• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

The Classic/Retro Pop Culture Thread

Just did some looking up...in the pre-Craig films, 002 was the number of Bill Fairbanks, an agent who's been killed by Scaramanga years prior to TMWTGG, and also the number of one of the agents in the teaser of The Living Daylights.

Novel M never woulda let in that guy with the beard!
 
Side two, by contrast, consists almost entirely of Jagger/Richards originals, starting with the star of the album's tracks...the Stones' second US chart-topper..."Get Off of My Cloud"
Now that is quintessential Stones. The number of covers on their early albums continues to amaze me.

Next is the US B-side of the above single, "I'm Free," which was originally recorded for the UK version of Out of Our Heads, and is one of the better-known tracks on the album what wasn't a charting A-side:
This is one I'd hear on FM a lot when I was a kid, although that was a good ten years after this album came out.

This is a perfectly enjoyable collection of Stones songs, but the indirect quote above sums up its merits as an album.
December's leftovers. :rommie: Except for a couple of them.

That's a good question. At one point in the books, IIRC, Fleming said that 007 was one of three active 00's, and I believe that the others were numbered 008 and 0011. This implied that the numbers were retired. In the films, however, when other 00's were mentioned for plot purposes, we sometimes had the same number assigned to what were clearly different characters (e.g., a number turning up on a living agent that had previously been used for an agent who was killed), and we never got a number over 009.
It makes sense that numbers would be recycled, just as letters are-- they're basically job titles. It's interesting, though, that Fleming, at least, intended the positions to be open ended (so eventually there must have been a 0086 and a 0099 :rommie: ). It's funny, though, that in a franchise like this that they've never really delved into the 00-mythos or expanded it. I remember them talking about spin offs for Michelle Yeoh and Halle Berry, but they never came to pass, and they weren't 00s in any case.

Might have thrown off whatever Barney was doing in the scheme at the moment, not to mention blown their covers.
She could have offered him a ride in the trunk or something.

Seems to me like the one being too hard on Ringo is you.
Not me! I feel bad for him being the butt of jokes.

There was a female 00 agent in Thunderball, she is third from the right as you are facing them. If they are seated in numerical order, and it seems to be since the seventh seat is set aside for Bond, she would be 003. https://www.thunderballs.org/thunderballproductionstills?lightbox=dataItem-jgurm9m62
That is cool. I wonder if they all bragged about being 00 agents for the rest of their lives. :rommie:

Novel M never woulda let in that guy with the beard!
Maybe he was undercover. :rommie:
 
55 Years Ago This Week





Selections from Billboard's Hot 100 for the week:



Leaving the chart:
  • "A Lover's Concerto," The Toys (15 weeks)
  • "Make It Easy on Yourself," The Walker Brothers (10 weeks)
  • "Mystic Eyes," Them (8 weeks)
  • "You've Got to Hide Your Love Away," The Silkie (10 weeks)

New on the chart:

"Going to a Go-Go," The Miracles
(#11 US; #2 R&B; #44 UK)

"A Must to Avoid," Herman's Hermits
(#8 US; #6 UK)

"As Tears Go By," The Rolling Stones
(#6 US; #10 AC)

"My Love," Petula Clark
(#1 US the weeks of Feb. 5 and 12, 1966; #4 AC; #4 UK)

"Lightnin' Strikes," Lou Christie
(#1 US the week of Feb. 19, 1966; #11 UK)


And new on the boob tube:
  • Branded, "A Proud Town"
  • Gilligan's Island, "Mine Hero"
  • The Wild Wild West, "The Night of the Fatal Trap"
  • Hogan's Heroes, "Reservations Are Required"
  • Get Smart, "Survival of the Fattest"

And new on the silver screen:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(Better late than never, right?)

The number of covers on their early albums continues to amaze me.
This will be the last one, as the next will be their "darker, edgier" take on Rubber Soul.

It's funny, though, that in a franchise like this that they've never really delved into the 00-mythos or expanded it.
The movies were never as big on continuity as the original novels, and were happy to ignore the finer details from them.
 
Last edited:
And new on the silver screen:
Looks good. I might catch this one.

This will be the last one, as the next will be their "darker, edgier" take on Rubber Soul.
We're in the thick of it now.

The movies were never as big on continuity as the original novels, and were happy to ignore the finer details from them.
Yeah, it's kind of an odd franchise when you think about it. Still, there's some fun speculation to be had.
 
55 Years Ago This Week

Wiki said:
January 24 – Air India Flight 101 crashes into Mont Blanc, killing all 117 persons on board, including Dr. Homi J. Bhabha, chairman of the Indian Atomic Energy Commission.
January 26 – Beaumont children disappearance: Three children disappear on their way to Glenelg, South Australia, never to be seen again.
January 27
  • The British government promises the U.S. that British troops in Malaysia will stay until more peaceful conditions occur in the region.
  • Britain's Labour Party unexpectedly retains the parliamentary seat of Hull North in a by-election, with a swing of 4.5% to their candidate from the opposition Conservatives, and a majority up from 1,181 at the 1964 General Election to 5,351.
January 29 – The first of 608 performances of Sweet Charity opens at the Palace Theatre in New York City.



Selections from Billboard's Hot 100 for the week:
1. "We Can Work It Out," The Beatles
2. "Barbara Ann," The Beach Boys
3. "She's Just My Style," Gary Lewis & The Playboys
4. "No Matter What Shape (Your Stomach's In)," The T-Bones
5. "Five O'Clock World," The Vogues
6. "As Tears Go By," The Rolling Stones

8. "A Must to Avoid," Herman's Hermits
9. "My Love," Petula Clark
10. "Jenny Take a Ride!," Mitch Ryder & The Detroit Wheels
11. "Just Like Me," Paul Revere & The Raiders
12. "The Sound of Silence," Simon & Garfunkel
13. "Day Tripper," The Beatles
14. "The Duck," Jackie Lee

16. "Crying Time," Ray Charles
17. "You Didn't Have to Be So Nice," The Lovin' Spoonful
18. "Attack," The Toys
19. "A Well Respected Man," The Kinks
20. "Lightnin' Strikes," Lou Christie
21. "Uptight (Everything's Alright)," Stevie Wonder
22. "Lies," The Knickerbockers
23. "Going to a Go-Go," The Miracles
24. "Zorba the Greek," Herb Alpert & The Tijuana Brass
25. "Flowers on the Wall," The Statler Brothers
26. "My World Is Empty Without You," The Supremes
27. "Sandy," Ronny & The Daytonas
28. "It Was a Very Good Year," Frank Sinatra

30. "Like a Baby," Len Barry
31. "Don't Mess with Bill," The Marvelettes

35. "Thunderball," Tom Jones
36. "Michelle," David & Jonathan

39. "Ebb Tide," The Righteous Brothers
40. "Over and Over," The Dave Clark Five

42. "I Got You (I Feel Good)," James Brown & The Famous Flames

44. "California Dreamin'," The Mamas & The Papas

46. "Night Time," The Strangeloves
47. "A Hard Day's Night," Ramsey Lewis Trio
49. "A Sweet Woman Like You," Joe Tex
50. "These Boots Are Made for Walkin'," Nancy Sinatra

53. "Call Me," Chris Montez

55. "I See the Light," The Five Americans
56. "I Ain't Gonna Eat My Heart Out Anymore," The Young Rascals

