The ecospheric starship was pretty cool too.
I hope I never see that on a Hallmark card. Give me "Get Well Soon" if I'm ever hospitalized with a terminal disease or injury.I found it all intriguing, yet I disagree with it. Death is just death. There's no awe to it, and spirituality is just so much denial of the cold hard truth of the grave.
I liked it, especially Mansell's score, but I don't know if it's as terribly complex as I'd like it to be. Watching it the first time, it seemed pretty straightforward that the Conquistador scenes were from Izzi's book (her way of dealing with death), and the Future scenes were actually Tommy's way of mentally dealing with her death in the present. When those scenes reach their conclusion and Tommy accepts death, the film ends over Izzy's grave. The present day sequences are thus the only 'real' ones, to the point that I'd hesitate to classify the film as science fiction.
That's not articulated as well as I would like. Hmm...
I'm curious, would you say it has a good video transfer on Blu-Ray?I love this movie, in fact its in my top 10 of all time. It is the very first movie I bought on Blu-Ray.
I'm curious, would you say it has a good video transfer on Blu-Ray?I love this movie, in fact its in my top 10 of all time. It is the very first movie I bought on Blu-Ray.
Through pure, high-octane craziness.I agree. The time periods were way too far apart, and the future one especially was very disconnected. I would have liked a bit more inbetween to show how he got to that point.I have nothing against trippy filmmaking (I love David Lynch's work after all), but I thought it would have been a better movie if it had been a little more literal and a little less symbolic. I like the concept of two lovers coming to terms with life and death through time, but the three time periods were too disconnected from each other for me to really become attached to the overall storyline. Still, it was a memorable film.
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