Well, no there isn't any mixed messages at all, given we are in an era where an adult action figure market exists. Indeed, Family Guy action figures even specify "Ages 13+" on the packaging, and I've seen action figures with ages as high as 17+ listed on the packaging. In the case of Funko Pops, the ones aimed at older demographics specify as much on the packaging, as indeed South Park Funko Pops do say Ages 17+ on the box. Everyone involved in the production of the show and the toys are doing their bit to make sure it's clear these are not meant for kids.
It's not a one or the other binary approach. You can both be critical of the show and its producers AND complain to the store.If the toy stores are putting them with kids toys, that's the toy store's fault. Lodge a complaint with them, don't complain to or about the show's producers.
I remember quite a few toy lines based on r-rated movies from the 1980s and 90s. RoboCop, Rambo, Terminator 2, Aliens, Starship Troopers, etc.
Since South Park was brought up, remember the first Christmas episode where everyone thought of something that was offensive about the Christmas school play so to please everyone they made it incredibly lame? That feels like real life these days, especially when it comes to TV.
That's an odd reason not to finish a response. I didn't even like the villain of Hush back then, let alone now, and I just wanted to pick a generic-sounding name. I'm surprised someone even recognized it here.I was halfway through writing another response to @Thomas Elliot , when I realized something: complaining about the dangers of the idolization of fictional antiheroes rings a bit hollow coming from a person using the name of a Batman villain as their handle. WtF?!
Do you have examples of this? Because while television and film is made to be more inclusive these days by featuring more black, Asian, Latino, LGBTQ, Muslim, etc characters and stories, I don't see everything offensive being censored or off limits. Every era, 60s, 70s, 80s, 90s, '00s, and now has their own cultural taboos and own PC self-censoring. But considering the political and cultural climate these days, I find it hard to believe that we live in a PC culture any different from before. If anything, more things are permitted. Racist language and racist signaling for example seems to be mainstream in politics than previous times.
I agree with you on Twitter and that aspect of society in general. But seemingly there's just as many people be absolutely horrible to each other as well. So on one hand you have people being "cancelled" or trying to be cancelled by Twitter mobs for the smallest of things at times.Have you been on twitter recently? You can find something that offends someone and twitter is absolutely full of it. I can't really get specific examples right now but I was speaking generally.
That's an odd reason not to finish a response. I didn't even like the villain of Hush back then, let alone now, and I just wanted to pick a generic-sounding name. I'm surprised someone even recognized it here.
And you're really comparing South Park and Scarface to someone using a minor Batman character's name on a Star Trek forum? I don't think anyone I know in real life would know who "Thomas Elliot" is except for maybe a handful of my comic reading friends who are in their 30s. But virtually everyone I know knows Cartman, Scarface/Tony Montana and/or the Joker.
Instead of addressing the argument I made, you resort to using a tu quoque fallacy. Maybe it's best you didn't finish that response.
"Hush" is mostly notable for Jim Lee and even then, you're overstating its significance in mainstream culture, not to attack my argument, but to attack me personally.It's the name of the titular villain of the most popular Batman graphic novel since the turn of the century,
Batman has been the dominant figure in DC's comic lineup way before that. It was around the time Frank Miller's The Dark Knight Returns came out in 1986 that Batman comics were consistently outselling Superman comics. And by the time the Superman films stopped being successful, Batmania was resurrected with the 1989 Tim Burton movie which started a successful film franchise.the story that made Batman the dominant figure in DC's comics lineup,
And they also made Batman: Gotham by Gaslight, and Batman/Superman: Public Enemies, based on stories which were virtually unknown to the general public. Lego Batman is probably more well known than "Thomas Elliot" or Hush.which was just last year turned into an animated movie.
Well, yeah. Thomas Elliot sounds pretty generic, like Bob Jones, or Jack Paul.But you only wanted a generic-sounding name, and after all, your intent is all that counts. Oh, wait ...
