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The only way one can find TNG not to be the best trek series is if

Great drama has conflict among it principal characters and TNG did not.

I guess you missed Riker yelling at Data for preventing them from saving Picard in The Quality Of Mercy or this discussion in Pen Pals.

"There are no options. The Prime Directive is not a matter of... degrees, it is an absolute."
"I have a problem with that kind of rigidity. It seems callous, and even a little cowardly."
"Doctor, I'm sure that is not what the lieutenant meant but in a situation like this, we have to be cautious. What we do today, may profoundly affect the future. If we could see every possible outcome..."
"... we'd be Gods, which we are not. If there is a cosmic plan, is it not the height of hubris to think we can or should interfere?"
- Worf, Pulaski, Picard, and Riker, discussing how to proceed after Data's revelation
Show where in DS9 there was that much conflict on DS9 aside from some bickering in the end there were no real moral battles even Sisko at the end of In The Pale Moonlight said he'd do all over again if given the choice, there no agruements concerning the use of genocide in the Dominion War let alone using Odo to do it.
 
TNG did have Hugh
_____________________

Didn't say TNG ratings weren't hugh. I speculated that TREK ratings could have been even greater with TOS characters who were icons, even at that point in time.

You misspelled huge Lilith was just making fun of that.

OK.


DWF wrote--
It was nominated for a Best Drama Emmy in it's final year so I don't think everybody could agree with you there.

Probably done to quill a lot of criticism from the media that TNG had never been nominated. They were being political, as some award shows are, and essentially threw TNG a bone, cause the seventh season was pretty weak. That's one of the many reasons I don't like award shows or use them to judge quality--especially the Oscars, Emmy's and Grammy's. Lots of great art gets ignored. THE WIRE is just a magnificent TV series and you would think it has the plaque or something the way it gets treated at Emmy time.

So bythat you're saying that TNG should've nominated earlier then I guess? :techman: And you miss my point TNG was clearly an Emmy contender in the best drama department so the show wasn't lacking in drama despite the claims that the show was somehow lacking in drama since they took out some of the conflict between Starfleet personal.

No. I'm saying getting an award or not getting an award doesn't prove anything. Alfred Hitchcock, probably the greatest director of all time NEVER won an Oscar!!! Lesser directors have. What does it prove?
 
Great drama has conflict among it principal characters and TNG did not.

I guess you missed Riker yelling at Data for preventing them from saving Picard in The Quality Of Mercy or this discussion in Pen Pals.

"There are no options. The Prime Directive is not a matter of... degrees, it is an absolute."
"I have a problem with that kind of rigidity. It seems callous, and even a little cowardly."
"Doctor, I'm sure that is not what the lieutenant meant but in a situation like this, we have to be cautious. What we do today, may profoundly affect the future. If we could see every possible outcome..."
"... we'd be Gods, which we are not. If there is a cosmic plan, is it not the height of hubris to think we can or should interfere?"
- Worf, Pulaski, Picard, and Riker, discussing how to proceed after Data's revelation
Show where in DS9 there was that much conflict on DS9 aside from some bickering in the end there were no real moral battles even Sisko at the end of In The Pale Moonlight said he'd do all over again if given the choice, there no agruements concerning the use of genocide in the Dominion War let alone using Odo to do it.

Isolated examples doesn't prove anything. Besides, I think you are not understanding that good drama is more than characters yelling at each other. The characters have to be real--full of light and darkness. With the exception of Worf, TNG characters came of as wimps and pussies.
 
Great drama has conflict among it principal characters and TNG did not.

It was clearly an exceptional and dramatic show. So your premise that personal conflict among main characters is a required element is false. It's not a required element. It is a common element, but not required.
 
Isolated examples doesn't prove anything. Besides, I think you are not understanding that good drama is more than characters yelling at each other. The characters have to be real--full of light and darkness. With the exception of Worf, TNG characters came of as wimps and pussies.

You just don't like TNG, that's all. All this talk of some dogmatic formula for what constitutes "good drama" is just an attempt to make your opinion sound like its more than it is.
 