63. "Working My Way Back to You," The Four Seasons

66. "My Baby Loves Me," Martha & The Vandellas

68. "What Now My Love," Sonny & Cher

70. "Elusive Butterfly," Bob Lind

75. "I Fought the Law," Bobby Fuller Four

77. "My Generation," The Who

81. "Love Makes the World Go Round," Deon Jackson

86. "The Cheater," Bob Kuban & The In-Men

90. "Baby Scratch My Back," Slim Harpo


Leaving the chart:
  • "Fever," The McCoys (11 weeks)
  • "It's My Life," The Animals (12 weeks)
  • "Let's Hang On!," The Four Seasons (16 weeks)
  • "Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds (14 weeks)

New on the chart:

"Baby Scratch My Back," Slim Harpo
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#16 US; #1 R&B)

"What Now My Love," Sonny & Cher
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#14 US; #13 UK)

"The Cheater," Bob Kuban & The In-Men
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#12 US)

"I Fought the Law," Bobby Fuller Four
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #33 UK; #175 on Rolling Stone's 500 Greatest Songs of All Time)

"Working My Way Back to You," The Four Seasons
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #50 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 19
  • Branded, "A Destiny Which Made Us Brothers"
  • 12 O'Clock High, "Which Way the Wind Blows"
  • Batman, "The Joker Is Wild"
  • Batman, "Batman Is Riled"
  • Gilligan's Island, "Seer Gilligan"
  • The Wild Wild West, "The Night of the Grand Emir"
  • Hogan's Heroes, "It Takes a Thief... Sometimes"
  • Get Smart, "Back to the Old Drawing Board"

_______
 
"Baby Scratch My Back," Slim Harpo
I never heard this one before. Pretty groovy.

"What Now My Love," Sonny & Cher
Nice cover. It's got that unique Sonny & Cher sound.

"The Cheater," Bob Kuban & The In-Men
I was going to say I never heard this either, but I think I have. It's okay.

"I Fought the Law," Bobby Fuller Four
An all-time classic, of course.

"Working My Way Back to You," The Four Seasons
Another goodie.
 
50 Years Ago This Week

Wiki said:
January 24 – The Guinean government sentences to death 92 Guineans who helped Portuguese troops in the failed landing attempts in November 1970; 72 are sentenced to hard labor for life; 58 of the sentenced are hanged the next day.
January 25
  • In Uganda, Idi Amin deposes Milton Obote in a coup, and becomes president.
  • In Los Angeles, Charles Manson and 3 female "Family" members are found guilty of the 1969 Tate–LaBianca murders.
  • Himachal Pradesh becomes the 18th Indian state.
  • Intelsat IV (F2) is launched; it enters commercial service over the Atlantic Ocean March 26.



Selections from Billboard's Hot 100 for the week:
1. "Knock Three Times," Dawn
2. "My Sweet Lord" / "Isn't It a Pity", George Harrison
3. "Lonely Days," Bee Gees
4. "One Less Bell to Answer," The 5th Dimension
5. "Rose Garden," Lynn Anderson
6. "Groove Me," King Floyd
7. "I Hear You Knocking," Dave Edmunds
8. "Your Song," Elton John
9. "One Bad Apple," The Osmonds
10. "Stoney End," Barbra Streisand
11. "If I Were Your Woman," Gladys Knight & The Pips
12. "Black Magic Woman," Santana
13. "It's Impossible," Perry Como
14. "Love the One You're With," Stephen Stills
15. "I Think I Love You," The Partridge Family
16. "Immigrant Song," Led Zeppelin
17. "Born to Wander," Rare Earth
18. "Mr. Bojangles," Nitty Gritty Dirt Band
19. "Remember Me," Diana Ross
20. "We Gotta Get You a Woman," Runt
21. "Stoned Love," The Supremes
22. "I Really Don't Want to Know" / "There Goes My Everything", Elvis Presley
23. "For the Good Times," Ray Price
24. "Does Anybody Really Know What Time It Is?," Chicago
25. "Watching Scotty Grow," Bobby Goldsboro
26. "Amazing Grace," Judy Collins
27. "Pay to the Piper," Chairmen of the Board
28. "If You Could Read My Mind," Gordon Lightfoot
29. "River Deep - Mountain High," The Supremes & Four Tops
30. "One Man Band," Three Dog Night
31. "Amos Moses," Jerry Reed
32. "Domino," Van Morrison
33. "Let Your Love Go," Bread

36. "(Do the) Push and Pull (Part 1)," Rufus Thomas

38. "The Tears of a Clown," Smokey Robinson & The Miracles

42. "Temptation Eyes," The Grass Roots
43. "Mother," John Lennon / Plastic Ono Band
44. "Stop the War Now," Edwin Starr

46. "Sweet Mary," Wadsworth Mansion
47. "Mama's Pearl," Jackson 5

49. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus

53. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
54. "Jody's Got Your Girl and Gone," Johnnie Taylor
55. "Don't Let the Green Grass Fool You," Wilson Pickett
56. "Have You Ever Seen the Rain?" / "Hey Tonight", Creedence Clearwater Revival

64. "Help Me Make It Through the Night," Sammi Smith

78. "Superstar," Murray Head w/ The Trinidad Singers

94. "Me and Bobby McGee," Janis Joplin

99. "Proud Mary," Ike & Tina Turner


Leaving the chart: Nothing we've been following.


New on the chart:

"Have You Ever Seen the Rain?," Creedence Clearwater Revival
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#8 US; #36 UK)

"Hey Tonight," Creedence Clearwater Revival
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#8 US as double A-side w/ "Have You Ever Seen the Rain?")

"Proud Mary," Ike & Tina Turner
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#4 US; #5 R&B)

"Mama's Pearl," Jackson 5
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#2 US; #2 R&B; #25 UK)

"Me and Bobby McGee," Janis Joplin
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#1 US the weeks of Mar. 20 and 27, 1971; #148 on Rolling Stone's 500 Greatest Songs of All Time)


And new on the boob tube:
  • Hogan's Heroes, "That's No Lady, That's My Spy"
  • The Ed Sullivan Show, Season 23, episode 18
  • Rowan & Martin's Laugh-In, Season 4, episode 19
  • All in the Family, "Oh, My Aching Back"
  • Hawaii Five-O, "F.O.B. Honolulu (Part 1)"
  • Ironside, "The Target"
  • Adam-12, "Log 66: The Vandals"
  • The Brady Bunch, "Coming-Out Party"
  • The Partridge Family, "The Soul Club"
  • That Girl, "The Russians Are Staying"
  • The Odd Couple, "Lovers Don't Make House Calls"
  • Love, American Style, "Love and the Big Game / Love and the Nutsy Girl / Love and the Vampire"
  • Mission: Impossible, "Blast"
  • The Mary Tyler Moore Show, "We Closed in Minneapolis"
By this point, Adam-12 and The Odd Couple have changed nights; Adam-12 is on Thursday after Ironside, and The Odd Couple is on Friday between That Girl and Love, American Style. Also, LAS has returned to a one-hour format (though IMDb mistakenly has all episodes from this season listed as 30 minutes).

_______

I never heard this one before. Pretty groovy.
Huh...I thought this one would get a :wtf: reaction from you...

Nice cover. It's got that unique Sonny & Cher sound.
I wasn't otherwise familiar with this song, but it looks like theirs is the highest-charting single version on this side of the pond.

I was going to say I never heard this either, but I think I have. It's okay.
It's got that mid-'60s one-hit wonder sound.

An all-time classic, of course.
It's got that more highly regarded mid-'60s one-hit wonder sound.

