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The Classic/Retro Pop Culture Thread

I guess you'd have to call this a classic. :rommie:

Not the best that Stevie has given us.

Vintage Neil Diamond goodness.

"Call Me," Aretha Franklin
Not the best Aretha has given us.

That's more like it.

"The Bells," The Originals
Slow week for the Top 40, I guess.

"Easy Come, Easy Go," Bobby Sherman
I guess I do know this. Perky song of sadness.

"Come and Get It," Badfinger
I love this. I didn't know McCartney wrote it.

"House of the Rising Sun," Frijid Pink
I don't think I've ever heard this. Really nice cover.

"Bridge over Troubled Water," Simon & Garfunkel
It's barely possible that, once or twice, I may have mentioned my adoration of Simon & Garfunkel, and their influence on my writing. :rommie:
 
"Easy Come, Easy Go," Bobby Sherman
(#9 US; #2 AC)

Yikes. Such gooey schmaltz.

"Come and Get It," Badfinger
(#7 US; #4 UK; written by Paul McCartney)

Theirs is an incredibly depressing story where one bad door closed, another opened, particularly with their management.

"Bridge over Troubled Water," Simon & Garfunkel
(#1 US the weeks of Feb. 28 through Apr. 4, 1970; #1 AC; #1 UK; #1 song on Billboard's 1970 Year-End Chart of Pop Singles; 1971 Grammy Award for Record of the Year

Another eternal classic, and the album of the same name crushed the competition, being the best selling album for 1970, '71 and '72. Astounding.
 
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55th Anniversary Viewing

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Branded
"Survival"
Originally aired January 24, 1965
Series premiere
IMDb said:
Jason McCord is traveling through the desert when he comes upon a dead horse. He follows the trail of footprints and comes across a tired, thirsty man. His name is Colbee and he and McCord strike out together to make the next town before their water runs out. He's a family man with a wife and daughter and his fear of not seeing them again forces him to steal the horse and water and leave Jason in the desert.

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Next week's episode, "The Vindicator," is actually the series pilot, and is aired prior to this one in syndication. McCord's fugitive premise barely comes up in this story. Overall, it could have been any ol' Western.

Jed Colbee (Alex Cord) has been away from his family making his "stake" for 2-1/2 years; trying to get home for his daughter's 5th birthday. When Jason finds and hydrates him, he introduces himself as "Jase". As they continue together, Jed starts getting hysterical that with two of them and short water, Jason's horse will never make it. His fears are fed by the human skull that they find at their camping spot.

At the camp, Jason mentions being the last survivor of his company, and the Bitter Creek incident is well known enough that Jed figures out who he is just from that. This doesn't seem to inform Jed's decision when he takes the horse, though, as he seems genuinely regretful...but he tosses Jason's gun back to him and gambles that Jason won't shoot him.

On foot the next day, Jason sees the usual mirage and passes out. He wakes up to find himself being tended to by a Navajo (Robert Carricart), who informs him that Jed is one day ahead.

We next see Jed back home with his family, but his wife (Janet De Gore) can tell that he's hiding something. Jed boards the horse at a local stable for Jason in case he survives to come after it. Jason comes into town, accompanied by the Navajo, and finds the horse. Jason's companion chats with him about whether he'll kill Colbee, or Colbee will try to kill him.

Jed quickly spots McCord in town and takes position in the street for a showdown, but Jed's girls are playing nearby and one of them wanders into the scene. Jason makes it implicitly clear that he won't be seeking revenge and rides off. When Jed's wife asks who that man was, Jed tells her that he's an old friend.

I'll be interested to learn more about Jason's backstory. The closing song makes it sound like his situation involves having to keep a secret.

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12 O'Clock High
"Faith, Hope and Sergeant Aronson"
Originally aired January 29, 1965
IMDb said:
Gen. Savage returns from a mission gravely wounded, requiring a delicate operation to remove shrapnel endangering his heart; an operation Dr. Kaiser doesn't feel confident to perform. While waiting for a specialist, Savage is placed in a ward next to Sgt. Aaronson who has just lost his lifetime friend to battle wounds and is also quickly losing his faith in God. Savage tries to talk him out of his closing shell, but the Sergeant slips deeper into melancholy, that is until he meets someone who could use a little of his disappearing faith.

The episode opens with Savage being carried out of the Piccadilly Lily after a mission, his life dramatically hanging in false jeopardy. This is ultimately to set up the condition that has Savage laid up in the ward for more than a month. Meanwhile, out in the ward, the titular character, Sgt. Aronson (Sorrell Booke) is trying to buoy a buddy's spirits with faith when said buddy dies. By the time Savage gets out into the ward, Aronson won't eat or take medications. Savage, lying in the next bed, orders the nurse, Lt. Jenkins (Phyllis Love), to take away his privacy screen, which gets a good reaction from the other patients as they try to stand at attention. Savage has to tell them that "there's no rank in a hospital gown" and declare the timid Jenkins to be in charge. Savage tries to talk to Aronson, to find that the sergeant, a devout Jew, has lost his faith from a combination of his friend's death, the brutality of the war, and the unfairness of life in general. When Kaiser brings some medics to put Savage in a private room, the general declines, hoping to do some good where he's at.

Further discussion brings out that Aronson thinks he's been wasting his life being so pure of heart. Deciding to change that, he gets dressed and checks himself out in front of a flabbergasted Kaiser. Outside of a cinema in Archbury, Aronson meets a woman named Ivy (Antoinette Bower), who seems as desperate for company as he is. With the cinema not yet open and a thunderstorm starting, she invites him up to her flat. But when it comes out that she's never been with a man before and that she was deliberately trying to pick him up because she feels like she's been wasting her life, Aronson's dignity flares up and he storms out, making proclamations about what he expects from "his girl"...but a bad top step outside her apartment puts him back in the ward at base. Savage, who was about to be moved again, refuses again when he sees Aronson being brought in.

Meanwhile, the plane bringing in the heart surgeon crashes on the airfield, killing the unseen specialist. Savage has finally made some headway with Aronson when it's time to take him into his room for what would have been the operation. Motivated to get well soon enough for an important strike that's already being delayed, Savage convinces a reluctant Kaiser to perform the operation. Aronson goes out to receive Ivy, who's at the gate asking about him, but returns to the infirmary when he hears about Kaiser performing the operation.

The Epilog has Savage about to go on his first mission since the operation, and telling Aronson that his request to marry Ivy can consider approved. Aronson's renewal of faith is signaled by a bit of comical complaining to God on the side.

An entertainingly lighthearted episode overall, though the surgeon's crash was an oddly off-key touch.

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Gilligan's Island
"'X' Marks the Spot"
Originally aired January 30, 1965
Wiki said:
The Air Force intends testing a new missile directly aimed at the island.

The episode opens in Washington for a change. It doesn't make a lot of sense that they'd consider the area uninhabited just because they don't know about the castaways' island, what with there being so many native-inhabited islands nearby.

The issue of the radio batteries finally comes up. The castaways don't seem to have been expecting them to run out despite their routine and trivial use of the radio, but it turns out that the batteries are rechargeable, so the Professor comes up with a mechanism to recharge them by stirring seawater in coconut shells. When they hear a radio report about the missile test, we learn the coordinates of the island, sort of--the announcer says 140 degrees latitude, 10 degrees longitude. A bit of Googling revealed that it was a mistake, but if you switch the latitude and longitude numbers, it places the island about 1,400 miles SE of Honolulu, which matches what's shown on the Pentagon's map.

The Air Force changes its plans by removing the warhead, but doesn't announce it. After the castaways have some scenes preparing for the end, the Professor realizes that the military will be sending a scouting plane (you'd think they'd have done that before choosing the spot), so this could be the castaways' chance to be rescued. They prepare a mirror to signal the plane, but Gilligan shatters it while doing a Tarzan swing to alert them. The plane doesn't spot the castaways, so they morbidly listen to the radio broadcasts and watch for the missile. They see it impact on the other side of the lagoon and, being a cartoon-style missile, it not only survives intact, but zooms toward them through the lagoon like a torpedo, beaching and then rotating around at Gilligan, whom it homes in on. The Professor sends Gilligan into the missile to disarm it by following his instructions, but of course Gilligan does exactly what the Professor thought would detonate the missile. Instead it sends it rocketing back into the lagoon, with Gilligan inside. The castaways assume he's died, but he eventually returns, soaking wet, to overhear their plans to commemorate him.

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Chuck Connors was black? :eek: :)
I was hoping you might be able to shed some light on what program you thought Branded was. As far as I know, Connors was the sole lead.

I guess you'd have to call this a classic. :rommie:
I'd heard of the dance as a kid, but wasn't familiar with the song.

