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Selections from Billboard's Hot 100 for 55 years ago this week:
55 Years Ago Spotlight--Classifying a 1963 song as "leftover '50s business" would be a reasonable assertion in this case:
"(You're the) Devil in Disguise"
(Charted June 29, 1963; #3 US; #9 R&B; #1 UK)
But it's still classic Elvis.
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Catch-Up Viewing
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The Monkees
"The Chaperone"
Originally aired November 7, 1966
Hey hey, they're back! You know, walking down the street and all that stuff....
The advantage of not watching on Antenna...not only are the episodes uncut, they even include the Kellogg's bumper after the opening credits (2:06+), as well as the assorted cereal boxes in the closing ones.
The description doesn't mention it, but the Monkees are the ones throwing the party to get Leslie out of the house...as depicted in the first song sequence, for "This Just Doesn’t Seem to Be My Day" (05:11+).
At first they try to coach their cleaning lady into acting as the chaperone, but...
As mentioned upthread, this episode features a brief appearance of the title card from Tarzan (12:55+), as well as an appearance by Duke Fishman as Mr. Clean. For the latter, see the second song, "Take a Giant Step" (13:40+).
Leslie's father and Babbit the landlord both find themselves attracted to Micky in drag. After Vandenberg learns the truth, he breaks up the party using his military mojo.
Unconnected closing song: "You Just May Be the One" (22:08+).
_______
12 O'Clock High
"The Fighter Pilot"
Originally aired November 11, 1966
Along with the arrival of fighter pilots, we get to see Stovall and some other guys react to a contingent of WACs landing on their airfield. THE WIMMEN!!!!!
Despite he and his two buddies having faked their transfer and being wanted for an incident in the States, the reckless, self-centered Captain Dejohn (Don Gordon) goes out of his way to make a bad first impression on Gallagher, who most definitely does not like having his field buzzed by P-51s. Gallagher tries to instill some discipline and teamwork on the troublemaking fighter pilots by getting them involved with bomber missions. Meanwhile, Dejohn tries to use a WAC who happens to be an old friend of Gallagher's (Marlyn Mason) in an attempt to get forged orders and info about the Colonel. When one of the fighter pilots dies at the controls of a B-17, Gordon blames Gallagher, and demonstrates how unhinged he is when he goes up in a Mustang unauthorized to try to take on the Colonel in his mission control plane. The two wind up having to reluctantly team up against a group of German fighters instead, with Gordon shooting several down before the tables turn on him.
I'm not sure how long it's been there, but this episode I noticed what looks like a model of some sort of rocket on the file cabinet in Gallagher's office:

It doesn't seem to match the appearance of a V-2 (see next episode), which makes me wonder what it's supposed to be. Some sort of ordnance?
Also, the European countryside as seen from the air looks absolutely nothing like Southern California....

_______
12 O'Clock High
"To Seek and Destroy"
Originally aired November 18, 1966
And now we come full circle, with the first episode that I watched and reviewed as delayed 50th anniversary business. My original review:
The "V-1s" in use here appear to be quite historically inaccurate. Actual V-1s were plane-like and launched via ramps. Here we see them played by what appears to be footage of V-2s:

Making his first of four appearances as wing commander Brig. Gen. Doud:

I think that was the job that Gallagher was being considered for in an earlier episode. Was it also Savage's job in the film? Doud is the same rank as Savage.
(Also, I think that credit shot is from a different episode...I don't recall him getting any flying time this episode.)
The British/American tension in this episode owes mostly to Frankham's character, Capt. Carmichael, hating Yanks. The first Yank he runs into in Archbury is Sandy, and not getting along with guest characters seems to be one of Komansky's regular jobs on the show.
While I identified Frankham last year, I missed another TOS guest in the episode....
New to watching the show as I was at the time, I pretty much hit the nail on the head regarding the inauthenticity of the 918th regulars going on a covert mission to Sweden. This one definitely falls in Season 3's pattern of routinely putting the regulars in situations on the ground somewhere other than England. Gallagher must have experienced a bit of deja vu...the place where the Swedish underground met looked more than a little like the place where the Germans conspiring to kill Hitler met. Act IV climaxes in a gunfight with German agents, and Carmichael sacrificing himself to blow the "V-1's" charge as the Germans enter the warehouse where it's being kept.
My comment at the time about '60s gals not being good at passing for '40s gals must have been largely based on Sandy's girlfriend of the week, played by Ellen Willard:

Though it was likely also informed by what appears to be a blink-and-miss-it appearance by Sal:

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Selections from Billboard's Hot 100 for 51 years ago this week:
_______
Eh...it just appears to be riffing on the Willie Dixon blues classic "Back Door Man," performed by Howlin' Wolf and the Doors among others. Pretty standard territory for the genre, hardly shocking.
In addition, Bon Jovi did a cover of "Back Door Santa" on the first A Very Special Christmas benefit album in 1987.
Selections from Billboard's Hot 100 for 55 years ago this week:
1. "Easier Said Than Done," The Essex
2. "Surf City," Jan & Dean
4. "So Much in Love," The Tymes
5. "One Fine Day," The Chiffons
6. "Sukiyaki," Kyu Sakamoto
7. "Memphis," Lonnie Mack
9. "Hello Stranger," Barbara Lewis
10. "Wipe Out," The Surfaris
11. "Fingertips, Pt. 2," Little Stevie Wonder
12. "It's My Party," Lesley Gore
13. "Pride and Joy," Marvin Gaye
15. "Not Me," The Orlons
16. "(You're the) Devil in Disguise," Elvis Presley
18. "Those Lazy, Hazy, Crazy Days of Summer," Nat King Cole
19. "You Can't Sit Down," The Dovells
20. "Just One Look," Doris Troy
21. "My Summer Love," Ruby & The Romantics
22. "Falling," Roy Orbison
23. "Ring of Fire," Johnny Cash
25. "Da Doo Ron Ron (When He Walked Me Home)," The Crystals
26. "String Along," Rick Nelson
31. "My True Confession," Brook Benton
33. "Shut Down," The Beach Boys
34. "Blowin' in the Wind," Peter, Paul & Mary
35. "Without Love (There Is Nothing)," Ray Charles
36. "Don't Say Goodnight and Mean Goodbye," The Shirelles
39. "Birdland," Chubby Checker
42. "Come and Get These Memories," Martha & The Vandellas
45. "Surfin' U.S.A.," The Beach Boys
46. "Denise," Randy & The Rainbows
49. "Till Then," The Classics
52. "Judy's Turn to Cry," Lesley Gore
53. "The Good Life," Tony Bennett
54. "Candy Girl," The Four Seasons
60. "Green, Green," The New Christy Minstrels
61. "18 Yellow Roses," Bobby Darin
66. "I (Who Have Nothing)," Ben E. King
72. "Mockingbird," Inez & Charlie Foxx
73. "More," Kai Winding & Orchestra
82. "From Me to You," Del Shannon
90. "The Monkey Time," Major Lance
Leaving the chart:
- "The Love of My Man," Theola Kilgore
- "Two Faces Have I," Lou Christie
55 Years Ago Spotlight--Classifying a 1963 song as "leftover '50s business" would be a reasonable assertion in this case:
"(You're the) Devil in Disguise"
(Charted June 29, 1963; #3 US; #9 R&B; #1 UK)
But it's still classic Elvis.
_______
Catch-Up Viewing
_______
The Monkees
"The Chaperone"
Originally aired November 7, 1966
Wiki said:Davy's feelings for retired General Harley Vandenberg's (Arch Johnson) daughter Leslie (Sherry Alberoni) leads Micky to pose a female chaperone at a party after the real chaperone (Diana Chesney) gets drunk.
Hey hey, they're back! You know, walking down the street and all that stuff....
Peter: C'mon baby, quit fooling around, what TV show was she watching?
Micky: Ours I hope.
The advantage of not watching on Antenna...not only are the episodes uncut, they even include the Kellogg's bumper after the opening credits (2:06+), as well as the assorted cereal boxes in the closing ones.
The description doesn't mention it, but the Monkees are the ones throwing the party to get Leslie out of the house...as depicted in the first song sequence, for "This Just Doesn’t Seem to Be My Day" (05:11+).
At first they try to coach their cleaning lady into acting as the chaperone, but...
Davy: She's stoned!
Mike: Drunk.
As mentioned upthread, this episode features a brief appearance of the title card from Tarzan (12:55+), as well as an appearance by Duke Fishman as Mr. Clean. For the latter, see the second song, "Take a Giant Step" (13:40+).
Leslie's father and Babbit the landlord both find themselves attracted to Micky in drag. After Vandenberg learns the truth, he breaks up the party using his military mojo.
Unconnected closing song: "You Just May Be the One" (22:08+).
_______
12 O'Clock High
"The Fighter Pilot"
Originally aired November 11, 1966
IMDb said:Three top Pacific fighter pilots make it to the 918th without authorization, and are anxious to get back into air combat no matter what it takes.
Along with the arrival of fighter pilots, we get to see Stovall and some other guys react to a contingent of WACs landing on their airfield. THE WIMMEN!!!!!
Despite he and his two buddies having faked their transfer and being wanted for an incident in the States, the reckless, self-centered Captain Dejohn (Don Gordon) goes out of his way to make a bad first impression on Gallagher, who most definitely does not like having his field buzzed by P-51s. Gallagher tries to instill some discipline and teamwork on the troublemaking fighter pilots by getting them involved with bomber missions. Meanwhile, Dejohn tries to use a WAC who happens to be an old friend of Gallagher's (Marlyn Mason) in an attempt to get forged orders and info about the Colonel. When one of the fighter pilots dies at the controls of a B-17, Gordon blames Gallagher, and demonstrates how unhinged he is when he goes up in a Mustang unauthorized to try to take on the Colonel in his mission control plane. The two wind up having to reluctantly team up against a group of German fighters instead, with Gordon shooting several down before the tables turn on him.
I'm not sure how long it's been there, but this episode I noticed what looks like a model of some sort of rocket on the file cabinet in Gallagher's office:

It doesn't seem to match the appearance of a V-2 (see next episode), which makes me wonder what it's supposed to be. Some sort of ordnance?
Also, the European countryside as seen from the air looks absolutely nothing like Southern California....

_______
12 O'Clock High
"To Seek and Destroy"
Originally aired November 18, 1966
IMDb said:A British fighter pilot is enlisted to recover parts from a German guided missile that crashed in Sweden intact, but he has become a very depressed alcoholic.
And now we come full circle, with the first episode that I watched and reviewed as delayed 50th anniversary business. My original review:
So now we pick up this series in the tenth episode of its shortened final season. I developed a mild fondness for this show from catching bits of it in the wee hours of Saturday mornings on Me...sometimes just hearing the theme while not fully awake...so now I'm actually giving it a shot.
This series has a stronger Trek guest association than most because of series leads Robert Lansing (Season 1 only) and Frank Overton (full series). For Seasons 2 and 3, Paul Burke of Naked City has replaced Lansing, and Overton happened to be off for this episode...but we get the ubiquitous Richard Anderson playing a general who's a recurring character for a few of these last episodes.
Fancy that--A show with act break cards that aren't the most entertaining thing in the episode!
This particular episode seemed to have pretty low audiovisual quality, but I popped on the beginning of the next episode and it looked/sounded noticeably better. For this outing, the closed captioning was no help for better understanding the dialogue, as it was pretty shoddy and incomplete.
Right away I get an example of the roles of the main cast being stretched to keep them central to the action. When a V-1 accidentally flies off-course and lands intact in Sweden, the bomber group wants to get ahold of its innards so they'll know where they're manufactured. But it isn't enough for our intrepid series regulars to hit the factories at the end of the episode (which we don't even see)...they have to be the ones to go on a cloak and dagger mission to get their rocket expert into Sweden and smuggle the vital components out. It involves flying a plane, so I guess that's in their wheelhouse....
I liked the use of America's wartime presence in Britain as a source of tension. And a few early scenes demonstrate that 60s gals are no better than 70s gals at passing themselves off as 40s gals.
TOS guest specific to this episode: David Frankham (Larry Marvick, "Is There in Truth No Beauty?")
The "V-1s" in use here appear to be quite historically inaccurate. Actual V-1s were plane-like and launched via ramps. Here we see them played by what appears to be footage of V-2s:

Making his first of four appearances as wing commander Brig. Gen. Doud:

I think that was the job that Gallagher was being considered for in an earlier episode. Was it also Savage's job in the film? Doud is the same rank as Savage.
(Also, I think that credit shot is from a different episode...I don't recall him getting any flying time this episode.)
The British/American tension in this episode owes mostly to Frankham's character, Capt. Carmichael, hating Yanks. The first Yank he runs into in Archbury is Sandy, and not getting along with guest characters seems to be one of Komansky's regular jobs on the show.
While I identified Frankham last year, I missed another TOS guest in the episode....
New to watching the show as I was at the time, I pretty much hit the nail on the head regarding the inauthenticity of the 918th regulars going on a covert mission to Sweden. This one definitely falls in Season 3's pattern of routinely putting the regulars in situations on the ground somewhere other than England. Gallagher must have experienced a bit of deja vu...the place where the Swedish underground met looked more than a little like the place where the Germans conspiring to kill Hitler met. Act IV climaxes in a gunfight with German agents, and Carmichael sacrificing himself to blow the "V-1's" charge as the Germans enter the warehouse where it's being kept.
My comment at the time about '60s gals not being good at passing for '40s gals must have been largely based on Sandy's girlfriend of the week, played by Ellen Willard:

Though it was likely also informed by what appears to be a blink-and-miss-it appearance by Sal:

_______
Selections from Billboard's Hot 100 for 51 years ago this week:
1. "Windy," The Association
2. "Little Bit o' Soul," The Music Explosion
3. "Can't Take My Eyes Off You," Frankie Valli
4. "San Francisco (Be Sure to Wear Flowers in Your Hair)," Scott McKenzie
5. "Don't Sleep in the Subway," Petula Clark
6. "Come on Down to My Boat," Every Mother's Son
7. "Up, Up and Away," The 5th Dimension
8. "Light My Fire," The Doors
9. "C'mon Marianne," The Four Seasons
10. "A Whiter Shade of Pale," Procol Harum
11. "I Was Made to Love Her," Stevie Wonder
12. "White Rabbit," Jefferson Airplane
13. "The Tracks of My Tears," Johnny Rivers
14. "Society's Child (Baby I've Been Thinking)," Janis Ian
15. "Here We Go Again," Ray Charles
16. "Let's Live for Today," The Grass Roots
17. "Mercy, Mercy, Mercy," The Buckinghams
18. "Alfie," Dionne Warwick
19. "Ain't No Mountain High Enough," Marvin Gaye & Tammi Terrell
20. "I Take It Back," Sandy Posey
22. "Soul Finger," The Bar-Kays
23. "Don't Go Out into the Rain (You're Going to Melt)," Herman's Hermits
24. "Step Out of Your Mind," The American Breed
25. "More Love," Smokey Robinson & The Miracles
26. "Make Me Yours," Bettye Swann
27. "For Your Love," Peaches & Herb
28. "Carrie-Anne," The Hollies
29. "Ding, Dong! The Witch Is Dead," The Fifth Estate
32. "Silence Is Golden," The Tremeloes
33. "She'd Rather Be with Me," The Turtles
34. "For Your Precious Love," Oscar Toney, Jr.
35. "I Like the Way," Tommy James & The Shondells
36. "Respect," Aretha Franklin
38. "Groovin'," The Young Rascals
43. "Pay You Back with Interest," The Hollies
45. "Hypnotized," Linda Jones
47. "Let the Good Times Roll & Feel So Good," Bunny Sigler
52. "My Mammy," The Happenings
55. "You Only Live Twice," Nancy Sinatra
60. "(I Wanna) Testify," The Parliaments
61. "A Girl Like You," The Young Rascals
65. "Pictures of Lily," The Who
70. "You Keep Me Hangin' On," The Vanilla Fudge
71. "My World Fell Down," Sagittarius
78. "Bluebird," Buffalo Springfield
79. "To Love Somebody," Bee Gees
86. "Thank the Lord for the Night Time," Neil Diamond
88. "Omaha," Moby Grape
92. "Cold Sweat, Part 1," James Brown
98. "Apples, Peaches, Pumpkin Pie," Jay & The Techniques
99. "Brown Eyed Girl," Van Morrison
Leaving the chart:
- "Do It Again a Little Bit Slower," Jon & Robin & The In Crowd
- "New York Mining Disaster 1941 (Have You Seen My Wife, Mr. Jones)," Bee Gees
- "Release Me (and Let Me Love Again)," Engelbert Humperdinck
- "7-Rooms of Gloom," Four Tops
- "Somebody to Love," Jefferson Airplane
- "Sunday Will Never Be the Same," Spanky & Our Gang
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Check out what "Back Door Santa" meant, and why RS was twisted for adding the compliation album to it...
They call me the back door santa
I make my runs about the break of day
They call me the back door santa
I make my runs about the break of day
I make all the little girls happy
While the boys are out to play
I ain't like old Saint Nick
He don't come but once a year
I ain't like old Saint Nick
He don't come but once a year
I come a runnin' with my presents
Every time you call me, dear
I keep some change in my pocket
I chase the children home
I give them a few pennies
So that we can be alone
I leave the back door open
So if anybody smells the mouse
And wouldn't old Santa be in trouble
If there ain't no chimney in the house
Eh...it just appears to be riffing on the Willie Dixon blues classic "Back Door Man," performed by Howlin' Wolf and the Doors among others. Pretty standard territory for the genre, hardly shocking.
In addition, Bon Jovi did a cover of "Back Door Santa" on the first A Very Special Christmas benefit album in 1987.
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