Another goodie.
They're back in the zone. I should say that they're still in the zone after "Let's Hang On," but there was that intervening, anonymous Dylan cover... :crazy:
 
55th Anniversary Album Spotlight

December's Children (and Everybody's)
The Rolling Stones
Released December 4, 1965
Chart debut: December 11, 1965
Chart peak: #4 (January 8, 1966)

Interesting record. Purely enjoyable period before competitive BS within the band (and with other acts) began to sour the act in some ways.

The next cover, this time from the British EP The Rolling Stones, is Arthur Alexander's "You Better Move On," which has a distinctly Drifters-evocative sound.

More or less; Jagger did have his ear to the Atlantic era of The Drifters (and other acts), but his more noticeable borrowing from their sound did not last much longer after this period.

Side two, by contrast, consists almost entirely of Jagger/Richards originals, starting with the star of the album's tracks...the Stones' second US chart-topper..."Get Off of My Cloud" (charted Oct. 9, 1965; #1 US the weeks of Nov. 6 and 13, 1965; #1 UK)

It has been said by various viewers that this was Jagger attempting to ape Bob Dylan (at least in the lyrics), but whatever the case, Jones' opening riff gave this song a very unique sound for the track.

Next is the US B-side of the above single, "I'm Free," which was originally recorded for the UK version of Out of Our Heads, and is one of the better-known tracks on the album what wasn't a charting A-side

Always a favorite, but it never gets credit for being one of the better songs of the 60s catalog--or overall. It never loses its appeal.
 
More or less; Jagger did have his ear to the Atlantic era of The Drifters (and other acts), but his more noticeable borrowing from their sound did not last much longer after this period.
Sounds like it owes in good part to the Arthur Alexander original, though the Stones' arrangement perhaps enhances the similarity.

It has been said by various viewers that this was Jagger attempting to ape Bob Dylan (at least in the lyrics), but whatever the case, Jones' opening riff gave this song a very unique sound for the track.
I hear a lot more "Satisfaction" than Dylan in it. :p I personally prefer "Get Off of My Cloud," but it was first and foremost "Satisfaction" redux...and it worked!
 
50 Years Ago This Week



View attachment 19604



To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.




Selections from Billboard's Hot 100 for the week:



Leaving the chart:
  • "Engine Number 9," Wilson Pickett (13 weeks)
  • "Let's Work Together," Canned Heat (11 weeks)
  • "See Me, Feel Me," The Who (13 weeks)
  • "Yellow River," Christie (23 weeks)

New on the chart:

"I Really Don't Want to Know," Elvis Presley
(#21 US as double A-side w/ "There Goes My Everything"; #2 AC; #23 Country)

"There Goes My Everything," Elvis Presley
(#21 US as double A-side w/ "I Really Don't Want to Know"; #2 AC; #9 Country; #6 UK)

"Remember Me," Diana Ross
(#16 US; #20 AC; #10 R&B; #7 UK)

"Temptation Eyes," The Grass Roots
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#15 US)

"Watching Scotty Grow," Bobby Goldsboro
(#11 US; #1 AC; #7 Country)

"Sweet Mary," Wadsworth Mansion
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#7 US; #35 AC)

"If You Could Read My Mind," Gordon Lightfoot
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#5 US; #1 AC; #30 UK)

"I Hear You Knocking," Dave Edmunds
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#4 US; #1 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 23, episode 14 ("The Great Santa Claus Switch")
  • The Odd Couple, "The Blackout"
  • Adam-12, "Log 85: Sign of the Twins"

And where the hell was the Wiki timeline when this iconic moment happened, on December 21, 1970!?!
ElvisNixon.jpg
Actually, the more detailed page for the month of December did make note of it:
Elvis Presley was welcomed to the White House by U.S. President Nixon. The meeting between the diverse celebrities would become the subject of several books and two films, Elvis Meets Nixon in 1997 and Elvis & Nixon in 2016. Despite the fame of both Nixon and Presley, the meeting was not reported in the media at the time and went unnoticed for more than a year until Jack Anderson's nationally syndicated newspaper column of January 27, 1972.
 
"Have You Ever Seen the Rain?," Creedence Clearwater Revival
Creedence. 'nuff said.

"Hey Tonight," Creedence Clearwater Revival
ibid.

"Proud Mary," Ike & Tina Turner
Classic.

"Mama's Pearl," Jackson 5
I don't think I've ever heard this, and yet I have because it's the Jackson Five.

"Me and Bobby McGee," Janis Joplin
Another classic.

and The Odd Couple is on Friday between That Girl and Love, American Style.
That must be when I started watching Odd Couple, but I don't remember That Girl from Friday nights. I wonder when Room 222 got in the mix.

Huh...I thought this one would get a :wtf: reaction from you...
I thought it sounded like something you might hear in a 60s film noir or something. Why did you think I wouldn't like it?

I wasn't otherwise familiar with this song, but it looks like theirs is the highest-charting single version on this side of the pond.
I was going to say that there must be a million covers of this song and decided to check the Wiki page to see how much I was exaggerating. There's so many that they have them listed in separate sections alphabetically. :rommie:

And where the hell was the Wiki timeline when this iconic moment happened, on December 21, 1970!?!
Imagine the outrage, offense, backlash, blowback, and generally panty-twisting if this happened in the Internet Age. :rommie:
 
Creedence. 'nuff said.
The latter should be capitalized when it's the first word of a sentence.

Creedence Cover. And noteworthy for being the biggest of a scattered handful of major crossover hits for such a well-known, long-running act.

I don't think I've ever heard this, and yet I have because it's the Jackson Five.
Not one of their better-known hits, but it has a nice sound. I want to tell the Osmonds that this is how it's done, but their contemporaneous single was the bigger hit. Historically, though, the Jackson 5 have four times as many chart-toppers as the Osmonds, and all done before the latter act broke out into chart success by aping the Jacksons' formula.

Another classic.
Kind of an understatement here. And noteworthy for being an example of a major posthumous hit. I should note that the album will be getting a spotlight eventually.

That must be when I started watching Odd Couple, but I don't remember That Girl from Friday nights. I wonder when Room 222 got in the mix.
Looks like it took over That Girl's slot in the '71-'72 season; and The Brady Bunch moved from 7:30 to 8:00 (as 7:30 being part of prime-time lineups was phased out except for Sundays), so that it ran back-to-back with The Partridge Family. (In the '70-'71 season, Nanny and the Professor has been running between them.)

I thought it sounded like something you might hear in a 60s film noir or something. Why did you think I wouldn't like it?
Minimal lyrics, for one thing.

I was going to say that there must be a million covers of this song and decided to check the Wiki page to see how much I was exaggerating. There's so many that they have them listed in separate sections alphabetically. :rommie:
I saw that.

Imagine the outrage, offense, backlash, blowback, and generally panty-twisting if this happened in the Internet Age. :rommie:
I don't know, but I may have to start consulting the more detailed monthly Wiki pages, if the yearly pages are trimming out such iconic moments in favor of cave-ins in Peru.
 
Last edited:
_______

50th Anniversary Viewing (Part 1)

_______

Hogan's Heroes
"The Meister Spy"
Originally aired January 17, 1971
Wiki said:
Major Martin, AKA Hans Strausser (Alan Bergmann), believes the hard part of his information gathering in London is over when he arrives safely in Stalag 13. But with Hogan out to learn what he knows, his troubles are just beginning.

So this time the spy comes to them. Lt. Miller (Dave Morick) is brought in as a new prisoner, with a story about a mysterious plane malfunction that forced a landing. But the coffee pot reveals that his observer on the flight, Major Martin, is actually a spy, who faked the malfunction. As Miller is in on the prisoners' operation, Hogan brings him into Klink's office and has him briefly pretend to be another German spy, to sew doubt about Strausser's credentials...which is supported by a verification phone call being rerouted to Newkirk and Carter pretending to be a bakery. The prisoners need to find out who Strausser's high-placed intel source in England is, so Hogan goes to a German intelligence meeting posing as Strausser, with Carter accompanying him.