Not the best that Stevie has given us.
The title fools you into thinking it might be something you've heard of, but it's not.

Vintage Neil Diamond goodness.
One of those oldies radio staples despite its relatively low Hot 100 position in the day. I guess being an Easy Listening Top 10er helped.

Not the best Aretha has given us.
Definitely more obscure than "Shilo".

That's more like it.
Surprisingly, I actually like this cover of a song better known from a prior rendition, at least up to a point. It's got a good sound.

Slow week for the Top 40, I guess.
Also more obscure than "Shilo".

I guess I do know this. Perky song of sadness.
Yikes. Such gooey schmaltz.
It's tolerable.

RJDiogenes said:
I love this. I didn't know McCartney wrote it.
TREK_GOD_1 said:
Theirs is an incredibly depressing story where one bad door closed, another opened, particularly with their management.
Their Apple years produced a few more good hits, though.

RJDiogenes said:
I don't think I've ever heard this. Really nice cover.
I want to like this more than I do...it's not a particularly meaty example of psychedelic rock.

gblews said:
I was a pretty big fan of Simon and Garfunkel back in the day, Paul Simon’s songs in particular. He’s also one my all time fav guitarists. His finger picking style was next level.

Saw them live at one of their reunion shows at Dodger Stadium back in the 80’s. Art Garfunkel sang the shit out of “Bridge.” I didn’t know he had it like that, vocally, He really brought the house down.
RJDiogenes said:
It's barely possible that, once or twice, I may have mentioned my adoration of Simon & Garfunkel, and their influence on my writing. :rommie:
TREK_GOD_1 said:
Another eternal classic, and the album of the same name crushed the competition, being the best selling album for 1970, '71 and '72. Astounding.
The album should be getting a spotlight in the not-too-distant future, depending on when I find the time to keep up with those.
 
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I remember this show being on in the afternoon when I was a kid, but I don't really remember anything about it aside from the troubling opening sequence. It's possible that I avoided watching it because the opening disturbed me.

Jed boards the horse at a local stable for Jason in case he survives to come after it.
For crying out loud, load up on canteens and go back. It's not that far. :rommie:

Jason makes it implicitly clear that he won't be seeking revenge and rides off. When Jed's wife asks who that man was, Jed tells her that he's an old friend.
Nice outcome, setting up the nature of the character, but a little weak storywise. They could have set up some parallel between the two men, or had Jed redeem himself in some way.

I'll be interested to learn more about Jason's backstory. The closing song makes it sound like his situation involves having to keep a secret.
I think the only secret is who he is, because he's known as that guy who left his friends to die.

Savage, lying in the next bed, orders the nurse, Lt. Jenkins (Phyllis Love), to take away his privacy screen, which gets a good reaction from the other patients as they try to stand at attention.
Sort of takes the fun out of being laid up. :rommie:

Meanwhile, the plane bringing in the heart surgeon crashes on the airfield, killing the unseen specialist.
When it rains, it pours.

The Epilog has Savage about to go on his first mission since the operation, and telling Aronson that his request to marry Ivy can consider approved.
I wonder how that worked out.

An entertainingly lighthearted episode overall, though the surgeon's crash was an oddly off-key touch.
Must have been in the execution, because it sounds a little grim. :rommie:

The episode opens in Washington for a change. It doesn't make a lot of sense that they'd consider the area uninhabited just because they don't know about the castaways' island, what with there being so many native-inhabited islands nearby.
It's like the Bermuda Triangle-- they get false readings. :rommie:

When they hear a radio report about the missile test, we learn the coordinates of the island, sort of--the announcer says 140 degrees latitude, 10 degrees longitude. A bit of Googling revealed that it was a mistake
It's the Gilligan Triangle effect.

the Professor realizes that the military will be sending a scouting plane (you'd think they'd have done that before choosing the spot)
Everybody in this world is a bit dim-- maybe it's the JJ-verse.

The castaways assume he's died, but he eventually returns, soaking wet, to overhear their plans to commemorate him.
Another touching moment on Gilligan's island. :)
 
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50th Anniversary Viewing (Part 1)

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The Ed Sullivan Show
Season 22, episode 18
Originally aired January 25, 1970
As represented in The Best of the Ed Sullivan Show

Ed said:
In the Paul Newman film Butch Cassidy and the Sundance Kid, B.J. was chosen by Burt Bacharach and Hal David to sing this song, "Raindrops Keep Fallin' on My Head".
This is the B.J. Thomas performance that features dancers with umbrellas and a fake rain cloud that appears over B.J.'s head and drenches him. The dancers scurry away as he tries to find shelter under their umbrellas.
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Alas, the raincloud part isn't included in that clip. Here's a fuller one. Now that's showmanship!

Ed said:
...comedy star Robert Klein!
Klein's routine centers around being called into school as a substitute teacher.

Ed said:
Here are the comedy balancing jolly Jovers.
While the couple bickers, the wife, who isn't lightweight, attaches herself around the back of her husband's shoulders back-to-back and sideways, and he stands on his hands while she's thus attached.

Ed said:
Here from their sensational engagement at [?]'s Copa, are Little Anthony and the Imperials!
Partly tying in with recent 55th anniversary business, the group performs a medley consisting of parts of their breakout 1958 hit "Tears on My Pillow," 1965's "Hurts So Bad," and 1964's "Goin' Out of My Head". tv.com indicates that "Don't Get Close" and "Shimmy Shimmy Koko Bop" were either also part of the originally broadcast medley or performed separately.

Also in the original episode according to tv.com:
Music:
--B.J. Thomas - "That Old Black Magic"
--Patti Page - "La La La," "Winter World of Love" & "Something."
Comedy:
--Norm Crosby (comedian)
Also appearing:
--Klauser's Bears
--Jacques d'Amboise (New York City Ballet dancer)


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Mission: Impossible
"Chico"
Originally aired January 25, 1970
Wiki said:
The IMF team plans to use a trained dog named Chico to retrieve two parts of a microfilm that, when combined, reveal a list of double agents who have infiltrated a drug cartel and who are in danger of being exposed by the microfilm.

The reel-to-reel tape in an equipment box at a zoo said:
Good morning, Mr. Phelps. Six months ago, Ramon Prado [Fernando Lamas], one of the largest narcotics dealers in Latin America, bribed a courier for the Pan-American Narcotics Agency into giving him half of a microfilm containing the names of sixteen agency undercover men. Prado's half is useless by itself, but two weeks ago, his bitter underworld enemy, Arturo Sandoval [Percy Rodrigues], contacted Prado and announced he has the other half. The two have been attempting to arrange a truce and thereby combine both halves of the microfilm.

Your mission, Jim, should you choose to accept it, is to gain possession of the microfilm before Prado and Sandoval can work out the terms of their truce, one which would mean certain death to the sixteen PANA undercover agents whose names are listed on the film. As always, should you or any of your IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim.

MI33.jpg

The briefing includes a demonstration of Chico finding a chess piece via an ultrasonic signal-emitting electronic device attached to it while wearing an antenna, which allows them to track him and give him remote verbal commands. We also learn that Prado's microdot is on a stamp in his collection.

Australian First Mate Paris visits Prado trying to exchange a rare, ancient coin for stamps from his collection. He's taken into the vault to see the collection and, when he's told that a Wellingston Black stamp isn't for trade, he attaches the emitting device to it.

Meanwhile, at a hotel in Prado's territory, Sandoval and a henchman catch Willy leaving a message to a courier whom shady associates of Sandoval have been using. Conveniently for the purpose of Jim posing as him, they only know this courier by name. They search Courier Jim's room, then confront him when he returns. Sandoval wants to know why Jim's people are trying to do business with Prado instead of him. Sandoval calls Prado to arrange a meeting, giving the IMF less than an hour to get the stamp.

Prado detects that Paris's coin is a fake, and has determined that Paris isn't really the first mate of the ship he claims to be from. Paris is searched and they find a forged version of the Wellington Black stamp on him. After being roughed up, Paris claims that he, not Sandoval, has the other half of the list.

Barney and Willy sneak onto Prado's roof and lower Chico through a ventilation shaft, but Prado's German shepherd detects him and frightens Chico with his barking. Jim knocks over a plate of appetizers to distract the shepherd. Aided by some duct-rigging done by Barney earlier during a feigned air conditioning malfunction, Chico grabs the real stamp frame. Barney removes the dot and replaces it, then Willy sends Chico back down to put the stamp back. But Sandoval arrives early and there's a grill door malfunction, so Chico is still in the room when they come down. Fortunately, Chico's unusually unreactive to people entering the room, so only Jim notices him, and Barney and Willy finally get the duct open while the lights are out. Projecting the contents of the two microdots onto each other produces alphabet soup, making each party think that the other is up to something. But when they put in Paris's microdot instead of Sandoval's, it combines with the other fake microdot to provide a fake list of names...and Sandoval is on it! Switch to Barney, Willy, and Chico listening as a gunshot is fired. Jim and Paris rendezvous outside with the Barneyvan. Mission: Accomplished.

