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The Classic/Retro Pop Culture Thread

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Selections from Billboard's Hot 100 for 55 years ago this week:
1. "Easier Said Than Done," The Essex
2. "Surf City," Jan & Dean

4. "So Much in Love," The Tymes
5. "One Fine Day," The Chiffons
6. "Sukiyaki," Kyu Sakamoto
7. "Memphis," Lonnie Mack

9. "Hello Stranger," Barbara Lewis
10. "Wipe Out," The Surfaris
11. "Fingertips, Pt. 2," Little Stevie Wonder
12. "It's My Party," Lesley Gore
13. "Pride and Joy," Marvin Gaye

15. "Not Me," The Orlons
16. "(You're the) Devil in Disguise," Elvis Presley

18. "Those Lazy, Hazy, Crazy Days of Summer," Nat King Cole
19. "You Can't Sit Down," The Dovells
20. "Just One Look," Doris Troy
21. "My Summer Love," Ruby & The Romantics
22. "Falling," Roy Orbison
23. "Ring of Fire," Johnny Cash

25. "Da Doo Ron Ron (When He Walked Me Home)," The Crystals
26. "String Along," Rick Nelson

31. "My True Confession," Brook Benton

33. "Shut Down," The Beach Boys
34. "Blowin' in the Wind," Peter, Paul & Mary
35. "Without Love (There Is Nothing)," Ray Charles
36. "Don't Say Goodnight and Mean Goodbye," The Shirelles

39. "Birdland," Chubby Checker

42. "Come and Get These Memories," Martha & The Vandellas

45. "Surfin' U.S.A.," The Beach Boys
46. "Denise," Randy & The Rainbows

49. "Till Then," The Classics

52. "Judy's Turn to Cry," Lesley Gore
53. "The Good Life," Tony Bennett
54. "Candy Girl," The Four Seasons

60. "Green, Green," The New Christy Minstrels
61. "18 Yellow Roses," Bobby Darin

66. "I (Who Have Nothing)," Ben E. King

72. "Mockingbird," Inez & Charlie Foxx
73. "More," Kai Winding & Orchestra

82. "From Me to You," Del Shannon

90. "The Monkey Time," Major Lance


Leaving the chart:
  • "The Love of My Man," Theola Kilgore
  • "Two Faces Have I," Lou Christie


55 Years Ago Spotlight--Classifying a 1963 song as "leftover '50s business" would be a reasonable assertion in this case:

"(You're the) Devil in Disguise"
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(Charted June 29, 1963; #3 US; #9 R&B; #1 UK)

But it's still classic Elvis.

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Catch-Up Viewing

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The Monkees
"The Chaperone"
Originally aired November 7, 1966
Wiki said:
Davy's feelings for retired General Harley Vandenberg's (Arch Johnson) daughter Leslie (Sherry Alberoni) leads Micky to pose a female chaperone at a party after the real chaperone (Diana Chesney) gets drunk.

Hey hey, they're back! You know, walking down the street and all that stuff....

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Peter: C'mon baby, quit fooling around, what TV show was she watching?
Micky: Ours I hope.

The advantage of not watching on Antenna...not only are the episodes uncut, they even include the Kellogg's bumper after the opening credits (2:06+), as well as the assorted cereal boxes in the closing ones.

The description doesn't mention it, but the Monkees are the ones throwing the party to get Leslie out of the house...as depicted in the first song sequence, for "This Just Doesn’t Seem to Be My Day" (05:11+).

At first they try to coach their cleaning lady into acting as the chaperone, but...
Davy: She's stoned!
Mike: Drunk.


As mentioned upthread, this episode features a brief appearance of the title card from Tarzan (12:55+), as well as an appearance by Duke Fishman as Mr. Clean. For the latter, see the second song, "Take a Giant Step" (13:40+).

Leslie's father and Babbit the landlord both find themselves attracted to Micky in drag. After Vandenberg learns the truth, he breaks up the party using his military mojo.

Unconnected closing song: "You Just May Be the One" (22:08+).

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12 O'Clock High
"The Fighter Pilot"
Originally aired November 11, 1966
IMDb said:
Three top Pacific fighter pilots make it to the 918th without authorization, and are anxious to get back into air combat no matter what it takes.

Along with the arrival of fighter pilots, we get to see Stovall and some other guys react to a contingent of WACs landing on their airfield. THE WIMMEN!!!!!

Despite he and his two buddies having faked their transfer and being wanted for an incident in the States, the reckless, self-centered Captain Dejohn (Don Gordon) goes out of his way to make a bad first impression on Gallagher, who most definitely does not like having his field buzzed by P-51s. Gallagher tries to instill some discipline and teamwork on the troublemaking fighter pilots by getting them involved with bomber missions. Meanwhile, Dejohn tries to use a WAC who happens to be an old friend of Gallagher's (Marlyn Mason) in an attempt to get forged orders and info about the Colonel. When one of the fighter pilots dies at the controls of a B-17, Gordon blames Gallagher, and demonstrates how unhinged he is when he goes up in a Mustang unauthorized to try to take on the Colonel in his mission control plane. The two wind up having to reluctantly team up against a group of German fighters instead, with Gordon shooting several down before the tables turn on him.

I'm not sure how long it's been there, but this episode I noticed what looks like a model of some sort of rocket on the file cabinet in Gallagher's office:
12och65.jpg
It doesn't seem to match the appearance of a V-2 (see next episode), which makes me wonder what it's supposed to be. Some sort of ordnance?

Also, the European countryside as seen from the air looks absolutely nothing like Southern California....
12och74.jpg

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12 O'Clock High
"To Seek and Destroy"
Originally aired November 18, 1966
IMDb said:
A British fighter pilot is enlisted to recover parts from a German guided missile that crashed in Sweden intact, but he has become a very depressed alcoholic.