A lot of good points have been made in this thread by posters both for and against TNG being the best . Speaking for myself, TNG isn't my favorite, although I am a big fan of the series. My favorite still is the original series. To be fair, I think both shows had their strenghts and weaknesses. Ron Moore, who wrote for TNG, DS9, VOY (only 2 episodes), GEN, and FC and created BSG, had this to say regarding the limitations GR put on TNG with his "edict" or "box" that the characters, except for Worf, were supposed to be perfect. His remarks echo my feelings on why I prefer the original show over TNG. The quotes below are from Part I of Moore's recent interview on trekmovie.com, although he has made similar remarks before.

TrekMovie.com: Piller used to refer to the ‘Roddenberry box’ as in the Gene rules that there is no greed, people are perfect, etc. Did you find the ‘Roddenberry box’ limiting as a writer?

Ron Moore: I think we all did. I think there was a general consensus in the writers room in every season that we always chaffed at the notion that there were no petty jealousies and greed and all that. We railed against that on a daily basis, found ways to get around that, found ways to get through it with varying degrees of success. It was a constant problem that we just sort of gnashed our teeth about. It never made any logical sense or any dramatic sense. It just didn’t feel like it was a logical sense of where the Star Trek universe was going. I was always saying ‘the Original Series was never like this, the Original Series has plenty of problems with humanity, plenty of with jealousies and bickering and even racial prejudices are alive in the 23rd century.’ In "Balance of Terror" Stiles is overtly prejudiced against Spock just because he is Vulcan. And that isn’t the only instance of that. It made for drama and it made for conflict. It made the world work.
So when you tried to take all that out it just made it very difficult to tell stories that had much meaning to them, or any teeth to them, because you had to keep going back and make people much nicer and people couldn’t have true conflict and it made it hard to write the show in any kind of dramatic sense. And we were always bitching and moaning about it. And my personal theory was that Gene sort of started to believe in himself as more of a visionary than a writer at a certain point. He started to believe the stuff that he was creating a utopian future and wanted The Next Generation universe to be reflective of the utopian universe that so many people had told him he had been creating for all these years. So it started to become less about the drama, less about making a television show, and more about servicing this idea of what utopianism was going to be and how perfect humanity was going to be in the future as an example of how to live our lives by, as opposed to making a great television series.

TrekMovie.com: In the DS9 episode "In the Cards" you kind of made a play on this. There is an exchange between Nog and Jake, where Nog says to Jake "it’s not my fault you don’t have any money" and Jake says "we are here to better ourselves" and Nog says "what the hell does that mean." Jake was saying the line from a movie you wrote, First Contact, "we strive to better ourselves" So were you making fun of yourself?

Ron Moore: Oh yah [laughs] None of us knew what that meant. I think Nog’s next line is "what does that mean exactly" and Jake kind of fumbles and says "it means something good" or whatever. It is a strange platitude that we used on the show, the need for money was gone and everything was about bettering yourself. It was no longer about any kind of material gain or personal gain, everyone was just trying to be a better person So none of us could understand what that mean or how that society functioned. It all seemed very vague. None of the writers took it seriously. We all kind of laughed about it and joked about it. We all had to pay homage to it because that was something that was built into the structure of the show. At every opportunity we tried to sneak in ways. How do you play poker if you don’t have currency? Again The Original Series had credits and currency and we never understood why they could do all these great things and we couldn’t. It was very odd.

TrekMovie.com: Did you feel that with [Deep Space Nine show runner] Ira [Steven Behr] the box was thrown out the door?

Ron Moore: We were all in league together. Ira was a big proponent of throwing the box out the door, but he knew we couldn’t really throw the box out the door. We could only go so far and find creative ways around it. We couldn’t save the Star Trek universe by destroying it. We had to keep things in place because they were the fundamentals that Gene had built in. And so we just found ways around them whenever possible. Like there is no religion in the future at that point, even though the original Star Trek series had a chapel on the ship, by the time he was doing Next Gen he had decided that all major Earth religions by the 24th century and none of us believed that for a heart beat. That just seem preposterous that they would just vanish.

