• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

The Classic/Retro Pop Culture Thread

There are only two recurring Twos, McKern and Colin Gordon. The rest are one-shots. The implicit idea is that they all get sacked for failing to break Number Six, but it could also just be another facet of the Village's mind games, constantly keeping Six off guard and never knowing what or whom to expect.
Going by this episode and a bit I saw of the beginning of the next, it seems that the opening sequence confuses things by having audio of each week's Number 2 introducing himself as if it's the first time for 6. I take it that's just supposed to be symbolic.
 
I think they were going for a Bond vibe, but it felt more like Hitch was the traveling salesman in a farmer's daughter joke.
His favorite wartime memory. :rommie:

I think they'd have to have it in a regular daily slot to practically accomplish that.
Or do a month-long binge. That is a colossal amount of episodes.

Xfinity said:
The team must end a scam in which rich Easter Berliners who want to escape to the West are robbed of millions and then slain.
They shouldn't keep all their Easter eggs in one basket.

Vinyl isn't dead, it seems--Phelps gets his orders from an old-fashioned wind-up phonograph...
I hope he never gets it from an organ grinder. That could be messy.

Well, that's got the final groove of Sgt. Pepper all beat! And yes, there is such a thing.
I wonder if these records have a B-Side (or a third side, which is also a thing), for the times when Jim chooses not to accept the mission. "So that one doesn't interest you, eh, Jim? Well, how about you just go pick up this week's intelligence packet from our man in Andorra, you sissy."

A note on something that Batgirl's been criticized for: Eve also makes a quip about women's intuition being in her arsenal, and she's a fully trained police officer. I also just came across an instance of Sue Richards invoking women's intuition in a contemporaneous issue of Fantastic Four. So it seems to have been a pretty common thing for fictional heroines of the era to bring up.
A pre-Lib holdover way of balancing the scales. The sexes are such a mystery to each other!

Of course, Ann can only spend the night at Donald's apartment when he's out of town (in Boston, no less); and the comedy of this episode is driven by the inappropriate situation of Ann finding herself alone there with a strange man.
Another pre-Lib holdover. :rommie: But why does Donald need two apartment sitters at the same time?

Jack Colvin does not appear in this episode...but he will be popping up in Season 3!
Not exactly hot on Banner's heels in this universe.

...any time he goes diving, it just makes me miss the giant clam. :sigh:
Me, too. :(

I definitely get the vibe from the intro that Number Six's own people are responsible for the Village. But there's a suggestion in this episode that there might be a third party involved...a SPECTRE?
Maybe it's his own people. Maybe it's the enemy. Maybe it's the Third Spy Network. Or maybe there are no sides, and the conflict is just a fiction to keep the population distracted from those who are really in power.

I got a big laugh when it turned out that he bought that hanging of No. 2 to serve as the sail!
He's a clever guy. Wait till you see the episode where he drinks a poisoned drink. :rommie:

Steed does an interesting bit of gimmickry putting a bullet in a hole in a fence and then striking it with something to make it fire into somebody on the other side--Would that actually work?
Theoretically, but not reliably or effectively. Luckily, Steed doesn't just have a license to kill-- he has an artistic license.

"Beat It," Michael Jackson
Not a big fan of Michael Jackson.

"Just Once," Quincy Jones feat. James Ingram
Boring early 80s.

"One Hundred Ways," Quincy Jones feat. James Ingram
Boring early 80s.

"I'll Be Good to You," Quincy Jones feat. Ray Charles & Chaka Khan
However, I love this one (Ray Charles and Chaka Khan!). It's a rare late 80s gem, but, notably, a cover of a song from the mid-70s.

"Kentucky Woman," Neil Diamond
Not his greatest, but I like Neil Diamond.

"Lazy Day," Spanky & Our Gang
Yeah! Happy 60s!

"(Loneliness Made Me Realize) It's You That I Need," The Temptations
Not their best, but okay.

"I Can See for Miles," The Who
The Who. 'nuff said. :mallory:
 
They shouldn't keep all their Easter eggs in one basket.
Oops! As Xfinity didn't actually type that here, mea culpa. I suspect that they must have phrased it "Eastern Berliners" for that -er to get in there. Fixed for posterity.

I hope he never gets it from an organ grinder. That could be messy.
Maybe that's why Briggs quit.

But why does Donald need two apartment sitters at the same time?
He doesn't, which you'd know if you watched the episode! :p Actually, that description is misleading...he lets Ann stay there while he's out of town because her apartment is being exterminated for termites. Harry drops into town on an open invitation from Donald to come stay at his place anytime, and they miss each other's calls.

But you haven't even seen the giant clam! :lol:

Maybe it's his own people. Maybe it's the enemy. Maybe it's the Third Spy Network. Or maybe there are no sides, and the conflict is just a fiction to keep the population distracted from those who are really in power.
Third Spy Network? If this were an American show, I'd say that perhaps the next episode's title is a clue....

Boring early 80s.
Boring early 80s.
Can't really disagree here.

However, I love this one (Ray Charles and Chaka Khan!). It's a rare late 80s gem, but, notably, a cover of a song from the mid-70s.
Now that's a surprise. I'll have to give it another listen, but I was prepared to dismiss if for its very late-80s dance pop production.

