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The Classic/Retro Pop Culture Thread

I'm ready to be corrected, but I would guess dashiki.
That's the most likely result I was getting, but the image results tend to show something more the size of a baggy T-shirt or jersey. I assumed that the longer, robe-like garment Havens was wearing would have its own name, but I could certainly be wrong.
 
The film's "next day" commences with an interview segment featuring a young couple who give some perspective about their personal lives, including their relationships with their families, and challenge preconceptions about hippies by emphasizing that they're not into drugs.
Yeah, there were lots of Hippies who were into the whole "my body is a temple" scene. And plenty who weren't.

The film then jumps way forward to the penultimate act from the festival's extended last night, Sha Na Na
I love that Sha Na Na was at Woodstock. :rommie:

There's more antidrug sentiment here, as the instructor presents yoga as an alternative to getting high.
Of course, the drugs were all used up at that point....

a stage-led attempt to chant the rain away
"Rain, rain, go away...."

as well as a helicopter that's said to be dropping flowers and dry clothes.
To the Hippiecopter!

I didn't think I was familiar with the group offhand, but it turns out that I have one of their songs, 1971's "I'd Love to Change the World".
That's pretty much how I, and most people, know them, I think.

Well, I see no reason for you to bring RJ into this....
It's okay.
loopy.gif


I just find him to be a throwback to the Four Seasons era (which he was part of), and that sound came out of doo-wop...so it seems really passe in 1969.
I'm probably rationalizing, but I think it kind of puts me in mind of cheery early 70s stuff like "Rings" or "Beautiful Sunday."

I hear that there is a ridonculously expensive mammoth audio box set out there.
What th--?! Capitalism?!

I'm ready to be corrected, but I would guess dashiki.
You're probably right. I really only searched for about five minutes. :rommie:
 
WOODSTOCK
Hey look, I found most of Day 2's highlights on "Day 3"


The film's post-Interfuckingmission Day 3 commences with selections from an act that actually performed early the morning of Sunday, Aug. 17, which was considered the last in the Day 2 lineup, though they followed the Who by two hours: Jefferson Airplane, playing a thirteen-song 8:00 a.m. – 9:40 a.m. set. Grace Slick's "good morning" introduction for "The Other Side of This Life" segues into the fourth song, "Won't You Try/Saturday Afternoon," an enjoyable psychedelic rocker. The clip below doesn't include the intro--possibly from the original theatrical cut?
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This is followed by a segment of attendees making calls home from pay phones, emphasizing the disparity between what the outside world thinks is happening and what the attendees are experiencing. Then Army helicopters come in with medical volunteers and supplies, which includes handling at least one delivery. And there's a girl who appears to be a vendor talking about the festival having been declared a disaster area. We return to the Airplane, playing their eighth song, "Uncle Sam Blues".

The film then dials back to what's believed to be Saturday around 3:30 p.m. – 3:55 p.m., though the day and time is apparently disputed as John Sebastian wasn't scheduled to perform, but was recruited to contribute a solo acoustic set while attending.
John said:
Oh boy, this is really a mindfucker of all times, man. I've never seen anything like this, man.
After Sebastian makes some rambling public service announcements while likely enjoying an enhanced state of mind, the film segues into the last number of his five-song set, "Younger Generation". There's some child nudity in the footage of the attendees that accompanies it, so I won't be posting it.

Next up, believed to be from a couple hours earlier on Saturday (3:30 p.m. – 3:55 p.m.), also playing an unscheduled solo acoustic set...
Country Joe McDonald said:
Gimme an F!
Gimme a U!
Gimme a C!
Gimme a K!
What's that spell!?!
What's that spell!?!
What's that spell!?!
What's that spell!?!
What's that spell!?!
This is, of course, the intro to the ninth number in his ten-song set, the can't-get-more-sign-o-the-timesy-than-this "The 'Fish' Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag," complete with onscreen lyrics and singalong bouncing ball.
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Then there's a segment in which local residents and a vendor are interviewed about how the festival has impacted them, which transitions to some attendees skinny dipping and bathing in the pond.

On to the actual next act on Saturday, Santana, playing the seventh in an eight-number 2:00 p.m. – 2:45 p.m. set, the instrumental "Soul Sacrifice". Santana's debut album is just around the corner at this point, about to be released at the end of the month. There's some adult nudity in the movie's version of the clip. The clip below appears to be a different, single-screen edit of the performance footage that avoids that issue:
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Skip ahead half a day to the wee hours (3:30 a.m. – 4:20 a.m.) of Sunday morning...which must be the Funkadelic Hour, because Sly & the Family Stone are treating the audience to the seventh song in a nine-song set, which expresses their desire to get the crowd even more baked than they already are:
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This performance is followed by a singalong segment called "Higher".

The Who were the next act on Sunday morning, for what it's worth. But the film takes us back to the previous act...Janis Joplin accompanied by her Kozmic Blues Band, wailing the eighth song of a ten-song 2:00 a.m. – 3:00 a.m. set, "Work Me, Lord":
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The final performances in the film will get us back on chronological track with the final act of the festival...which was technically part of the Sunday/Monday itinerary, but occurred well after sunup, when most of the audience had dispersed. Yes, even hippies who've been spending the weekend naked in mud, stoned out of their minds, want to beat the traffic and get back home to their jobs and families. I think I'll cover the daytime hours of Monday the 18th, and the festival's most iconic moment, in a separate post.

_______

I'm probably rationalizing, but I think it kind of puts me in mind of cheery early 70s stuff like "Rings" or "Beautiful Sunday."
Had to look both of those up. The second seemed kinda vaguely familiar.
 
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This is followed by a segment of attendees making calls home from pay phones, emphasizing the disparity between what the outside world thinks is happening and what the attendees are experiencing.
"The outbreak must be contained."

Then Army helicopters come in with medical volunteers and supplies, which includes handling at least one delivery. And there's a girl who appears to be a vendor talking about the festival having been declared a disaster area.
Now that's a concert. :rommie: I wonder who was born at Woodstock, and if they know....

After Sebastian makes some rambling public service announcements while likely enjoying an enhanced state of mind
"Don't try this at home, kids...."

Next up, believed to be from a couple hours earlier on Saturday (3:30 p.m. – 3:55 p.m.), also playing an unscheduled solo acoustic set...
The first time I saw the "Gimme an F" sequence, of course, was in Omega Man.

Yes, even hippies who've been spending the weekend naked in mud, stoned out of their minds, want to beat the traffic and get back home to their jobs and families.
I wonder how many people called in Woodstocked. :rommie:

Had to look both of those up. The second seemed kinda vaguely familiar.
A couple of one-hit wonders, I think. Both are in my MP3 folder.
 
WOODSTOCK
Day 4

The film's day opens with a segment of Wavy Gravy making an announcement about breakfast being served by the free kitchens, which, given the chronological liberties of this film, I doubt is actually from Monday. Grace Slick is standing at the side of the stage, which makes me think that it was probably Sunday morning, when the Airplane performed.