And now we come full circle, with the first episode that I watched and reviewed as delayed 50th anniversary business. My original review:
So now we pick up this series in the tenth episode of its shortened final season. I developed a mild fondness for this show from catching bits of it in the wee hours of Saturday mornings on Me...sometimes just hearing the theme while not fully awake...so now I'm actually giving it a shot.

This series has a stronger Trek guest association than most because of series leads Robert Lansing (Season 1 only) and Frank Overton (full series). For Seasons 2 and 3, Paul Burke of Naked City has replaced Lansing, and Overton happened to be off for this episode...but we get the ubiquitous Richard Anderson playing a general who's a recurring character for a few of these last episodes.

Fancy that--A show with act break cards that aren't the most entertaining thing in the episode!

This particular episode seemed to have pretty low audiovisual quality, but I popped on the beginning of the next episode and it looked/sounded noticeably better. For this outing, the closed captioning was no help for better understanding the dialogue, as it was pretty shoddy and incomplete.

Right away I get an example of the roles of the main cast being stretched to keep them central to the action. When a V-1 accidentally flies off-course and lands intact in Sweden, the bomber group wants to get ahold of its innards so they'll know where they're manufactured. But it isn't enough for our intrepid series regulars to hit the factories at the end of the episode (which we don't even see)...they have to be the ones to go on a cloak and dagger mission to get their rocket expert into Sweden and smuggle the vital components out. It involves flying a plane, so I guess that's in their wheelhouse....

I liked the use of America's wartime presence in Britain as a source of tension. And a few early scenes demonstrate that 60s gals are no better than 70s gals at passing themselves off as 40s gals.

TOS guest specific to this episode: David Frankham (Larry Marvick, "Is There in Truth No Beauty?")


The "V-1s" in use here appear to be quite historically inaccurate. Actual V-1s were plane-like and launched via ramps. Here we see them played by what appears to be footage of V-2s:
12och68.jpg

Making his first of four appearances as wing commander Brig. Gen. Doud:
12och70.jpg
I think that was the job that Gallagher was being considered for in an earlier episode. Was it also Savage's job in the film? Doud is the same rank as Savage.

(Also, I think that credit shot is from a different episode...I don't recall him getting any flying time this episode.)

The British/American tension in this episode owes mostly to Frankham's character, Capt. Carmichael, hating Yanks. The first Yank he runs into in Archbury is Sandy, and not getting along with guest characters seems to be one of Komansky's regular jobs on the show.

While I identified Frankham last year, I missed another TOS guest in the episode....

New to watching the show as I was at the time, I pretty much hit the nail on the head regarding the inauthenticity of the 918th regulars going on a covert mission to Sweden. This one definitely falls in Season 3's pattern of routinely putting the regulars in situations on the ground somewhere other than England. Gallagher must have experienced a bit of deja vu...the place where the Swedish underground met looked more than a little like the place where the Germans conspiring to kill Hitler met. Act IV climaxes in a gunfight with German agents, and Carmichael sacrificing himself to blow the "V-1's" charge as the Germans enter the warehouse where it's being kept.

My comment at the time about '60s gals not being good at passing for '40s gals must have been largely based on Sandy's girlfriend of the week, played by Ellen Willard:
12och71.jpg

Though it was likely also informed by what appears to be a blink-and-miss-it appearance by Sal:
12och72.jpg

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Selections from Billboard's Hot 100 for 51 years ago this week:
1. "Windy," The Association
2. "Little Bit o' Soul," The Music Explosion
3. "Can't Take My Eyes Off You," Frankie Valli
4. "San Francisco (Be Sure to Wear Flowers in Your Hair)," Scott McKenzie
5. "Don't Sleep in the Subway," Petula Clark
6. "Come on Down to My Boat," Every Mother's Son
7. "Up, Up and Away," The 5th Dimension
8. "Light My Fire," The Doors
9. "C'mon Marianne," The Four Seasons
10. "A Whiter Shade of Pale," Procol Harum
11. "I Was Made to Love Her," Stevie Wonder
12. "White Rabbit," Jefferson Airplane
13. "The Tracks of My Tears," Johnny Rivers
14. "Society's Child (Baby I've Been Thinking)," Janis Ian
15. "Here We Go Again," Ray Charles
16. "Let's Live for Today," The Grass Roots
17. "Mercy, Mercy, Mercy," The Buckinghams
18. "Alfie," Dionne Warwick
19. "Ain't No Mountain High Enough," Marvin Gaye & Tammi Terrell
20. "I Take It Back," Sandy Posey

22. "Soul Finger," The Bar-Kays
23. "Don't Go Out into the Rain (You're Going to Melt)," Herman's Hermits
24. "Step Out of Your Mind," The American Breed
25. "More Love," Smokey Robinson & The Miracles
26. "Make Me Yours," Bettye Swann
27. "For Your Love," Peaches & Herb
28. "Carrie-Anne," The Hollies
29. "Ding, Dong! The Witch Is Dead," The Fifth Estate

32. "Silence Is Golden," The Tremeloes
33. "She'd Rather Be with Me," The Turtles
34. "For Your Precious Love," Oscar Toney, Jr.
35. "I Like the Way," Tommy James & The Shondells
36. "Respect," Aretha Franklin

38. "Groovin'," The Young Rascals

43. "Pay You Back with Interest," The Hollies

45. "Hypnotized," Linda Jones

47. "Let the Good Times Roll & Feel So Good," Bunny Sigler

52. "My Mammy," The Happenings

55. "You Only Live Twice," Nancy Sinatra

60. "(I Wanna) Testify," The Parliaments
61. "A Girl Like You," The Young Rascals

65. "Pictures of Lily," The Who

70. "You Keep Me Hangin' On," The Vanilla Fudge
71. "My World Fell Down," Sagittarius

78. "Bluebird," Buffalo Springfield
79. "To Love Somebody," Bee Gees

86. "Thank the Lord for the Night Time," Neil Diamond


88. "Omaha," Moby Grape

92. "Cold Sweat, Part 1," James Brown

98. "Apples, Peaches, Pumpkin Pie," Jay & The Techniques
99. "Brown Eyed Girl," Van Morrison



Leaving the chart:
  • "Do It Again a Little Bit Slower," Jon & Robin & The In Crowd
  • "New York Mining Disaster 1941 (Have You Seen My Wife, Mr. Jones)," Bee Gees
  • "Release Me (and Let Me Love Again)," Engelbert Humperdinck
  • "7-Rooms of Gloom," Four Tops
  • "Somebody to Love," Jefferson Airplane
  • "Sunday Will Never Be the Same," Spanky & Our Gang

_______

Check out what "Back Door Santa" meant, and why RS was twisted for adding the compliation album to it...