Not his greatest, but I like Neil Diamond.
It's interesting how relatively low his songs from this era that became oldies radio staples originally charted.

Yeah! Happy 60s!
With this and "The Rain, the Park & Other Things" on the charts at the same time, sunshine pop is in full bloom.

The Who. 'nuff said. :mallory:
Not quite 'nuff. This was their most successful single in the US, their only one to break the Top 10. And as such, I have to imagine that this is what finally really put them on the map in America.

Whenever this one comes on the radio, whatever volume I'm already at, I always have to turn it up a few notches.

So, settle a bet that I never made...better than "(The Lights Went Out in) Massachusetts"?
 
Last edited:
Going by this episode and a bit I saw of the beginning of the next, it seems that the opening sequence confuses things by having audio of each week's Number 2 introducing himself as if it's the first time for 6. I take it that's just supposed to be symbolic.

It's exposition. It's the bit that fills in the viewer on the series premise, since it's kind of an atypical idea requiring explanation for a new viewer or a refresher for an occasional viewer. And setting up who this week's Number Two will be is part of that exposition.

Besides, the whole point of the Village is to be confusing and disorienting, to leave its inmates uncertain of what's real, because that's a key part of breaking and brainwashing people. And the show is meant to be just as disorienting to the viewer. The more you ask for clear answers about what's real and what's true, the less clarity you will find. As Number Two says in the opening call-and-response, "That would be telling."


I wonder if these records have a B-Side (or a third side, which is also a thing), for the times when Jim chooses not to accept the mission. "So that one doesn't interest you, eh, Jim? Well, how about you just go pick up this week's intelligence packet from our man in Andorra, you sissy."

The way I interpret the original intent behind M:I is that the IMF is supposed to be an unofficial, off-books team of outside contractors, running deniable missions to deal with problems too sensitive or dangerous for the government to have any official involvement in. That's why most of the team consists of civilian experts rather than full-time agents. Implicit in this is that all the missions are on a volunteer basis. Since they're non-official agents, the government will be unable to vouch for them if they're caught, and they'll just be hung out to dry as rogue criminals or terrorists. And so they can't be ordered to take that risk; it just wouldn't be right. It has to be their choice whether or not to accept the mission.

I think the revival series and especially the movies got this wrong by portraying the IMF more as an official part of the government bureaucracy. Particularly silly are the bits where we see computer files of disavowed agents. That's a contradiction in terms -- disavowal means that the government doesn't even acknowledge that they were agents, so keeping detailed records about their agenthood is rather counterproductive.

Of course, the original series abandoned the intent behind the standard message-drop openings in its later seasons, reducing them to a meaningless ritual. In the last two seasons, and on multiple occasions in earlier seasons, the IMF was basically a crime-busting team working closely with legitimate authorities -- so why in the world was it necessary to deliver their assignments by secret message drops with self-destructing tapes?
 
We have Dark Shadows! But they're doing something odd in order to cover the six episodes in the Decades block that last year's Binge fell short of. They're starting back at exactly the point that they'd need to (episode 257, from June 20, in the middle of the Jason/Buzz crap) that will result in this year's Binge finishing the block of episodes at 340. So I will be able watch those last six in the block, but they won't be getting back to the beginning of the block and the three (I think) that I didn't have available to watch this year.

At this point, all evidence is that all they have and intend to have is that six-month block.

So anyway--Dark Shadows Binge, Oct. 28-30, episodes 257-340.
 
Oops! As Xfinity didn't actually type that here, mea culpa. I suspect that they must have phrased it "Eastern Berliners" for that -er to get in there. Fixed for posterity.
I assumed you copied and pasted. It's still funny. :rommie:

He doesn't, which you'd know if you watched the episode! :p
:D

Actually, that description is misleading...he lets Ann stay there while he's out of town because her apartment is being exterminated for termites. Harry drops into town on an open invitation from Donald to come stay at his place anytime, and they miss each other's calls.
Ah, the old my-apartment-is-infested-with-vermin-can-I-stay-at-your-place trick.

But you haven't even seen the giant clam! :lol:
I saw the one on Batman (and various other places). And I just love the very idea of the giant clam.

Third Spy Network? If this were an American show, I'd say that perhaps the next episode's title is a clue....
Best coincidence this week. :bolian:

Now that's a surprise. I'll have to give it another listen, but I was prepared to dismiss if for its very late-80s dance pop production.
Well, it's not profound or anything, but it's catchy and it's Ray Charles and Chaka Khan and it's a nice sentiment. And it makes me laugh because when it first came out my youngest Brother asked, "What's Master Charge?" :rommie:

It's interesting how relatively low his songs from this era that became oldies radio staples originally charted.
People seem embarrassed to like him. I remember there was once an article in Rolling Stone that said something like "It's time for us all to admit that we like Neil Diamond." :rommie:

Not quite 'nuff. This was their most successful single in the US, their only one to break the Top 10.
Now that's amazing.