A guy sucking the shit out the portable toilets I really didn't need to see. I appreciate his service, but...

Introducing Max Yasgur to the audience is appropriately placed, and just maybe might have happened on Monday, but again I wouldn't be surprised if it was maybe from the day before.

On to the thing that definitely happened Monday morning: at a point when most of the festival's 400,000 attendees had already departed, leaving only about 30,000, Jimi Hendrix and his temporary band, Gypsy Sun & Rainbows, play a sixteen-song 9:00 a.m. – 11:10 a.m. set, which the film picks up at number twelve, "Voodoo Child (Slight Return)"/"Stepping Stone," including a bit where he plucks the guitar with his teeth.

In real life and the film, this leads immediately into the festival's most iconic moment...
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...which in turn is followed by "Purple Haze," during which the footage segues ahead for a bit during the song to the empty, extremely littered stage and festival grounds.

"Haze" leads into the later-titled instrumentals "Woodstock Improvisation" and "Villanova Junction," while footage of the cleanup plays...followed by footage of people leaving, which seems a bit out of order even given the chronological track record of the film. There's a long, circling helicopter shot of the full crowd before the end credits commence, accompanied by CSNY's rendition of the Joni Mitchell-written "Woodstock," which was contemporaneous with the release of the film in March 1970, though I read that this a different version from the single. The very last part of the film as I watched it is obviously specific to the 1994 Director's Cut...a montage of names (in a visual style that evokes the Vietnam Memorial Wall) of major '60s figures who were no longer with us at that point, including the Kennedys, Martin Luther King, and John Lennon, and then a final memorial card for the "Woodstock Generation," with unfinished birth and death dates.

The audio from most of Jimi's performances shown in the film (the instrumentals seem to be missing) can officially be found here...with some commentary over it, alas:
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Now that was a finale...for the film, and for the decade.

WoodstockCrowd.jpg

_______

A list of the performances used in the film, placed in actual chronological order:

Friday, August 15 – Saturday, August 16

Richie Havens
5:07 p.m. – 6:00 p.m.
"Handsome Johnny"
"Freedom (Motherless Child)"

Swami Satchidananda
7:10 p.m. – 7:20 p.m.
Invocation (excerpt)

Arlo Guthrie
11:55 p.m. – 12:25 a.m.
"Coming into Los Angeles"

Joan Baez
12:55 a.m. – 2:00 a.m.
"Joe Hill"
"Swing Low, Sweet Chariot"

Saturday, August 16 – Sunday, August 17

Country Joe McDonald
1:20 p.m. – 1:30 p.m.
"The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag"

Santana
2:00 p.m. – 2:45 p.m.
"Soul Sacrifice"

John Sebastian
3:30 p.m. – 3:55 p.m.
"Younger Generation"

Canned Heat
7:30 p.m. – 8:30 p.m.
"A Change Is Gonna Come / Leaving This Town"

Janis Joplin with the Kozmic Blues Band
2:00 a.m. – 3:00 a.m.
"Work Me, Lord"

Sly & the Family Stone
3:30 a.m. – 4:20 a.m.
"I Want to Take You Higher"

The Who
5:00 a.m. – 6:05 a.m.
"See Me, Feel Me"
"Summertime Blues"

Jefferson Airplane
8:00 a.m. – 9:40 a.m.
"Won't You Try/Saturday Afternoon"
"Uncle Sam Blues"

Sunday, August 17 – Monday, August 18

Joe Cocker with the Grease Band
2:00 p.m. – 3:25 p.m.
"With a Little Help from My Friends"

(Thunderstorm segment)

Country Joe and the Fish
6:30 p.m. – 8:00 p.m.
"Rock & Soul Music"

Ten Years After
8:15 p.m. – 9:15 p.m.
"I'm Going Home"

Crosby, Stills & Nash
3:00 a.m. – 4:00 a.m.
"Suite: Judy Blue Eyes"

Sha Na Na
7:30 a.m. - 8:00 a.m.
"At the Hop"

Jimi Hendrix
9:00 a.m. – 11:10 a.m.
"Voodoo Child (Slight Return)"/"Stepping Stone"
"The Star-Spangled Banner"
"Purple Haze"
"Woodstock Improvisation"
"Villanova Junction"

_______

A list of acts who performed at Woodstock but weren't in the film for whatever reason:

Sweetwater
Bert Sommer
Tim Hardin
Ravi Shankar
Melanie Safka
Quill
The Keef Hartley Band
The Incredible String Band
Mountain
Grateful Dead
Creedence Clearwater Revival
The Band
Johnny Winter
Blood, Sweat & Tears
Neil Young (with Crosby, Stills, Nash & Young)
Paul Butterfield Blues Band

_______

Given that this became All About the Film, I kinda feel like I should belatedly post this...

Ahead-of-50th Anniversary Cinematic Special

Woodstock
Directed by Michael Wadleigh
Released March 26, 1970
1971 Academy Award for Best Documentary, Features (Bob Maurice); Nominee for Best Sound (Dan Wallin, L.A. Johnson) and Best Film Editing (Thelma Schoonmaker)
Wiki said:
Woodstock is a 1970 documentary film of the watershed counterculture Woodstock Festival which took place in August 1969 near Bethel, New York. Entertainment Weekly called this film the benchmark of concert movies and one of the most entertaining documentaries ever made.

...Seven editors are credited, including Thelma Schoonmaker, Martin Scorsese, and Wadleigh. Woodstock was a great commercial and critical success....The film was screened at the 1970 Cannes Film Festival, but was not entered into the main competition.

The 1970 theatrical release of the film ran 185 minutes. A director's cut spanning 224 minutes was released in 1994. Both cuts take liberties with the timeline of the festival. However, the opening and closing acts are the same in the film as they appeared on stage; Richie Havens opens the show and Jimi Hendrix closes it.



In 1996, Woodstock was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". An expanded 40th Anniversary Edition of Woodstock, released on June 9, 2009 in Blu-ray and DVD formats, features additional performances not before seen in the film, and also includes lengthened versions of existing performances featuring Creedence Clearwater Revival and others.


Watching the last performance segment got me jonesin' for some Jimi, given the lack of Hendrix 50th anniversary business this year.

_______

Now that's a concert. :rommie: I wonder who was born at Woodstock, and if they know....
I read that there were two births...and knowing Baby Boomers, they've probably never stopped hearing about it.

I have to wonder how many kids have been told they were born at Woodstock who weren't.

One also has to wonder why a woman who was ready to drop any day was spending the weekend at an outdoor rock festival. (One of the mothers was stuck in the traffic jam, so may not have been an attendee.)

The first time I saw the "Gimme an F" sequence, of course, was in Omega Man.
Never seen the movie so I had to look that up. The clip I found of Heston watching the film didn't include "The 'Fish' Cheer"...edited for TV, perhaps?
 
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For the couch potatoes who couldn't make it to Bethel...