I think it's fair to say that although Moore was a writer for TNG, he thought the original show did ST better. He also had issues with putting kids on the Enterprise, which never ever made any good sense to me. Seeing them evacuated from the Enterprise D in GEN just underlined how poor a concept that was, one that defied an logic whatsoever. He also didn't like having the captains shrink advising him on the bridge, another bad progressive idea of Gene Roddenberry (who also wanted to give Troi 4 breasts). It's obvious that Moore enjoyed DS9 a lot more under Ira Steven Beher. They tried to stretch the GR box to the breaking point on that show, and as a consequence, imo, it feels more like the original ST than TNG did, even if it is set on a space station. Also, in light of these remarks, I get the feeling that BSG was a channel for Moore to address what he felt was totally wrong about TNG. His BSG characters are definitely not perfect people and, as a consequence, there is a lot more personal drama on that show.

Another thing I really liked about the original ST that I don't think TNG did as well was humor and action. The character chemistry, imo, was better than TNG and the original characters did humor very well, no better than TVH. Action-wise, ST wasn't above sometimes using pulp elements. It might not be particularly sophisticated story-telling having Kirk lecturing a green-haired tinfoil wearing space babe about love and fighting in an arena as a gladiator for the pleasure of three glowing brains (from one of my favorites, the Gamesters of Triskelion), but it's a lot of fun! I think, when you add up all the episodes they did do with the original series, there was a lot of breadth and just some great storytelling.
 
To be fair, though, there are definitely things TNG did better than the original show. First, there is the obvious differences in production. TNG had a lot more money and better sfx technology than the original show did. I really do think that difference, which I think is pretty superficial, is one of the reasons latter-day Trek fans of TNG on don't like the original ST. Several of them have admitted it to me, they can't look beyond the 60s era production, which was, if anything, better or comparable to similar shows of the time.

WRT the writing, although only Worf could have interpersonal conflicts (for the most part) with the rest of the TNG crew, who were supposed to be perfect people, the TNG writers did manage to do a pretty good job of bringing conflict from outside the ship to keep the show interesting. The other thing they did well under Michael Pillar was to systematically start developing the characters from season 3 on. I think that had a lot to do with improving TNG after seasons 1 and 2, which, barring a few great episodes, were mostly crap imo.

The other thing TNG really did well was nail down ST's continuity and bring serial story-telling to it. That was something the original show virtually didn't do at all.

So, in short, I think both shows have their strengths and weaknesses. Personally, I'm with Ron Moore, I still think the original show's the best (followed right on its heels by the wonderful DS9). I can totally understand, though, why others think TNG or DS9 are the best, particularly if they were introduced to ST via those shows. Actually, I believe most fans of the original ST are also TNG fans. I am at least.
 
Great drama has conflict among it principal characters and TNG did not.

It was clearly an exceptional and dramatic show. So your premise that personal conflict among main characters is a required element is false. It's not a required element. It is a common element, but not required.


It is my opinion that great drama has conflict among it principal characters and TNG did not. Never said it was a requirement.

If it were clear TNG was an exceptional and dramatic show, then a great number of people, as they have, wouldn't and couldn't be critical of it dramatic short comings, so your statement lacks credence.
 
Great drama has conflict among it principal characters and TNG did not.

It was clearly an exceptional and dramatic show. So your premise that personal conflict among main characters is a required element is false. It's not a required element. It is a common element, but not required.


It is my opinion that great drama has conflict among it principal characters and TNG did not. Never said it was a requirement.

If it were clear TNG was an exceptional and dramatic show, then a great number of people, as they have, wouldn't and couldn't be critical of it dramatic short comings, so your statement lacks credence.

There's no shortage of opinions on the internet that's for sure and the other Star Trek have just as many if not more shortcomings in the drama department.
 
Great drama has conflict among it principal characters and TNG did not.

It was clearly an exceptional and dramatic show. So your premise that personal conflict among main characters is a required element is false. It's not a required element. It is a common element, but not required.


It is my opinion that great drama has conflict among it principal characters and TNG did not. Never said it was a requirement.

If it were clear TNG was an exceptional and dramatic show, then a great number of people, as they have, wouldn't and couldn't be critical of it dramatic short comings, so your statement lacks credence.

The credence is in the pudding. You should try some.
 
It was clearly an exceptional and dramatic show. So your premise that personal conflict among main characters is a required element is false. It's not a required element. It is a common element, but not required.


It is my opinion that great drama has conflict among it principal characters and TNG did not. Never said it was a requirement.

If it were clear TNG was an exceptional and dramatic show, then a great number of people, as they have, wouldn't and couldn't be critical of it dramatic short comings, so your statement lacks credence.