The meeting is in the residence of Herr Mayerink (Ray Hastings), with Herr Schneer (Oscar Beregi) and Fraulein Kissinger (Eva von Fielitz) in attendance. Hogan bluffs his way out of some attempts to identify him and passes on some false intel, while Carter snaps pictures with a concealed lapel camera. The Germans don't know who Strausser's source is, so Hogan goes back to the stalag posing as Mayerink to spring him from the cooler, and the prisoners pull a tiny little IMF operation that includes a fake ride in the back of a prop truck and Carter posing as Hitler with Newkirk as his fretting aide...all right under Schultz's nose, of course. Strausser finds himself under pressure to verify his source for the temperamental fake fuehrer. When Schultz comes in to take him back to the cooler, Strausser thinks he's being taken to a firing squad, so he spills the identity of his source, an undersecretary on the war council...and Hogan immediately "unmasks" by taking off his civilian overcoat to reveal his uniform underneath. Mission: DIS-missed.

In the coda, Schultz gets a brief glimpse of Carter as Hitler.

_______

The Ed Sullivan Show
Season 23, episode 17
Originally aired January 17, 1971
As represented in The Best of the Ed Sullivan Show

Ed said:
The sensational Tony Bennett
Tony does a breathlessly uptempo swing rendition of "What the World Needs Now," accompanied by a big band orchestra, that includes a cornet solo.

Ed said:
Here now are four musicians known as the Muppet String Quartet...
This skit features Mahna Mahna Muppet (as the Muppet is apparently referred to) as a rock 'n' roll drummer filling in for the quartet's missing violinist.

Mahna Mahna: I thought everybody wants less violins on television!​

Ed said:
Here's recording star Gary Puckett...
The now Union Gap-less Gary does a rather weak solo cover of "I Who Have Nothing".

Ed said:
Here is...Tony Bennett!
As he usually seems to do, Tony mixes things up with a slower number that better demonstrates his vocal chops, "I'll Begin Again".

tv.com's listings for the show are down again...!

_______

Rowan & Martin's Laugh-In
Season 4, episode 18
Originally aired January 18, 1971
The Wiki list of guest appearances said:
Joey Bishop, Jilly Rizzo, David Steinberg, Ralph Edwards

Joey Bishop is the actual guest star.

A song about honesty...or bad jokes:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Joey with the Tasteful Lady:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

The Mod World of Modern Prisons:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
Continued here.

Joey and Wolfgang:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Joey and the drunk couple.

Edith Ann on her diet.

The Cocktail Party:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

_______

All in the Family
"Writing the President"
Originally aired January 19, 1971
Wiki said:
Because Mike wrote a critical letter to President Nixon about the current state of the U.S., Archie decides to write one of his own that praises him.

The episode opens with an argument over what the family will be watching on TV. (What happened to the portable TV upstairs that Lionel was fixing last week?) A comment about black athletes spurs an argument that becomes about the name of an old acquaintance of Archie's that Mike thinks Archie made up. Then the subject switches to Archie's worship of John Wayne.

Edith: He'd lay down his life for the Duke. For me, no...the Duke, yeah.​

Then Archie learns about the letter that Mike's writing to Nixon concerning subjects that include the environment and Vietnam; and Archie refuses to let them mail it with his return address on the envelope. Challenged to write to the president himself, Archie takes the task very seriously, which includes wanting to use embossed stationery that the Bunkers got as a wedding present...and as Edith can't find it, Archie has to use stationery from a plumbing company that Edith used to work for instead. Archie also dresses in a suit to sit down and write it. But he's at a loss for words beyond a comically clumsy greeting, and tries dictating what he wants to say to Edith. He ends up enlisting the help of a nun who comes to the door soliciting contributions (Helen Page Camp)...in return for which he reluctantly makes a donation.

Archie (covertly to Edith): No matter what they tell ya, most of what you give 'em, they buy golden candlesticks with it.​

Archie then slips into a daydream in which Nixon (voiced by an uncredited Rich Little) reads his letter on television, to the joy and approval of the entire family. And the family actually does unify when they go out together to mail their letters, and come back feeling good about having gotten involved as citizens.

_______

Ironside
"From Hrûska with Love"
Originally aired January 21, 1971
Wiki said:
Ironside is kidnapped along with a Communist spy.

The episode opens with Ironside and Mark about to meet up with the others to leave for a trip to Vegas, when they're intercepted by Randall and strongarmed into taking a special undercover assignment for the State Department to escort the attractive buy haughty Hrûska Pazoureck (Diana Hyland)--a convicted spy and the widow of a Czech filmmaker--south of border in to trade her for a captive American, Professor Appleton (John Archer). The van is tailed, but after they think they've shaken it, the car turns up at a gas stop and searches the carelessly unattended van. The team then cluelessly proceeds to their hotel, where, while Ed and Eve are away from the van and the others are distracted by a shoeshine boy named Emiliano (Lee Joseph Casey) haggling with Mark, the van is hijacked and Mark is tossed out. The Chief and Hrûska's abductors switch vehicles and take them to a barn, where Ironside finds out that the duo holding them, Bouchet and Fuentes (Ron Soble and Mario Alcalde), are opportunists looking to sell both parties to the respective interested governments. Hrûska tells Bob of how she stayed out of Czechoslovakia after the Soviets took over, and then was framed for spying.

Meanwhile, the team reports the van stolen to local police while keeping the truth of the situation from them. The police eventually find the abandoned van, and Ed proceeds to meet with the Czech negotiator, Hlinka (Michael Hausserman), who arranges for them to see Appleton and verify his ID, while Eve poses as Hrûska, covering her hair and wearing sunglasses while staying at a distance. Mark pals with Emiliano, whom he figures was paid, and eventually guilts him into spilling info about where Fuentes lives. The team searches Bouchet's car and finds an egg carton with the address of the chicken farm where the Chief and Hrûska are being held.

Back at the farm, Hlinka has negotiated with the the abductors, and the Ironside has tried to sew doubt in Fuentes about Bochet's motives; he also finds and hides what I think was an axe, which he eventually uses to bring some hay down on Fuentes and grab his gun. When Hlinka arrives, the armed Chief takes custody of Appleton. The team arrives to find that Ironside has the situation well in hand, and Hrûska decides to go home willingly, to fight for her people.

_______

Adam-12
"Log 155: I.A.D."
Originally aired January 21, 1971
Wiki said:
Malloy's life is saved by Officer Tony Johnson (Jed Allan), who stopped a forklift from goring Malloy while apprehending some robbery suspects. Johnson later reveals that he is under investigation by Internal Affairs for blackmail and wants Malloy to locate a woman named Ginger who can clear him, but Ginger's near-identical dissertation of Johnson's story makes Malloy suspicious.

The episode opens with the officers pulling up to a warehouse along with another unit and getting out to stealthily look around. A suspect walks out and Malloy quietly apprehends him; then the perp's partner gets suspicious and draws his gun; there's an exchange of fire and Malloy has to wound him. While cuffing him, the second suspect kicks him and a forklift manned by a third perp comes barreling out. Johnson shoots the driver and diverts the lift. But after the end of watch, Johnson has to cancel a steak dinner on Malloy because he just found out that he's being investigated by Internal Affairs regarding a blackmail accusation. Malloy initially has no doubts about Johnson's innocence. At a postponed dinner, Tony doesn't want to eat, but describes how he's been accused of shaking down a man called Bender who was caught fooling around with a "B-girl," all while seeming desperate to establish an alibi. They're interrupted by a waitress asking them to throw out a bum (John Steadman) who's been nursing a makeshift cup of tea for an hour. Tony then asks Reed and Malloy to look for the B-girl involved, Ginger.