50th Anniversary Viewing

The Ed Sullivan Show
Season 21, episode 38
Originally aired August 17, 1969
As represented in The Best of the Ed Sullivan Show

Yep, they're still running the occasional new episode this late into the summer, and this isn't even the last one, though it is the last represented on Best of.

Ed said:
Now for all of you teenagers, the long-haired Steppenwolf rock and roll, so let's have a fine welcome!
Assuming this was a live appearance, I can't help wondering if these guys might have passed up a more historic gig this weekend. Anyway, they're here in part to give us a medley of prior hits "Born to Be Wild" and "Magic Carpet Ride". The clip below only shows the first part.
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Ed said:
Now for all of you youngsters in our country and Canada and Australia, here's the incredible plate-spinning wizard, Eric Brenn.
This appears to be the same act by Brenn that I covered for the February 16 episode. Same set, same suit, bowls on poles, plates spinning on the table, balancing a tray of eggs from a pole on his forehead. I have to wonder if this wasn't recycled in both the original broadcast and Best of, and/or if maybe the two episodes edited his act differently. I don't have the other episode on my DVR to compare it to.

This also calls into question whether any of this episode was filmed live. Maybe it was odds and ends filmed on other dates.

Ed said:
...famous singing star, Sergio Franchi!
The Italian-American tenor sings a Mexican song called "Noche de Ronda" with words and phrases not in our tongue, while playing and slapping an acoustic guitar, accompanied by an unseen orchestra:
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Likely edited Ed said:
...rock and rollers Steppenwolf...
The band perform a recent single called "It's Never Too Late" (charted May 10, 1969; #51 US) that they may have been there to promote if the performance was filmed earlier:
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It's an OK number, but I can hear why it wasn't a bigger hit. Best of didn't have the last part where the band went over to shake hands with Ed. John Kay was pretty tall!

Also in the original episode according to tv.com:
Music:
--Nancy Ames - "I Got You, Babe"/"Happy Together" medley.
--Sergio Franchi sings "Love Finds The Way," "Lonely Is A Man Without Love," "Serenata" & "For Once In My Life."
--Washington D.C. Festival Chorus (2 Dozen High School students) - sing patriotic songs.
Comedy:
--Stiller & Meara (comedy team) - Stiller plays a shy obscene phone caller.
--Van Harris - talks about marriage and 'kids today' in his comedy monologue.
--Charlie Cairoli & Co. (clowns) - Charlie is dressed as Charlie Chaplin, while another clown plays clarinets.
Also appearing:
--Peter Gennero (choreographer) - dances to "Back Roads Of My Mind."
 
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WOODSTOCK
Day 1?


The film then returns us to the first night with Joan Baez. Her 12:55am – 2:00am set, consisting of thirteen songs, was actually the last of that night. The film picks up on Baez mentioning her pregnancy and her then-husband, David Harris, who was in prison for draft resistance, as an intro to her fifth number, "Joe Hill":

The film follows up with her twelfth song, "Swing Low, Sweet Chariot," which serves as a good showcase for the set of pipes she had going on.

Someone who was genuine with her support of / involvement in movements such as civil rights in the 60s, letting the movement lead her, instead of dumping her perspective on those affected by it.

The film's narrative then gives us one more wee-hours performance, perpetrating the illusion that the Who's set occurred on the same night. It was actually the penultimate set from the next night, running 5:00am – 6:05am on Sunday, Aug. 17. The film dramatically cuts to them performing the "See Me, Feel Me" / "Listening to You" segment of "We're Not Gonna Take It," the eighteenth number in a twenty-two-song set that included most of Tommy:
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:bolian:

The way they play it out longer than in the album version just underscores my earlier point that it really would have worked better as a separate closing track. The film continues into the actual next song of the set, "Summertime Blues" (which they really rock up), but segues from that to their finale (which Wiki tells me was part of an instrumental number called "Naked Eye"), so that we can see Pete smashing his guitar and tossing it out into the audience.
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No matter the length of the track, their set was Class A live performing. Its difficult to think of another British Invasion act that year with a better command of the stage / live interpretation of their recordings (e.g., compare it to the Rolling Stones 1969 live performances...yikes).

Alas, the film doesn't show us the Abbie Hoffman incident, which followed "Pinball Wizard".

That's too bad, because the incident became an instant part of the lore of Woodstock and that window of time. Pete has since expressed regret over his treatment of Hoffman, but I can understand why he reacted the way he did at the time.
 
The film's day opens with a segment of Wavy Gravy making an announcement about breakfast being served by the free kitchens
I wonder what they served. I would have been ready for some fried eggs and corned-beef hash at that point.

A guy sucking the shit out the portable toilets I really didn't need to see. I appreciate his service, but...
I wonder how much bragging he did about his attendance at Woodstock. And if you can catch a second-hand high from the smell of Woodstock shit.

Introducing Max Yasgur to the audience is appropriately placed
Thanks, Max!

In real life and the film, this leads immediately into the festival's most iconic moment...
And most people missed it. :(

and then a final memorial card for the "Woodstock Generation," with unfinished birth and death dates.
Sheesh.

Now that was a finale...for the film, and for the decade.
Yeah. Unfortunately, I think it was all downhill from there.

I read that there were two births...and knowing Baby Boomers, they've probably never stopped hearing about it.
"I expected better from somebody who was born at Woodstock!" :rommie:

I have to wonder how many kids have been told they were born at Woodstock who weren't.
I imagine that would be easy enough to disprove. But I wonder how many people were conceived at Woodstock. :rommie:

One also has to wonder why a woman who was ready to drop any day was spending the weekend at an outdoor rock festival. (One of the mothers was stuck in the traffic jam, so may not have been an attendee.)
Intending to deliver there? Underestimating the event?

Never seen the movie so I had to look that up. The clip I found of Heston watching the film didn't include "The 'Fish' Cheer"...edited for TV, perhaps?
You never saw Omega Man? :eek: I'm pretty sure it had part of the cheer when I saw it on TV in the early 70s, but who knows?

For the couch potatoes who couldn't make it to Bethel...
Heh. Imagine Ed broadcasting live from Yasgur's Farm. :rommie:
 
_______

The Saint
"The Ex-King of Diamonds"
Originally aired January 19, 1969 (UK)
Xfinity said:
Templar uncovers a king's cheating while at an international card party in Monte Carlo, and could pay with his life for the discovery.

At the party/tournament/whatever, Simon strikes up a rivalry with handsome Texas oil baron Rod Huston...who's actually played by an American actor, Stuart Damon, so I can tell that he's trying to do a Texas accent.