So, settle a bet that I never made...better than "(The Lights Went Out in) Massachusetts"?
Is "I Can See For Miles" better than "Massachusetts?" Technically, I'd have to say yes, but personally I love them both and have no reason to compare them.

At this point, all evidence is that all they have and intend to have is that six-month block.
Maybe we can organize a Tweetstorm at them. :rommie:
 
I assumed you copied and pasted. It's still funny. :rommie:
The kids these days might know how to copy and paste text off their TVs, but I just type the shit.

I saw the one on Batman (and various other places). And I just love the very idea of the giant clam.
Well, if Decades ever does another Tarzan Binge, you should keep your eye out for the giant clam episode(s?)...you can experience them for the first time.

(I'm already forgetting, did the giant clam appear in two episodes?)

ETA: Verified...
And we get a second use of their underwater giant clam prop, which I'd meant to bring up in the previous episode. I don't have a lot of experience with actual giant clams, but it's not that bad-looking.


RJDemonicus said:
Well, it's not profound or anything, but it's catchy and it's Ray Charles and Chaka Khan and it's a nice sentiment. And it makes me laugh because when it first came out my youngest Brother asked, "What's Master Charge?" :rommie:
Still not my cup of tea, but I found that I do have the Brothers Johnson version in my 1976 playlist.

People seem embarrassed to like him. I remember there was once an article in Rolling Stone that said something like "It's time for us all to admit that we like Neil Diamond." :rommie:
His '60s and early '70s singles are pretty good, definitely classics. He gets spotty after that.

Is "I Can See For Miles" better than "Massachusetts?" Technically, I'd have to say yes, but personally I love them both and have no reason to compare them.
Desert island, one record--CHOOSE!

On a Best of Sullivan from Mar. 24, 1963, Chubby Checker actually does the Limbo a couple times during a performance of "Limbo Rock."

From Jan. 17, 1971...OK, Tony Bennett doing "What the World Needs Now" is pretty lame-o.

Happened upon most of To Sir, with Love on cable. Had I known it was going to be on, I would have recorded it and given it a proper viewing. In addition to Lulu playing one of the students and doing the title song (currently on the charts 50 years ago this week), it featured an appearance by the Mindbenders:

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Good ending with Sir tearing up the letter for his other job...

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

There's also another use of the song during a collage in the middle of the film that has verses which aren't in the single version. And we get an in-the-era reference to how the Beatles revolutionized fashions.

I'd intended to use the afternoon off to start watching The Inhumans...but 1967 keeps pulling me back in!
 
Last edited:
The kids these days might know how to copy and paste text off their TVs, but I just type the shit.
Ah, I thought it was on their website.

Well, if Decades ever does another Tarzan Binge, you should keep your eye out for the giant clam episode(s?)...you can experience them for the first time.
I may get the DVDs just for Giant Clam.

His '60s and early '70s singles are pretty good, definitely classics. He gets spotty after that.
That is certainly true.

Desert island, one record--CHOOSE!
In that case, I'd go for "Massachusetts," because the sentimental value would be more important on the desert island.

In addition to Lulu playing one of the students and doing the title song (currently on the charts 50 years ago this week), it featured an appearance by the Mindbenders:
I only know that one from the movie, but it's pretty good.

Good ending with Sir tearing up the letter for his other job...
There can never be another Sidney Poitier.
 
My Sister and I were at my Mother's house last night, so I brought up all the Classic Rock episodes of Ed Sullivan that I saved. But she just wanted to watch Jim Morrison over and over. He's "a fine specimen." :rommie:

In other news, it seems that Comcast has dropped Grit. Not that I watched it almost ever, but I went looking to see what was on yesterday morning and it was gone. It's a shame to see any retro channel disappear.
 
Dark Shadows

Episode 331
Originally aired October 2, 1967

Roger and Elizabeth respond to David's cries for help, but are highly skeptical of his claim that he was attacked by a bat. When Liz finally consents to listening to what he has to say, the boy immediately leaps to the conclusion that Cousin Barnabas sent the bat after him because he wants David to die. Cue money shot of Barnabas staring out his window.

Barnabas visibly shifts down from ominous mode as Roger comes calling at the Old House. Roger proceeds to infodump recent developments in David's storyline on his favorite cuz, and some of the details break Barnabas out of the smug satisfaction that he momentarily showed the audience when he heard that his plan had worked. All the while, the master of the Old House shows nothing but concern for David to the boy's father.

Typical of Roger and Elizabeth to dismiss David's fears, making them seem thick-skulled, when one considers all of the inexplicable attacks (Willie was not draining anyone of blood--including himself), and their own history with the supernatural with ghosts and Laura the Phoenix.

When Woodard comes down they ask about a psychiatrist, but find that the good doctor is interested in what David has to say.

This is the Woodard I referred to: becoming a genuine enemy who does not write off anything not supported by his medical training.


Episode 332
Originally aired October 3, 1967

At the Old House, Barnabas gives Dr. Hoffman the ol' choking treatment over David's last uninvited visit. She argues that Barnabas is safe, and will remain that way if he doesn't do anything that might attract attention to himself...like killing her or David

Advice that goes nowhere. Julia should know--by now--Barnabas' default position is to kill.