The officers get a call involving a man at a bar accusing a B-girl named Jackie (Gloria Manon) of trying to pick his pocket. They take the opportunity to ask her about Ginger, and find that she's heard about Johnson and is pleased because of how he hassles the girls. Back on patrol, they respond to another call at a bar, which turns out to be false; but Ginger (Eve Brent) happens to be there, so they question her. Her story seems a little practiced, though Mac's willing to take a statement from her at the station. Malloy then goes into the breakroom to confront Johnson, accusing him of paying her based of several clues, including that she was initially conspicuously hard to find, but then talked too willingly. Johnson admits to it and tries to play the personal debt card, but gets a stern dressing down from Pete for reflecting poorly on the entire force. Pete subsequently sends Mac to talk to Johnson, and Jim indicates that he'd already suspected the truth about Johnson, but decided to let Malloy figure it out for himself.

_______
 
Last edited:
The latter should be capitalized when it's the first word of a sentence.
Oops.

Kind of an understatement here. And noteworthy for being an example of a major posthumous hit.
Yeah, that came up on AT40 a week or two ago.

Looks like it took over That Girl's slot in the '71-'72 season
That's later than I would have guessed, but it makes sense. I must have started watching from the first episode.

(In the '70-'71 season, Nanny and the Professor has been running between them.)
I vaguely remember Nanny and the Professor as one of those shows that falls into the same category as I Dream of Jeannie and My Favorite Martian and Bewitched and so on, but I never really watched it.

Minimal lyrics, for one thing.
It was verbose enough. :rommie:

So this time the spy comes to them.
Must be a Russian double agent.

Fraulein Kissinger
That's a little odd. Not exactly a common name.

In the coda, Schultz gets a brief glimpse of Carter as Hitler.
I wonder what happened to Schultz after the war. Was he convicted of war crimes or compensated for his aid?

This skit features Mahna Mahna Muppet (as the Muppet is apparently referred to) as a rock 'n' roll drummer filling in for the quartet's missing violinist.
These guys are good. They should have their own show.

Mahna Mahna: I thought everybody wants less violins on television!
But more sax.

tv.com's listings for the show are down again...!
That's weird. I wonder what's going on with them.

A song about honesty...or bad jokes:
More like insults than honesty.

(What happened to the portable TV upstairs that Lionel was fixing last week?)
Beyond repair. :(

A comment about black athletes spurs an argument that becomes about the name of an old acquaintance of Archie's that Mike thinks Archie made up. Then the subject switches to Archie's worship of John Wayne.
They did kind of free associate a lot.

Then Archie learns about the letter that Mike's writing to Nixon concerning subjects that include the environment and Vietnam
It's best to stick to one subject at a time.

Archie has to use stationery from a plumbing company
A little prophetic humor there. :rommie:

And the family actually does unify when they go out together to mail their letters, and come back feeling good about having gotten involved as citizens.
As controversial as it was, it was never really a meanspirited show.

"From Hrûska with Love"
Ten points. :rommie:

they're intercepted by Randall and strongarmed into taking a special undercover assignment for the State Department to escort the attractive buy haughty Hrûska Pazoureck (Diana Hyland)--a convicted spy and the widow of a Czech filmmaker--south of border in to trade her for a captive American
This strikes me as a pretty far-fetched premise.

Eve poses as Hrûska, covering her hair and wearing sunglasses while staying at a distance.
Up on a roof with a microphone, because she has a cold.

The team arrives to find that Ironside has the situation well in hand, and Hrûska decides to go home willingly, to fight for her people.
Ironside meets a lot of women who subsequently leave the country.

Johnson admits to it and tries to play the personal debt card, but gets a stern dressing down from Pete for reflecting poorly on the entire force.
That's my Malloy.

Jim indicates that he'd already suspected the truth about Johnson, but decided to let Malloy figure it out for himself.
"Just seeing if you were paying attention."
 
Yeah, that came up on AT40 a week or two ago.
I've fallen out of the habit of putting those on.

That's a little odd. Not exactly a common name.
Huh...hadn't even noticed it.

I wonder what happened to Schultz after the war. Was he convicted of war crimes or compensated for his aid?
Here he assumed that he actually saw Hitler, but couldn't believe his eyes.

They did kind of free associate a lot.
The conversations flow naturally.

This strikes me as a pretty far-fetched premise.
I'm sure they've done worse...and there was a thread about the Chief potentially getting a government assignment a few weeks back.

Ironside meets a lot of women who subsequently leave the country.
He left Canada chick in her country.

That's my Malloy.
Like Friday with the ability to modulate his voice.
 
I've fallen out of the habit of putting those on.
I generally listen on my way to Mom's, unless it's a really bad year.

Here he assumed that he actually saw Hitler, but couldn't believe his eyes.
Maybe Hogan adopted him and let him do the gardening or something.

The conversations flow naturally.
Yeah, they evoked the conversations people were actually having around the house.

I'm sure they've done worse...and there was a thread about the Chief potentially getting a government assignment a few weeks back.
He's just that good.

He left Canada chick in her country.
Ah, right.

Like Friday with the ability to modulate his voice.
At some point in the Webbverse, Malloy and Reed got promoted to Dragnet. :rommie:
 
_______

50th Anniversary Viewing (Part 2)

_______

The Brady Bunch
"The Drummer Boy"
Originally aired January 22, 1971
Wiki said:
Bobby is depressed after being rejected from joining the Glee Club, so Mike suggests a musical instrument. He chooses the drums, but his talentless efforts drive the family and the neighbors crazy. Peter is relentlessly teased because he plays football and sings for the Glee Club. Just as he is about to quit the Glee Club, he and the other football players learn a lesson from Los Angeles Rams defensive end Deacon Jones.

Guest stars: Bart LaRue as the coach, Jimmy Bracken as Larry, Pierre Williams as Jimmy, Dennis McDougal as Freddy

Peter, Jan, and Cindy all got in the Glee Club, and Bobby's bad singing becomes an object of ridicule among the other kids. The parents try to comfort him, and Mike suggests that Bobby try an instrument...so he picks out a drum set. Bobby's cacophonous practicing disturbs everyone, so the parents try to talk to him, but can't bring themselves to further discourage him. Mike eventually gets the idea to set up the garage as his studio, but the neighbors complain.

Meanwhile, Deacon Jones starts popping up at Peter's football practice because he's a friend of the coach. Peter's late to practice because of Glee Club, and the other boys on the team make fun. At the next practice, Peter takes more of a ribbing, so he wants to quit Glee Club, though the parents try to talk him out of it. But when Larry makes fun of Peter in front of Deacon, the celebrity guest rebukes him because he's part of a singing group with some teammates, and encourages Peter to stick with the club. Afterward, Peter tells the parents that a lot of guys on the team are now trying out.

Bobby then talks about quitting playing the drums, and Mike and Carol, in contrast with the Peter situation, steer him into going through with it. But it turns ot that he's switching instruments with another kid at school, trading in his drums for a bugle. Needless to say, his bugle playing is terrible. In the coda, Mike brings home a baton for Bobby, figuring that it will be a noiseless option, but Bobby starts breaking things in the house.