One of the other players is mathematician Henri Flambeau (Ronald Radd), who can calculate complex odds while at a card table, mostly in his head (with a little bit of writing on his sleeve), and is reluctantly using that talent to pay the bills. He figures that King Boris (Willoughby Goddard)'s run of luck is too far afoul of probability and immediately goes to personally investigate the conveniently local factory that made the cards to find that they're rigged...which seems like a bit of a stretch in more than one way. He and his daughter, Janine (Isla Blair), who'd previously had a flirtatious encounter with Simon and Rod, are caught by the baddies...chief among them being an aide of the king, Col. Rakosi (Paul Stassino, a.k.a. Palazzi in Thunderball), who was pressing the king to raise money to pay for a mysterious consignment.

Simon convinces Rod to help him investigate the cheating angle after a fistfight, and the two of them run into "Professor Plum" on the road, about to be burned alive in his car by the baddies. (It seems like the heroes in British shows always just run into the baddies doing their foul deeds on country roads.) Going back to the card factory with the rescued professor, they discover that the cards have an overprint that can be seen by the King's infrared monacle; and a find an entrance to a watery underground catacomb in which a guy in a wetsuit is persuaded to tell them that the consignment is going to smuggled in via the King's yacht.

The professor informs Simon that the infrared gimmick can be thwarted by an ordinary sunlamp...
Simon said:
That's rather like bringing coals to Newcastle in Monte Carlo...however, I shall get one.
...so Simon installs one in the baccarat table's overhead fixture before going back to the catacombs with Rod for Smuggling Hour. Relieving a couple of goons of their wetsuits, they discover that the consignment is a set of detonation charges to be used in a revolution, then rescue Janine. Before leaving, Simon also sets one of the charges and puts it back in its box in the yacht's hold.

Back at the table, the Professor has been having a run of "luck" at the expense of the King, who goes into a panic when Simon whispers what he's done in His Majesty's ear. Later Simon and pals are watching a fireworks display when the yacht goes up.
Simon said:
I suppose one must expect this sort of thing when one is revolting.


Had the series gone on, I think that somebody like Huston might have made a good recurring foil for Simon. Their chemistry kind of reminded me of Bond and Felix Leiter (who was a Texan in the books, something that was lost in his various screen portrayals).

_______

TGs3e17.jpg
"The Earrings"
Originally aired January 23, 1969
Wiki said:
Donald buys Ann some expensive earrings for Valentine's Day, and insists that she wears them on a date that night, in spite of her fear that she might lose them. Sure enough her worst fears are realized, and now both Ann and Don try to hide replacements for them.

The timing seems a bit off for a Valentine's Day episode. Continuity point: Ann's allergic to roses. And you'd think Donald would have learned that by now.

Jerry gets upset when he hears about Donald's gift to Ann because he only got Ruth peanut brittle; Ruth gets a cracked tooth and muses that cheapskate Jerry'll just have to pay for a gold crown.

Looking for the right place to plant his replacement earring, Donald goes into Ann's apartment when she's not home and attempts to retrace her likely movements that night, which includes acting out her crying in bed over losing the earring.

Short-term continuity point: Ann buys her replacement with money she's been saving for her taxes. See next episode. Donald knows that Ann's faking having found her earring because it's not where he planted his, and he retrieves that one. Then the restaurant where they went on their date calls to say that they found the original and both come clean.

"Oh, Donald" count: 11 (including a big exclamation when she gets the earrings); and while I haven't been counting them, there are also 2 "Oh, but, Donald"'s
"Oh, Ruthie" count: 2

_______

The Avengers
"The Morning After"
Originally aired January 29, 1969 (UK)
Wiki said:
A double-agent, codenamed Merlin, steals a new sleep gas and tries it out on Steed. Awaking 24 hours later, with Merlin his prisoner, Steed can find no one to hand him over to: everywhere he goes the streets are completely deserted.
It seems like I've seen that before...and on the same series!

The episode begins with Steed and Tara running an operation to capture Merlin (Peter Barkworth). When Steed recovers from Merlin's sleep bomb, he leaves Tara sleeping in the apartment where they captured him. On the streets of the town, Steed finds hastily abandoned vehicles and other signs of quick evacuation, like milk left on doorsteps and money blowing out of a bank. He catches and handcuffs himself to Merlin, but they come across soldiers chasing a straggler down and executing him on the excuse of assuming that he's a looter. Sergeant Hearn (Brian Blessed) then finds Steed and Merlin and tries to execute them.

Having gotten out of that bind, the duo find a pair of TV reporters in a van (Penelope Horner and Philip Dunbar) who fill them in on the evacuation of the town, supposedly because of an enemy-planted atom bomb. When Steed decides to go to the offincer in charge, Brigadier Hansing (Joss Ackland) and show his credentials, Merlin blows the plan when he claims that he recognizes a major as an Eastern agent. They confirm that they're dealing with imposters when they subsequently find the actual troops drugged unconscious. Steed and Merlin learn that Hansing has gone rogue and is actually building a bomb, with the plan of using it for extortion once everyone's back in town.

In the meantime, Sgt. Hearn has somehow found Tara, still sleeping in the apartment. When Steed and Merlin go there an are cornered, Tara comes to just in time to overpower the sergeant, but Merlin lobs another bomb and knocks her back out. Steed and Merlin then team up and make use of Merlin's sleep bombs to defeat the bad guys, after which Steed lets Merlin go. There's a gag in which they try to fake Steed using legerdemain to make a handcuff key appear in his hand, but the camera edit is very obvious.

In the coda, Steed's switching off a television while saying "Sock it to me"...is he supposed to be watching Laugh-In?

Steed finding himself in a tight situation while handcuffed to an enemy agent would have been more interesting if it had been a recurring nemesis.

And that'll be the end of The Avengers for our purposes here. If and when I might fit in trying out the pre-Peel seasons again, only time will tell. 75th anniversary retro...?

_______

TGs3e18.jpg
"Many Happy Returns"
Originally aired January 30, 1969
Wiki said:
Ann is faced with a sudden audit from the IRS.

And this one seems a little too early for tax season. The agent who comes to inform Ann of her audit, Leon Cobb (Jack Mullaney), is kind of meek and unsure of himself, leading to Ann misunderstanding his motives. When he finally tells her, it turns out that she owes $2600 and hasn't been opening the mail they've sent her, thinking it was advertisements. The taxes owed are from 1965, which they say was her first year in New York. That's a year before the series started, though maybe the episode that shows her moving away from home was supposed to take place that much earlier than the rest of the series. Another odd continuity issue: Ann has Ruth Bauman's phone number in her old checkbook from 1965, even though she wasn't on the show until 2nd season.

Tomfoolery includes Donald spilling flour all over himself because Ann keeps it on her hall closet shelf next to her records; and Donald learning while attempting to piece together Ann's finances that she always over-records checks by 50 cents so that she never overdraws from the bank. Also, Ann and Donald have to sneak around Mr. Marie in their efforts to work things out before the deadline, and he's being extra-suspicious that Donald's trying to stay at Ann's place, to the point of following Donald home and staking out his place.

And it turns out that Ann exaggerated her income on that year's tax return to fool her father into thinking that she was doing better in the city than she actually was.

The episode's ending punchline uses an unusual multiple freeze frame device.