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Rowan & Martin's Laugh-In
Season 3, episode 19
Originally aired January 26, 1970
The Wiki list of guest appearances said:
Jack Benny, Tony Curtis, Tennessee Ernie Ford, Jill St. John

Erenestine's dialogue with Nixon continues:
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There's another segment in which she finds out who "Milhaus" is.

The news song is hippie- and/or Hair-themed; the first lines are a spoof on "Age of Aquarius". Going further ahead than usual, one of the News of the Future items is from 2070!

This week's cocktail party:
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Meet Grandfather Farkel and the newest addition to the family.

The Mod, Mod World of Show Business:
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The segment continues after the commercial, including this:
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The Mod Squad
"A Town Called Sincere"
Originally aired January 27, 1970
Wiki said:
A sleepy Mexican town becomes a prison for Pete and Linc, captured by a savage motorcycle gang. The bikers center their terror tactics on the townspeople as they try to learn who killed two members of their gang.

Pete and Linc are motorcycling south of the border when they come upon a sign for Ciudad Sincero. The Male Mods have their names on their helmets in different styles...those'd be good collector's items. A biker tries to dissuade them from entering the town, which makes them suspicious so they go back, to be captured by biker's entire gang. They've taken over the town on a Sunday morning when everyone was in church, and have locked up the police sergeant (Peter Mamakos).

A couple who were part of the gang were killed months back when trying to get married there. One of the victims was the brother of Sooey's (J. Kenneth Campbell), the biker whom Pete and Linc first met.

Cut back to L.A., where Greer is worrying about Pete and Linc, who were apparently running some sort of errand for him. Greer has an assistant to bounce his dialogue off of, as Julie, who isn't in this one at all, is said to be at her mother's.

There's a mid-episode motorcycle chase when Pete hot-wires a bike and unsuccessfully tries to make a break. Later a resident tries to get away via his car, and the bikers find a shotgun in his trunk. They're ready to hang him when Linc slips away to try calling outside through a telephone pole; that the transmitter in the headset was sabotaged by Yolanda (Lisa Gaye) clues him in that a simple-minded old man named Garrett (Ford Rainey), whom she's protective of, was responsible; and a flashback clues us in that it was an accident. Sooey won't let the matter go like the others, so Linc gets to beat him up.

In the coda, Garrett is taken away by the police and the Mod Males, including Greer, who arrived during the commercial, do a wheel-out from the dirt-road ciudad square of Sincero.

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For crying out loud, load up on canteens and go back. It's not that far. :rommie:
Good point. Guess he was willing to let Jason die rather than face him at that point.

Nice outcome, setting up the nature of the character, but a little weak storywise. They could have set up some parallel between the two men, or had Jed redeem himself in some way.
It's a half-hour show, so there won't be as much of that sort of thing as you'd get in an hour-long drama.

I think the only secret is who he is, because he's known as that guy who left his friends to die.
These lines from the opening and closing songs suggest otherwise to me:

He was innocent
Not a charge was true
But the world would never know

Of his General Reed
And the men who died
He can never speak the truth

Branded!
That's not the way to die
What do you do when you're branded
Can you live with a lie?

ETA: Watched the pilot episode. It spells everything out, leaving practically nothing to mystery. Jason is indeed keeping his mouth shut about what really happened at Bitter Creek, and for a reason.

Must have been in the execution, because it sounds a little grim. :rommie:
The overall tone of the episode was quirky and humorous. A definite change of pace.

Everybody in this world is a bit dim-- maybe it's the JJ-verse.
Now you owe the Gilliganverse an apology.
 
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was hoping you might be able to shed some light on what program you thought Branded was. As far as I know, Connors was the sole lead.
Wow, talk about your senior moments.:lol: My apologies The show I was apparently hallucinating about was called “The Outcasts.”
A bounty hunter who was a Confederate Officer teams up with an ex-slave who was a Union Soldier during the Civil War. They are the Outcasts. 1968 - 1969
Creators:
Ben Brady, Leon Tokatyan
Stars:
Don Murray, Otis Young, Art Metrano |See full cast & crew
 
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This is the B.J. Thomas performance that features dancers with umbrellas and a fake rain cloud that appears over B.J.'s head and drenches him. The dancers scurry away as he tries to find shelter under their umbrellas.
I remember that one.

The briefing includes a demonstration of Chico finding a chess piece
But does he know how it moves?

Prado detects that Paris's coin is a fake, and has determined that Paris isn't really the first mate of the ship he claims to be from.
A garbage scow named Enterprise....

Fortunately, Chico's unusually unreactive to people entering the room
Who's a good boy?!

Switch to Barney, Willy, and Chico listening as a gunshot is fired.
Music to their ears. :rommie:

The news song is hippie- and/or Hair-themed; the first lines are a spoof on "Age of Aquarius". Going further ahead than usual, one of the News of the Future items is from 2070!
I look forward to it. We should have a Democratic candidate by then.

Cut back to L.A., where Greer is worrying about Pete and Linc, who were apparently running some sort of errand for him.
South of the border? Better alert Internal Affairs. These Hippies are rubbing off on the guy.

Greer has an assistant to bounce his dialogue off of, as Julie, who isn't in this one at all, is said to be at her mother's.
Definitely an attendance problem here.

In the coda, Garrett is taken away by the police and the Mod Males, including Greer, who arrived during the commercial, do a wheel-out from the dirt-road ciudad square of Sincero.
A little out of their jurisdiction in this one.

It's a half-hour show, so there won't be as much of that sort of thing as you'd get in an hour-long drama.
I suppose so.

ETA: Watched the pilot episode. It spells everything out, leaving practically nothing to mystery. Jason is indeed keeping his mouth shut about what really happened at Bitter Creek, and for a reason.
So he's protecting somebody. That's an interesting twist.

Now you owe the Gilliganverse an apology.
I'm sorry, Gilliganverse. :(
 
_______

50th Anniversary Viewing (Part 2)

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TGs4e18.jpg
"Fly by Night"
Originally aired January 29, 1970
Wiki said:
While flying to a cabin in Vermont, Ann, Donald and their pilot land in a snow storm after they run out of gas.

They say that it's a 10-hour drive from New York to Vermont...maybe there weren't as many interstates then.

The freeze frame comes when Ann refers to herself as "this girl".

And actually, they haven't landed yet at the end of this part. Anyway, the skipper of this half-hour tour is...
TGmisc26.jpg

When the weather starts getting rough and the tiny craft is tossed, Ann has little quick-flashes of scenes from various episodes, which she describes as her life flashing before her eyes. Then, as she tries to think of something she can apologize to Donald for so she has something to "bargain with" to get out their situation, she goes into full-on clip show mode, treating us to wacky hijinks from various episodes. When she comes out of it for the break to commercial, she's initially relieved that the weather's cleared for a bit, only to become horrified to learn that the plane's run out of gas.

Following the commercial, more clips ensue. And then, following the last commercial, there's a romantic coda clip before...
TGmisc27.jpg

Will the professorial pilot procure a place to park? Tune in next week--same That Time, same That Channel!

"Oh, Donald" count: 8 (5 from previous episodes)

_______

Ironside
"Eden Is the Place We Leave"
Originally aired January 29, 1970
Wiki said:
Ironside attempts to break a Samoan boxer's tradition of continuing life in the ring.

Ironside knows Loi Tala's (Patrick Adiarte) family from when he helped build roads and his uncle's church in his village while serving in the Navy during the war.

Loi is concerned about a fighter named Shaw whom he hospitalized during the episode-opening match, while seeing flashes of future Hulk dad John Marley. Ironside thinks that Loi is fueled by internal rage, and encourages him to get out of the ring and fall back on his photography. But it turns out that Marley is Loi's Matai--a Samoan clan leader--and he's pressuring Loi to continue to fighting while collection donations from him. Back at the cave, the Chief paints a picture of Loi being trapped by clan tradition, unable to do what he wants, which would include making a life for himself and his girlfriend Betty (Jill Townsend). After witnessing another rage incident during practice, Ironside wants Loi to see a doctor. The Chief also has a talk with the Matai, who insists that Loi's boxing is important to his people's pride.