_______

The Partridge Family
"Why Did the Music Stop?"
Originally aired January 22, 1971
Wiki said:
Shirley has doubts about what being on the road is doing to the Partridges' lives so she suggests they take a break and start living like a normal family again. But she forgets one thing: they're not a normal family.

Guest Star: Richard Mulligan as Dr. Jim Lucas

Songs: "I'm Here, You're Here"; "I Can Feel Your Heartbeat"

Shirley runs into an old friend, Mabel (Reva Rose), at the grocery store, who lays it on thick about how Shirley's a big star, which gets her worried about show biz corrupting the kids. Switch to a small-scale club gig were the band is playing "I'm Here, You're Here":
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
Shirley starts fussing over the kids in the dressing room afterward, and declares that they're all going to the doctor for a checkup. At the pediatrician's office, she runs into her curly-mustached visiting former obstetrician, Dr. Lucas, who delivered Tracy. He later calls the house for a date, which Shirley can't make because of a gig. At dinner, she suggests that they take a break for six months, which Danny considers to be career suicide...but discussing it among the kids, Laurie argues for it on the basis that Mom is the one who needs a normal social life. So they go back to her with their unanimous decision to quit.

But while Shirley tries to impose some normal activity on the kids, they're clearly bored out of their minds. As Dr. Lucas hasn't called, Danny lures him over to make sure he knows that Shirley's still in town. Once they're alone together, he starts nervously talking about a question that he's been meaning to ask Shirley, but he's called away by a patient who's going into labor. On a follow-up date at his place, he confesses that he's been keeping tabs on her, and dropped by Dr. Michaels's office while she was there deliberately. But when she returns home to the kids clearly enjoying playing "I Can Feel Your Heartbeat" in the garage, she reveals that he wanted Shirley to have a look at some songs he'd written! In the coda, things are back to normal (of course), and Reuben, Keith, and Danny have been taking an interest in rescoring Lucas's songs.

Story-wise, it seems like this one came way too close to the episode in which Shirley had to temporarily leave the band.

_______

Love, American Style
"Love and the Cake / Love and Murphy's Bed / Love and the Neighbor / Love and the Serious Wedding"
Originally aired January 22, 1971

"Love and the Serious Wedding" opens with Louise (E.J. Peaker) being delivered her gorilla suit-wearing boyfriend, Ralph (Paul Winchell), in a cage. Demonstrating what a joker he is, Ralph changes into a superhero costume. He pops the question, and when she accepts, he starts planning for how to stage their wedding as a big gag, but while she usually shares his sense of humor, Louise declares that she wants the wedding to be "absolutely straight". But Ralph can't comply for the rehearsal, coming in through the window and gluing the best man and maid of honor's (Ed Peck and Rosanna Huffman) shoes to the platform they're standing on. At the wedding, the minister's (Arthur Malet) words leading up to the "speak now or forever hold your peace" part heavily emphasize the seriousness of the occasion...then somebody in a gorilla suit (lacking a credit, I'm guessing Janos Prohaska) bursts in, Louise recognizes him as an old boyfriend who was shot down in WWII, and he carries her off. While the minister is horrified, Ralph declares that it's Louise's best gag ever and runs after her!

_______

Mission: Impossible
"The Field"
Originally aired January 23, 1971
Wiki said:
In order to help Barney cross an enemy minefield and destroy a nuclear satellite, Paris impersonates the American defector who designed the minefield. But when the real defector is accused of murder, the enemy forces take Paris into custody and reactivate the mines, with Barney trapped inside the field.

On an island in the Adriatic Sea, the enemy nation of the week launches their satellite on a Saturn V rocket; the project's commander is General Marin (Barry Atwater).
The miniature reel-to-reel tape in the back of the art shop again said:
Good morning, Mr. Phelps. This satellite, launched this morning by a hostile power, contains several thermonuclear bombs, each large enough to destroy any capital city in the world. Controls for the weapon, which is designed for international blackmail, are situated on this fortified island in the Adriatic. The installation is protected by a sophisticated minefield designed by an American defector, Arthur Norris [Denny Miller], and considered to be impenetrable.

Your mission, should you choose to accept it, is to destroy the satellite. As always, should you or any member of your IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim!

The mines can only be disarmed from Marin's control center, and Barney has to get past them to get to a separate bunker where he can bring down the satellite. Norris, whom Paris will be posing as, is described as an unstable gambler and womanizer. Paris acknowledges that Norris's body type is too different for a disguise, so fortunately, nobody currently on the island is supposed to have met him. Jim sneaks into a government office to use a developed-on-the-spot X-ray photo to break into a safe where the minefield schematic is kept. Barney then scubas onto the island. Paris and Doug pay a visit to Norris's place, with Doug packing heat--a relatively rare part of our IMFers' M.O. Real Norris is with his ladyfriend, Kathrine Berat (Patricia Priest), but catches her making a call after he's supposed to have left and shoots her on the spot; then disposes of the body but sloppily leaves her handbag in his vehicle. (I guess Denny Miller really is typecast--the main difference here being that he actually did it.) When he returns to his place, he's knockout-drug-ringed immediately so Paris can take his place.

Barney detonates some mines with a rocket launcher so that Marin will have Fake Norris brought to the island to check it out. Norris persuades them to deactivate that section of the minefield, allowing Barney to get in and do his thing. But back on the mainland, Inspector Koder (Milton Selzer)--for whom Kathrine was spying on Norris--is on the murder case, and quickly zeroes in on his suspect. So Marin gets a call to take "Norris" into custody and have him brought back to the mainland for questioning; and the section of minefield is reactivated with Barney trapped inside it. At Norris's apartment, Koder and his lieutenant talk loudly about what's going on for the benefit of three hiding IMFers--Koder misses them, as well as Real Norris, who's drugged in a closet. They revive Norris and question him under the pretense that he's been given something potentially fatal. Then Jim and Doug get into Secret Police uniforms to infiltrate HQ, prioritizing drugging Koder before he can get in to see Paris, as the inspector actually knows what Norris looks like.

Paris stalls the questioning, not knowing what the rest of the team is up to. Then Dana is brought in as a surprise witness to the murder--her story checking out as her details match what the police found. Taking his cues from her act of being a jealous rival love interest, Paris accuses her of having killed Kathrine, and she eventually breaks down and confesses, following which she's escorted out by Doug. Paris is allowed to make an emergency call to the island, where he has the section of minefield deactivated again. He drives off with the other landbound IMFers, while Barney does his wetsuit thing. Mission: Accomplished.

_______

The Mary Tyler Moore Show
"Second Story Story"
Originally aired January 23, 1971
Wiki said:
Mary's apartment is burglarized, twice.

After spilling some of Lou's liquor on herself while pouring him a drink, Mary goes home to change and finds that the clothes in her closet are gone. Only after officers Jackson and Tully (Vic Tayback and Bob Dishy) respond to Mary's call does she realize that her TV and stereo are also gone. After buying new clothes, she comes home from work to find that her place has been much more thoroughly cleaned out, including her books and most of the furniture. Phyllis saw a truck, but her memory of its appearance and license number seem dubious. At work the next day, the others bring Mary various hand-me-down items to refurnish her apartment. Tully calls her with news that they might have a suspect at the station (where Mary has a conversation with an old man played by Burt Mustin). Tully, now dressed in a suit, tells her that they spotted a phony charity truck and has her identify some of her things. In the coda, her apartment is back to normal and she has to give Phyllis a series of excuses to get out of attending a dermitoligists' organization meeting.

_______

He's just that good.