"Oh, Donald" count: 9
"Oh, Daddy" count: 0

_______

That's too bad, because the incident became an instant part of the lore of Woodstock and that window of time.
There are audio-only clips on YouTube. "Get off my fucking stage!!!"

I wonder what they served. I would have been ready for some fried eggs and corned-beef hash at that point.
Looked like rice or some kind of hash. Wavy specifically said that it wouldn't be steak and eggs.

I wonder how much bragging he did about his attendance at Woodstock.
He did better than that, he was in the film! (Though the shit-sucking scene might have been exclusive to the Director's Edition.)

And most people missed it. :(
They say that people were still leaving during his set...that those who'd stayed that long had done so just to get a glimpse of him.

It wasn't that bad...
WoodstockGen.jpg

Heh. Imagine Ed broadcasting live from Yasgur's Farm. :rommie:
Well, he did introduce the Beatles at Shea Stadium....
 
50th Anniversary Fly-on-the-Wall Listening

On various days between July 23 and August 18, 1969, the Beatles were working on elements of the song that would be the finale of Abbey Road...as assembled here in a new mix for Anthology 3 (including the liberty of a certain piano chord from 1967):
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And speaking of Abbey Road (plug, plug)...
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_______

Not really a fan of That Girl, but Thomas really knew how to tear up her face for a laugh.
I caught her guest appearance on My Favorite Martian on Cozi recently (as that show's back in their schedule)...she played a completely different character with a completely different look, and was practically unrecognizable as the same person who played Ann Marie.
 
My recollection of the way Woodstock was reported on the news was the emphasis placed on how peaceful it was. I had been to a number of concerts at that point in my life and there was never any violence, so it was puzzling to me as to why a peaceful concert, even one as big as Woodstock,was considered such an anomaly. I guess the clashes between young people and the police and violence at particular concerts was a significant influence on how Woodstocl was perceived

I read that Joni Mitchell was supposed to make an impromptu appearance and did show up in a helicopter, Supposedly, they couldn't find a place to land, so she bagged it. I've thought since then that if she'd known what a cultural touchstone the concert and subsequent movie would be, she'd have told the pilot to get a bit lower and she would have jumped. :)

First time I saw the movie, like most, I was amazed. The world's first "modern" pop music "festival", the precursor by 50 years to Coachella, Lollapalooza, Isle of Wight etc. Boomers can rightly be blamed for a lot of negative stuff in the world's recent history, but they pretty much were the generation that wrote the book when it came to popular music. Sorry for the flex. :angel:
the most important rock movie of the era.
Maybe...certainly up there, but the one I've been watching this weekend is kinda big, too.
Yeah, I'll amend that to (HDN) being the most important non concert rock movie of it's era.
Jimi Hendrix and his temporary band, Gypsy Sun & Rainbows, play a sixteen-song 9:00 a.m. – 11:10 a.m. set,
I've always admired the hell out of guitarists who are able to carry a band with one guitar. Playing lead and rhythm while singing and leading the band, to me, is mind boggling. But to guys like Jimi, Jimmy, Pete, etc, it was the only way to do it
Grateful Dead
Creedence Clearwater Revival
The Band
Johnny Winter
Blood, Sweat & Tears
Neil Young (with Crosby, Stills, Nash & Young)
Paul Butterfield Blues Band
Wait, was Sha Na Na THAT popular in 1969? Their appearance in the movie has always made me laugh. Bowser must have had some pictures or something. :lol:
 
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and immediately goes to personally investigate the conveniently local factory that made the cards to find that they're rigged...
Is it illegal to make marked cards or just to use them?

they discover that the cards have an overprint that can be seen by the King's infrared monacle
If evil villains didn't waste so much money on their evil villain equipment, they wouldn't need to commit crimes.

The professor informs Simon that the infrared gimmick can be thwarted by an ordinary sunlamp...
As a bonus, it can also treat mood disorders that lead to a life of crime.

The timing seems a bit off for a Valentine's Day episode. Continuity point: Ann's allergic to roses. And you'd think Donald would have learned that by now.
His flower-buying habits are probably as erratic as his restaurant habits.

It seems like I've seen that before...and on the same series!
The "everything is deserted" trope was very popular back in the day.

but they come across soldiers chasing a straggler down and executing him on the excuse of assuming that he's a looter.
Harsh. Maybe they should send somebody to gather up the blowing money.

In the meantime, Sgt. Hearn has somehow found Tara, still sleeping in the apartment. When Steed and Merlin go there an are cornered, Tara comes to just in time to overpower the sergeant, but Merlin lobs another bomb and knocks her back out.
Not a good episode for Tara.

In the coda, Steed's switching off a television while saying "Sock it to me"...is he supposed to be watching Laugh-In?
He is a man of refined taste, after all.

she always over-records checks by 50 cents so that she never overdraws from the bank.
I used to worry about that when I was young and poor, so I would never record coin deposits-- like when I'd roll up spare change (remember those pre-Coinstar rollers?).

Also, Ann and Donald have to sneak around Mr. Marie in their efforts to work things out before the deadline, and he's being extra-suspicious that Donald's trying to stay at Ann's place, to the point of following Donald home and staking out his place.
Stalkerish!

And it turns out that Ann exaggerated her income on that year's tax return to fool her father into thinking that she was doing better in the city than she actually was.
Fraudish!

There are audio-only clips on YouTube. "Get off my fucking stage!!!"
Oooh, there's my new ringtone.

He did better than that, he was in the film! (Though the shit-sucking scene might have been exclusive to the Director's Edition.)
Worth the extra money.

Actually, that's pretty good. :rommie:

I caught her guest appearance on My Favorite Martian on Cozi recently (as that show's back in their schedule)...she played a completely different character with a completely different look, and was practically unrecognizable as the same person who played Ann Marie.
That must be why I don't remember ever seeing her. I'll have to dig out my DVDs.

And speaking of schedule changes, MeTV sent out their Fall schedule. The bad news is that they still have Three Stooges listed on Saturday night (other changes are the addition of Barnaby Jones, Bat Masterson, and The Flinstones.
 
55 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
August 23 – The Beatles rest at a private house in Bel-Air and in the evening give a concert at the famed Hollywood Bowl, recorded by Capitol Records.
Wiki said:
August 24–27 – The Democratic National Convention in Atlantic City nominates incumbent President Lyndon B. Johnson for a full term, and U.S. Senator Hubert Humphrey of Minnesota as his running mate.
The Beatles Day by Day said:
August 26 – Red Rocks Amphitheatre, Denver.
August 27 – Cincinnati Gardens, Cincinnati.
Wiki said:
August 27 – Walt Disney's Mary Poppins has its world premiere in Los Angeles. It will go on to become Disney's biggest moneymaker, and winner of 5 Academy Awards, including a Best Actress. It is the first Disney film to be nominated for Best Picture.
The Beatles Day by Day said:
August 28 & 29 – Forest Hills Tennis Stadium, New York City.