After news breaks that Shaw has died, Team Ironside tracks down Betty, who was heading to her family in Pennsylvania. Shaw's death motivates Loi to back out of his next fight, which causes the Matai to make a dramatic show of casting him out. This puts Loi in despair. When he and Betty subsequently disappear, Ironside worries that the only target for Loi's rage will now be himself. Loi and Betty say their vows to each other in the pews of a church while another couple is getting formally married. But by the time Team Ironside gets there, Loi's ready to jump from a church window. Ironside tries to convince him to live on as an example to others among his people who'll be encouraged to seek their own freedom from tribal custom. While the Chief keeps Loi occupied, Mark comes up behind him and tries to pull him back, but Loi decks him, and his concern for Mark snaps him out of his attempt at suicide. The Chief closes the episode speaking words of wisdom that give context to the title: "Eden is a place you have to leave if you wanna make a life of your own."

This was a more interesting episode than I thought it'd be, but it was dragged down by the silliness of trying to pass Marley off as Samoan.

I hadn't realized until I noticed it in this episode's credits...it's not just 1970, it's MCMLXX!

_______

Get Smart
"The Mess of Adrian Listenger"
Originally aired January 30, 1970
Wiki said:
While attending the funeral of the latest CONTROL Agent who was mysteriously killed, Max, 99, and The Chief are shocked to find a carved headstone with Max's name on it. It is believed that Adrian Listenger, a CONTROL spy school dropout, is taking his revenge by systematically killing off agents who got him expelled — and his hit list includes both Max and the Chief. Guest star Pat Paulsen as "Ace Weems/Adrian Listenger". A spoof of The List of Adrian Messenger.

The birth date on Max's unfinished tombstone is 1930, which is a reasonable age for Max, but would make him seven years younger than Don Adams.

Listenger initially gets ahold of Max and the Chief in his Weems identity, as an insurance agent looking into the deaths. He leads Max and the Chief to believe that Listenger has also just died, and suggests that one of them must be the murderer. Max and the Chief each insist that the other is like a father/son to them, even though they were in the same CONTROL training school class, along with the other victims and Listenger (all of them having specifically been members of the baseball team). Nevertheless, Max and the Chief get comically suspicious of one another.

Listenger arranges for Max and the Chief to rendezvous at an abandoned hotel, setting it up so they might shoot each other. But they toss their guns away and he pops up to hold them at gunpoint.

Max: Just a minute, Listenger, there's one thing I'd like to know. Why did you kill all those CONTROL agents on the baseball team?
Listenger: Because you guys were mean to me, you were cruel to me, and you all throwed baseballs at me.
Max: But you were the catcher.​

After they take out Listenger, Max points out that he and the Chief are again the only names left on the list, and their suspicion of one another flares back up.

_______

The Brady Bunch
"Tiger! Tiger!"
Originally aired January 30, 1970
Wiki said:
Bobby becomes upset when Tiger runs away, and the family searches for him. The kids all chip in money for Bobby to buy an ad and offer a reward. After the Brady's scour the neighborhood, Tiger is found at a neighbor's house, having fathered a litter of puppies.

Guest stars: Maggie Malooly as Mrs. Simpson, Gary Grimes as the young man

Another Bobby episode...I don't think we've gotten a Peter episode yet.

Tiger comes up missing when Bobby goes inside after playing with him to bring him his food. With the odd amounts of money being chipped in, the reward comes to $42.76.

Alice comes up with the idea that a robber who's been working in the area might have lured Tiger away in order to hit the Brady house. Thus ensues a filler subplot about Greg and Peter trying to set alarms against the robber, the adults hearing them and thinking it's a break-in, and Alice getting caught in one of their booby traps.

Resuming the Tiger plot, the Brady's get a number of false calls. Then Greg gets a call from a friend who spotted Tiger, so the Bradys go out scouting the area, with Carol and Alice coordinating the search from home via phone. Eventually Peter catches up with Tiger at the home of Tiger's mate and the puppies. Mrs. Simpson says that Tiger always ran away when she tried to get a look at his tag...yeah, contrived.

_______

Hogan's Heroes
"Gowns by Yvette"
Originally aired January 30, 1970
Wiki said:
Wedding bells are ringing in Hammelburg and Hogan’s anxious to help with the planning if it means he can get in touch with an underground operative.

When Burkhalter orders Klink to make arrangements for the wedding, he thinks that Burkhalter's making him marry his sister Gertrude, but it turns out that the wedding is for the general's niece Frieda (Muriel Landers) and a Count von Hertzel (Dick Wilson). Hogan claims that LeBeau is secretly a famous French gown designer, even though LeBeau can't sew...so Newkirk handles the sewing for him. They use Schultz as a model for fitting the dress.

In Hammelburg, Hogan is caught by the Gestapo trying to rendezvous with his underground contact. He gets out of it when he shows them that he's there for the wedding arrangements, but he still has to find a way to free the captured agent. During the wedding reception LeBeau sets off an air raid alarm and, while everyone's trying to get to shelter, the prisoners nab the agent and--he also being a portly man--put him in a duplicate of the gown. Thus disguised, the agent leaves the wedding with the count.

In the coda, we learn that the count somehow lost his memory of the wedding, without a mark on his head--not sure what that was about.

DIS-missed!

_______

Adam-12
"Log 64: Bottom of the Bottle"
Originally aired January 31, 1970
Wiki said:
The Adam-12 team sees the same alcoholic gentleman twice in one night, at a brawl and then later at a shooting call.

The opening has Reed and Malloy bringing a regular drunk named Louie (J. Pat O'Malley) into the station. Back on patrol, they get a call for a 415 at a bar. They find a Mr. Palif (Christopher Dark), whom they learn hasn't been drinking, in a physical altercation with his wife (Norma Crane), who has. Mr. Palif insists that it isn't what it looks like and has some words with the officers at the station about his wife's situation.

On patrol again, a car speeds past the officers while one of its occupants waves them on. They pursue the vehicle, which eventually crashes into a fence. When the two male occupants exit the vehicle at gunpoint, they insist that there's a girl inside who needs their help. It turns out that they were trying to rush the girl, an acquaintance who'd slit her wrists, to the hospital. The officers explain why their handling of the situation was dangerous, and summon an ambulance for the girl. The next day, the officers learn that the girl's father has filed a complaint against them over her missing wallet, which had $50 in it.

Back on patrol, the officers respond to a call about shots fired in an apartment building. Somebody fired a shotgun into an apartment's door from the outside, and It turns out to be Mrs. Pilaf's apartment, which Mr. P's has been paying for. The likely suspect in the shooting is a biker named Monk whom Mrs. P had been seeing. He'd threatened her for money when she tried to break up with him, and apparently tried to kill her when she wasn't home.

The officers track Monk to his own place and have rifles and back-up with tear gas ready. Reed and Malloy cautiously and methodically search the house and make their way upstairs, narrowing it down to one room with a closed door. Monk responds to them through the door and tries to get them to come in after him, only to fire through the door...but the officers have smartly taken cover around corners on either side of the hallway. Tear gas is fired into the room from outside and Monk surrenders.

In the coda, Mac reveals that the wallet was turned in by the kids driving the car, who found it in the back seat.

_______

I look forward to it. We should have a Democratic candidate by then.
The Whigs might make a comeback by then. I think the Know Nothings already have.

A little out of their jurisdiction in this one.
I think Greer was liaising with local law enforcement.

So he's protecting somebody.
Sort of...
 
And my Internet is back. *Click*

They say that it's a 10-hour drive from New York to Vermont...maybe there weren't as many interstates then.
Eight hours of that is getting out of the city in traffic.

Anyway, the skipper of this half-hour tour is...
Donald is no competition for this guy. "Oh, Professor!" :D

she goes into full-on clip show mode
A two-part clip show?

Will the professorial pilot procure a place to park?
Suddenly the plane is tractor-beamed up into a flying saucer from the planet Metaluna.

"Eden Is the Place We Leave"
I love these poetic titles of the era.

Ironside knows Loi Tala's (Patrick Adiarte) family from when he helped build roads and his uncle's church in his village while serving in the Navy during the war.
He's his correct age again. :rommie:

This was a more interesting episode than I thought it'd be
One of the great advantages of an ongoing episodic series like this is the potential for such versatility in storytelling. I'm glad they didn't feel the need to shoehorn in a crime and a shootout and so forth.

I hadn't realized until I noticed it in this episode's credits...it's not just 1970, it's MCMLXX!
Yep. L years ago. I can hardly believe it.

The birth date on Max's unfinished tombstone is 1930, which is a reasonable age for Max, but would make him seven years younger than Don Adams.
Now Max is suffering from Ironside Syndrome. :rommie:

Max and the Chief each insist that the other is like a father/son to them, even though they were in the same CONTROL training school class
Was the Chief a late bloomer or was he teaching the class? :rommie:

Another Bobby episode...I don't think we've gotten a Peter episode yet.
Hmmm....