There's no shortage of opinions on the internet that's for sure and the other Star Trek have just as many if not more shortcomings in the drama department.

True.
 
Isolated examples doesn't prove anything. Besides, I think you are not understanding that good drama is more than characters yelling at each other. The characters have to be real--full of light and darkness. With the exception of Worf, TNG characters came of as wimps and pussies.

You just don't like TNG, that's all. All this talk of some dogmatic formula for what constitutes "good drama" is just an attempt to make your opinion sound like its more than it is.

It's more than my dogmatic formula. I think many would agree with the weaknesses in drama among TNG principal characters and the problems. Ron Moore has an excellent audio interview talking about some of these very problems over at Trekmovie.com. Go over and listen.

My posts have been a response to this thread that implies TNG is the best series, therefore they seem to be a slam against TNG because I have been pointing out a few of it's weaknesses.

Here is my list and the order I rate all TREK series created so far:

1. STAR TREK: TOS
2. STAR TREK: DS9
3. STAR TREK: TNG
4. STAR TREK: TOS MOVIE SERIES
5. STAR TREK: TAS
6. STAR TREK: ENTERPRISE
7. STAR TREK: TNG MOVIE SERIES
8. STAR TREK: VOYAGER

As you can see, I think rather highly of TNG TV series. I do not hate it. I just think TOS and DS9 are better. If not for the first two weak seasons, too light characters, lack of dramatic resonance among those characters, lack of stand out comedy episodes and an over use of techno-babble, who knows, perhaps I would rate it higher. However, I would not say I don't like Next Gen.
 
Different, but not significantly different. TOS was and is the best of the ship-based series. It and it's characters just define what TREK is all about. It is more significant in cultural terms. TNG just copied it, but never suplanted it. It appeared it might for a while (to some) --thanks to TNG high rating in the 80s, but as the dust settled, when people think of STAR TREK, it's TOS that comes to mind first.

Lilith
Uhm... no, I know plenty of people who think of TNG first. While there may be just as many, or more, people who think of TOS first, that doesn't go for everyone.

Didn't say it did go for everyone. I feel when people speak of STAR TREK, the vast number think of TOS first.

But that's not what you said either -which was my point ;)


TNG did have Hugh :p

Didn't say TNG ratings weren't hugh. I speculated that TREK ratings could have been even greater with TOS characters who were icons, even at that point in time.

This was a joke, referring to the character Hugh - a borg Picard & co rescued:)

But seriously, this is calculated speculation at best, whistful thinking at worst. There is no way you can state such speculation as fact. In fact, you can probably find more grounds for stating the opposite, since many series and movies have proven that replacing actors while keeping the same characters is more often than not harmful for ratings.... I think the new movie is going to get away with it, since there's such a discrepency between the last TOS movie (both in real and in fictional time) and this one.

When did I say it was fact? How can I present speculation as fact? You are reading things into my writing that are not there. Like you I am offering my views.

By using definites "would, will, is going to" etc, one creates the impression of knowing what would've happened/is going to happen, when its merely speculation - which in itself isn't necessarily a bad thing. Also, sometimes things are painted with a very broad brush. Adding more inter-character conflicts might've made TNG more enjoyable for you, but the way your post comes off is as if you're saying such changes would've made the show more enjoyable for everyone and that's simply not true.

I'm not sure the new movie will be a hit. I certainly hope so. The damage done to the franchise by TNG movies, VOYAGER and ENTERPRISE may be too great. Maybe TREK is out of step with the times and people are tired of it.

See, this too is something personal. When TNG ended, I wanted to keep on Trekkin', so I switched to DS9. I just didn't like it and stopped watching Trek all together (except for the TNG movies - which I ended up regretting around the time of Insurrection/Nemesis). So, for me & doubtlessly for others as well, DS9 damaged the franschise. However, I fully recognize that this is because of my personal preferences and that there are many people who do enjoy DS9, VOY and ENT. Good for them, I say :)


Stewart was wonderful in the role and did the best he could, but the character was just one-note to me. Though Sisko was played by an inferior actor, he was FAR more interesting as a character. Perhaps, it's a personal thing.

Of course it's a personal thing, it's egoistical to believe otherwise.

