^^^^^^^^
It may sound shallow, but I find it more watchable in the "remastered" versions, but I'm usually too busy (hungover) to watch it on Saturday afternoons.
You're still hungover in the afternoon?!?!??!

Smeos, you've got to dial it back! That's not good for anyone!
And I can kind of understand why you like the remastered versions. That was the whole point of them putting in the new digital effects, to make them more palatable to viewers who grew up with digital effects and the like.
It's a funny thing though. When SW came out, I was a very young kid. I could see that the effects and production were a lot better than ST, but, y'know, I didn't really care. I liked them both. Now, as an adult, I find myself liking ST a lot more. I guess fancy effects just don't mean much to me. I've seen some effects-heavy films that have just left me cold. I've also seen some old sci-fi movies, like George Pal's The Time Machine and War of the Worlds, which I think are great. The effects just don't matter that much. It seems though, that a lot of younger viewers just can't get beyond that for some reason.
I have never gotten over the dirt falling from the ceiling of that Romulan ship in "Balance of Terror", though.
Wasn't it just junk?
I like a lot of the episodes stories. BoT, The Ultimate Computer, and of course City on the Edge of Forever were all great episodes. The Nazi Planet, Spock's Brain and the one with the space amoeba were all pretty bad, IMO.
Yeah, BOT, The Ultimate COmputer and City are all classics. I actually really like Patterns of Force, the Nazi planet one. Yeah, I know it's one of those episodes that used 20th century earth sets and the like, but there was a reason for that: ST's limited production budget. The original show, adjusting for inflation, just didn't have the money that TNG did. In the ST writer's bible, GR actually put in his parallel earth theory so that they could make use of available backlot sets and costumes to cut costs. Even though Patterns isn't one of those parallel earths, like in Miri, the Omega Glory, and Bread and Circuses, it was the same idea. You kind of have to roll with the punches with the original show and enjoy it for what it's got: the characters, the fun, the action, and the drama. It's better to think of it more like theatre, where you have big set limits. That's my take on it anyway.
And, I am actually one of the very few that likes Spock's Brain. Maybe I'm the only one alive!
The giant space ameoba in The Immunity Syndrome, well, I liked that too. Yeah, it's not high concept, but it's in the same vein as a lot of those TNG anomaly episodes.
The Way to Eden and the Lights of Zetar though, well, I've never liked them.
Although I give the latter credit for having that great line that Lucas swiped for Star Wars (more proof that the guy's a hack). The endless gods and energy beings started to get real old real fast, too. Are there no benevolent gods in the Universe?
I didn't have a problem so much with the god-like beings so much as GR's repeated story of Kirk taking down computers.
And, again, you have to chalk some of this up to limits on the production. They couldn't get as ambitious as TNG and the other spin-offs could due to lack of money and sfx technology. That limited the types of stories they could tell. Of course, imo, those same limits led to the writers to work harder in terms of characterization, action, and drama, I think.
When you think about it, both ST and TNG had limits which the writers worked hard to overcome. ST had the budget and sfx box and TNG had the GR perfect people box. How the writers dealt with those constraints really characterized the identities of those two series.