You can believe what you want, but you'd be wrong in this case, and the accusation of bad faith doesn't even make sense in regards to my posting history in this thread, let alone at this site.I stopped my previous response because I was going to write a longer post on the role of antiheroes in popular culture, when I noticed your handle. I personally believe you to be a hypocrite arguing in bad faith, and therefore not worth the effort.
Cartman is a 4th grader on a satirical show.... I don't know what this has to do with a spaceship show.
"Hush" is mostly notable for Jim Lee and even then, you're overstating its significance in mainstream culture, not to attack my argument, but to attack me personally.
Batman has been the dominant figure in DC's comic lineup way before that. It was around the time Frank Miller's The Dark Knight Returns came out in 1986 that Batman comics were consistently outselling Superman comics. And by the time the Superman films stopped being successful, Batmania was resurrected with the 1989 Tim Burton movie which started a successful film franchise.
And Christopher Noaln's Batman Begins, and more importantly, The Dark Knight is what really continued to cement Batman's status as DC's dominant figure.
And they also made Batman: Gotham by Gaslight, and Batman/Superman: Public Enemies, based on stories which were virtually unknown to the general public. Lego Batman is probably more well known than "Thomas Elliot" or Hush.
Well, yeah. Thomas Elliot sounds pretty generic, like Bob Jones, or Jack Paul.
Especially compared to a username like "Silver St. Cloud," "Hugo Strange," or "Jean-Paul Valley." Those are somewhat exotic sounding names.
You can believe what you want, but you'd be wrong in this case, and the accusation of bad faith doesn't even make sense in regards to my posting history in this thread, let alone at this site.
I like The Orville but when I found out about the so-called "rape episode" I took issue with it, along with the show's creator Seth MacFarlane making light of rape and sex crimes in his other shows.
You've been condescending ("Does the concept of the anti-hero really need to be explained again?") and then you go after me personally, calling me a hypocrite, which, even if I were, wouldn't invalidate my argument.
But whatever. If you have to resort to fallacies like "looks who's talking," false equivalences, along with reaches and false accusations, then I'm not missing out on your unfinished response.
By this argument all the kids wearing Deadpool everything are destined to be sarcastic mercenaries who kill people!No, they quote him because it's funny, they have Scarface posters because it looks cool, none of these kids actually adopt Cartman's antisemitism beyond making a joke they don't really mean, and if there are antisemitic Cartman fans, you can bet they didn't get it from him.
One note about the pedophile in Family Guy, for context. They get away with it because the character in question is so feeble he’s not capable of acting on it.
Yeah, kids are influenced by TV. When I was a kid I made inappropriate sarcastic remarks because I saw them do it on Full House, should we ban Full House?
If you got rid of all art that bothered anyone or is capable of causing bad behavior in anyone, you’d be left with bland generic nothing. And worse than that, you make hatred from a public subject under discussion to a forbidden fruit that angry people will mistake for subversive honesty.
One thing I saw on my Facebook feed a lot in 2016. “Trump isn’t politically correct, he’s just correct”. Take away the political correctness, they wouldn’t think he’s correct either. Political correctness is responsible for his popularity, by making him from an angry hateful narcissist into “Subversively honest”.
I agree it’s a dicey subject assigning responsibility when an unreasonable person emulates a TV show by interpreting it in a way it’s not intended.
But in the end intent is what’s most important. You have to treat adults like adults and hold them responsible for their own behavior.
Another note about context and intent. South Park did an episode where the N word was said repeatedly. Randy incorrectly tried to solve a Wheel of Fortune puzzle with it when the answer was Naggers. The episode was then about the cultural impact of the N word and how white people can never really understand how a black person feels when it comes up. The NAACP said that it was okay that they said the N word because of context and intent.
It’s no different with Cartman’s Anti-Semitism.
We use essential cookies to make this site work, and optional cookies to enhance your experience.