Why is being conciliatory and stating something as a personal thing being egotistical? Now you are getting nasty. Why are you so upset? It was just a TV show you know.

My apologies, I certainly wasn't trying to be nasty or anything of the sort, at most a little sarcastic. My reply goes for every opinion, ever made, including my own. A preference for a character, a type of food, the colour red or bright sunny days is always personal. To assume that everyone shares your (general your) opinion, is egoistical in my book - but then, that's my opinion ;)

Once again, when did I say these were facts? You are reading things into my writing that are not there. Like you, and everyone on this post, I am offering my views. Just because I write with confidence about my views, doesn't mean I am attempting to present them as fact. Everyone on this site who voices their views, should write with that same authority.

Here's the thing, I think it's perfectly possible to explain why you like something, without dissing its competition or assuming you know exactly what would've happened if things had gone your way. Why? Because you simply don't know. It's quite possible that if TNG had more conflict amongst its cast it would've been a huger hit. It's also quite possible that it would've had less viewers. You simply don't know. You do know whether you would've enjoyed or disliked such changes, but you can't project that on society at large, especially not on a society now 20 years ago.

I'm glad they had movies, but sad the movies were flat, and for the most part, trite. With the exception of FIRST CONTACT, they just sucked. Money may talk, but a bad movie is a bad movie, regardless of how much money it makes. The two followup PIRATES OF THE CARRIBEAN movies made almost 900 million, each, worldwide. I thought they sucked too. Just saw the new INDIANA JONES movie. It is making a killing at the box office. Thought it sucked too.

But obviously there were also a great deal of people who did enjoy it, otherwise those movies would never have made so much money. Personally I loved the third Pirates of the Carribean movie best of all.

I think it's the right decision even if the movie fails. What else can Paramount do? If they are going to make TREK movies, go with your best chance of commercial / artistic success and that's just not TNG (which recently failed as a movie series), DS9 (which I think could work as a movie series, but is too much a gamble), VOYAGER, ENTERPRISE or a TREK movie with new, never-seen-before TREK characters.

I agree and it'll be very interesting to see what this new movie will do to the franchise. Though part of me still thinks they should've kept Trek in the vault a little longer, I think that might've benefited the movie in the long run too. I do recognize that part of TNG's success was the long wait between TOS and the new show.

TNG, building off the success, popularity, foundation and frame that TOS created and laid down, made it possible for DS9 to exist and I am grateful for that. TNG was a good show, no doubt about it. It just didn't have that lasting appeal to cross the threshold of legendary popular culture. TOS did. DS9 didn't either. It wasn't trying to.

TNG was created twenty years after TOS, while some people might have turned in out of curiousity, its naive to think that the only people who watched TNG were people who'd watched TOS. Many were new to the whole Trek thing. And let's face it, DS9, VOY and ENT all operated within the same frame, only the bells and whistles got a new color. And who's to say TNG doesn't have a lasting appeal to cross the threshold of legendary popular culture. Last time I checked, TNG is a well known show even fourteen years after it ended. Drop the name Picard and I bet you most people will know who/what you're referring too. Sisko, on the other hand, not so much. And make no mistake, DS9 was trying to appeal to the general public as much as TNG did, since the general public brings in the money. Don't underestimate the power of money.

How is stating TNG built off the success, popularity and frame of TOS--which is true--implying only people who watched TNG, watched TOS? Don't see your logic here. I certainly didn't say this.

My bad, I misinterpreted. Still the way you phrased that particular argument, it came across as if you blamed TNG for doing so, which is a bit out there, considering TNG was meant to be a follow up, just like DS9 was. And while TNG was created with the success, popularity and frame of TOS in mind, it found its own niche and attracked many viewers who'd never seen TOS.

VOYAGER and ENTERPRISE copied TNG, which of course, copied TOS. The differences of DS9 were a lot more than color, especially after season 2.

I hear this a lot - not even particularly for Trek - but why was DS9 so different? To me, the only obvious difference was that they were on a spacestation which allowed for more arc-based episodes. However, there were still aliens-of-the-week, holodeck (sorry, -suite) malfunctions, an "enhanced" humanoid (Bashir) along the lines of Data/Spock and later in the series many of the episodes centered around travelling, either by shuttle or the Defiant. What DS9 did better than TNG was romantic relationships. In TNG those rarely lasted more than a single episode, whereas DS9 showed us actual relationships developing and ending, something TNG could've used a little more off, imho.

