Yes,
B.J., I'm definitely going to be much more conscientious about backing up my files - this is an experience I don't wish to repeat, nor wish upon anyone else.
USS Jack Riley, the episodes may have been
written with an hour in mind, but as produced, they fit into a half-hour time slot, minus commercials, so one would have to add about 40 minutes of commercials to one to fill out an hour. Great for people who
really enjoy commercials, but a bit tedious for those who want to get back to the story

. I
have toyed, hypothetically, with the idea of carefully including scenes from other episodes whose dialogue could fit the main story, in order to make it a "special extended-length episode"; however, that would only be done if it could be done
well, and only once the entire episode was completed as it had originally been edited. I can't imagine, at the moment, how much work it would take to find dialogue in the many hours of TAS - or maybe even T
OS - that could support the story without seeming like nothing more than a stunt. I don't know if the inspiration for such an effort is more akin to
Forrest Gump or
Dead Men Don't Wear Plaid 
.
In the meantime, just because it's been itching at me, I've been trying to 'fix' the wardrobe so it's more accurate:
Cephas, we saw the wardrobe in "The Tholian Web," as well as "Charlie X" and several others where we were in either Kirk's or a crewmember's quarters - I believe it was also visible in "The Enemy Within." I know the mirror here is not accurate, but I figure there must be some variation from one cabin to another, and this one, to me, makes as much sense as any other.