Agreed.I admit, I'm hardly a fan of TAS. I view it as cheap 70's junk. (Oh, look, the Enterprise is flying sideways! People's uniform colors change at random! How fun! How authentic!)
And I'm also very much a revisionist. I fully support any and all Special Editions, remasterings, etc. that I can get. TOS-R, Star Wars SE, etc. Bring it on!
As for TAS...I've always wanted a full-out CGI remake (similar to the new Captain Scarlet. Or are you nostalgic for the days of silly little marionettes too?) and this is not likely to change. I'm curious as to how close to the look of TOS they could get.
What in bloody blue blazes are you talking about? The "Let's make it new, but don't change anything" attitude is pointless. The fact is, it wasn't that great even then. There were way too many blunders which made it to screen. Some of the original actors are dead, so voices need to be re-cast. Hopefully the original animators have either retired or learned to improve the cheap-looking, flat animation of the original.I agree. Paramount's gross insults should be confined to the people who made the visual effects of the original series.![]()
That's not fair. The TOS Remastered team took great care to be faithful to the design and feel of the original shots. They could've renounced them altogether, redesigned the Enterprise and the other ships, and done it all in a modern, flashy style, but they didn't. They kept the basic aesthetics intact as much as they could.
By this line of reasoning, all future art should be stopped. No new creativity should be allowed.That's like asking why an artist restoring a painting would want to try to recreate the artist's original style rather than just throwing the painting away and taking a photograph that resembles it. Animation is not just a crude substitute for live-action, it's a distinct artistic medium in its own right. TAS was its own entity -- not just an attempt to copy TOS, but an attempt to make a show that captured the essence of TOS while bringing something new to it, something that only animation could provide.
Besides, there are a lot of us who are fans of TAS, who enjoy and value what Filmation created. There are a lot of us who are fans of Filmation's whole body of work, who grew up with it and are very attached to it. Are you saying that people who love TOS are worthy of consideration but those of us who love TAS should be slapped in the face by having the thing we care about rejected and replaced? How is that remotely fair? And how is that anything but grossly insulting to the professionals who put their hard work and creativity into making TAS what it was?
Did painters stop painting after the Mona Lisa? By your line of reasoning they should have stopped because no one should ever attempt to do any better. No Monet, no Picasso, no Van Gogh nor any other great art.
What in bloody blue blazes are you talking about? You're confusing two entirely unrelated issues. I'm not talking about creating new product. If someone were to make a new animated Star Trek, I'd be happy to see it done with a new visual style and with modern techniques. But we're not talking about that. We're talking about going back to a pre-existing creation and modifying it. And if you're doing something like that, you have to approach it as a restoration -- to strive to be faithful to the original artistic intent so that you don't lose the essence of it as you modify it. The makers of TOS-R tried to capture the look and feel of the original FX shots as closely as possible. The makers of the TMP special edition tried to make their new shots look as though they'd been made in 1979 using the technology of the day.
The proper analogy wouldn't be doing new paintings beyond the Mona Lisa. It would be, say, being commissioned to paint a larger, full-length version of the Mona Lisa. If you were doing that, you wouldn't just ignore Leonardo's style and do it in your own totally different style. The only remotely non-blasphemous way to do it would be to try to preserve and pay tribute to Leonardo's style as much as possible, to create something that was faithful to it. That doesn't mean you can't then go and do your own original painting in a completely different style, because that's something entirely separate.
Considering all these shortcomings, the best thing to do is start over for a new animated series and remember the old one fondly if desired.
A new TAS series can be done. Hire new animators with new ideas and abilities. Use current technologies. Make it relevant to today's viewing audience. Or, make it a redone old cartoon who's technical merits are questionable so a few old fans tune in or buy. If I was the executive in charge of a new Star Trek animated series, the decision would not be that difficult. Let's start over.