They call me the back door santa
I make my runs about the break of day
They call me the back door santa
I make my runs about the break of day

I make all the little girls happy
While the boys are out to play


I ain't like old Saint Nick
He don't come but once a year
I ain't like old Saint Nick
He don't come but once a year

I come a runnin' with my presents
Every time you call me, dear

I keep some change in my pocket
I chase the children home

I give them a few pennies
So that we can be alone

I leave the back door open
So if anybody smells the mouse
And wouldn't old Santa be in trouble
If there ain't no chimney in the house

Eh...it just appears to be riffing on the Willie Dixon blues classic "Back Door Man," performed by Howlin' Wolf and the Doors among others. Pretty standard territory for the genre, hardly shocking.

In addition, Bon Jovi did a cover of "Back Door Santa" on the first A Very Special Christmas benefit album in 1987.
 
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Eh...it just appears to be riffing on the Willie Dixon blues classic "Back Door Man," performed by Howlin' Wolf and the Doors among others. Pretty standard territory for the genre, hardly shocking.

The point is that's its low down for a Christmas song, which is not standard of the genre to have a serial adulterer (among other things) lure kids away with money so he can screw the local "girls".

In addition, Bon Jovi did a cover of "Back Door Santa" on the first A Very Special Christmas benefit album in 1987.

Bon Jovi....oh, if ever earth needed a collective memory wipe...
 
Eh, it was a Christmas song that wasn't for the kiddies. They make those.
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(I guess I've fallen ass-backwards into contributing to that "Christmas in July" bullshit.)

ETA: Decades was just playing "On the Move" again this morning....
Bill Kurtis said:
As we leave, one last look back at transportation in 1968.
They filed the first men to orbit the Moon under "transportation"! :lol:
 
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My comment at the time about '60s gals not being good at passing for '40s gals must have been largely based on Sandy's girlfriend of the week, played by Ellen Willard:
Period accurate hairstyle never seemed to be a priority for TV and films produced in the 60's and 70's. M*A*S*H was probably the worst offender, where every character sported a contemporary hairstyle. Happy Days gave up on period accuracy as well. Even Fonzie's DA took on a 70's look after a while. Then there's Newkirk's sideburns in the later seasons of Hogan's Heroes. The women on Hogan tended to sport very 60's 'dos. :lol:
 
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Period accurate hairstyle never seemed to be a priority for TV and films produced in the 60's and 70's. M*A*S*H was probably the worst offender, where every character sported a contemporary hairstyle. Happy Days gave up on period accuracy as well. Even Fonzie's DA took on a 70's look after a while. Then there's Newkirk's sideburns in the later seasons of Hogan's Heroes. The women on Hogan tended to sport very 60's do's. :lol:
I seem to recall Mr. C sporting aviator-style wire rims and a digital watch. Milwaukee was pretty edgy in the early 60s.
 
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50 Years Ago This Week
Wiki said:
July 15 – The soap opera One Life to Live premieres on ABC.
July 17 – Saddam Hussein becomes Vice Chairman of the Revolutionary Council in Iraq after a coup d'état.
July 18 – The semiconductor company Intel is founded.
July 20 – The first International Special Olympics Summer Games are held at Soldier Field in Chicago, Ill, with about 1,000 athletes with intellectual disabilities.

Mark Lewisohn's The Beatles Day by Day said:
July 15: Apple moves into its new premises at 3 Saville Row, London.
July 17: In scenes reminiscent of 1964 and 1965, Piccadilly Circus is brought to a standstill by a massive crowd of people attempting to catch a glimpse of the Beatles as they arrive for the world premiere of the Yellow Submarine animated film at the London Pavilion cinema. Afterwards all the Beatles attend a party in the discotheque of the Royal Lancaster Hotel, named 'Yellow Submarine' for the occasion and for several years after.
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July 20: Appearing on the BBC 1 programme Dee Time, Jane Asher announces that her engagement and long affair with Paul McCartney is over, although she declines to say why.


Selections from Billboard's Hot 100 for the week:
1. "Grazing in the Grass," Hugh Masekela
2. "Lady Willpower," Gary Puckett & The Union Gap
3. "Jumpin' Jack Flash," The Rolling Stones
4. "This Guy's in Love with You," Herb Alpert
5. "The Horse," Cliff Nobles & Co.
6. "Stoned Soul Picnic," The 5th Dimension
7. "Hurdy Gurdy Man," Donovan
8. "Classical Gas," Mason Williams
9. "Hello, I Love You," The Doors
10. "Indian Lake," The Cowsills
11. "Reach Out of the Darkness," Friend & Lover
12. "Here Comes the Judge," Shorty Long
13. "Angel of the Morning," Merrilee Rush & The Turnabouts
14. "Turn Around, Look at Me," The Vogues
15. "The Look of Love," Sergio Mendes & Brasil '66
16. "She's a Heartbreaker," Gene Pitney
17. "MacArthur Park," Richard Harris
18. "Yummy, Yummy, Yummy," Ohio Express
19. "I Love You," People
20. "Sky Pilot," Eric Burdon & The Animals
21. "Pictures of Matchstick Men," The Status Quo
22. "Sunshine of Your Love," Cream
23. "Here Comes the Judge," Pigmeat Markham
24. "Mony Mony," Tommy James & The Shondells
25. "Never Give You Up," Jerry Butler
26. "Autumn of My Life," Bobby Goldsboro
27. "Think," Aretha Franklin
28. "I'm a Midnight Mover," Wilson Pickett
29. "Mrs. Robinson," Simon & Garfunkel
30. "Some Things You Never Get Used To," Diana Ross & The Supremes
31. "D. W. Washburn," The Monkees
32. "Folsom Prison Blues," Johnny Cash