Eventually Peter catches up with Tiger at the home of Tiger's mate and the puppies.
It would have been great if this was Peter's story. :rommie:

In the coda, we learn that the count somehow lost his memory of the wedding, without a mark on his head--not sure what that was about.
Wedding night trauma?

It turns out that they were trying to rush the girl, an acquaintance who'd slit her wrists, to the hospital. The officers explain why their handling of the situation was dangerous
Gees, guys, lecture later. :rommie:

He'd threatened her for money when she tried to break up with him, and apparently tried to kill her when she wasn't home.
Not exactly a chess player, this guy.

Tear gas is fired into the room from outside and Monk surrenders.
And then threatens them for money.

The Whigs might make a comeback by then. I think the Know Nothings already have.
In my Utopian future, there are no political parties.
 
55 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
February 11 – Ringo marries Mary (Maureen) Cox at Caxton Hall, London. All of the Beatles are present except for Paul, still on holiday in Tunisia.
Wiki said:
February 12
  • The African and Malagasy Common Organization (Organization Commune Africaine et Malgache; OCAM) is formed as successor to the Afro-Malagasy Union for Economic Cooperation (Union Africaine et Malgache de Cooperation Economique; UAMCE), formerly the African and Malagasy Union (Union Africaine et Malgache; UAM).
  • Malcolm X visits Smethwick following the racially charged 1964 general election.



Selections from Billboard's Hot 100 for the week:
1. "You've Lost That Lovin' Feelin'," The Righteous Brothers
2. "Downtown," Petula Clark
3. "This Diamond Ring," Gary Lewis & The Playboys
4. "The Name Game," Shirley Ellis
5. "My Girl," The Temptations
6. "Hold What You've Got," Joe Tex
7. "All Day and All of the Night," The Kinks
8. "Shake," Sam Cooke
9. "The Jolly Green Giant," The Kingsmen
10. "I Go to Pieces," Peter & Gordon
11. "Let's Lock the Door (and Throw Away the Key)," Jay & The Americans
12. "Bye Bye Baby (Baby, Goodbye)," The Four Seasons
13. "Love Potion Number Nine," The Searchers
14. "The 'In' Crowd," Dobie Gray
15. "The Boy from New York City," The Ad Libs
16. "Tell Her No," The Zombies
17. "Twine Time," Alvin Cash & The Crawlers
18. "How Sweet It Is (To Be Loved by You)," Marvin Gaye
19. "Keep Searchin' (We'll Follow the Sun)," Del Shannon
20. "Laugh, Laugh," The Beau Brummels
21. "Heart of Stone," The Rolling Stones

23. "Come See About Me," The Supremes
24. "Lemon Tree," Trini Lopez
25. "Give Him a Great Big Kiss," The Shangri-Las

27. "Look of Love," Lesley Gore

30. "The Birds and the Bees," Jewel Akens

32. "For Lovin' Me," Peter, Paul & Mary

36. "A Change Is Gonna Come," Sam Cooke

38. "Hurt So Bad," Little Anthony & The Imperials
39. "Ferry Cross the Mersey," Gerry & The Pacemakers
40. "I Feel Fine," The Beatles
41. "Little Things," Bobby Goldsboro

45. "I'll Be There," Gerry & The Pacemakers
46. "What Have They Done to the Rain," The Searchers

48. "Can't You Hear My Heartbeat," Herman's Hermits

53. "Ask the Lonely," Four Tops

56. "Midnight Special," Johnny Rivers

58. "Come Home," The Dave Clark Five

61. "Goodnight," Roy Orbison

64. "Goldfinger," Shirley Bassey

73. "Don't Let Me Be Misunderstood," The Animals
74. "That's How Strong My Love Is," Otis Redding

78. "Yeh, Yeh," Georgie Fame & The Blue Flames

80. "Shotgun," Jr. Walker & The All Stars

84. "People Get Ready," The Impressions


Leaving the chart:
  • "Goin' Out of My Head," Little Anthony & The Imperials (14 weeks)
  • "The Jerk," The Larks (13 weeks)
  • "Willow Weep for Me," Chad & Jeremy (13 weeks)

Recent and new on the chart:

"That's How Strong My Love Is," Otis Redding
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(Jan. 30; #74 US; #18 R&B)

"Yeh, Yeh," Georgie Fame & The Blue Flames
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(#21 US; #1 UK)

"Goodnight," Roy Orbison
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(#21 US)

"People Get Ready," The Impressions
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(#14 US; #3 R&B; #24 on Rolling Stone's 500 Greatest Songs of All Time)

"Shotgun," Jr. Walker & The All Stars
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(#4 US; #1 R&B)


And new on the boob tube:
  • Branded, "The Test"
  • 12 O'Clock High, "The Clash"
  • Gilligan's Island, "St. Gilligan and the Dragon"

_______

And my Internet is back. *Click*
I thought maybe you were just that enthralled by the new Picard episode.

Eight hours of that is getting out of the city in traffic.
They said that it would take longer to get out of the city than to fly there...but I can get to Manhattan inside of an hour on a good day, so no.

A two-part clip show?
From what I recall of having seen the second part on TV, I don't think it was a clip show.

He's his correct age again. :rommie:
I didn't check the math, but I was thinking that.

Yep. L years ago. I can hardly believe it.
There's another one...I'm L now...!

Was the Chief a late bloomer or was he teaching the class? :rommie:
If I had to rationalize, I'd say that maybe it was early in the days of CONTROL so everyone was new to the agency...but the reference to Max seeing the Chief as a father and vice versa seemed out of place if so.

I looked back over the episode synopses, and even Jan got an episode! I think we've found the real neglected middle child.

Wedding night trauma?
Maybe it was supposed to be a joke about the count using the situation as an excuse to get out of the marriage.

Gees, guys, lecture later. :rommie:
The kids were flabbergasted that they got chased down instead of the squad car pulling up alongside them, so the officers explained why...cops had been shot at doing that.
 
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That's How Strong My Love Is," Otis Redding
Man, where are the singers today with voice and singing style of Otis Redding? I imagine you can probably find some of them on YouTube because the few record companies left don’t seem to be chasing them. Oh well, 20 or 30 years and it’ll all be back.
Yeh, Yeh," Georgie Fame & The Blue Flames
In terms of musical diversity, the 60’s are still far and away a better decade than any any since. This weird little jazz number is a prime example of that musical diversity.
People Get Ready," The Impressions
Curtis Mayfield turned out some of the era’s best mainstream civil rights anthems. He was able to smoothly fuse gospel and r&b with contemporary messages of the day. He was a true civil rights warrior.
Shotgun," Jr. Walker & The All Stars
I was never a big Junior Walker fan. He was definitely outside of the Motown norm, and that was okay, I just wasn’t all that into his norm. But I did like his What Does it Take, a gentle little mid tempo ballad.
 
"That's How Strong My Love Is," Otis Redding
I don't think I've heard this one, but Otis Redding sure sounds nice.

"Yeh, Yeh," Georgie Fame & The Blue Flames
Definitely never heard this one. Finger snappin.'

"Goodnight," Roy Orbison
A bit odd lyrically, but it sounds like Roy Orbison.

"People Get Ready," The Impressions
Sweet song.

"Shotgun," Jr. Walker & The All Stars
After a few seconds, I realized that I do know this song, but I had just never cared enough to listen to the lyrics. :rommie:

I thought maybe you were just that enthralled by the new Picard episode.
Heh, no, I didn't even get a chance to watch until late last night. And I have theater tonight, so I won't be able to write anything till tomorrow.

They said that it would take longer to get out of the city than to fly there...but I can get to Manhattan inside of an hour on a good day, so no.
Well, they're in California, so they probably know as much as I do about it.

From what I recall of having seen the second part on TV, I don't think it was a clip show.
Still a bit odd. A two-parter is supposed to be an "event."

There's another one...I'm L now...!
L is the new XL.

If I had to rationalize, I'd say that maybe it was early in the days of CONTROL so everyone was new to the agency...but the reference to Max seeing the Chief as a father and vice versa seemed out of place if so.
That's a decent explanation, though.

The kids were flabbergasted that they got chased down instead of the squad car pulling up alongside them, so the officers explained why...cops had been shot at doing that.
Ah, okay, that makes sense.