Also on August 28, a momentous, game-changing occasion covered in neither the Wiki timeline nor, surprisingly, the Lewisohn book: The Beatles meet Bob...and his friend Mary Jane.

Wiki said:
August 28–30 – Philadelphia 1964 race riot: Tensions between African American residents and police lead to 341 injuries and 774 arrests.



Selections from Billboard's Hot 100 for the week:
1. "Where Did Our Love Go," The Supremes
2. "The House of the Rising Sun," The Animals
3. "Everybody Loves Somebody," Dean Martin
4. "A Hard Day's Night," The Beatles
5. "C'mon and Swim," Bobby Freeman
6. "Under the Boardwalk," The Drifters
7. "Because," The Dave Clark Five
8. "Walk, Don't Run '64," The Ventures
9. "Bread and Butter," The Newbeats
10. "How Do You Do It," Gerry & The Pacemakers
11. "Wishin' and Hopin'," Dusty Springfield
12. "People Say," The Dixie Cups
13. "And I Love Her," The Beatles
14. "Selfish One," Jackie Ross
15. "G.T.O.," Ronny & The Daytonas
16. "Such a Night," Elvis Presley
17. "Rag Doll," The Four Seasons
18. "Maybe I Know," Lesley Gore
19. "Just Be True," Gene Chandler
20. "You Never Can Tell," Chuck Berry

22. "The Little Old Lady (from Pasadena)," Jan & Dean
23. "(You Don't Know) How Glad I Am," Nancy Wilson
24. "Ain't She Sweet," The Beatles
25. "I'll Cry Instead," The Beatles

27. "I Get Around," The Beach Boys
28. "I Wanna Love Him So Bad," The Jelly Beans
29. "It Hurts to Be in Love," Gene Pitney
30. "Maybelline," Johnny Rivers
31. "Handy Man," Del Shannon
32. "Baby I Need Your Loving," Four Tops
33. "Steal Away," Jimmy Hughes
34. "It's All Over Now," The Rolling Stones
35. "Haunted House," Jumpin' Gene Simmons
36. "I'll Keep You Satisfied," Billy J. Kramer w/ The Dakotas

38. "Tell Me (You're Coming Back)," The Rolling Stones
39. "Keep on Pushing," The Impressions

42. "Dancing in the Street," Martha & The Vandellas

45. "Funny (How Time Slips Away)," Joe Hinton

47. "Remember (Walkin' in the Sand)," The Shangri-Las
48. "We'll Sing in the Sunshine," Gale Garnett

50. "I'm on the Outside (Looking In)," Little Anthony & The Imperials
51. "Oh, Pretty Woman," Roy Orbison

54. "If I Fell," The Beatles
55. "Ringo's Theme (This Boy)," George Martin & His Orchestra

61. "Out of Sight," James Brown & His Orchestra

64. "Save It for Me," The Four Seasons

66. "Everybody Needs Somebody to Love," Solomon Burke

70. "A Summer Song," Chad & Jeremy

79. "From a Window," Billy J. Kramer w/ The Dakotas

83. "Rhythm," Major Lance

Leaving the chart:
  • "The Girl from Ipanema," Getz / Gilberto (12 weeks)
  • "I Like It Like That," The Miracles (9 weeks)
  • "Nobody I Know," Peter & Gordon (9 weeks)

Recent and new on the chart:

"Out of Sight," James Brown & His Orchestra
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(Aug. 15; #24 US; #5 R&B)

"Funny (How Time Slips Away)," Joe Hinton
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(Aug. 15; #13 US; #1 R&B)

"I'm on the Outside (Looking In)," Little Anthony & The Imperials
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(Aug. 22; #15 US; #8 R&B)

"Save It for Me," The Four Seasons
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(#10 US)

"Oh, Pretty Woman," Roy Orbison
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(#1 US the weeks of Sept. 26 through Oct. 10, 1964; #1 UK; #222 on Rolling Stone's 500 Greatest Songs of All Time)

Total Beatles songs on the chart: 5

_______

My recollection of the way Woodstock was reported on the news was the emphasis placed on how peaceful it was. I had been to a number of concerts at that point in my life and there was never any violence, so it was puzzling to me as to why a peaceful concert, even one as big as Woodstock,was considered such an anomaly.
It wasn't that it was a concert, it was that it was an unprecedented, out-of-control mass gathering of the counterculture that got the place declared a disaster area and had Nelson Rockefeller wanting to call in the National Guard (which he was talked down from).

The world's first "modern" pop music "festival", the precursor by 50 years to Coachella, Lollapalooza, Isle of Wight etc.
Think you might wanna check the dates on some of those. :p

but they pretty much were the generation that wrote the book when it came to popular music.
No argument there.

Wait, was Sha Na Na THAT popular in 1969? Their appearance in the movie has always made me laugh. Bowser must have had some pictures or something. :lol:
If you mean why were they used while those other acts weren't, some of them chose not to be in the film, including Fogerty for CCR.

Not a good episode for Tara.
Actually, if they were going to sideline her for the episode, they found a cute if contrived way of doing it. The bit where she comes to just long enough to groggily jump into the fight and then immediately gets knocked out again was definitely being played for laughs.

(remember those pre-Coinstar rollers?).
Yep.

Oooh, there's my new ringtone.
Pete's voice is only semi-audible in the clips I heard.

That must be why I don't remember ever seeing her. I'll have to dig out my DVDs.
https://www.imdb.com/title/tt0654525/?ref_=ttep_ep31

And speaking of schedule changes, MeTV sent out their Fall schedule. The bad news is that they still have Three Stooges listed on Saturday night (other changes are the addition of Barnaby Jones, Bat Masterson, and The Flinstones.
Well that blows about the Stooges. Crossing my fingers that H&I might add WWW to its lineup (it's been on there before). The Flintstones I knew about...Me's been doing little teaser interruptions of their own ads for other shows.
 
"Out of Sight," James Brown & His Orchestra
One of a string of releases that hinted at the harder funk James would create in a few years.
"I'm on the Outside (Looking In)," Little Anthony & The Imperials
This group turned out some of the great begging songs of all time. On the Outside, Tears on My Pillow, I'm Still In Love With You, Goin Out of My Head, and IMO, the best of the lot, Hurt So Bad, took the sub sub genre to a new level.

I loved how the songs would always start with Anthony in a calm but tense voice, and would always end with him in an all out begging frenzy.
"Oh, Pretty Woman," Roy Orbison
I was a big Roy Orbison fan. Dude had a great voice and knew his way around a song about unrequited love.
Think you might wanna check the dates on some of those. :p
Yeah, yeah, give or take (mostly take) 10 or 15 years. I'm too lazy to look up when those two festivals started.
If you mean why were they used while those other acts weren't, some of them chose not to be in the film, including Fogerty for CCR.
Never occurred to me that any of the acts would not want to be in the movie. But it was a different time and entertainment sensibilities were were different. Still seems crazy to me that Sha Na Na made the cut. They were nothing more than a novelty act.
 