34. "Don't Take It So Hard," Paul Revere & The Raiders
35. "(You Keep Me) Hangin' On," Joe Simon
36. "Stay in My Corner," The Dells
37. "Face It Girl, It's Over," Nancy Wilson

39. "Born to Be Wild," Steppenwolf

41. "Dream a Little Dream of Me," Mama Cass w/ The Mamas & The Papas
42. "Choo Choo Train," The Box Tops

46. "Sealed with a Kiss," Gary Lewis & The Playboys
47. "Journey to the Center of the Mind," The Amboy Dukes

52. "Soul-Limbo," Booker T. & The MG's

55. "The Eyes of a New York Woman," B.J. Thomas
56. "You Keep Me Hangin' On," The Vanilla Fudge

59. "Alice Long (You're Still My Favorite Girlfriend)," Tommy Boyce & Bobby Hart

64. "People Got to Be Free," The Rascals

70. "(Love Is Like a) Baseball Game," The Intruders
71. "Love Makes a Woman," Barbara Acklin

78. "I Can't Stop Dancing," Archie Bell & The Drells

93. "Slip Away," Clarence Carter

98. "Tuesday Afternoon (Forever Afternoon)," The Moody Blues


Leaving the chart:
  • "The Good, the Bad and the Ugly," Hugo Montenegro, His Orchestra & Chorus
  • "Licking Stick (Part 1)," James Brown & The Famous Flames
  • "Tip-Toe Thru' the Tulips with Me," Tiny Tim

New on the chart:

"Tuesday Afternoon (Forever Afternoon)," The Moody Blues
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(#24 US)

"I Can't Stop Dancing," Archie Bell & The Drells
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(#9 US; #5 R&B)

"People Got to Be Free," The Rascals
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(#1 US the weeks of Aug. 17 through Sept. 14, 1968; #14 R&B)

_______

This Week's Scheduled Catch-Up Viewing:
  • The Monkees, "I've Got a Little Song Here" (Nov. 28, 1966)
  • 12 O'Clock High, "Burden of Guilt" (Dec. 2, 1966)
  • The Monkees, "One Man Shy" (Dec. 5, 1966)
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Period accurate hairstyle never seemed to be a priority for TV and films produced in the 60's and 70's. M*A*S*H was probably the worst offender, where every character sported a contemporary hairstyle. Happy Days gave up on period accuracy as well. Even Fonzie's DA took on a 70's look after a while. Then there's Newkirk's sideburns in the later seasons of Hogan's Heroes. The women on Hogan tended to sport very 60's 'dos. :lol:
All too true. Earlier today I was watching the 1978 episode that begins the final leg of Black Sheep Squadron, which introduces too little, too late arrivals Jeb Pruitt (played by Jeb Adams) and new regular nurses Pappy's Lambs. At one point, the underage Jeb tells Pappy that the Corps is his life. I had to laugh at that, as he's not exactly one's image of a fresh, young 1940s Leatherneck sporting that feathered 'do:
BSS01.jpg
 
Wow, looks like I neglected to click "Submit" yesterday morning-- but good old Firefox remembered what I posted for me:

"(You're the) Devil in Disguise"
Sounds like a leftover 50s song, but it's classic Elvis. :D

As mentioned upthread, this episode features a brief appearance of the title card from Tarzan (12:55+)
I wonder if there were any problems with that in syndication. By the way, this reminds me that I finally got to see the Diana Ross episode of Tarzan (also featuring James Earl Jones and Malachi Throne). The title sequence starts a shot of a huge waterfall with nearly-naked Tarzan standing there doing his Tarzan yell. My Mother remarked, "What a magnificent view-- and the waterfall's not bad either." I think I'm going to regret not recording more of these. :rommie:

Despite he and his two buddies having faked their transfer and being wanted for an incident in the States, the reckless, self-centered Captain Dejohn (Don Gordon) goes out of his way to make a bad first impression on Gallagher
He's only got an hour. :rommie:

It doesn't seem to match the appearance of a V-2 (see next episode), which makes me wonder what it's supposed to be. Some sort of ordnance?
A trophy? "Best Bomber Guy of 1943?"

Making his first of four appearances as wing commander Brig. Gen. Doud:
Ah, Richard Anderson. He was cool.

the place where the Swedish underground met looked more than a little like the place where the Germans conspiring to kill Hitler met.
In Southern California.

Bon Jovi....oh, if ever earth needed a collective memory wipe...
:rommie:
 
Then there's Newkirk's sideburns in the later seasons of Hogan's Heroes. The women on Hogan tended to sport very 60's 'dos. :lol:
I recall some discussion of hairstyles in The Making of Star Trek, including the prohibition of sideburns. It's funny that the "future" show cared more about anachronisms than "past" shows. :rommie:

"Tuesday Afternoon (Forever Afternoon)," The Moody Blues
Yeahhhh, love the Moody Blues.

"I Can't Stop Dancing," Archie Bell & The Drells
I don't remember this one at all. It's a dancing song.

