Oh definitely. I watch Enterprise and loved it, even early on. Although it's technically more ambitious in some departments, it's often pretty static. A few tracking shots and pans, but rarely hand-held camera unless it's a full on action sequence or a scene deliberately marked out as unusual. Throwing weird framing movements into each shot - quite a lot of other TV shows seem to use on practically everything to suggest immediacy and edgyiness, when all they're shooting is two people talking. Star Trek does that and they're seated around a table. Or looking up from a console and directing their dialogue at another character, also remaining perfectly still across the room. Everything else on TV has this nervous twitch thing going on, by comparison. I find there's a fine line between giving something energy and making everybody seem hyperactive... I suppose it reflects what life is like right now. Everybody being impatient and nothing happening fast enough.
). Still, I was so sure from the beginning that In the Pale Moonlight would take the crown.