Meanwhile, Hoffman realizes that he's gone there and goes after him...and of course, the sun is setting. Barnabas rises just before the boy goes downstairs to find the open coffin...and dramatically closes the lid to get David's attention....

Top shelf conclusion--the conflict/meeting everyone expected, and now it landed with force, leaving 1967 audiences wondering if Barnabas was going to carry out his threat after all.

Episode 333
Originally aired October 4, 1967

Following a recap of yesterday's climax, Barnabas questions David while acting very intimidating...but his threat of punishment isn't delivered on thanks to Hoffman's timely arrival. The Old House master lets the frightened boy go home after taking the set of spare keys. Following the boy's departure, Barnabas at first acts concerned...then a candle appears over his head, figuratively speaking....

Yes, he's far from being the anti-hero vampire he would become during the 1975 arc. Right now, he's a perfect villain.


At Woodard's urging, the two start to compare notes about Barnabas just as David returns home. He wastes no time telling them about the coffin, as well as jumping to speculations about its owner...

Hoffman appears in a timely fashion again to do some damage control. She spins the coffin as a figment of David's imagination. Hoffman shows the camera a look of guilt as the boy accuses her of being Barnabas's friend. Woodard campaigns for getting to the truth by going to the Old House to see for themselves what's in the basement. Roger, already well past his usual limit on appearances, will have nothing to do with it, so Woodard and Burke go.

At the Old House, Barnabas teases out his reaction to being asked to show them the basement, initially refusing his visitors...but it was obvious where this was going. When he finally consents to showing them the basement, they find...an oddly stacked assortment of trunks and boxes where the coffin usually is. Barnabas's visitors apologize and begin to leave, as he smugly displays his satisfaction to the viewers at home.

Always a way out for Barnabas. Blame Willie for the attacks/kidnapping, and now trying to convince everyone that a child is a liar or worse.

Episode 334
Originally aired October 5, 1967

IMDb tells me that this is Robert Gerringer's last appearance as Doc Woodard. He was replaced when he wouldn't work during a strike.

Yes, by Peter Turgeon--the third and last actor to take on the role, during the most intense period for the Woodard character.

Insisting that The Evil Is Out There, David reluctantly tells them about the secret room in the mausoleum, which angers Sarah into blowing open his window and playing an angry tune. Hitting the brandy and invoking his cousinly man love for Barnabas, Roger is reluctant to allow them to take David to the crypt, but ultimately relents, while sharing his concern that David is in need of professional help and reminding us of Vicki's engagement subplot.

The Scooby Gang arrives at the mausoleum, but the ring that opens the panel won't give, even for the grown men. David gains some benefit of the doubt from Woodard when he finds Sarah's flute on one of the coffins.

The writers were good at giving David some new way of holding on to his reputation no matter how much Barnabas tried to foil his every move. Again, Roger even questioning David so aggressively is a continuity issue, as Roger was exposed to several supernatural events long before the arrival of Barnabas.
 
Batman
"The Sport of Penguins"
Originally aired October 5, 1967

This time Batgirl gets involved via a tip from Alfred--a source that she's obviously coyly hiding when she attributes her being on the scene to "a woman's intuition."

Yep, that sexist nonsense was one of Batgirl's crimefighting tools. Not detective work or employing anything from a background in criminology (that did not exist for TV Barbara), but women's intuition. I will forever note that I cannot recall other 60s action TV characters such as Cathy Gale, Emma Peel or Honey West ever speaking in that way. Thanks, Bill Dozier.

And she gets on the scene just in time to make a difference in the fight

...by not really fighting at all, and certainly not in the tradition of the fight choreography seen in seasons one, two and the movie. Thank you Howie Horwitz, who has been identified as the main culprit behind the "no punching or real fighting for Batgirl" BS. He seemed to miss all of the other female heroes--even one shot guests--who had changed that game in the years before Batman's third season went into production.
 
One of yesterday's Sullivans, from Dec. 4, 1966, featured Ed giving Gary Lewis (of & The Playboys) a show biz farewell as he'd been drafted into the army. I did not know that he was Jerry Lewis's son.

And this was not the first episode of the week that originally aired in December and had at least one Holiday-themed segment...here, the Supremes sing "My Favorite Things" in front of a backdrop of stacked presents.

There's a Muppets episode coming up Monday according to the commercial.

Hah, fooled ya. :D It would be melancholy, but comforting.
Too bad...if you'd brought a Who record, I could have thrown in a giant clam with the island....

This is the Woodard I referred to: becoming a genuine enemy who does not write off anything not supported by his medical training.
Well, he's effectively digging his own grave now...or rather, Doc Woodard #3's....

Yep, that sexist nonsense was one of Batgirl's crimefighting tools. Not detective work or employing anything from a background in criminology (that did not exist for TV Barbara), but women's intuition. I will forever note that I cannot recall other 60s action TV characters such as Cathy Gale, Emma Peel or Honey West ever speaking in that way. Thanks, Bill Dozier.
See upthread...Eve on Ironside was also invoking women's intuition (which she did again in this week's episode). And you missed my point...that Batgirl was only saying that as a cover for her true source of information...whereas you've long argued that she really meant it.