Sure, TNG is popular, but it simply isn't anywhere near as iconic as TOS. Perhaps it will be in the future, but I can't speak to the future. Thanks to the new movie, it's time for TOS to shine once again; time for the A-team to come to bat and hopefully save the franchise.

This is pretty interesting. Let's take two hypotheticals:
1) TOS ended 40 years ago now, TNG 14 years ago. We can't look into the future as you rightly stated, but who knows what TNG's status is going to be like 26 years from now. Personally I doubt it'll be on the same level as TOS is now - but nonetheless, it'd be interesting to see.
2) Here's a question, not meant to put anything down - but I wonder what would've happened to TOS if TNG or DS9 or VOY or ENT never came into existence. What if the original run of the series and the 6 movies where the whole of the Trek franchise? See, I think it's perfectly possible that the mere continuation of the franchise has added to TOS' fame and I'm not using this question as an argument for or against, merely as a sidetrack.

Yes, you are right. DS9 was trying to appeal to the general public, but on it's own terms. What I meant was, DS9 was willing to go out on a limb and be different, not playing it safe and not just ripping-off TOS by plopping seven characters on a star ship and sending them off to explore, like all the other TREK series did.

I adressed this a few paragraph's ago, but for funsies: the way I see it, DS9 went through the same exploration TOS and TNG did, only they operated from a base fixed in place. It's different, yes, but only on the surface.

It was attempting not to take the easy route, say, like Hollywood sequels, which, unless planed series, are looking first to repeat the formula to make easy money. It wanted to put a different spin on TREK first and by that, create a successful show to make money. I can respect that.

Ah, but the formula still stands. If you consider the formula to be merely ship&exploring then DS9 didn't really deviate from that, especially not once the wormhole and the Defiant came about. How many episodes take place off base? Probably (roughly) just as many as TNG episodes took place off ship.

Hmm... might actually be interesting to figure out :)

I do respect DS9 for trying to be different and was intregued by the premise at the time, because I thought it would allow for more ongoing storylines.

During this period, only DS9 offered quality TREK. I liked DS9 because it got away from star ships (in part) and exploring. It pointed the way, the direction, TREK should have gone.

Again, so say you.

Personally, while I enjoy DS9, I never got into it, never watched VOY or ENT. I liked TNG because it was optimistic about humans' ability to stop being petty creatures. I liked the exploration, the harmony. My gripe with the show is that humans always came off at superior. I rewatched "Tin Man" last night and it struck me how obvious it is at times that the show catered more to Data and Picard at the expense of other characters. I mean, when Picard takes the advice of an android over that of an empathic psychologist concersing mental matters, something doesn't quite jive. Those are two flaws of many, nonetheless, I still enjoy TNG for what it is.

DS9 was too gritty for my tastes, though I generally like gritty. Since it's set in the future however, I was looking for a little more optimism, some faith in our own evolution, this is what TNG and TOS showed, or so I think.

Is it really necessary to be so confrontational and curt?

I wasn't being confrontational or curt, merely stating my opinion on the whole thing. "Again, so say you" wasn't meant as a diss, just a statement.

I liked TNG too. The thing is, TOS was optimistic as well, but not at the expense of the characters acting the way humans do. Roddenberry just went too far and robbed the show of having stronger dramatic conflict within the weekly cast. Shows that have conflict with their weekly guest stars AND conflict within their weekly cast, simply have a more winning formula, greater opportunity, and greater amounts of winning and exciting drama.

While I may agree with you on the generality of the statement, it doesn't quite hold up. Perhaps TNG could've been better, or maybe more drama would've hurt the show. In the first season there was clear tension between Data and Riker, Riker and Picard, Worf and Troi. In the second, Pulaski caused a lot of friction too. The funny thing is that even today when these characters/relationships are discussed, many people say they disliked, even hated, Pulaski because of the conflicts she caused. In a recent discussion about Riker, people brought up his initial relationship with Data and how they wished they'd gotten along right from the start.

These types of discussions seem to imply that prolonged conflict among the main cast simply didn't work for TNG.

