A
Amaris
Guest
In the words of my dear friend who is now a Trek fan because of this movie, "Holy shit! Now THAT'S how you open a fuckin' movie!"
J.
J.
As someone who is confused and conflicted about what all of this "alternative" and "prime" junk adds up to, I must say that to me the best part of the film overall was the opening r.e. the Kelvin. They hit this part out of the park. The rest is still up for debate, in my book, but these scenes were fantastic.
Absolutely. The whole slow-motion sad music stuff is really sad, but what really gets me is their exchange through it all. He's only got seconds to live, and they're talking about baby names! I could watch it over and over.I never cry at movies - almost never cry, period - but I cried the first several times I saw this scene, and I still tear up even though I've seen the movie several times by now. The moment that really gets me is the conversation after the birth - his reaction at finding out it's a boy, the way she says "George you should be here," and the conversation where they name him. I love that when she says "George you should be here," he responds by changing the subject; I love that in response, when he asks about a name, she makes a joke through the tears. That whole bit is just incredible.
This is exactly why the opening blows me away. I can't believe how much it made me care for these characters.Ten minutes into a movie and people are crying about Characters they don't even know.
Too much of an echo of DS9's pilot.
I was afraid a thread like this would come along sooner or later![]()
I was afraid a thread like this would come along sooner or later. Ah well, here goes.
I hated the opening sequence, as did all of my friends who came along with me. It was one of the most cringe-worthy scenes I have ever seen on film.
To add a little more detail, the part I really loathe is the whole sequence of birth scenes with the IMHO annoyingly cheesy dialog between Kirk's mother and father. This whole part of the opening was - for me - so contrived, clichéd and silly that I was very, very afraid of where this film was headed.
They were so hell-bent on having Kirk being born in battle, I think, that they even had to have his NAME chosen in battle:
"How about Tiberius?"
"No, that's awful. Let's call him...Jim." Ugh!
Fortunately, IMHO, the film only got better after the opening was finally over (even the kid in the car scenes were better IMHO).
Here's some more comments I have on the intro as a whole which I posted in another thread:
As for the rest of the intro, I enjoyed it. The shots of Robau stepping onto the bridge were quite stunning, for example. It was a great way to re-enter the Trek universe yet sense that things would be different. The visual style and the lighting had a lot to do with that, I think.
I also thought that the way the end itself comes about was very effective. I'll admit that I'd actually forgotten about that. But yes, that was really good.
Leaving the birth scenes aside, I still have to smaller complaints or a complaint and a bit of a question, if you will. For one, I thought the ongoing battle was that bit too much of a frenzy or an assault in blinking, colorful and bright lights. For much of the actual battle, I didn't really know what was going on. I know it was probably intended to be a frenzy, with chaos aboard ship and all, but I prefer if I have more of a sense of what's going on.
Then I kind of have to question Captain Robau's decision to basically turn himself in. I don't really see what he hopes to gain. Plus I'm not quite sure when the ship loses its Warp drive. I seem to remember wondering at one point - before they lose it - why they don't just get the hell out of there. Maybe somebody can clear the sequence up a bit for me. I know I came out of it wondering if the loss of the ship and part of its crew couldn't have been avoided.
So, all in all, I actually liked the intro. It was certainly effective in parts. But the birth scenes proved to be very distracting for me. In thinking about it some more, I realized that they pretty much single handedly killed any emotional response I might have otherwise gotten from the sequence as a whole since those scenes seemed so forced and melodramatic to me.
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