Robin and MarionAnd a very entertaining version of the Musketeers.
Robin and MarionAnd a very entertaining version of the Musketeers.
That double-shot of Three and Four Musketeers is one of the finest literary adaptions I've ever seen, and - with the latest StudioCanal and Criterion blu-rays - some of the most gorgeous cinematography ever produced. Richard Lester was a damn fine director.And a very entertaining version of the Musketeers.
Agreed. Although, I will admit that I was today years old when I learned through a Google search prompted by this very discussion that Lester directed a third Musketeer movie that that he never speaks of that was intended for theaters and then downgraded to a TV movie...That double-shot of Three and Four Musketeers is one of the finest literary adaptions I've ever seen, and - with the latest StudioCanal and Criterion blu-rays - some of the most gorgeous cinematography ever produced. Richard Lester was a damn fine director.

Return isn’t a bad movie, though it’s certainly not as good as the first couple. I think it’s worth getting the Blu-ray from Kino Lorber to have a complete set.Agreed. Although, I will admit that I was today years old when I learned through a Google search prompted by this very discussion that Lester directed a third Musketeer movie that that he never speaks of that was intended for theaters and then downgraded to a TV movie...
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The Return of the Musketeers - Wikipedia
en.wikipedia.org
I don't disgree that it's flawed, but I think it's unfair to treat The Donner Cut as a proper "director's cut" since he never got to shoot all the material he intended or come up with a new ending after they moved the II ending to I. At best, The Donner Cut is a partial "what if?" peek at something that can't really be completed.
That's the way I look at it. Its a nice "what if', but not something I pull out when I want to see Superman 2. There are bad cut and paste scenes that really take you out as a viewer.I don't disgree that it's flawed, but I think it's unfair to treat The Donner Cut as a proper "director's cut" since he never got to shoot all the material he intended or come up with a new ending after they moved the II ending to I. At best, The Donner Cut is a partial "what if?" peek at something that can't really be completed.
Right, because all that obvious polystyrene looked exactly like real ice...![]()
Realism is the absolute last thing I want in this kind of a comic book movie, I want it to feel like a comic book, with all of the sci-fi/fantasy over the top craziness.
Yeah, I don't know if I'd call Superman & Lois realistic, it did feature the first live action appearance of Bizarro's cube earth.
Im fine with CGI so long as its done right. In Superman 2025 it was done right. In The Flash, the CGI was total sh#t and ruined the movie for me.Ye godz, I find myself in partial agreement with TRON JA307020. I too have a soft spot for the days of practical effects and physical sets. But I’m also not going to let that preference stop me from enjoying more modern movies, especially when they’re as splendid as Superman ‘25.
Im fine with CGI so long as its done right. In Superman 2025 it was done right. In The Flash, the CGI was total sh#t and ruined the movie for me.
Same goes for practical effects. Superman 1 and 2 was totally believable. Superman 4 looked so fake that I can't bring myself to rewatch it.
In the end, it's all about the execution.
I'd prefer the chaotic CGI worlds, I go the superhero. sci-fi, or fantasy movies to see something new and different, if I want to see the real world I'll just go outside.
Ye godz, I find myself in partial agreement with TRON JA307020. I too have a soft spot for the days of practical effects and physical sets. But I’m also not going to let that preference stop me from enjoying more modern movies, especially when they’re as splendid as Superman ‘25.
Right to all the above. Canon purchased the property from the Salkinds and they went cheap.Yeah the first three Reeves Superman movies the effects were superb by the 4th movie they really stunk. I think it was budget and changing to a cheap effects company. So bad. Lol.
There's a very old saying, "You get what you pay for."Shortly before production began at Elstree Studios on September 27, 1986, Cannon reduced the budget from $36 million to $17 million. Part of the problem was that Cannon financed its films by selling the television and home video rights in advance, which failed with films of a budget of over $5 million. The studio had also gone six years without a major hit. The studio was narrowly saved from bankruptcy after a deal with Warner Bros. Pictures to provide $75 million to repay its loans in exchange for distribution rights to its upcoming films, including Superman IV, which provided enough confidence in the studio for a $65 million line of credit from First Bank of Boston.During the production, the filming and special effects crews of the first three films were replaced with cheaper Israeli crews.
What I like about CGI is that it just gives the creators so much freedom to just go completely bonkers and do stuff you could never do practically. One of my all time favorite scene in any Marvel movie is when Dr. Strange and America are jumping through all of the crazy universe, and there is no way you could do half that shit practically.Yeah the first three Reeves Superman movies the effects were superb by the 4th movie they really stunk. I think it was budget and changing to a cheap effects company. So bad. Lol.
I am not saying I hate CGI I just scrutinize its application/usage. Some marvel movies have done some good work. My favorite is the first Iron Man. Great effects but not so much where it takes me out of the movie. Lots of location shooting outside as well. I guess its just personal preference.
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