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The James Bond Film Discussion Thread (With Bonus Lazenby!)

I guess it still beats the Diamonds Are Forever trailer that talks about getting back "to what great movies are all about." :lol: The distance to which the producers went to try to make audiences forget about the previous (and far, far superior) film was pretty awkward and kinda sad.
Given OHMSS's lukewarm reception and the way Lazenby brazenly quit thinking he was too hot for Bond, it made perfect sense in 1971 to try to get away from any of that and promote the new film that emphasized the return to the more comic book tone of Goldfinger. At the very least, Connery coming back gave the series a much needed boost before moving onto a much more seamless transition with Roger Moore.

I think ultimately with FYEO in 1981, featuring Bond visiting Tracy's grave site was EON making a statement that they were proud to have OHMSS as part of the legacy, and this was at a time when that film was still largely perceived as the black sheep of the franchise. Then Cubby saying he felt Lazenby could have grown in the role if he had stayed. Then films like LTK and TWINE with their heavy allusions to OHMSS.

Star Wars was brought up above. As far as that franchise goes, I'm actually super interested to find out how fans ultimately perceive the nine-part saga by 2030, especially by those who either grew up on it or had only gotten into Star Wars by the time it was firmly a nine film series. Thing about us old fans is we have our opinions based on our childhood and nostalgia, so how we view Star Wars today will be very different with future generations. Prior to the Sequel Trilogy, I had come to know fans who had grown up with the franchise as a six film saga who are now in their 20s, unlike me and many older generations in their late 30s or older that grew up with Star Wars either when it was brand new at the time or a firmly established trilogy (I was introduced during the latter, as a kid in 1993).
 
I think ultimately with FYEO in 1981, featuring Bond visiting Tracy's grave site was EON making a statement that they were proud to have OHMSS as part of the legacy, and this was at a time when that film was still largely perceived as the black sheep of the franchise.
As has already been touched upon upthread, The Spy Who Loved Me referenced OHMSS before that.
 
As has already been touched upon upthread, The Spy Who Loved Me referenced OHMSS before that.
Certainly, but I think it’s more meaningful with FYEO, as OHMSS alum John Glen had become the new director and was partly responsible for having that film be something of a return to the franchise’s Fleming roots along with Richard Maibaum and Michael G Wilson. It at least felt like the first true follow up OHMSS tonally, whereas the 70s installments by Hamilton and Gilbert were much more campy and fantastical, probably the decade that felt most astray from Fleming.
 
Nevertheless, TSWLM did more to directly reference OHMSS than Diamond Are Forever did. And it even opened with another ski chase sequence. Who knows how much further the film might have gone if they'd been able to bring back Blofeld and SPECTRE as originally intended.

And while FYEO was generally a return to Fleming form, the most comical, OTT thing in the film is its treatment of Blofeld in that pre-credits sequence...which I assume was an FU over the rights issue.
 
Yeah, the producers wanted to tell Kevin McClory to F off and did so by having Moore's Bond finish off Blofeld once and for all in the original 007 film continuity. It may have been goofy and an unceremonious way of killing off Bond's greatest adversary after almost twenty years but at least it let Bond get his final revenge for Blofeld's participation in the death of Tracy.

The pre-credits sequence of Diamonds Are Forever was meant to do just that but the producers wanted to sweep the Tracy thing under the rug as quickly as possible and then move on to the meat of that film's story, a story where Tracy is not mentioned even once. Even M makes no mention of Bond's wife's death and Bond's "holiday" that he described as "hardly relaxing but most satisfying" was intended to close up the loose ends from OHMSS. Thankfully the Moore films revisited his marriage because Diamonds just blows past the tragedy in a matter of minutes with nary a single reference to him having lost his wife to murder.
 
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I just found this. I LOVE IT!

Right down to the short using the instrumental version of "Mr. Kiss Kiss Bang Bang"(?) from the Thunderball soundtrack during the introduction of some of the actresses playing Blofeld's Angels of Death.

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Is it wrong that only after watching the film did I decide that my tree could use some tinsel? Holiday decorating tips from Ernst Stavro Blofeld?
 
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