Nope. Terrarium is a prequel to Arena, like TNG's The Naked Now was a sequel to The Naked Time.(SNW remade "Arena").
Nope. Terrarium is a prequel to Arena, like TNG's The Naked Now was a sequel to The Naked Time.(SNW remade "Arena").
Star Trek: Year One is already bound to prime TOS continuity (SNW remade "Arena").
You can't tie yourself to TOS continuity while saying, "We're not bound to TOS continuity!" at the same time.
Star Trek: Year One is already bound to prime TOS continuity (SNW remade "Arena").
You can't tie yourself to TOS continuity while saying, "We're not bound to TOS continuity!" at the same time.
You're either bound to it or you're not. It's like someone saying they're a little bit pregnant.![]()
Honestly, all the niggles that have popped up through the years, has for me anyway, been one of the best parts of being a Trek Fan.Fiction is never "bound" by continuity -- except for licensed tie-in fiction, because it has to follow the canon's lead. But any ongoing series is free to reinterpret its own continuity as the story requires -- like how TOS changed its original concept of the Enterprise as an Earth ship by inventing the Federation, or how Marvel Comics maintains a sliding time scale so stories originally published in the '60s are always just 10-15 years in the past.
Continuity is not a straitjacket. It's just one of the tools that serve the goal of telling the story. Yes, you want the story to sell the illusion of a consistent reality, so you maintain continuity as best you can, but sometimes that's less important than other priorities, so it gives way when the story needs it to. Sometimes you have a better idea that just can't work unless you fudge the continuity. So the continuity in any long-running series tends to be impressionistic, more about broad strokes than exacting detail.
And we can sometimes reach a consensus.Honestly, all the niggles that have popped up through the years, has for me anyway, been one of the best parts of being a Trek Fan.
It's fun to try and squeeze all the different explanations/changes into the canon in a semi-coherent way.
It doesn't always work, but most of the time one can find a way to make things at least seem connected and logical.
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But the J (beautiful as it is) was like 600 years before the most modern set shows and intergalactic travel is not a thing then either.Definitely not. Go into the far distant future with intergalactic travel and Enterprise J.
Fiction is never "bound" by continuity -- except for licensed tie-in fiction, because it has to follow the canon's lead. But any ongoing series is free to reinterpret its own continuity as the story requires -- like how TOS changed its original concept of the Enterprise as an Earth ship by inventing the Federation, or how Marvel Comics maintains a sliding time scale so stories originally published in the '60s are always just 10-15 years in the past.
Continuity is not a straitjacket. It's just one of the tools that serve the goal of telling the story. Yes, you want the story to sell the illusion of a consistent reality, so you maintain continuity as best you can, but sometimes that's less important than other priorities, so it gives way when the story needs it to. Sometimes you have a better idea that just can't work unless you fudge the continuity. So the continuity in any long-running series tends to be impressionistic, more about broad strokes than exacting detail.
Well the illusion was SHATTERED with DISCO and SNW.![]()
I get what you are saying. I acknowledged that TOS had internal errors. ALL tv shows do. I don't think I know of one TV show that doesn't have them. I always felt that TOS-ENT worked pretty well. But tptb on SNW/DISCO have gone out of their way to change things on a level I don't remember with the other shows.No worse than TOS contradicted itself sometimes, or than the movies or TNG contradicted it. It's just that we've had decades to rationalize or gloss over the older contradictions in our minds, so the newer ones seem more blatant. Every single time a new Trek incarnation has come along over the decades, there have been fans who insisted it was impossible to reconcile with previous Trek. Really, they just hadn't tried.
But tptb on SNW/DISCO have gone out of their way to change things on a level I don't remember with the other shows.
Like I said, people always remember the older shows as having fewer contradictions, but that's because it's the nature of human memory to smooth things over into a consistent-seeming narrative. If you actually go back and take a close look at the older stuff, you'll find inconsistencies most of us have forgotten. The only difference with the newer stuff is that there hasn't been time for the smoothing-over process to happen.
For instance, early TNG was basically a soft reboot, deliberately ignoring a lot of details of TOS and frequently contradicting it. The WWIII/Post-Atomic Horror stuff from "Encounter at Farpoint" was a direct, deliberate overwriting of "Space Seed" putting the last world war (the Eugenics Wars) in the 1990s (which was way too close to the present in 1987). Data was treated as unique and unprecedented, ignoring the multiple different androids that had appeared in TOS. "Home Soil" claimed that silicon life had never been discovered or contemplated as a possibility, which blatantly contradicts "The Devil in the Dark." "Where Silence Has Lease" went out of its way to state that no Starfleet vessel had ever encountered anything remotely like the zone of darkness that was almost identical to the one from "The Immunity Syndrome." If anything, early TNG made a point of disregarding TOS continuity as much as possible. But later seasons drew more explicit continuity ties with the past, so we chose to remember the connections and gloss over the inconsistencies.
I remember all those. They are easier to forgive to me anyways.
Which is a double standard.I remember all those. They are easier to forgive to me anyways.
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