"People Got to Be Free," The Rascals
And this is prime 60s Peace & Love music. :mallory:

I had to laugh at that, as he's not exactly one's image of a fresh, young 1940s Leatherneck sporting that feathered 'do:
Looks like he belongs on CHiPs. :rommie:
 
Sounds like a leftover 50s song, but it's classic Elvis. :D
I believe that I said that, Captain. :vulcan:

By the way, this reminds me that I finally got to see the Diana Ross episode of Tarzan (also featuring James Earl Jones and Malachi Throne). The title sequence starts a shot of a huge waterfall with nearly-naked Tarzan standing there doing his Tarzan yell. My Mother remarked, "What a magnificent view-- and the waterfall's not bad either." I think I'm going to regret not recording more of these. :rommie:
Or your mom will, at least. :p

A trophy? "Best Bomber Guy of 1943?"
Ooh! I know--the ticking time bomb of impending cancellation!

12och65.jpg
"Sir, is that what I think it is?"
"Never mind that, Sandy--we've still got a job to do!"

Yeahhhh, love the Moody Blues.
A good, atmospheric track, and one that I remember hearing around when I was a kid. This is the Moodys' only Top 30 hit of the late '60s, but they'll continue to have their spurts of chart activity well into the '80s.

I don't remember this one at all. It's a dancing song.
I like it, but it feels a bit like a watered down "Tighten Up".

And this is prime 60s Peace & Love music. :mallory:
Alas, this will prove to be the Rascals' last major, classic hit, but they still have a few Top 30 singles ahead in the remainder of the decade.
 
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So, MeTV started oldBSG today in the AM at midnight with "Saga of a Star World" (part 1).

I haven't seen this since the 1970s, so I was not surprised that I had forgotten certain details, like there having been some attraction between Athena and Starbuck.

Actually, it was somewhat better than I expected it to be.

Still, not good. There are massive plot holes, such as inconsistency about the effectiveness of Cylon jamming. And why wasn't Apollo, and for that matter Zak, informing the Galactica that the Cylons were attacking when they did have radio contact? Getting back ASAP to warn the fleet was the whole reason Apollo left Zak behind.

Also, I had forgotten that Jane Seymour was the reporter; or maybe it didn't even register to me originally.

It was neat to see moments where nuBSG took a different turn. Chiefly among those would be when the crowd came to Apollo's Viper. In nuBSG, the analogous moment was when the people had to draw lots. In oldBSG, it was when Adama put the word out that they were going to band together into the ragtag fleet. Quite different.

So, I'm going to be following this show and rewatch the whole thing.

Oh, one other thing. I suspect that this is the remastered version; either way, it looks great!
 
I haven't seen this since the 1970s, so I was not surprised that I had forgotten certain details, like there having been some attraction between Athena and Starbuck.
I think she was originally supposed to be the main love interest, but Maren Jensen's acting ability caused them to change their plans. As a kid, I hadn't noticed how she all but disappeared after a few episodes. She was played up more prominently in the Marvel comic.

Also, I had forgotten that Jane Seymour was the reporter
And Boxey's mom!
 
From the letters page of Amazing Spider-Man #63 (cover date Aug. 1968)...
Stan the Man said:
Next time, maybe you could come up with something really swinging, though--like Spidey becoming the Walrus! After all, what could be farther out than digging the latest adventures of your friendly, neighborhood goo goo goo joob'er?!
You can't make shit like that up.
 
  • "The Good, the Bad and the Ugly," Hugo Montenegro, His Orchestra & Chorus
Great piece as distinctive as the Morricone work it was based on.

"Tip-Toe Thru' the Tulips with Me," Tiny Tim

Annoying from the start, and if that was the point of his entire act, then I guess it worked, but I've never been a fan of freak show "entertainers".
"Tuesday Afternoon (Forever Afternoon)," The Moody Blues
(#24 US)

Brilliant and so evocative of the emotions flowing thorough the album's "hours of the day" motif, "Tuesday Afternoon"--like its album Days of Future Passed--elevated The Moody Blues to levels of successful marriages of musical genres, instead of the "aren't we so daring/hip/revolutionary" of many of their contemporaries, including the Beatles on occasion. The entire album is one of the most listenable, easy to revist of the so-called Rock Era, and certainly of any that decade.

"I Can't Stop Dancing," Archie Bell & The Drells
(#9 US; #5 R&B)

...and I could not stop switching to another station whenever this made the rounds....

"People Got to Be Free," The Rascals
(#1 US the weeks of Aug. 17 through Sept. 14, 1968; #14 R&B)

The Rascals' final spark of great work.

So, MeTV started oldBSG today in the AM at midnight with "Saga of a Star World" (part 1).
Still, not good. There are massive plot holes, such as inconsistency about the effectiveness of Cylon jamming. And why wasn't Apollo, and for that matter Zak, informing the Galactica that the Cylons were attacking when they did have radio contact? Getting back ASAP to warn the fleet was the whole reason Apollo left Zak behind.

...to create an ultimately hollow tragedy to add drama to bland-as-wet-bread Apollo and Adama?

Also, I had forgotten that Jane Seymour was the reporter; or maybe it didn't even register to me originally.

I remember her well in the pilot; at the time, she was almost a mild go-to girl of fantasy, having made her splash in Moore's Bond debut, Live and Let Die (UA, 1973), the TV movie Frankenstein: The True Story (NBC, 1973) and going to star in what would be Harryhausen/Schneer's final Sinbad movie, Sinbad and the Eye of the Tiger (Columbia, 1977). For fantasy fans, Seymour appearing in the BSG pilot was somewhat pleasing, considering her credentials.
 