That said...I was just reacquainted with the Nora Clavicle episode as background viewing on H&I this morning...ye gods, that one was a terrible three steps backward...but more on that in January, I guess.

_______

50th Anniversary Viewing

_______

Mission: Impossible
"The Slave: Part I"
Originally aired October 8, 1967
Xfinity said:
The IMF is ordered to abolish the slave trade in a nation rule by a tyrannical king.


Phelps gets this week's orders from a good ol' reel-to-reel tape in a fire call box in a park.
The voice in the recording said:
This recording will self-destruct in five seconds. Good luck, Jim.

The time-filling to turn this story into a two-parter showed early on, when Jim's operative-selection scene played out at a more luxurious pace than usual, including a long moment in which Phelps contemplates over a stiff drink before bringing out the portfolio. This week's team includes a guest agent who wrote a report on slavery.

Most of this episode is set-up for the main scheme...this part mainly consists of Barney's reconnaissance of the slave jail. When time is shorter, the IMF often magically has all the intel it needs about the people and locations involved in their operations. And it sure is convenient that when the slavers jail undercover Barney, they don't search him and find all the junk he's got stashed in his robes.

If they'd wanted to do this as a one-hour episode, it seems like they could have left out the whole Phelps / Warren Stevens part of the mission; but perhaps that all comes together next week.

Other TOS guests include Joseph Ruskin, Percy Rodrigues, Antoinette Bower, and Sid Haig.

_______

The Man from U.N.C.L.E.
"The Prince of Darkness Affair: Part II"
Originally aired October 9, 1967
Xfinity said:
Solo infiltrates a wanted criminal's (Bradford Dillman) cult to capture his deadly weapon, the Thermal Prism.

Open Channel Dyed Solo. Casual viewers may recognize this as the episode in which Solo sports white hair to infiltrate Sebastian's cult, the Third Way. (Another crack at ABC?)

Guests include John Carradine, who's less recognizable when the plot specifically calls for him not to speak; Julie London as Sebastian's estranged wife; and Roy Jenson (Cloud William, "The Omega Glory").

The rocket that Solo stole while undercover sure wasn't a Saturn V. But launching it from inside a building vaguely reminded me of the Baxter Building.

This two-parter was released theatrically in 1968 as The Helicopter Spies. While there was some use of helicopters in both parts, I'd hardly say that it was prominent enough to be a defining feature of the installment. In any case, this half did feel a little more cinematic in its production values than last week's episode.

_______

The Rat Patrol
"The Love Thine Enemy Raid"
Originally aired October 9, 1967
H&I said:
Troy accidentally shoots a German nurse during an attack on an supply convoy. The Rat Patrol must decide whether to sneak her into a nearby German field hospital or let her die and continue their mission.

Yeah, way to go there, Quickdraw. She was just peeking her head out the back of the only truck in the German convoy that they didn't manage to blow up.

I don't remember if it was a Season 1 or Season 2 episode, but this seemed like a variation on the premise of the episode with Ed Asner. They should have taken her to Ed's field hospital, he's cool with the Patrol.

There's some good tension about whether they should save the nurse when she overhears some intel about Allied tank movements. In the uncharacteristically stage-shot coda, the Patrol gets news that the Germans hadn't learned about the tanks, and wonder whether she didn't talk or didn't live.

_______

Batman
"A Horse of Another Color"
Originally aired October 12, 1967
H&I said:
In need of money for his parasol plan, the Penguin steals from the parasol collection at the library. Librarian Barbara Gordon alerts Batman, who uses Alfred as a ruse to trap the Penguin.

Or as Ethel would pronounce it, "A Hoss of Another Color."

Batman gets the stolen folio back within the hour, but his plan involved putting an ad in the paper...was he planning this ahead...?

We don't often see Bruce and Dick walking into the study from the Batpoles, do we?

It's odd that Batman would even think of recruiting Batgirl to be a jockey, but whatever works for the story. And nice palm trees they've got there at the Gotham Park Racetrack.

_______

Ironside
"The Taker"
Originally aired October 12, 1967
Xfinity said:
After a police friend is slain, Ironside finds evidence he was a blackmailer; with Robert Alda, Mark Richman.

I could tell from what we saw of her in the beginning that the killer was a woman, but putting (Peter) Mark Richman prominently in the story made for a good distraction from that. It did turn out that his character was in on the identity of the killer and helping to cover for her for personal reasons.

Here's another early first-season episode of a series that I suspect may have been the first shot. As mentioned upthread, the series premise was set up in a TV movie that aired in Spring of 1967 (which I haven't seen), but this episode had a few conspicuous tidbits of series exposition that weren't in evidence in the earlier-aired episodes...notably explaining that Ironside is a former chief of detectives who's now serving as a consultant, emphasizing his unofficial status, and dropping a reference to his assistant Mark being an ex-con (which I didn't know). Also, Mark makes a comment about having "finally made the team" when Ironside hands him a gun.

Guests include William Schallert, who does an M:I-quality accent and becomes a collateral murder victim in the cover-up of the crime being investigated.