What I think TNG and Roddenberry missed is that it is possible to have utopia, externally: government, institutions, etc.-- you know, what TREK fans call an optimistic future--AND have your characters still grappling with getting along personally together and dealing with and developing their own inner demons. From a worldly point of view, this kind of development process would take a lot longer in my book than what is implied in TNG--both internally (especially), within the individual, and externally, in terms of government and institutions. The TOS still had the characters dealing with this human conundrum, and utopia was part of TOS timeframe. DS9, still had it's characters dealing with this human conundrum, as well, and it existed in the TNG timeframe. In my opinion, this was a misstep in TNG. However, I do respect your differing views.

I was thinking about this, is it necessary for people to have conflicts with their friends/colleagues to be human? I've known my best friends for ten years -and we've never, ever fought. Discussions and disagreements? Definitely, but we never took it personal. Maybe that's why I can relate to TNG. Worf and Troi had radically opposed views, they knew this about each other and they could oppose each other (The Child is a good example), without it hurting their working relationship or their friendship.

Picard and Crusher went head to head on several occasions, mostly in ethical discussions, but that never altered their relationship. There was plenty of conflict in TNG, in episodes as Measure of a Man, Pen Pals, Unnatural Selection, I, Borg, Encounter at Farpoint and All Good Things and many many more, but the conflicts never played out on a personal level. The crew was able to recognize their differences, discuss them - vehemently at times - without it affecting their friendships.

I have very heated discussions with my friends and since we have different views on religion, politics and the likes, they can get "critical", but it doesn't affect out friendship - we argue arguments, not personal preferences.

You have a right to your opinion, but "always" boring? If you found DS9 "always" boring, then you are either not being honest, just didn't get it, being unfair, being close mined, or over-stating. Come on. There is no way I can believe it always bored you.

Why state your personal beliefs as universal facts? There are probably people out there who find DS9 always boring, that hardly makes them close-minded. It merely makes their tastes different than yours.

The way I see it, this pissing contest between fans of different Trek shows (and let's face it, different shows in general), is motivated by nothing but our desire to always be right. With opinions however, you can't be right. You might enjoy a show for reasons A and B, while the next person loathes that same show for reasons A and B. Personally I like that. Life would be dull if all opinions were the same.

I find it hard to stomach when people forget that not everyone thinks like them and when they imply others are narrow-minded or stupid for not thinking the same and it keeps amazing me how much energy people put in promoting their favourite TV show.

This has been a running theme in your responses, and they have been completely unfounded. I don't know what I said to give you the impression I have been expressing anything else other than opinions.

Well, to take a recent example: "You have a right to your opinion, but "always" boring? If you found DS9 "always" boring, then you are either not being honest, just didn't get it, being unfair, being close mined, or over-stating. Come on. There is no way I can believe it always bored you."

Statements like that come across to me as if everyone has to think the same way you do. You're the only one here (except for the opening post - which was ridiculous imho) who accused someone of being unfair or close minded or any such thing.

Just as you have. How could I be anymore guilty than you? Is it required for me to state, "This is my opinion..." within every sentence and paragraph?

Nope, but that doesn't mean there isn't a difference between "more conflict between characters would have made TNG a better show for everyone" and "more conflict between characters could have made TNG a better show" and yes, I realize you never used those exact sentences.

As for the comment the fan made above, I responded to him because he made an "absolute" statement, not because he doesn't like DS9. I also begin with acknowledging his right to his opinion. Where is the wrong in that? He wrote back and corrected himself, so I wasn't off base.

Ah, yup, but, you do the exact same thing - use absolutes when there is no basis to do so.

Actually, it has been your tone that has been aggressive and mean-spirited, not mine.

I don't think that's the case- for either of us, but I apologize you feel it that way. If you read my posts, I hope you see that there's no personal note to it - in the sense that my arguments are an reaction to your arguments, not to your feelings about DS9 or TNG, since I feel no need to argue those. I'm merely trying to show that for every argument there's an equal and opposite argument. As I said earlier, it's perfectly possible to argue your liking of something, without dissing something else.
 
they are mentally unstable. The instability would find the form of inability to form coherent thoughts involving the analysis of the final result of a tv series. Only a biased person would reach a different opinion.