The Chief: That I am.​

At some point in the Webbverse, Malloy and Reed got promoted to Dragnet. :rommie:
I always pictured Malloy being promoted to Mac's job...they even later had him sub for Mac on at least one occasion.
 
Last edited:
50 Years Ago This Week

Wiki said:
January 31 – Apollo program: Apollo 14 (carrying astronauts Alan Shepard, Stuart Roosa, and Edgar Mitchell) lifts off on the third successful lunar landing mission.

February 4
  • In Britain, Rolls-Royce goes bankrupt and is nationalised.
  • NASDAQ was founded.
February 5 – Apollo 14 lands on the Moon.
February 6 – The 4.6 Mb Tuscania earthquake shook the Italian province of Viterbo with a maximum Mercalli intensity of VIII (Severe), causing 24 deaths, 150 injuries, and extreme damage.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.


Selections from Billboard's Hot 100 for the week:
1. "Knock Three Times," Dawn
2. "One Bad Apple," The Osmonds
3. "My Sweet Lord" / "Isn't It a Pity", George Harrison
4. "Lonely Days," Bee Gees
5. "Rose Garden," Lynn Anderson
6. "I Hear You Knocking," Dave Edmunds
7. "Groove Me," King Floyd
8. "Your Song," Elton John
9. "One Less Bell to Answer," The 5th Dimension
10. "If I Were Your Woman," Gladys Knight & The Pips
11. "Stoney End," Barbra Streisand
12. "Watching Scotty Grow," Bobby Goldsboro
13. "It's Impossible," Perry Como
14. "Love the One You're With," Stephen Stills
15. "Mr. Bojangles," Nitty Gritty Dirt Band
16. "Remember Me," Diana Ross
17. "Born to Wander," Rare Earth
18. "If You Could Read My Mind," Gordon Lightfoot
19. "Amazing Grace," Judy Collins
20. "We Gotta Get You a Woman," Runt
21. "I Really Don't Want to Know" / "There Goes My Everything", Elvis Presley
22. "I Think I Love You," The Partridge Family
23. "Immigrant Song," Led Zeppelin
24. "Black Magic Woman," Santana
25. "Mama's Pearl," Jackson 5
26. "Stoned Love," The Supremes
27. "Amos Moses," Jerry Reed
28. "For the Good Times," Ray Price
29. "Let Your Love Go," Bread
30. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus
31. "(Do the) Push and Pull (Part 1)," Rufus Thomas
32. "Have You Ever Seen the Rain?" / "Hey Tonight", Creedence Clearwater Revival

37. "Pay to the Piper," Chairmen of the Board

39. "Don't Let the Green Grass Fool You," Wilson Pickett

41. "Temptation Eyes," The Grass Roots

43. "Mother," John Lennon / Plastic Ono Band
44. "Sweet Mary," Wadsworth Mansion

47. "Jody's Got Your Girl and Gone," Johnnie Taylor

52. "Stop the War Now," Edwin Starr

53. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield

58. "Help Me Make It Through the Night," Sammi Smith

60. "She's a Lady," Tom Jones
61. "Me and Bobby McGee," Janis Joplin

63. "Proud Mary," Ike & Tina Turner

66. "Superstar," Murray Head w/ The Trinidad Singers

71. "Just My Imagination (Running Away with Me)," The Temptations

79. "Blue Money," Van Morrison

81. "Country Road," James Taylor

87. "For All We Know," Carpenters
88. "(Where Do I Begin?) Love Story," Andy Williams

97. "Heavy Makes You Happy (Sha-Na-Boom Boom)," The Staple Singers

100. "Timothy," The Buoys


Leaving the chart:
  • "Does Anybody Really Know What Time It Is?," Chicago (13 weeks)
  • "Domino," Van Morrison (12 weeks)
  • "One Man Band," Three Dog Night (11 weeks)
  • "River Deep - Mountain High," The Supremes & Four Tops (10 weeks)
  • "The Tears of a Clown," Smokey Robinson & The Miracles (16 weeks)

Re-entering the chart:

"Timothy," The Buoys
(first charted Jan. 2; will be dropping off again before beginning the climb to its peak position: #17 US)


New on the chart:

"Country Road," James Taylor
(#37 US; #9 AC)

"Heavy Makes You Happy (Sha-Na-Boom Boom)," The Staple Singers
(#27 US; #6 R&B)

"Blue Money," Van Morrison
(#23 US)

"(Where Do I Begin?) Love Story," Andy Williams
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #1 AC; #4 UK)

"For All We Know," Carpenters
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#3 US; #1 AC)

"She's a Lady," Tom Jones
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#2 US; #4 AC; #42 R&B; #13 UK)

"Just My Imagination (Running Away with Me)," The Temptations
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#1 US the weeks of Apr. 3 and 10, 1971; #33 AC; #1 R&B; #8 UK; #389 on Rolling Stone's 500 Greatest Songs of All Time)


And new on the boob tube:
  • Hogan's Heroes, "To Russia Without Love"
  • The Ed Sullivan Show, Season 23, episode 19
  • Rowan & Martin's Laugh-In, Season 4, episode 20
  • All in the Family, "Archie Gives Blood"
  • Hawaii Five-O, "F.O.B. Honolulu (Part 2)"
  • Ironside, "A Killing at the Track"
  • Adam-12, "Log 36: Man Between"
  • The Brady Bunch, "Our Son, the Man"
  • The Partridge Family, "To Play or Not to Play"
  • That Girl, "That Shoplifter"
  • The Odd Couple, "Engrave Trouble"
  • Love, American Style, "Love and the Arctic Station / Love and the Pulitzer Prize / Love and the Tattoo"
  • Mission: Impossible, "The Catafalque"
  • The Mary Tyler Moore Show, "Hi!"
 
I actually replied to the first post yesterday morning, but apparently did not click Submit. And this time Firefox did not remember what I typed. Here I go again:

Peter, Jan, and Cindy all got in the Glee Club, and Bobby's bad singing becomes an object of ridicule among the other kids.
When I was in grade school, we had a Christmas play and they put me in the choir. After a rehearsal, the teacher took me aside and said it would be best if I just moved my lips. :rommie:

NIn the coda, Mike brings home a baton for Bobby, figuring that it will be a noiseless option, but Bobby starts breaking things in the house.
I recommend air guitar.

But while Shirley tries to impose some normal activity on the kids, they're clearly bored out of their minds.
So too late then-- they're already corrupted by show biz. :rommie:

But when she returns home to the kids clearly enjoying playing "I Can Feel Your Heartbeat" in the garage, she reveals that he wanted Shirley to have a look at some songs he'd written!
Including "I Can Feel Your Fetus's Heartbeat" and "Breech Baby Blues."

...then somebody in a gorilla suit (lacking a credit, I'm guessing Janos Prohaska) bursts in, Louise recognizes him as an old boyfriend who was shot down in WWII, and he carries her off. While the minister is horrified, Ralph declares that it's Louise's best gag ever and runs after her!
Now that's my LAS. :rommie:

The mines can only be disarmed from Marin's control center, and Barney has to get past them to get to a separate bunker where he can bring down the satellite.
I was so hoping that Phelps would pick Neil Armstrong and Buzz Aldrin from his portfolio and tell Barney that he needs a spaceship by noon.

Kathrine Berat (Patricia Priest)
Marilyn Munster?

and the section of minefield is reactivated with Barney trapped inside it.
With hopefully some visual cue to tip off Barney.

He drives off with the other landbound IMFers, while Barney does his wetsuit thing. Mission: Accomplished.
And Dana gets out in about seven years for good behavior.

Vic Tayback
Mel from Mel's Diner.

