So is Larry Niven's essay "man of steel woman of Klneenex" invalid then, would those same rules apply to Supergirl?
So is Larry Niven's essay "man of steel woman of Klneenex" invalid then, would those same rules apply to Supergirl?
Why would it matter WHO the hell is directing it?![]()
And the reason we are shown the scenes that confirmed Richard as a formidable person, as worthy of Lois’ affections as Superman, is because that was the movies’ director’s vision of ”Richard,” as was the entireAs for Superman Returns, I agree. Brandon Routh is great in it. [What I like about it is this: Richard White isn't a dick.
Despite the sci-fi trappings of the character (which I enjoy), Superman is a complete fantasy construct. Trying to science your way to an explanation of his abilities is a fool's errand.
For that matter, "telekinesis" is just sci-fi approved code for "magic," and equally plausible.
As for whether Clark and Lois can bang, of course they can. They've been doing it for decades in the comics. And it makes for a better story, which is really the only criterion that matters here.
How he rebuilt the great wall in movie IV?
THOSE M##HERFUCKERS!!!!!
In the original Quest for Peace, it's telekenis? From his eyes?
In the remastered Quest for peace, its super speed and heat vision to melt the bricks into place.
Did they fix a lot of shit wrong with that movie?
To be fair, pseudo-scientific and techno-babble explanations for unrealistic technologies and superpowers are all over the scifi genre, including DC, Marvel, Star Trek, Star Wars, even Godzilla. Of course it's bonkers, but it gives at least the impression of plausibility and the creators having put some thought into it, and it also can work as a creative guide for writers.Despite the sci-fi trappings of the character (which I enjoy), Superman is a complete fantasy construct. Trying to science your way to an explanation of his abilities is a fool's errand.
For that matter, "telekinesis" is just sci-fi approved code for "magic," and equally plausible.
As for whether Clark and Lois can bang, of course they can. They've been doing it for decades in the comics. And it makes for a better story, which is really the only criterion that matters here.
No, the person who decides how the script is interpreted on screen, how the actors interpret their characters, what parts of the script are emphasized or de-emphasized, etc, is extremely important .
But why does it matter if the director is a man or a woman?
As SMILF prepares for the January debut of its second season on Showtime, its creator, actress-turned-auteur Frankie Shaw, is facing a wide-ranging set of complaints against her show’s production—which allegedly separated writers by race and violated an actress’s contract on two separate occasions via mishandled sex scenes.
Per a new report by Kim Masters in The Hollywood Reporter, multiple staffers have complained to the Writers Guild of America about both alleged race-based separation and improper crediting and compensation. The guild is said to be urging those writers to file formal complaints and, possibly, pursue litigation, Masters adds. In addition, there are separate concerns regarding Shaw’s treatment of actress Samara Weaving—who is now leaving the show after two alleged breaches of contract during what she says were mishandled sex scenes....
Actually, I agree. I think that’s the main reason I’ve always been drawn more to sci-fi than fantasy: that veneer of plausibility, of “this could really happen.” It’s also part of what I like about Superman over other superheroes, all the sci-fi aspects of the character’s origins and world. I’m just conscious at the same time that it’s all just a gloss for what are really fantasy concepts, and that it doesn’t really bear close examination beyond that.To be fair, pseudo-scientific and techno-babble explanations for unrealistic technologies and superpowers are all over the scifi genre, including DC, Marvel, Star Trek, Star Wars, even Godzilla. Of course it's bonkers, but it gives at least the impression of plausibility
Well, the premise of the video (take it or leave it) is that a female director would be more likely to emphasize the kinder, gentler core of Superman’s character (the “female gaze”) over displays of power and violence (the “male gaze”). You can dispute the gendered presentation if you like, but it’s true that Superman works best as a romantic figure, and that the male creative gaze has often mishandled him in recent years.But why does it matter if the director is a man or a woman?
Well, the premise of the video (take it or leave it) is that a female director would be more likely to emphasize the kinder, gentler core of Superman’s character (the “female gaze”) over displays of power and violence (the “male gaze”). You can dispute the gendered presentation if you like, but it’s true that Superman works best as a romantic figure, and that the male creative gaze has often mishandled him in recent years.
So maybe It is a good movie now![]()
It doesn’t. I think you may have misunderstood or misread my initial post .But why does it matter if the director is a man or a woman?
Although, I loved when Russell T Davies, when asked by a fan how Doctor Who's sonic screwdriver worked, simply answered "It works just fine, thank you very much".
I just read Story of Your Life and was thinking about how the Heisenberg Principle would not mean anything to beings with no concept of linear time.
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