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Selections from Billboard's Hot 100 for 55 years ago this week:
1. "Surf City," Jan & Dean
2. "Easier Said Than Done," The Essex
3. "So Much in Love," The Tymes

5. "Memphis," Lonnie Mack
6. "Fingertips, Pt. 2," Little Stevie Wonder
7. "Wipe Out," The Surfaris
8. "Sukiyaki," Kyu Sakamoto
9. "(You're the) Devil in Disguise," Elvis Presley
10. "Pride and Joy," Marvin Gaye

12. "One Fine Day," The Chiffons
13. "Not Me," The Orlons
14. "Blowin' in the Wind," Peter, Paul & Mary
15. "Just One Look," Doris Troy
16. "Hello Stranger," Barbara Lewis

19. "It's My Party," Lesley Gore
20. "Ring of Fire," Johnny Cash

23. "Judy's Turn to Cry," Lesley Gore

25. "My True Confession," Brook Benton
26. "Falling," Roy Orbison
27. "You Can't Sit Down," The Dovells
28. "My Summer Love," Ruby & The Romantics
29. "Without Love (There Is Nothing)," Ray Charles
30. "Candy Girl," The Four Seasons
31. "Don't Say Goodnight and Mean Goodbye," The Shirelles

33. "Those Lazy, Hazy, Crazy Days of Summer," Nat King Cole

35. "Till Then," The Classics

41. "Shut Down," The Beach Boys
42. "Denise," Randy & The Rainbows

44. "Green, Green," The New Christy Minstrels
45. "String Along," Rick Nelson

50. "More," Kai Winding & Orchestra

55. "I (Who Have Nothing)," Ben E. King
56. "Da Doo Ron Ron (When He Walked Me Home)," The Crystals

58. "Come and Get These Memories," Martha & The Vandellas
59. "Mockingbird," Inez & Charlie Foxx

71. "Twist It Up," Chubby Checker
72. "The Monkey Time," Major Lance

77. "From Me to You," Del Shannon

90. "Wait 'Til My Bobby Gets Home," Darlene Love


Leaving the chart:
  • "Birdland," Chubby Checker
  • "18 Yellow Roses," Bobby Darin
  • "The Good Life," Tony Bennett
  • "Surfin' U.S.A.," The Beach Boys


55 Years Ago Spotlight--In case you missed its entrance a couple weeks back, the sequel song is in:

"Judy's Turn to Cry," Lesley Gore
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(#5 US; #10 R&B)

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Catch-Up Viewing

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The Monkees
"I've Got a Little Song Here"
Originally aired November 28, 1966
Wiki said:
Mike is fleeced by a fraudulent music publisher (Phil Leeds), but Micky dons the guise of a flashy Hollywood producer to get Mike's money back.

Note: First appearance of the Monkees in their "Monkeemen" superhero guise. Davy, Peter and Micky don the costumes.
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An episode about Mike writing songs--and yet the song featured in the episode, "Gonna Buy Me a Dog" (6:28+), is one written by Boyce & Hart! And it seems out of character for Mike to be the one having the wool hat pulled over his eyes.

Phil Leeds seems like one of those very recognizable character actors that I may not know for anything in particular.

"Mary, Mary" closes the episode at 20:53+. This appears to be its first use on the show.

This episode is not cerealized.

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12 O'Clock High
"Burden of Guilt"
Originally aired December 2, 1966
IMDb said:
A colonel tries to keep Gallagher grounded, to save his own reputation after failing many times to find and destroy u-boat bases.

My original review:
12 O'Clock High IN COLOR
"Burden of Guilt"
Originally aired December 2, 1966


Overton's executive officer character is back, and central to the plot.

The meat of the story is drama centering around our heroes not going by the book while the guest character who does (James Broderick) threatens their MO with the intent of building himself up. Eventually they come together out of mutual interest in finding the right unterseeboot base to bomb to smithereens. In the end, Broderick's colonel does the right thing and doesn't accept the promotion to general he's been bucking for, as he proved not to have very good combat chops.

I'd read about this on the show's Wiki page--Burke's Colonel Gallagher has a "mission control" P-51 Mustang...the Wiki page cites one specific example of wartime precedent, but the whole premise seems like a bit of hokey hero conceit. And the presence of the lone Mustang on bomber runs makes you wonder why they otherwise seem to be flying missions without fighter cover...as well as solo recon missions without escort! And not just any old junior officers, but our hero and guest colonels!

When Broderick's colonel runs into trouble on his recon mission, Gallagher sends out some fighters to go save him. Should have taken Mustangs over an hour to get from England to the fictitious sub base area on the southern coast of Norway...if they weren't already with him, it doesn't seem like they'd get there in time to do any good.

And the climactic bombing run involves both colonels in the cockpit of the same bomber...despite the earlier dramatic beat of Richard Anderson's general grounding Gallagher because he didn't want to risk both of his colonels on the same mission.

Despite such distractingly inauthentic elements, I'm enjoying this show. The stories are pretty structurally solid and flow nicely.

In the last scene, I heard a soft music cue that sounds strikingly like the Trek fanfare. Since somebody has the entire episode on YouTube...44:34+:

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Detail that I would have missed then...Gallagher's off-base early in the episode because he's visiting his brother Pres (played by Jack Lord in the Season 2 episode "Big Brother").

So not only is Stovall routinely flying missions this season, but now he's the eagle-eye who happens to spot submarines! Remember when he had to hide his reliance on glasses to qualify for flight status in "Storm at Twilight"...?

Col. Hollenbeck (James Broderick) wants to press charges against Stovall and the major who was killed flying the same bomber for breaking formation and not getting their pictures back. Stovall acts a bit like a lawyer for a moment while being questioned, without the show getting into why. You can tell that Gen. Doud knows that Hollenbeck's a train wreck; Doud's in a tough spot between what Hollenbeck's up to and how Gallagher (who's played up as more of an order-defying maverick than usual for the purpose of this story) disobeys Doud's grounding order. Getting the right submarine base location is the only to way to save everyone. It comes down to Gallagher disobeying an order from Hollenbeck in the cockpit during the Act IV mission, because Hollenbeck doesn't know what he's doing. Hollenbeck, who acted completely self-serving the entire episode, gets to take all the credit for the success, but at least has the wisdom to turn down the promotion.

Remember when I said that they wasted William Windom on the wrong episode? I think the role of Hollenbeck would have been perfect for him. He might have been able to convey the shreds of likableness and redeemability that I think the story wanted us to see in the character.