_______

TGs2e6.jpg
"Absence Makes the Heart Grow Nervous"
Originally aired October 12, 1967
Wiki said:
Before Ann goes to Philadelphia for a play that's making a nationwide tour, Donald tries to show her a good time by giving her a night on the town...and another night, and another night...

This is the first installment of a separately titled two-parter. This half is actually all about Ann and Donald going to New York. Now the characters are supposed to live there, but they use Ann going away as an excuse to see all the touristy sights in the city together...which is played as a bigger deal than it should be, because they had to take the filming across the continent. Notably, there's no dialogue in the lengthy NYC tourism collage.

Ann Marie said:
I've never been so happy about being miserable in my whole life.


The ride on the Statue of Liberty Ferry gives a view of Lower Manhattan just a year before construction began on the World Trade Center.

Ann name-drops Boston and New Haven as other venues of the play.

The NY segment includes a hippie gag, which involves Donald coming up on one who looks like Ann from behind. This had me wondering which of the shows I'm watching will give us our first full-on hippie episode. Batman is likely, as I know there's one coming up this season.

Our two main-credits regulars are the only credited cast in the episode.

"Oh, Donald" count: 6, I think...the lag on Me's site was particularly bad this time around, which was very distracting, so I may have missed some.

_______

Tarzan
"The Blue Stone of Heaven: Part II"
Originally aired October 13, 1967
H&I said:
Tarzan must prevent a crazed mercenary from dynamiting an ancient burial ground and stealing a jeweled idol.

The episode starts with a recap of last week's climax of the statue being found and Colonel Takakombi declaring himself king and god. William Marshall does good megalomania. This half reemphasizes how legend has it that the idol brings its owner immortality. I sensed some irony on the horizon. There wasn't a lot happening in this episode...lots of scenes just seem to be filling time, especially those dwelling on the spectacle of the natives chanting for Takakombi while he stands on his pyramid.

We get a good bit of Tarzan and Jai acting like a well-oiled machine when the captured Tarzan creates a distraction so that Jai can sneak in and partly untie him. Another scene has Jai disguising himself by putting Cheeta on his shoulders wrapped in a sack cloth.

The underwater passage factors into the story again. Still no clam. :(

This week has all the same Trek guests as last week. There are also at least two characters with substantial speaking roles who go uncredited.

In the climax, Tarzan pushes the idol off the pyramid and convinces the natives that their god is a lie. Must have been a theme night on NBC.

_______

Star Trek
"The Apple"
Originally aired October 13, 1967
Stardate 3715.3
MeTV said:
Primitive inhabitants of Gamma Trianguli VI worship a god who orders them to kill visitors from the Enterprise.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

See my post here.

_______

The Prisoner
"A. B. and C."
Originally aired October 13, 1967 (UK)
Wiki said:
A desperate Number Two tampers with Number Six's dreams to discover where his loyalties lie.

We have indication here that the 2's are indeed being replaced for their inability to break 6. Is this whole Village setup for the benefit of a few special cases like 6...or is he just that damn important?

This episode's premise emphasizes something that I touched upon in my review of the first one...that 6 is as much an enigma to us as the Village is.

That the Village people are so fixated on discovering who 6 may have been planning to sell out to suggests that it's not all just one big, happy global conspiracy...and that his own people are behind the Village.

The dream monitoring/manipulating tech definitely places the series in SF/F territory.

Regarding "A"...
Number 14 said:
He looks vaguely familiar.
Number 2 should have said:
Yes, we've seen him on The Avengers a couple of times.


Even in his subconscious, 6 is a stubbornly uncooperative fellow. From the trouble he manages to create on the inside, I'm getting the Rorschachy vibe that they're trapped in there with him.

The music at the party in the C dream sequence was pretty groovy. I saw C's identity coming when they established that 2 didn't know what "he" looked like. I also saw who D was going to be...the glasses and mustache were a little too visible through the mask.

So we seem to have established that 6 wasn't selling out his people.

Three episodes in, I have to say...this is a really engaging series. It's very effective in holding my attention, it gets my wheels turning, and the storytelling is tight and solid.

_______

The Avengers
"The £50,000 Breakfast"
Originally aired October 14, 1967 (UK)
Wiki said:
A Switzerland-bound ventriloquist in a coma has a bellyful of diamonds. This is a remake of episode 2.08 'Death of a Great Dane'.

This one starts off as the show a little more in its wheelhouse...a mystery with a quirky, attention-grabbing angle...but it becomes difficult to get a handle on what it's really about and focuses a bit too much on the investigatees rather than the show's main asset, the investigators. Ultimately it comes down to a butler impersonating a recently departed financier who was covertly buried in a pet cemetery. We do get a scene of Emma going toe-to-toe with a female foe who was good enough to put up a fight with her.

_______

Get Smart
"The Spirit Is Willing"
Originally Aired October 14, 1967
Xfinity said:
Max meets a woman who demands $50,000 for her testimony against a KAOS agent.

That description doesn't touch upon what the title refers to...that the mystery woman appears to be an already-dead witness. I guessed that the mother would really be Ann Ferris in disguise, as she was obviously wearing old age makeup. And it didn't make sense in the first place how everyone jumped to the conclusion that there was something supernatural involved, when Max could have just met somebody who was using a dead woman's name as an alias. Ina Balin was easy on the eyes, even when was she was unwigged but still made up to look weathered.