Suddenly the plane is tractor-beamed up into a flying saucer from the planet Metaluna.
I just wanted to point out, in case you didn't get it, that I was referencing This Island Earth, which also co-starred Russell Johnson. :mallory:
 
You ever notice the shows you want to see are always on one of these channels you don't get? :lol:

This is why, if said show's on home video, you get all the seasons of it so that you don't have to worry about where you can see it on TV. Too bad that these channels aren't also offered on cable or on a Roku box.
 
50 Years Ago This Week

Wiki said:
February 10 – An avalanche at Val-d'Isère, France kills 41 tourists.
February 11 – Ohsumi, Japan's first satellite, is launched on a Lambda-4 rocket.
February 13 – Black Sabbath's eponymous debut album is released; often regarded as the first true heavy metal album.
February 14 – The iconic live album The Who: Live at Leeds is recorded.
Both albums should be coming up here eventually, though Black Sabbath is getting a little out of my comfort zone.


Selections from Billboard's Hot 100 for the week:
1. "Thank You (Falettinme Be Mice Elf Agin)," Sly & The Family Stone
2. "I Want You Back," The Jackson 5
3. "Raindrops Keep Fallin' on My Head," B.J. Thomas
4. "Venus," Shocking Blue
5. "Hey There Lonely Girl," Eddie Holman
6. "No Time," The Guess Who
7. "I'll Never Fall in Love Again," Dionne Warwick
8. "Psychedelic Shack," The Temptations
9. "Travelin' Band" / "Who'll Stop the Rain", Creedence Clearwater Revival
10. "Arizona," Mark Lindsay
11. "Without Love (There Is Nothing)," Tom Jones
12. "Walk a Mile in My Shoes," Joe South & The Believers
13. "Bridge over Troubled Water," Simon & Garfunkel
14. "Rainy Night in Georgia" / "Rubberneckin'", Brook Benton
15. "Whole Lotta Love," Led Zeppelin
16. "The Thrill Is Gone," B.B. King
17. "Don't Cry Daddy" / "Rubberneckin'", Elvis Presley
18. "Ma Belle Amie," The Tee Set
19. "Someday We'll Be Together," Diana Ross & The Supremes
20. "Jingle Jangle," The Archies
21. "Blowing Away," The 5th Dimension
22. "Honey Come Back," Glen Campbell
23. "Baby Take Me in Your Arms," Jefferson
24. "The Rapper," The Jaggerz
25. "Didn't I (Blow Your Mind This Time)," The Delfonics
26. "Winter World of Love," Engelbert Humperdinck
27. "Give Me Just a Little More Time," Chairmen of the Board
28. "Walkin' in the Rain," Jay & The Americans
29. "He Ain't Heavy, He's My Brother," The Hollies
30. "She Came in Through the Bathroom Window," Joe Cocker

33. "Oh Me Oh My (I'm a Fool for You Baby)," Lulu
34. "One Tin Soldier," The Original Caste

36. "Always Something There to Remind Me," R.B. Greaves
37. "Evil Ways," Santana
38. "Jam Up and Jelly Tight," Tommy Roe
39. "Leaving on a Jet Plane," Peter, Paul & Mary
40. "Early in the Morning," Vanity Fare

42. "Wonderful World, Beautiful People," Jimmy Cliff

44. "Never Had a Dream Come True," Stevie Wonder

48. "Do the Funky Chicken," Rufus Thomas

60. "House of the Rising Sun," Frijid Pink

63. "Easy Come, Easy Go," Bobby Sherman
64. "Call Me" / "Son of a Preacher Man", Aretha Franklin

73. "The Bells," The Originals

76. "Oh Well, Pt. 1," Fleetwood Mac

78. ""Shilo," Neil Diamond
79. "Superstar," Murray Head w/ The Trinidad Singers

85. "Something's Burning," Kenny Rogers & The First Edition

89. "Come and Get It," Badfinger

95. "All I Have to Do Is Dream," Bobbie Gentry & Glen Campbell
96. "Kentucky Rain," Elvis Presley

98. "Rag Mama Rag," The Band


Leaving the chart:
  • "Come Saturday Morning," The Sandpipers (8 weeks)
  • "Look-Ka Py Py," The Meters (10 weeks)
  • "Midnight Cowboy," Ferrante & Teicher (15 weeks)

New on the chart:

"Rag Mama Rag," The Band
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(#57 US; #16 UK)

"All I Have to Do Is Dream," Bobbie Gentry & Glen Campbell
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(#27 US; #4 AC; #6 Country; #3 UK)

"Kentucky Rain," Elvis Presley
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(#16 US; #3 AC; #31 Country; #21 UK)

"Something's Burning," Kenny Rogers & The First Edition
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(#11 US; #8 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 22, episode 20, featuring Richard Pryor
  • Mission: Impossible, "Phantoms"
  • Rowan & Martin's Laugh-In, Season 3, episode 21
  • That Girl, "Stocks and the Single Girl"
  • Ironside, "Return to Fiji"
  • Get Smart, "How Green Was My Valet"
  • The Brady Bunch, "Brace Yourself"
  • Hogan's Heroes, "One Army at a Time"
  • Adam-12, "Log 24: A Rare Occasion"

_______

Man, where are the singers today with voice and singing style of Otis Redding?
I don't think I've heard this one, but Otis Redding sure sounds nice.
Although it wasn't a crossover hit in the day, I've read that this has become one of his signature songs, and it was on the American Dreams TV series soundtrack (which is where I have it from); in addition, it's among his most popular songs on iTunes; and I'm pretty sure I've heard it in a commercial.

gblews said:
In terms of musical diversity, the 60’s are still far and away a better decade than any any since.
No argument here.
RJDiogenes said:
Definitely never heard this one.
That's what you said when I posted it in the wake of "The Ballad of Bonnie and Clyde" charting... :p

RJDiogenes said:
A bit odd lyrically, but it sounds like Roy Orbison.
This one's still an obscuro to me...hasn't had a chance to make much of an impression.

gblews said:
Curtis Mayfield turned out some of the era’s best mainstream civil rights anthems. He was able to smoothly fuse gospel and r&b with contemporary messages of the day. He was a true civil rights warrior.
RJDiogenes said:
Sweet song.
This and "A Change Is Gonna Come" being on the chart at the same time definitely paints a vivid picture of this moment in history.

gblews said:
I was never a big Junior Walker fan. He was definitely outside of the Motown norm, and that was okay, I just wasn’t all that into his norm. But I did like his What Does it Take, a gentle little mid tempo ballad.
RJDiogenes said:
After a few seconds, I realized that I do know this song, but I had just never cared enough to listen to the lyrics. :rommie:
Killjoys--Who doesn't love "Shotgun"?

RJDiogenes said:
Heh, no, I didn't even get a chance to watch until late last night. And I have theater tonight, so I won't be able to write anything till tomorrow.
No hurry, the thread's enough of a monster already... :crazy:

L is the new XL.
From XL to L...that makes it sound like I'm shrinking.

I just wanted to point out, in case you didn't get it, that I was referencing This Island Earth, which also co-starred Russell Johnson. :mallory:
I looked up where the reference is from, but I didn't realize the Russell Johnson connection.
 
Last edited:
"Fly by Night"
Originally aired January 29, 1970

And actually, they haven't landed yet at the end of this part. Anyway, the skipper of this half-hour tour is...
View attachment 13380

Back in that era, it was nice to the actors from Gilligan's Island had a career beyond that sitcom, even if they never reached those pop culture heights on anything else.

Get Smart
"The Mess of Adrian Listenger"
Originally aired January 30, 1970

"The Mess of Adrian Listenger" shared a running tone of weirdness to the final season's episodes, also seen in "Pheasant Under Glass" with the Chief on the moon, then saying something to the effect that he was heading elsewhere (not back to earth), "Widow Often Annie", which played more like a revenge/romance thriller than a Get Smart episode, or a semi-maudlin feel to Armstrong in "The Apes or Rath".

I suppose this was the producers' way of trying to keep the show fresh, since the heavy "spy" genre feel of earlier seasons was long gone at this point (the fad was all but completely faded outside of the continuing Bond movies), which is another reason this series would have struggled to keep whatever identity it had if it had a hypothetical 6th season.

That said, of the stranger episodes, this is the best, with Adams, Platt and Paulsen all giving it their all, especially Paulsen, whose "Ace Weems" goes from sour to depressed to good comedic effect. Then again, that was Paulsen's schtick, but it "made" this episode.
 
This is why, if said show's on home video, you get all the seasons of it so that you don't have to worry about where you can see it on TV. Too bad that these channels aren't also offered on cable or on a Roku box.
I may be wrong, because I don't know a lot about this kind of thing, but I think that you can get these kinds of channels on those cheap little digital antennae that they sell nowadays, because they are sub-channels of local affiliates.