In the coda, her apartment is back to normal and she has to give Phyllis a series of excuses to get out of attending a dermitoligists' organization meeting.
This one seemed a bit random.

I always pictured Malloy being promoted to Mac's job...they even later had him sub for Mac on at least one occasion.
That makes sense. And then Reed is the seasoned vet mentoring the new rookie.

Such a weird and creepy song. :rommie: I don't remember it from when it was new, but it was a staple of Lost 45s when I used to listen.

I just can't get into that James Taylor sound (except for "Mexico," which I just heard on AT40 yesterday).

In contrast, I do love the Staple Singers sound. This isn't their best, but it's pleasant to listen to.

Not Van's best, either, but nice to listen to.

"(Where Do I Begin?) Love Story," Andy Williams
Not my cup of tea, but I always have a soft spot for Andy Williams.

"For All We Know," Carpenters
This is beautiful, as the Carpenters usually are.

"She's a Lady," Tom Jones
It's Tom Jones. What can you say? :rommie:

"Just My Imagination (Running Away with Me)," The Temptations
And here's a classic.

And now I'm going to click Post Reply for real and make sure it goes through. :rommie:
 
55 Years Ago This Week

Wiki said:
January 31 – The United Kingdom ceases all trade with Rhodesia.

February 1 – West Germany procures some 2,600 political prisoners from East Germany.
February 3 – The unmanned Soviet Luna 9 spacecraft makes the first controlled rocket-assisted landing on the Moon.
February 4
  • All Nippon Airways Flight 60 plunges into Tokyo Bay; 133 are killed.
  • Winnie the Pooh and the Honey Tree becomes the first Winnie the Pooh featurette to be released.



Selections from Billboard's Hot 100 for the week:
1. "My Love," Petula Clark
2. "Barbara Ann," The Beach Boys
3. "No Matter What Shape (Your Stomach's In)," The T-Bones
4. "We Can Work It Out," The Beatles
5. "Lightnin' Strikes," Lou Christie

7. "She's Just My Style," Gary Lewis & The Playboys
8. "Five O'Clock World," The Vogues
9. "A Must to Avoid," Herman's Hermits
10. "Crying Time," Ray Charles
11. "Jenny Take a Ride!," Mitch Ryder & The Detroit Wheels
12. "As Tears Go By," The Rolling Stones
13. "My World Is Empty Without You," The Supremes
14. "Just Like Me," Paul Revere & The Raiders
15. "Zorba the Greek," Herb Alpert & The Tijuana Brass
16. "Uptight (Everything's Alright)," Stevie Wonder
17. "A Well Respected Man," The Kinks
18. "The Duck," Jackie Lee
19. "Don't Mess with Bill," The Marvelettes
20. "The Sound of Silence," Simon & Garfunkel
21. "Going to a Go-Go," The Miracles
22. "Day Tripper," The Beatles

24. "Lies," The Knickerbockers
25. "You Didn't Have to Be So Nice," The Lovin' Spoonful
26. "Michelle," David & Jonathan
27. "Like a Baby," Len Barry
28. "These Boots Are Made for Walkin'," Nancy Sinatra
29. "Attack," The Toys
30. "It Was a Very Good Year," Frank Sinatra
31. "Flowers on the Wall," The Statler Brothers

33. "California Dreamin'," The Mamas & The Papas

36. "Night Time," The Strangeloves
37. "A Hard Day's Night," Ramsey Lewis Trio

39. "Thunderball," Tom Jones
40. "Sandy," Ronny & The Daytonas
41. "Call Me," Chris Montez

44. "Working My Way Back to You," The Four Seasons
45. "I See the Light," The Five Americans

47. "What Now My Love," Sonny & Cher

51. "My Baby Loves Me," Martha & The Vandellas
52. "I Ain't Gonna Eat My Heart Out Anymore," The Young Rascals

54. "I Fought the Law," Bobby Fuller Four

57. "Elusive Butterfly," Bob Lind

66. "Love Makes the World Go Round," Deon Jackson

68. "The Cheater," Bob Kuban & The In-Men

71. "You Baby," The Turtles

73. "At the Scene," The Dave Clark Five


75. "My Generation," The Who

80. "Baby Scratch My Back," Slim Harpo

85. "Batman Theme," The Marketts

92. "Set You Free This Time," The Byrds


Leaving the chart:
  • "Ebb Tide," The Righteous Brothers (9 weeks)
  • "I Got You (I Feel Good)," James Brown & The Famous Flames (12 weeks)
  • "Over and Over," The Dave Clark Five (12 weeks)
  • "A Sweet Woman Like You," Joe Tex (9 weeks)

New on the chart:

"Set You Free This Time," The Byrds
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#79 US)

"You Baby," The Turtles
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#20 US)

"At the Scene," The Dave Clark Five
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#18 US)

"Batman Theme," The Marketts
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#17 US)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 20
  • Branded, "McCord's Way"
  • 12 O'Clock High, "The Outsider"
  • Batman, "Instant Freeze"
  • Batman, "Rats Like Cheese"
  • Gilligan's Island, "Love Me, Love My Skipper"
  • Hogan's Heroes, "The Great Impersonation"
  • Get Smart, "All in the Mind"

_______

I recommend air guitar.
Or military school. Bobby was absent from the next episode...

So too late then-- they're already corrupted by show biz. :rommie:
I wouldn't go that far...they have their passion, their purpose...life seemed hollow without being able to pursue their craft.

Including "I Can Feel Your Fetus's Heartbeat" and "Breech Baby Blues."
They did say that his lyrics were terrible.

Marilyn Munster?
I guess so...didn't recognize her myself.

With hopefully some visual cue to tip off Barney.
Like a Collier Electronics Minefieldometer? But of course.

MI62.jpg

And Dana gets out in about seven years for good behavior.
Dana drove off with the rest of the Accomplished Mission team...it was Doug who took her away.

This one seemed a bit random.
A lot of these MTM episodes do.

That makes sense. And then Reed is the seasoned vet mentoring the new rookie.
Or a rookie detective, as going into detective work was his ambition.

Such a weird and creepy song. :rommie: I don't remember it from when it was new, but it was a staple of Lost 45s when I used to listen.
I read that making it about cannibalism was a deliberate choice to stoke controversy. The most noteworthy thing about this song is that it was written by Rupert Holmes, who nine years hence will be giving us the last chart-topper of the '70s.

If you like Piña Colada,
And making lunch of your friends...

I just can't get into that James Taylor sound (except for "Mexico," which I just heard on AT40 yesterday).
I'm fine with James Taylor, but I guess I can understand that, as I was just doing a review listen for the Grateful Dead's "latest" album, and find that I can't seem to get into their sound.

In contrast, I do love the Staple Singers sound. This isn't their best, but it's pleasant to listen to.
It sounds good, but otherwise hasn't had much of a chance to make an impression.

Not Van's best, either, but nice to listen to.
It sounds distinctly Van Morrison, but generically so.

Not my cup of tea, but I always have a soft spot for Andy Williams.
It's LoveStorymania! I shan't be getting this myself...and decided against the Mancini instrumental when I realized it was a cover.

This is beautiful, as the Carpenters usually are.
You can't go wrong when Karen's on her warm-blanket-vocals game.

It's Tom Jones. What can you say? :rommie:
I can say:
a) This is Tom's biggest American hit.
b) Hey 1971, it's kind of lame when freakin' Tom Jones brings the week's most rockin' chart entry!​

And here's a classic.
Definitely, and enjoyable, but not a personal favorite. Seems like maybe they're trying to go back to basics and recapture "My Girl" here.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top