Also on August 28, a momentous, game-changing occasion covered in neither the Wiki timeline nor, surprisingly, the Lewisohn book: The Beatles meet Bob...and his friend Mary Jane.
That's fantastic. That should have its own Wiki page. It should be a major motion picture. :rommie:

"Out of Sight," James Brown & His Orchestra
Yep, that's James Brown, all right.

"Funny (How Time Slips Away)," Joe Hinton
Those minutes slipped away.

"I'm on the Outside (Looking In)," Little Anthony & The Imperials
Meh....

"Save It for Me," The Four Seasons
Kind of a slow week here.

"Oh, Pretty Woman," Roy Orbison
But there we go! A classic for the ages!

Actually, if they were going to sideline her for the episode, they found a cute if contrived way of doing it. The bit where she comes to just long enough to groggily jump into the fight and then immediately gets knocked out again was definitely being played for laughs.
That does sound like a Tara moment. :rommie:

Pete's voice is only semi-audible in the clips I heard.
Ah, that's a shame.

Great! Thank you.

Well that blows about the Stooges. Crossing my fingers that H&I might add WWW to its lineup (it's been on there before). The Flintstones I knew about...Me's been doing little teaser interruptions of their own ads for other shows.
I'm hoping it's a mistake or that they're just going to run through this new Stooges syndication package or whatever it is. I'm thinking they must be getting paid a lot to run it.
 
50 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
August 28 – A girl, Mary, is born to Paul and Linda McCartney at Avenue Clinic, London.
PaulMary.jpg
Wiki said:
August 29 – A Trans World Airlines flight from Rome to Tel Aviv is hijacked and diverted to Syria.


And The Old Mixer, being two months and change behind Mary (and not having appeared on the back of any album covers), is the size of a large cabbage.


Selections from Billboard's Hot 100 for the week:
1. "Honky Tonk Women," The Rolling Stones
2. "A Boy Named Sue," Johnny Cash
3. "Sugar, Sugar," The Archies
4. "Put a Little Love in Your Heart," Jackie DeShannon
5. "Sweet Caroline," Neil Diamond
6. "Get Together," The Youngbloods
7. "Green River," Creedence Clearwater Revival
8. "In the Year 2525 (Exordium & Terminus)," Zager & Evans
9. "Lay Lady Lay," Bob Dylan
10. "Crystal Blue Persuasion," Tommy James & The Shondells
11. "Polk Salad Annie," Tony Joe White
12. "Laughing," The Guess Who
13. "Easy to Be Hard," Three Dog Night
14. "I'll Never Fall in Love Again," Tom Jones
15. "Give Peace a Chance," Plastic Ono Band
16. "Baby, I Love You," Andy Kim
17. "I'd Wait a Million Years," The Grass Roots
18. "Soul Deep," The Box Tops
19. "Hurt So Bad," The Lettermen
20. "Workin' on a Groovy Thing," The 5th Dimension
21. "My Cherie Amour," Stevie Wonder
22. "Ruby, Don't Take Your Love to Town," Kenny Rogers & The First Edition
23. "Share Your Love with Me," Aretha Franklin
24. "The Nitty Gritty," Gladys Knight & The Pips
25. "Choice of Colors," The Impressions
26. "What Does It Take (To Win Your Love)," Jr. Walker & The All-Stars
27. "Birthday," Underground Sunshine
28. "Keem-O-Sabe," The Electric Indian
29. "Oh, What a Night," The Dells
30. "I Can't Get Next to You," The Temptations
31. "Your Good Thing (Is About to End)," Lou Rawls
32. "Marrakesh Express," Crosby, Stills & Nash
33. "Jean," Oliver

35. "Commotion," Creedence Clearwater Revival
36. "Hot Fun in the Summertime," Sly & The Family Stone
37. "I'm Free," The Who

39. "Goo Goo Barabajagal (Love Is Hot)," Donovan w/ The Jeff Beck Group
40. "It's Getting Better," Mama Cass
41. "Mother Popcorn (You Got to Have a Mother for Me), Part 1" James Brown

43. "This Girl Is a Woman Now," Gary Puckett & The Union Gap
44. "Everybody's Talkin'," Nilsson

47. "When I Die," Motherlode

49. "That's the Way Love Is," Marvin Gaye

55. "What Kind of Fool Do You Think I Am," Bill Deal & The Rhondels

59. "I'm Gonna Make You Mine," Lou Christie

64. "What's the Use of Breaking Up," Jerry Butler

66. "Little Woman," Bobby Sherman

73. "Going in Circles," The Friends of Distinction

78. "Sugar on Sunday," The Clique

80. "You, I," The Rugbys

94. "Walk On By," Isaac Hayes


Leaving the chart:
  • "My Pledge of Love," The Joe Jeffrey Group (12 weeks)
  • "Quentin's Theme," The Charles Randolph Grean Sounde (11 weeks)
  • "Questions 67 and 68," Chicago (3 weeks)
  • "Spinning Wheel," Blood, Sweat & Tears (13 weeks)
  • "Who Do You Love," Quicksilver Messenger Service (3 weeks)

New on the chart:

"Sugar on Sunday," The Clique
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(#22 US)

"What's the Use of Breaking Up," Jerry Butler
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(#20 US; #4 R&B)

Of perhaps greater historical interest than "Sugar on Sunday" is its B-side, which was covered in the '80s by R.E.M.:
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_______

One of a string of releases that hinted at the harder funk James would create in a few years.
Yep, that's James Brown, all right.
I think it hints more at his more immediately upcoming major breakout signature hits.

Those minutes slipped away.
:lol:


gblews said:
This group turned out some of the great begging songs of all time. On the Outside, Tears on My Pillow, I'm Still In Love With You, Goin Out of My Head, and IMO, the best of the lot, Hurt So Bad, took the sub sub genre to a new level.

I loved how the songs would always start with Anthony in a calm but tense voice, and would always end with him in an all out begging frenzy.
Interesting analysis. I'll be listening with the begging in mind.

RJDiogenes said:
Kind of a slow week here.
Have we met a Four Seasons song that you don't like?

gblews said:
I was a big Roy Orbison fan. Dude had a great voice and knew his way around a song about unrequited love.
RJDiogenes said:
But there we go! A classic for the ages!
His signature hit, and definitely a heavyweight of the era.

gblews said:
Yeah, yeah, give or take (mostly take) 10 or 15 years. I'm too lazy to look up when those two festivals started.
The better part of 30 for Lollapalooza.

That's fantastic. That should have its own Wiki page. It should be a major motion picture. :rommie:
Will you settle for a brief clip from the Beatles Anthology documentary?
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Also found this while I was looking:
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[/QUOTE]
 
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Ah, your salad days.

"Sugar on Sunday," The Clique
Here's another one that sounds like a cheery early 70s song.