I disagree, but only because I think DS9 has better continuity, a more complex storyline (instead of weekly-reset-button/isolated mini-archs) and overall better character development.

Having said that, I watch TNG reruns about 10X more than I watch any other trek. So, as far as replay value goes, TNG takes the cake.
 
I also completely disagree with the OP, and you have to wonder if its troll baiting saying "only a biased person would reach a different opinion". Umm, yeah. Biased. Imagine that. :)

I just think that TNG stands on its own, firmly, and having the characters fight wouldn't have made it a better show, just a different show, on a different wavelength. I've actually only just started on DS9 and am loving it of course.
Q: "Picard's people would have solved this technobabble hours ago..." :)
 
I'm one of those people that can't get into TOS because of production values, hammy acting, etc. My dad has told me repeatedly that it was an above average show for it's time, but I can't relate. Some episodes have good ideas (a lot of them are stupid or painfully obvious corollaries) but it was before my time, so I can't get involved as much as I'd like.

As for TNG, in my opinion Gene Roddenberry (much like George Lucas) had become out of touch and developed an inflated opinion of himself. He laid the groundwork, and without him we would have no Trek, but looking back at what others have said about him in hindsight, he comes off as a dick to me.

For me, TNG only got really good after he had left the show (died). In that time frame we got BoBW (I think) as well as the great episodes of the 4th, 5th and 6th seasons. 7 was okay, but I think the series was running out of gas at that point. It's my second favorite Trek, and the one that got me into the whole thing as an impressionable lad of 8 or 9 years old. But watching it now, some of it seems dated, some of it seems stupid and some of it will hold up as long as I live.

DS9 (at least for me) was the best of all the series, and all of TV. It may have trampled somewhat on GR vision of the future, but it stayed largely respectable to it, while at the same time taking a hard look at the price that keeping that vision may very well cost.

Shields up . . .
 
I'm one of those people that can't get into TOS because of production values, hammy acting, etc. My dad has told me repeatedly that it was an above average show for it's time, but I can't relate. Some episodes have good ideas (a lot of them are stupid or painfully obvious corollaries) but it was before my time, so I can't get involved as much as I'd like.

As for TNG, in my opinion Gene Roddenberry (much like George Lucas) had become out of touch and developed an inflated opinion of himself. He laid the groundwork, and without him we would have no Trek, but looking back at what others have said about him in hindsight, he comes off as a dick to me.

For me, TNG only got really good after he had left the show (died). In that time frame we got BoBW (I think) as well as the great episodes of the 4th, 5th and 6th seasons. 7 was okay, but I think the series was running out of gas at that point. It's my second favorite Trek, and the one that got me into the whole thing as an impressionable lad of 8 or 9 years old. But watching it now, some of it seems dated, some of it seems stupid and some of it will hold up as long as I live.

DS9 (at least for me) was the best of all the series, and all of TV. It may have trampled somewhat on GR vision of the future, but it stayed largely respectable to it, while at the same time taking a hard look at the price that keeping that vision may very well cost.

Shields up . . .

Well, ST was pretty much before my time too, but I grew to love it in the re-runs. Sure it looks dated, but then and now I'm able to look beyond the limited production (which was commensurate with other shows of the timeand oftentimes better) because, imo (not yours I know) the characters and (most of) the stories were great!

After seasons 1 and 2, I really liked TNG too. I thought DS9 was even better.

Anyway, to each his own. I admire your candor. :)
 
^^^^^^^^

It may sound shallow, but I find it more watchable in the "remastered" versions, but I'm usually too busy (hungover) to watch it on Saturday afternoons.

I have never gotten over the dirt falling from the ceiling of that Romulan ship in "Balance of Terror", though.

I like a lot of the episodes stories. BoT, The Ultimate Computer, and of course City on the Edge of Forever were all great episodes. The Nazi Planet, Spock's Brain and the one with the space amoeba were all pretty bad, IMO. Although I give the latter credit for having that great line that Lucas swiped for Star Wars (more proof that the guy's a hack). The endless gods and energy beings started to get real old real fast, too. Are there no benevolent gods in the Universe?

As for TNG, I just find it kind of telling that most of the great shows came along after GR was essentially out of the picture. The same thing happened to Rick Berman and BB later on as well, as far as I'm concerned.
 
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