Following up on the bit in the original review about the music cue that sounds like the Trek fanfare...I'd since learned that it was a standard cue for the show going back to early Season 1, well predating its use in Trek. There was a thread on the subject in the TOS forum not long ago.

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The Monkees
"One Man Shy"
Originally aired December 5, 1966
Wiki said:
Bashful Peter tries to win the heart of lovely debutante Valerie Cartwright (Lisa James) while dealing with her haughty boyfriend Ronnie Farnsworth (George Furth).
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This episode uses lots of surreal gaggery, but is brought down by what an annoying, two-dimensional straw man Farnsworth is. It's a cute bit how the bottle always spins to Davy, and how the Monkees directly address the audience at the end.

And this appears to be the series debut of "I'm a Believer" (12:31+), which had been released a couple weeks prior and entered the Hot 100 the same week as the broadcast. We also get an instrumental version of "(I'm Not Your) Steppin' Stone" at the party (17:35+) and what appears to be the second use of one that Mike actually wrote, "You Just May Be the One" (previewed in the opening and appearing in full at 21:59+).

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Selections from Billboard's Hot 100 for 51 years ago this week:
1. "Windy," The Association
2. "Can't Take My Eyes Off You," Frankie Valli
3. "Light My Fire," The Doors
4. "San Francisco (Be Sure to Wear Flowers in Your Hair)," Scott McKenzie
5. "Little Bit o' Soul," The Music Explosion
6. "I Was Made to Love Her," Stevie Wonder
7. "Up, Up and Away," The 5th Dimension
8. "A Whiter Shade of Pale," Procol Harum
9. "C'mon Marianne," The Four Seasons
10. "Come on Down to My Boat," Every Mother's Son
11. "Mercy, Mercy, Mercy," The Buckinghams
12. "White Rabbit," Jefferson Airplane
13. "Don't Sleep in the Subway," Petula Clark
14. "Society's Child (Baby I've Been Thinking)," Janis Ian
15. "Here We Go Again," Ray Charles

17. "I Take It Back," Sandy Posey
18. "Don't Go Out into the Rain (You're Going to Melt)," Herman's Hermits
19. "Ain't No Mountain High Enough," Marvin Gaye & Tammi Terrell
20. "Soul Finger," The Bar-Kays
21. "Make Me Yours," Bettye Swann
22. "For Your Love," Peaches & Herb
23. "Carrie-Anne," The Hollies
24. "Step Out of Your Mind," The American Breed
25. "More Love," Smokey Robinson & The Miracles
26. "Silence Is Golden," The Tremeloes

28. "Let's Live for Today," The Grass Roots
29. "The Tracks of My Tears," Johnny Rivers
30. "I Like the Way," Tommy James & The Shondells
31. "A Girl Like You," The Young Rascals

33. "My Mammy," The Happenings

35. "Hypnotized," Linda Jones

37. "Let the Good Times Roll & Feel So Good," Bunny Sigler
38. "Alfie," Dionne Warwick

42. "To Love Somebody," Bee Gees
43. "Ding, Dong! The Witch Is Dead," The Fifth Estate
44. "She'd Rather Be with Me," The Turtles

50. "You Only Live Twice," Nancy Sinatra
51. "Pleasant Valley Sunday," The Monkees
52. "Pictures of Lily," The Who

54. "(I Wanna) Testify," The Parliaments
55. "For Your Precious Love," Oscar Toney, Jr.

62. "Thank the Lord for the Night Time," Neil Diamond
63. "Bluebird," Buffalo Springfield

65. "Baby, I Love You," Aretha Franklin

67. "You Keep Me Hangin' On," The Vanilla Fudge

70. "My World Fell Down," Sagittarius
71. "All You Need Is Love," The Beatles

75. "Cold Sweat, Part 1," James Brown

78. "Words," The Monkees

88. "Omaha," Moby Grape

94. "Come Back When You Grow Up," Bobby Vee & The Strangers

96. "Apples, Peaches, Pumpkin Pie," Jay & The Techniques
97. "Brown Eyed Girl," Van Morrison
98. "The Look of Love," Dusty Springfield


Leaving the chart:
  • "Groovin'," The Young Rascals
  • "Pay You Back with Interest," The Hollies
  • "Respect," Aretha Franklin

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Brilliant and so evocative of the emotions flowing thorough the album's "hours of the day" motif, "Tuesday Afternoon"--like its album Days of Future Passed--elevated The Moody Blues to levels of successful marriages of musical genres
[...]
The entire album is one of the most listenable, easy to revist of the so-called Rock Era, and certainly of any that decade.
It's possible to heap all of that praise on it and more...
instead of the "aren't we so daring/hip/revolutionary" of many of their contemporaries, including the Beatles on occasion.
...without resorting to that.

...and I could not stop switching to another station whenever this made the rounds....
:lol: No love for this one around here, I guess.
 
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"Judy's Turn to Cry," Lesley Gore
(#5 US; #10 R&B)

UHG. Terrible song. Nowhere near the level of "You Don't Own Me" (her best hands down), or even the fun "California Nights" (which she performed during her Batman guest spot).

The Monkees
"I've Got a Little Song Here"
Originally aired November 28, 1966

An episode about Mike writing songs--and yet the song featured in the episode, "Gonna Buy Me a Dog" (6:28+), is one written by Boyce & Hart! And it seems out of character for Mike to be the one having the wool hat pulled over his eyes.

Yeah, but it was a nice change up instead of making Peter or Micky the victim.

"Mary, Mary" closes the episode at 20:53+. This appears to be its first use on the show.

The first NBC rerun would see "Mary, Mary" replaced with"For Pete's Sake".

"Steam Engine" was the second replacement for the CBS/ABC reruns, but the "For Pete's Sake" version ended up in the 1986 Colex syndication package.

It's possible to heap all of that praise on it and more...

...without resorting to that.