We got a bit of a coincidental pond-spanning theme night with the fake death angle.

The sight gag with Max's retracting bar was good. His apartment looked a lot different than it did...was it just last episode?

Guests include Len Lesser, who was ringing a vague bell for me...but I never would have realized without looking it up that he was the future Uncle Leo from Seinfeld!

_______
 
Last edited:
50 Years Ago This Week
October 16 – Thirty-nine people, including singer-activist Joan Baez, are arrested in Oakland, California, for blocking the entrance of that city's military induction center.
October 17
  • The musical Hair opens off-Broadway. It moves to Broadway the following April.
  • Vietnam War: The Battle of Ong Thanh takes place.
October 18
  • Vietnam War: Students at the University of Wisconsin–Madison protest over recruitment by Dow Chemical on the University campus; 76 are injured in the resulting riot.
  • Walt Disney's 19th full-length animated feature The Jungle Book, the last animated film personally supervised by Disney, is released and becomes an enormous box-office and critical success. On a double bill with the film is the (now) much less well-known true-life adventure, Charlie the Lonesome Cougar.
  • The Venera 4 probe descends through the Venusian atmosphere.
October 19 – The Mariner 5 probe flies by Venus.
October 20 – Patterson–Gimlin film: Roger Patterson and Robert Gimlin's famous film of an unidentified animate cryptid, thought to be Bigfoot or Sasquatch, is recorded at Bluff Creek, California.
Click here for Iconic Fake Footage.
October 21
  • Approximately 70,000 Vietnam War protesters march in Washington, D.C. and rally at the Lincoln Memorial; in a successive march that day, 50,000 people march to the Pentagon, where Allen Ginsberg, Abbie Hoffman, and Jerry Rubin symbolically chant to "levitate" the building and "exorcise the evil within."
  • An Egyptian surface-to-surface missile sinks the Israeli destroyer Eilat, killing 47 Israeli sailors. Israel retaliates by shelling Egyptian refineries along the Suez Canal.
Click here and here for items covering the protest.


Selections from Billboard's Hot 100 for the week:
1. "To Sir with Love," Lulu
2. "The Letter," The Box Tops
3. "Never My Love," The Association
4. "How Can I Be Sure," The Young Rascals
5. "Expressway to Your Heart," The Soul Survivors
6. "It Must Be Him," Vikki Carr
7. "Soul Man," Sam & Dave
8. "Little Ole Man (Uptight-Everything's Alright)," Bill Cosby
9. "Gimme Little Sign," Brenton Wood
10. "Your Precious Love," Marvin Gaye & Tammi Terrell
11. "Get on Up," The Esquires
12. "Hey Baby (They're Playing Our Song)," The Buckinghams
13. "(You Make Me Feel Like) A Natural Woman," Aretha Franklin
14. "Ode to Billie Joe," Bobbie Gentry
15. "(Your Love Keeps Lifting Me) Higher and Higher," Jackie Wilson
16. "Come Back When You Grow Up," Bobby Vee & The Strangers
17. "People Are Strange," The Doors
18. "Apples, Peaches, Pumpkin Pie," Jay & The Techniques
19. "Incense and Peppermints," Strawberry Alarm Clock
20. "Please Love Me Forever," Bobby Vinton
21. "Let It Out (Let It All Hang Out)," The Hombres
22. "You Keep Running Away," Four Tops

25. "Dandelion," The Rolling Stones
26. "I'm Wondering," Stevie Wonder
27. "Brown Eyed Girl," Van Morrison

29. "Love Is Strange," Peaches & Herb
30. "The Look of Love," Dusty Springfield

33. "Holiday," Bee Gees
34. "I Dig Rock and Roll Music," Peter, Paul & Mary
35. "The Rain, the Park & Other Things," The Cowsills

38. "Funky Broadway," Wilson Pickett
39. "Reflections," Diana Ross & The Supremes
40. "(Loneliness Made Me Realize) It's You That I Need," The Temptations

43. "Groovin'," Booker T. & The MG's
44. "Rock & Roll Woman," Buffalo Springfield
45. "Everlasting Love," Robert Knight
46. "Pata Pata," Miriam Makeba
47. "Kentucky Woman," Neil Diamond
48. "I Can See for Miles," The Who
49. "I'll Never Fall in Love Again," Tom Jones
50. "Lazy Day," Spanky & Our Gang

59. "We Love You," The Rolling Stones

65. "Purple Haze," The Jimi Hendrix Experience

69. "Get Together," The Youngbloods

71. "Boogaloo Down Broadway," The Fantastic Johnny C

74. "I Heard It Through the Grapevine," Gladys Knight & The Pips
75. "I Say a Little Prayer," Dionne Warwick
76. "Lady Bird," Nancy Sinatra & Lee Hazlewood

90. "Keep the Ball Rollin'," Jay & The Techniques
91. "Next Plane to London," The Rose Garden


