OHMSS footage and an appearance by George Lazenby begin around the 57:00 mark of the program.
Can I just say now that we're back on the subject, the whole thing with blaring the Bond theme at then bothered me way more this time than it ever has before.
I know it's been a thing for a long time and most people think the should have used a soft instrumental of piano melody
of All the Time. But I was thinking they shouldn't have used any music at all.
Just have one single live long shot where all you here is Lazenby's muffled weeping underneath the wind and the police officer calling-in a homicide. Maybe some sirens in the far distant background.
The only difficulty would the shot would have to be long enough to fit all the credits in. And Di would have had to remain perfectly still the whole time - if not holding her breath. But damn it would have been powerful.
It seems that a lot of people didn't like the sudden transition to the blaring Bond theme but I liked it and found it quite effective. After a moment of sadness and tragedy, it reminded us that Bond would be back (and possibly emboldened for revenge).The soft instrumental version of "We Have All the Time in the World" would also have worked being played over the bullet-marked windshield and the closing credits. One of OHMSS's small handful of annoying flaws is the choice of end credits music after such a heartbreaking scene.
Bond just lost the only woman he ever loved enough to want to spend his life with. The James Bond Theme blaring over Lazenby's grief just seems out of place even with that cool Moog synthesizer.
Twenty-something year olds at Twitter have no idea who George is. Sad.
The oldest living James Bond definitely deserves his due.
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