Yeah, but its necessary in illustrating the difference between a group that were natural innovators and others who--on occasion--came off as "look how experimental we are! aren't we brilliant?" types.:D
 
"Judy's Turn to Cry," Lesley Gore
Yay to sequel songs. Looking forward to "Wednesday Afternoon" and "I'm Now In Therapy For My Dancing Addiction."

This episode is not cerealized.
mellow.gif


So not only is Stovall routinely flying missions this season, but now he's the eagle-eye who happens to spot submarines! Remember when he had to hide his reliance on glasses to qualify for flight status in "Storm at Twilight"...?
Maybe he's just nearsighted.

Remember when I said that they wasted William Windom on the wrong episode? I think the role of Hollenbeck would have been perfect for him. He might have been able to convey the shreds of likableness and redeemability that I think the story wanted us to see in the character.
I agree. I remember Broderick mostly as the dad on Family and he just doesn't have that spark that William Windom has.
 
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50 Years Ago This Week
Wiki said:
July 23–July 28 – Black militants led by Fred (Ahmed) Evans engage in a fierce gunfight with police in the Glenville Shootout of Cleveland, Ohio, in the United States.
July 25 – Pope Paul VI publishes the encyclical entitled Humanae vitae, condemning birth control.
July 26 – Vietnam War: South Vietnamese opposition leader Truong Ðình Dzu is sentenced to 5 years hard labor, for advocating the formation of a coalition government as a way to move toward an end to the war.


Selections from Billboard's Hot 100 for the week:
1. "Grazing in the Grass," Hugh Masekela
2. "Lady Willpower," Gary Puckett & The Union Gap
3. "Stoned Soul Picnic," The 5th Dimension
4. "Jumpin' Jack Flash," The Rolling Stones
5. "The Horse," Cliff Nobles & Co.
6. "Hurdy Gurdy Man," Donovan
7. "This Guy's in Love with You," Herb Alpert
8. "Classical Gas," Mason Williams
9. "Hello, I Love You," The Doors
10. "Indian Lake," The Cowsills
11. "Turn Around, Look at Me," The Vogues
12. "Here Comes the Judge," Shorty Long
13. "Reach Out of the Darkness," Friend & Lover
14. "Sky Pilot," Eric Burdon & The Animals
15. "Pictures of Matchstick Men," The Status Quo
16. "The Look of Love," Sergio Mendes & Brasil '66
17. "Angel of the Morning," Merrilee Rush & The Turnabouts
18. "Sunshine of Your Love," Cream
19. "Here Comes the Judge," Pigmeat Markham
20. "She's a Heartbreaker," Gene Pitney
21. "Autumn of My Life," Bobby Goldsboro
22. "I Love You," People
23. "MacArthur Park," Richard Harris
24. "I'm a Midnight Mover," Wilson Pickett
25. "Stay in My Corner," The Dells
26. "Never Give You Up," Jerry Butler
27. "Don't Take It So Hard," Paul Revere & The Raiders
28. "Yummy, Yummy, Yummy," Ohio Express
29. "Face It Girl, It's Over," Nancy Wilson
30. "Dream a Little Dream of Me," Mama Cass w/ The Mamas & The Papas
31. "Born to Be Wild," Steppenwolf
32. "People Got to Be Free," The Rascals

34. "Mony Mony," Tommy James & The Shondells

37. "Folsom Prison Blues," Johnny Cash
38. "Journey to the Center of the Mind," The Amboy Dukes
39. "D. W. Washburn," The Monkees
40. "Sealed with a Kiss," Gary Lewis & The Playboys

42. "Soul-Limbo," Booker T. & The MG's

46. "The Eyes of a New York Woman," B.J. Thomas
47. "You Keep Me Hangin' On," The Vanilla Fudge

49. "I Can't Stop Dancing," Archie Bell & The Drells

56. "Alice Long (You're Still My Favorite Girlfriend)," Tommy Boyce & Bobby Hart
57. "(Love Is Like a) Baseball Game," The Intruders
58. "Love Makes a Woman," Barbara Acklin

62. "Light My Fire," Jose Feliciano

67. "Slip Away," Clarence Carter

71. "Tuesday Afternoon (Forever Afternoon)," The Moody Blues

80. "You're All I Need to Get By," Marvin Gaye & Tammi Terrell

84. "1, 2, 3, Red Light," 1910 Fruitgum Co.

88. "Do It Again," The Beach Boys


Leaving the chart:
  • "Choo Choo Train," The Box Tops
  • "Mrs. Robinson," Simon & Garfunkel
  • "Some Things You Never Get Used To," Diana Ross & The Supremes
  • "Think," Aretha Franklin
  • "(You Keep Me) Hangin' On," Joe Simon

New on the chart:

"Do It Again," The Beach Boys
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(#20 US; #1 UK)

"You're All I Need to Get By," Marvin Gaye & Tammi Terrell
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(#7 US; #1 R&B; #19 UK)

"1, 2, 3, Red Light," 1910 Fruitgum Co.
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(#5 US)

"Light My Fire," Jose Feliciano
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(#3 US; #29 R&B; #6 UK)

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This Week's Scheduled Catch-Up Viewing:
  • 12 O'Clock High, "The Ace" (Dec. 9, 1966)
  • The Monkees, "Dance, Monkee, Dance" (Dec. 12, 1966)
  • 12 O'Clock High, "Six Feet Under" (Dec. 16, 1966)
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Yeah, but its necessary in illustrating the difference between a group that were natural innovators and others who--on occasion--came off as "look how experimental we are! aren't we brilliant?" types.:D
Performers and producers in the business at the time, generations of fans and influenced musicians, and decades of music scholarship disagree with you on that.

I'm not sure if that emoticon means that it wasn't funny or that I need to explain it. Same difference, I suppose.

Maybe he's just nearsighted.
That's the inability to see things clearly at a distance. But maybe he was farsighted. It was his instruments he was having trouble seeing. OTOH, I'm nearsighted, and my computer screen's way too blurry to read when I take off my glasses.
 
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