"What's the Use of Breaking Up," Jerry Butler
Not bad.

Of perhaps greater historical interest than "Sugar on Sunday" is its B-side, which was covered in the '80s by R.E.M.:
Now this definitely has that 60s vibe.

Have we met a Four Seasons song that you don't like?
Well, I didn't hate it, but it's not quite their greatest hit.

Will you settle for a brief clip from the Beatles Anthology documentary?

Also found this while I was looking:
Nice. I think I'll buy that book. I would have loved to have been there that night. I'll put it on my list of time travel destinations. :rommie:
 
_______

TGs3e19.jpg
"My Sister's Keeper"
Originally aired February 6, 1969
Wiki said:
While working on a commercial, Ann's voice is dubbed by a singer that she finds to be fantastic. But her efforts to give this young woman a boost in her career may not go so well, when she finds the young woman has a higher calling. Guest starring Terre and Tony Thomas (Marlo's sister and brother) and featuring a humorous cameo appearance by their father Danny Thomas.

And for the M*A*S*H fans, the commercial's producer, Mr. McKorkle, is played by McLean Stevenson. The product is a soda appropriately if uncreatively named POP; and therefore Ann's auditioning to be The POP Girl. But there's singing involved...
Mr. McKorkle said:
If you just sounded like you look.
The in-story reason for the title is that Terre's character, Rose, is secretly a nun, working odd singing gigs out of habit.
TGSister.jpg
Her brother, Tony, plays her brother, Tony, a drummer who finds the gigs for her. You can definitely see the resemblance to Dad in Tony...
TGBrother.jpg
...and hear the resemblance in Terre, who's more soft-spoken than Marlo is as Ann.

Donald finds out the truth about Rose first and cracks up because he was trying to talk Ann out of meddling with Rose's career prospects. So he arranges for Ann to see Rose singing in habit at her parochial school without telling her what it's about in advance.

Ann literally bumps into her father the Father in the hall.

Ann: Oh! Oh, excuse me, Father!
Father: Oh, that's all right, my child.​

TGFather.jpg

"Oh, Donald" count: 4
"Oh, Mr. McKorkle" count: 1
"Oh, Rose" count: 1

_______

The Wild Wild West
"The Night of the Sabatini Death"
Originally aired February 7, 1969
Wiki said:
After meeting with the crime czar Sabatini, Jim and fellow agent Ned Brown travel to Calliope, Missouri, where an Army finance officer died after stealing $500,000.

This episode features a "Gilligan's Island" in-joke in the tag as well as guest appearances from Alan Hale Jr. as department chemist/agent Brown and Jim Backus as funeral director Swanson. However, it was by no means the first link to the uncharted desert isle on "The Wild Wild West" - the series had previously borrowed the "Gilligan's Island" lagoon for episodes like "The Night of the Murderous Spring" and "The Night of the Bottomless Pit", and Dawn Wells played Betsy in "The Night of the Headless Woman". In "The Night of the Bleak Island", the teaser showing the boat in a storm was also used in the teaser for Gilligan's Island.

Having previously only seen the end of the episode, I didn't know that Backus was in it as well.

The dying Sabatini (Ted de Corsia) wants West's help to protect a young blind woman he's been taking care of on the side who later (and unsurprisingly) turns out to be his secret daughter. He has a mystery gift for her hidden in the town of Calliope, which Jim and Ned suspect is the Army payroll that was stolen by an officer named Nolan and is believed to be hidden somewhere in that town. The bait for Jim is the opportunity to nab a man named Harry Boorman, who's sure to come after Jim because he's after the money. The catch is that Sabatini dies from a curare-filled cigarette before he can tell Jim the full details of how to find the gift. Jim just knows that he needs to give a key to a man named Swanson.

Swanson turns out to be the funeral director of the mostly abandoned town, and Jim meets him while he's lying in an open casket. In a later scene he finds Swanson lying in it for good, before Swanson has had a chance to tell him more about the gift. In mingling with the townsfolk, including an unfriendly sheriff (Thomas A. Geas), Jim meets an old woman who's obviously a younger woman in makeup and is claiming to be Nolan's sister (Bethel Leslie)...but I guess it's at least as convincing as Artie's disguises.

In the meantime Brown meets the girl, Sylvia (Jill Townsend), and once she's in Calliope, goes looking for a Madonna statue that's supposed to be connected to the gift and finds the crypt where Nolan's supposed to be entombed, which the key opens. The engraving of Nolan's face reveals that he was Sabatini. Eventually everybody gets to the tomb, which includes the whole population of Calliope, who were in cahoots with Boorman (Don "Red" Barry) and his ladyfriend in scheming to find the payroll. Jim and Ned take down the baddies and it turns out that the treasure in the crypt is a will entitling Sylvia to all of the Nolan properties in the area.

Honestly, this one was pretty underwhelming...too much filler dragging out a fairly predictable plot and nothing in the way of nifty Old West spy fi business. And I'm afraid to say that I wasn't terribly taken by Hale as Ned Brown. Pike was a more convincing substitute Artie, though they lampshaded that by establishing that Brown was in the chemistry section and being recruited on the spot to get involved in the mission...but on the other hand, they didn't do enough with that angle, making it seem like he was a perfectly competent field agent once he was on the job....if not as big on disguises as Jim's usual partners. The only moment that passes for a disguise angle is Brown dropping a false name.

But of course, we did get the cute Gilligan's Island gag in the train coda. There used to be a clip of it on YouTube, but I couldn't find it.

And that'll be it for The Wild Wild West until such a time as Me changes its Stoogey ways.

_______

Here's another one that sounds like a cheery early 70s song.
Really early '70s...like, pre-'70s.

But not terribly memorable either.

Now this definitely has that 60s vibe.
Kinda has an '80s vibe for me. Were you familiar with the R.E.M. version?
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Nice. I think I'll buy that book.
Which book would that be?
 
The in-story reason for the title is that Terre's character, Rose, is secretly a nun, working odd singing gigs out of habit.
As in "wearing civvies" or "just can't stop?"

Ann literally bumps into her father the Father in the hall.
She should have made room for daddy... er, the Father.

"Oh, Donald" count: 4
"Oh, Mr. McKorkle" count: 1
"Oh, Rose" count: 1
No "Oh, god"s?

Having previously only seen the end of the episode, I didn't know that Backus was in it as well.
And I forgot about that.

And I'm afraid to say that I wasn't terribly taken by Hale as Ned Brown.
But... but.... but.... it's the Skipper! :(

....if not as big on disguises as Jim's usual partners.
Well, it would take a big disguise to disguise that physique. :rommie:

And that'll be it for The Wild Wild West until such a time as Me changes its Stoogey ways.
Fingers crossed for that.

Kinda has an '80s vibe for me. Were you familiar with the R.E.M. version?
I was going to say no, but it does sound kind of familiar when I listen to it.

Which book would that be?
The article that you linked to is actually an excerpt from a book. Which is now on my Kindle.
 
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