Leaving the chart:
  • "Love Bug Leave My Heart Alone," Martha Reeves & The Vandellas
  • "Gettin' Together," Tommy James & The Shondells
  • "You're My Everything," The Temptations
  • "You Know What I Mean," The Turtles
  • "I Had a Dream," Paul Revere & The Raiders feat. Mark Lindsay
  • "I Make a Fool of Myself," Frankie Valli

New on the chart:

"Lady Bird," Nancy Sinatra & Lee Hazlewood
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#20 US; #47 UK)

"Next Plane to London," The Rose Garden
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#17 US)

"Keep the Ball Rollin'," Jay & The Techniques
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#14 US)

"I Say a Little Prayer," Dionne Warwick
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#4 US; #8 R&B)

"I Heard It Through the Grapevine," Gladys Knight & The Pips
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#2 US; #1 R&B; #47 UK)


And new on the boob tube:
  • Mission: Impossible, "The Slave: Part II"
  • The Man from U.N.C.L.E., "The Master's Touch Affair"
  • The Rat Patrol, "The Darkest Raid"
  • Batman, "The Unkindest Tut of All"
  • Ironside, "An Inside Job"
  • That Girl, "The Philadelphia Story"
  • Tarzan, "Muguma Curse"
  • Star Trek, "The Doomsday Machine"
  • The Prisoner, "Free for All"
  • The Avengers, "Dead Man's Treasure"
  • Get Smart, "Maxwell Smart, Private Eye"
_______
 
Last edited:
The music at the party in the C dream sequence was pretty groovy.

Yeah, that's a memorable cue. It reminds me of the refrain from The Monkees' "Vallery." I was rather surprised a couple of years ago to hear it in a documentary feature on a Doctor Who DVD. Apparently it's from a stock music library, like a lot of The Prisoner's music.

I find that "A, B and C" works better if it comes after "The General," Colin Gordon's other episode as Number Two, which was filmed first. His sense of desperation in "A, B and C," his willingness to push the experiment to extremes and do anything to avoid failure, makes more sense if it's his second and last chance to break Six.
 
Yeah, that's a memorable cue. It reminds me of the refrain from The Monkees' "Vallery." I was rather surprised a couple of years ago to hear it in a documentary feature on a Doctor Who DVD. Apparently it's from a stock music library, like a lot of The Prisoner's music.
I had to go back and listen again, but now that you mention it, I do hear the resemblance. It was remarkably good for '60s stock music in capturing the vibe of the popular music of the era...often such stock music is infamously cheesy and inauthentic-sounding.

I find that "A, B and C" works better if it comes after "The General," Colin Gordon's other episode as Number Two, which was filmed first. His sense of desperation in "A, B and C," his willingness to push the experiment to extremes and do anything to avoid failure, makes more sense if it's his second and last chance to break Six.
Noted. That episode is still a few weeks in the future for me.
 
One of yesterday's Sullivans, from Dec. 4, 1966, featured Ed giving Gary Lewis (of & The Playboys) a show biz farewell as he'd been drafted into the army. I did not know that he was Jerry Lewis's son.
I saw that episode yesterday. He got a nice kiss good-bye from somebody who was apparently a random audience member. I also saw Gary Lewis live many years ago.

There's a Muppets episode coming up Monday according to the commercial.
The one with the monsters in the trash cans?

Too bad...if you'd brought a Who record, I could have thrown in a giant clam with the island....
Thanks, Monty Hall. :(

There's some good tension about whether they should save the nurse when she overhears some intel about Allied tank movements. In the uncharacteristically stage-shot coda, the Patrol gets news that the Germans hadn't learned about the tanks, and wonder whether she didn't talk or didn't live.
This sounds like a better show than I would have expected.

This half is actually all about Ann and Donald going to New York. Now the characters are supposed to live there, but they use Ann going away as an excuse to see all the touristy sights in the city together...
Well, that's interesting. :rommie:

"The Blue Stone of Heaven: Part II"
Lots of multi parters this week.

The underwater passage factors into the story again. Still no clam. :(
There's clearly an anti-Clam agenda. :(

So we seem to have established that 6 wasn't selling out his people.
Never!

Three episodes in, I have to say...this is a really engaging series. It's very effective in holding my attention, it gets my wheels turning, and the storytelling is tight and solid.
I'm glad you're liking it.

"Lady Bird," Nancy Sinatra & Lee Hazlewood
I don't think I've ever heard this, but it's pretty good.

"Next Plane to London," The Rose Garden
I've never heard this one, either, but it's pretty nice.

"Keep the Ball Rollin'," Jay & The Techniques
Not familiar with this one, either. It's okay.

"I Say a Little Prayer," Dionne Warwick
This is pleasant and has some nostalgic value, but I didn't like it as a kid because I was turned off by anything that sounded religious. I think it was the 80s before I realized it was the same person who did "Do You Know The Way To San Jose" and "I'll Never Fall In Love Again," two of my favorites from that era.

"I Heard It Through the Grapevine," Gladys Knight & The Pips
Yeah, there's no such thing as a bad version of this song, I don't think. :rommie:

A song that can be successfully covered by Gladys Knight and the Pips, Marvin Gaye and Creedence Clearwater Revival has got to be a great one.
Indeed.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top