Both albums should be coming up here eventually, though Black Sabbath is getting a little out of my comfort zone.
I actually like a lot of the music of Black Sabbath and the distinguished Ozymandias Osbourne.

"Rag Mama Rag," The Band
I think this is probably more enjoyable in person.

"All I Have to Do Is Dream," Bobbie Gentry & Glen Campbell
An enjoyable cover of a really good song.

"Kentucky Rain," Elvis Presley
One of my favorite Elvis songs.

"Something's Burning," Kenny Rogers & The First Edition
Another song that I didn't think I knew until the chorus. I like it, but I'm not sure from when, really. It has vaguely early 70s associational memories, so I'm probably remembering as semi-oldie on Top 40 radio. You never hear it on Oldies Radio nowadays.

That's what you said when I posted it in the wake of "The Ballad of Bonnie and Clyde" charting... :p
:rommie: I think I only have long-term memory now.

This and "A Change Is Gonna Come" being on the chart at the same time definitely paints a vivid picture of this moment in history.
Indeed. Makes me feel more than a bit wistful in this era.

Killjoys--Who doesn't love "Shotgun"?
I don't really dislike it. It's in that category of song where I wouldn't turn the station but my mind would wander.

No hurry, the thread's enough of a monster already... :crazy:
I can imagine. And no doubt full of commentary that will make me sad.

From XL to L...that makes it sound like I'm shrinking.
Sometimes that's a good thing. At least my waistline thinks so.

I looked up where the reference is from, but I didn't realize the Russell Johnson connection.
It kind of worked out perfectly. :rommie: If you haven't seen This Island Earth, I highly recommend it-- it's one of the greatest of the B-Movies.

Back in that era, it was nice to the actors from Gilligan's Island had a career beyond that sitcom, even if they never reached those pop culture heights on anything else.
Well, Jim Backus was Mr. Magoo. But you're right, they deserved better.
 
_______

55th Anniversary Viewing

_______

Branded
"The Vindicator"
Originally aired January 31, 1965
IMDb said:
Ned Travis is a reporter for the New York Herald who's made something of a career for himself writing about Jason McCord and Bitter Creek. He wants McCord to tell him the truth about what it's like to be the most hated man in the territory and what really happened at Bitter Creek. McCord won't talk so Travis goes to Mrs. Pritchett whose husband Lt. John Pritchett was killed at Bitter Creek. She shows him letters which could tell the true story of the incident once and for all but McCord has reasons of his own for not wanting the truth to be revealed.

Travis (Claude Akins) seems to be largely responsible for making McCord such an infamous figure, and Jason is none to happy to see him. Via flashback, we see the Apache attack at Bitter Creek, where General Reed (John Litel) was planning a treaty conference. Reed comes unhinged in response to the attack, and Captain McCord takes charge and tries to relieve him of command. We learn that following the attack, Jason was in a coma for 10 days.

Travis visits a Mrs. Pritchett (June Lockhart), whose husband, Lt. John Pritchett (Harry Carey Jr.), was third in command at Bitter Creek. Lt. Pritchett's letters paint a picture of Reed's senility-fueled incompetence and how McCord would cover up for him. Confronting McCord with this knowledge, Travis still can't get the truth out of him, but he sends for a photographer to take pictures of the letters.

Jason visits the Pritchett home, and is affected when young Johnny Pritchett (Johnny Jensen), in a game of make-believe and not knowing who he's talking to, pretends that the stranger at his door is the villain of his game: Jason McCord. Inside, Jason tells Mrs. Pritchett the real reason he won't tell the truth--that discrediting Reed would endanger the treaty that was his project, which has resulted in peace with the Indian nations. McCord also admits to feeling somewhat responsible for what happened, because he hadn't relieved the general of command sooner. He ultimately convinces Mrs. Pritchett to burn the letters, despite them being her cherished last link to her husband.

I just realized that Branded, which had been airing on Sunday afternoons, is now out of H&I's lineup...leaving me short a few episodes at the end of the series.

_______

12 O'Clock High
"To Heinie, with Love"
Originally aired February 5, 1965
IMDb said:
General Savage gets a sharp new navigator for the Picadilly Lily, Lt. Kurt Muller [Keir Dullea], but he starts out a bit cool to his crew-mates' efforts to welcome him into the fraternity. They soon learn why when, quite accidentally, they discover that his father was a member of the American Nazi Party prior to the war. Even Savage is disturbed by this revelation, but he's willing to live with it because of Muller's proficiency. Things get much worse, though, when Muller makes a navigational error that ruins a mission and costs the life of the bombardier. And the situation threatens to explode when it is further revealed that Muller might have been able to save the man's life.

Because I have been having trouble keeping up with my show load, and because we're now at the place where I started doing regular write-ups previously, I've decided to suspend rewatching and reviewing 12OCH. Here's my prior write-up, though the ones I was doing at the time were much briefer.

We've seen Frank on the show...now it's Dave's turn! (Better keep an eye on that bombing autopilot.) His character has a chip on his shoulder because his dad was a Nazi Bundist--It doesn't help that he couldn't find a better picture to carry around in his wallet than one of Pop saluting in front of a swastika. And that's not the only hamfisted element in the story...General Savage also sprouts a backstory detail about an old girlfriend who'd been killed by Bundists; and the father being said to have joined the Bund when Dullea's character was 11 is chronologically problematic. The show's not usually so clumsily written.

I caught some of the new war show block on H&I last night, including the first episode of 12OCH...don't recall if it came up in my more recent write-up, but Crowe was doing the annoyingly contrarian micromanagement schtick from episode 1! I forgot to check out the new superhero-oriented block today...which they've given the rather uninspired title Action Sunday.

_______

Gilligan's Island
"Gilligan Meets Jungle Boy"
Originally aired February 6, 1965
Wiki said:
Gilligan finds a jungle boy (Kurt Russell) who takes him to a rock depositing helium.

So where were the banana trees when the castaways were fussing over their blighted crops? Of course, Gilligan has trouble convincing the others of the jungle boy that he encounters and tries to lure him back to camp. When the boy shows Gilligan the helium fountain, the wire making Gilligan's hat float back down onto his head is very visible. Once everybody does see the boy, they quickly assume that he might have information that will help him get off the island. Why would he be running around the island in a loin cloth, unfamiliar with language, if he knew how to leave? Anyway, once they find out about the fountain, they decide to make a balloon to float one of the castaways to civilization.

Apparently the Minnow had enough raincoats aboard to make a basket-carrying balloon large enough for Gilligan to float around inside. The castaways are now using bamboo bicycle power to run both a fan and a sewing machine. The Professor isn't sure if the gas is helium, hydrogen, or a combination of both, but it never makes anyone's voice squeaky...even when Gilligan supposedly has inhaled so much that he starts floating around outside the balloon (aided by some more visible wires). An initial attempt to send the skipper up brings up the weight issue. The Professor then calculates that only the boy is light enough to go up while allowing for provisions. They decide to send the balloon with just a note instead, but while they're writing it, the boy--by now wearing clothes--slips away and takes off in the balloon.

In the coda, the castaways catch a radio report about the boy having been picked up by an aircraft carrier, but it's estimated that it may take several years for him to learn language well enough to shed light on who made the balloon for him.

_______

I actually like a lot of the music of Black Sabbath and the distinguished Ozymandias Osbourne.
Interesting...

I think this is probably more enjoyable in person.
It's certainly no "The Weight".

An enjoyable cover of a really good song.
Disappointing that I can barely tell Bobbie's on it.

One of my favorite Elvis songs.
One of the best of all Elvis songs, and has its own, standout sound amongst the rest of his catalog.
Definitely one of his better songs of this phase of his career, and surprising that it charted so modestly on the Hot 100 in the day.

RJDiogenes said:
Another song that I didn't think I knew until the chorus. I like it, but I'm not sure from when, really. It has vaguely early 70s associational memories, so I'm probably remembering as semi-oldie on Top 40 radio. You never hear it on Oldies Radio nowadays.
Indeed, I wasn't familiar with it at all. The title makes me think that maybe Kenny's been eating chili.

It kind of worked out perfectly. :rommie: If you haven't seen This Island Earth, I highly recommend it-- it's one of the greatest of the B-Movies.
If it comes up somewhere...
 
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Travis (Claude Akins) seems to be largely responsible for making McCord such an infamous figure, and Jason is none to happy to see him.
Claude Akins is an unusual choice for this type of character. I wonder if he's just there to set up the premise, or if he'll be Jason's McGee.

Mrs. Pritchett (June Lockhart)
Cool!

