All the more reason to mine drama from their increasing social isolation - to be clear, it's the show's ignoring their increasing isolation themselves I find icky, rather than the increasing isolation per se. While I enjoy the fx-filled battles as much as the next guy, LoT is kicking Flash's ass in terms of varied locations, action, and production design, so if Flash isn't going to balance that with first-rate character work, I'll have little reason to keep watching. I like the comedic tone this season has brought, but I don't give a rat's ass about The Thinker and his plot, particularly when the Legends are facing off against Darkh, baby Dominators, and other far more interesting foes on a weekly basis.Actually it makes sense they might not have many friends outside of work. What they are doing has to stay a secret. You can't let everyone know who the Flash is or what your role is in his solving crimes.
Absolutely. I'm getting unwelcome flashbacks of Voyager, which preferred to spend all their money on the generic forehead prosthetics and battle sequences of the week, rather than developing and spending time with secondary characters. While I haven't seen the latest season of The Last Ship yet, they've done a great job so far at building out the world beyond the primary core cast. And while Iris' newspaper gig was never my favorite part of an episode, it did provide valuable changes of pace and scenery. But, much like Laurel's jettisoned DA career, it seems that every aspect of the show and its characters' lives must be gobbled up by the Team. That refusal to connect with any kind of recognizable reality helped drive me to dump Arrow, and I'm concerned Flash may be going down the same route.I would even like to see a ep where a old friend confronts one of the characters, maybe even kind of angry about how he/she has stopped being friends with them and they don't even know why it happened.
Absolutely. I'm getting unwelcome flashbacks of Voyager, which preferred to spend all their money on the generic forehead prosthetics and battle sequences of the week, rather than developing and spending time with secondary characters.
"You're the Flash! You could have saved him and caught her."--Ralph Dibny
Yep. That was pretty pathetic, Barry. You have a weird tendency to let villains escape if they manage to get out of your direct line of sight.
My favorite is still Subways tie in with Chuck.Not a bad one, but I'm uneasy with the portrayal of a Native American activist as a dangerous killer. She was basically in the right, except for her methods. But I guess Ralph deciding she was right about the necklace ameliorates it a bit, though it still falls into the cliched pattern of the white male being better at protecting other cultures than their own members are.
Apparently Black Bison in the comics was male, and a Firestorm villain, but otherwise somewhat similar -- Native American seeking revenge on those who'd wronged his people, able to bring inanimate objects to life (albeit with a magic talisman rather than a metahuman power), but also having weather control powers.
The Council of Wells was kind of silly, but not entirely un-fun. And "You're a wizard, Harry" was a cute moment.
Nice hero's journey for Ralph, too. Although the implication that he hadn't cared about protecting civilians as a cop was kind of strange. Isn't the police motto "To protect and serve?"
That "stretched scene" commercial was annoying. I hate it when the Arrowverse shows do these "bonus story" shorts that are really just commercials for phones or computers. Although I guess it's marginally less annoying than inserting blatant product placements directly into the show a la Eureka or White Collar.
I have no memories of this. And I've been re-watching "VOYAGER" reruns since the show ended, sixteen years ago.
We still don't know what Barry inherited.
Although I guess it's marginally less annoying than inserting blatant product placements directly into the show
Hopefully, Team Flash will be suspicious of a guy in a wheelchair this time.
Well, that's a troubling sentiment. This franchise hasn't been too great with positive portrayals of disability. They flirted with it when Felicity was shot, but then just gave her a magic neural chip and never mentioned it again. If DeVoe really can't walk -- note that we've never seen him out of that "Metron" chair -- then it falls into the cliche of equating disability with villainy. That's probably not their conscious intent -- it's probably more along the lines of making him a mental adversary rather than a physical one, making him a complete contrast from the runners Barry has fought up to now -- but it still fits the pattern.
Hmmm, whenever I see Felicity or Cisco on screen for some unfathomable reason I have this sudden urge to buy a Microsoft Surface...![]()
I mean that in the context of this show, our characters have experience with someone who happened to be in a wheelchair who was deceiving them. So there is an in-universe reason for them to be suspicious, unrelated to the disability itself.
No, that would be an incredibly bigoted and horrible thing for them to think -- like assuming that if you were mugged by a black man once, it means you should suspect all black men of being criminals. Blaming an entire category for the actions of an individual is the very essence of prejudice.
I mean, good grief, all three of their Big Bads to date have been white men, so by your logic, they should assume every white man they meet is an evil mastermind.
I found the ending with Devoe pretty interesting.
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