Inside, Jason tells Mrs. Pritchett the real reason he won't tell the truth--that discrediting Reed would endanger the treaty that was his project, which has resulted in peace with the Indian nations.
There we have it. Although I'm not sure that it actually makes sense. And Pritchett can't be the only one who knew the score-- usually all the men know something like that.

I just realized that Branded, which had been airing on Sunday afternoons, is now out of H&I's lineup...leaving me short a few episodes at the end of the series.
Well, that sucks. Speaking of schedule changes, MeTV finally mentioned the Saturday night change in their latest email, but it basically amounted to "Yay, more Stooges." It's a shame that Wild Wild West isn't on now, with Robert Conrad's death a few days ago.

"To Heinie, with Love"
:rommie:

I've decided to suspend rewatching and reviewing 12OCH. Here's my prior write-up, though the ones I was doing at the time were much briefer.
Sounds like another excellent premise not given the attention it deserves.

"Gilligan Meets Jungle Boy"
This may have been the first time I saw Kurt Russell in anything. I know I disliked him from the start, which kind of compromises my enjoyment of this episode.

So where were the banana trees when the castaways were fussing over their blighted crops?
They hadn't explored the banana side of the island at that point.

Anyway, once they find out about the fountain, they decide to make a balloon to float one of the castaways to civilization.
This strikes me as unsafe.

Apparently the Minnow had enough raincoats aboard to make a basket-carrying balloon large enough for Gilligan to float around inside.
It's almost like they knew that the weather would get rough.

In the coda, the castaways catch a radio report about the boy having been picked up by an aircraft carrier, but it's estimated that it may take several years for him to learn language well enough to shed light on who made the balloon for him.
This is why your mom always sewed your name and address into your raincoat!

It's certainly no "The Weight".
Indeed not.

Indeed, I wasn't familiar with it at all. The title makes me think that maybe Kenny's been eating chili.
:rommie:

If it comes up somewhere...
It appears on TCM periodically.
 
_______

50th Anniversary Viewing (Part 1)

_______

The Ed Sullivan Show
Season 22, episode 19
Originally aired February 1, 1970
As represented in The Best of the Ed Sullivan Show

Ed said:
Jackie DeShannon!
tv.com tells us that Jackie was really there to plug her just-released single "Brighton Hill" (charts Mar. 7, 1970; #82 US, #9 AC). The Best of clip gives us a performance of an abbreviated version of last year's hit "Put a Little Love in Your Heart".

Ed said:
Gwen Verdon.
The singer/dancer gives us a musical number called "A Fine Fine Day," accompanied by backup dancers, which tv.com tells us was choreographed by Bob Fosse, per ed's announcement in this clip's fuller announcement. Ed brings them all over afterward.

Also in the original episode according to tv.com:
Music:
--Sergio Franchi sings "To Give" and "Una Cantinon de Mexicana."
Broadway:
--Robert Shaw and Rita Moreno (actors) - perform a scene from the Broadway musical "Gantry" (based on "Elmer Gantry").
Comedy:
--Bob Newhart (comedian) stand-up monologue, police line-up.
--Red Skelton (comedian) - stand-up monologue, does a pantomine of a woman driving a car.
--Skiles & Henderson (comedy team) - do a routine about the 1939 Blitzkrieg bombings of London.
Also appearing:
--Les Samourai (sword dancers and duelers) - two Frenchmen fight with swords.
--Punch and Judy (puppets with sticks).


_______

Mission: Impossible
"Gitano"
Originally aired February 1, 1970
Wiki said:
Paris, Willy and guest agent Zorka (Margarita Cordova) pose as gypsies and rescue a 12-year-old king (Barry Williams). To fool his assassins, the king has to dress up like a girl.

The reel-to-reel tape in a suitcase in a baggage room said:
Good morning, Mr. Phelps. General Aragas [Mark Richman], regent of the Kingdom of Sardia, plans to murder young King Victor [Barry Williams] and make it appear the the boy's uncle, Grand Duke Clement of Montego [Barry Atwater], was responsible for the crime. By disposing of the royal family in this way, General Aragas will make himself permanent ruler, and embark on a course of international adventurism that would engulf the whole region in war.

Your mission, Jim, should you decide to accept it, is to stop Aragas. As always, should you or any of the IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim.

Zorka (Cordova) and Captain Luis Serra (John Rayner) are both in the portfolio, but not credited there.

Victor is said to be 12; Williams was 15 at the time. We learn in the briefing that he's been kidnapped by Clement to protect him from Aragas, but it's all part of the general's plan, as he has an inside man working under Clement, Colonal Moya (Rudy Solari).

Jim smuggles Barney onto Clement's premises via a gas truck; once in, Barney gets to work in a limo, setting a remote-triggered steering lock and a hidden gas device. This is used to knock out the occupants when the limo is used to transport Victor before Moya kills him short of the border. Victor is put into a gypsy van driven by Willy, whose passengers are Paris and Zorka--all dressed as gypsies. Victor is motivated to cooperate with them to hide from Moya, who made his intentions toward Victor clear in the limo, but whom Victor still assumes is working for Aragas. Victor's cover is Paris's idea:
MI34.jpg
At their gig, the guy hiring them complains that the girl needs to look prettier...so Zorka applies more rouge.

Meanwhile, Moya is tended to by Dr. Jim in a town where Captain Serra works. When Moya leaves, Jim and Serra get to work on Moya's men, having told Moya that they'd died.

Also meanwhile, Paris approaches Aragas trying to sell info about where the boy is. Because the gypsies are in Montego, the general sends Moya to find him. He questions "Perla"...and doesn't recognize Victor despite a brief outburst. But later the proprietor sees Victor's wig slip, and reports it to Moya. This threatens to trip up Paris's end of things, but he improvises with Aragas and Moya to get them to enter the warehouse where they can find Victor his way. Paris takes them there, where Victor has ditched his disguise and thinks that Aragas is there to save him. Willy carries the boy away from Aragas, leading the general through the warehouse. But Victor slips away and runs toward Aragas, who lets him get close enough to fire...but the general hits a mirror rigged up by Barney and Jim instead, allowing Victor to see the Aragas's true nature.

In the meantime, Jim and Serra have revealed the truth to Clement, the captured men convincing him that Moya is a traitor. At the warehouse, Barney turns on the lights as Clement and Serra arrive to arrest Aragas. Mission: Accomplished.

_______

Rowan & Martin's Laugh-In
Season 3, episode 20
Originally aired February 2, 1970
The Wiki list of guest appearances said:
Jack Benny, Michael Caine, Johnny Carson, George Lindsey

The Jack Benny cocktail party:
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Paul Is Dead refreence alert!

Alas, Uncle Al is back...to tell us about Hansel and Gretel.

The Quickies are too quick for Jack:
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The cast members rushing Jack is a recurring gag throughout the episode. And if "Everyday People" really did originate the phrase "different strokes for different folks," then Teresa's making a Sly & The Family Stone reference.

The Fickle Finger of Fate goes to the NSA.

Henry Gibson does a timely poem about the state of the union.

Ernestine makes another call to...let's see...1600 Pennsylvania Avenue:
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The news song is gangster themed, with the girls doing their Cagney impressions:
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The Mod World of Work:
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Joanne wearing a flowered hat with a price tag on it seems to be another dig a Hee Haw.

Jack Benny's Scandinavian Story Time.

The Jack Benny Joke Wall.

_______

Claude Akins is an unusual choice for this type of character. I wonder if he's just there to set up the premise, or if he'll be Jason's McGee.
Looks like he was a one-off.

And Pritchett can't be the only one who knew the score-- usually all the men know something like that.
I think being third in command would have made him privy to scenes that the men in general wouldn't have been in on. The episode gave the impression that Jason had been making an effort to prop Reed up.

It's a shame that Wild Wild West isn't on now, with Robert Conrad's death a few days ago.
And this is the first I'd heard of that. :( Well, H&I's got Black Sheep again.

This is why your mom always sewed your name and address into your raincoat!
:lol: Seriously, you'd think one of them would have said S.S. Minnow or something.

Something I forgot to put here...
55 Years Ago This Week
Mark Lewisohn's The Beatles Day by Day said:
February 11 – Ringo marries Mary (Maureen) Cox at Caxton Hall, London. All of the Beatles are present except for Paul, still on holiday in Tunisia.
Wiki said:
February 12
  • The African and Malagasy Common Organization (Organization Commune Africaine et Malgache; OCAM) is formed as successor to the Afro-Malagasy Union for Economic Cooperation (Union Africaine et Malgache de Cooperation Economique; UAMCE), formerly the African and Malagasy Union (Union Africaine et Malgache; UAM).
  • Malcolm X visits Smethwick following the racially charged 1964 general election.
And celebrating 1 year under our Fab Overlords! :beer:
 
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