Edit: Ninj'ad! @Campe98 your odds of cookies continues to decrease...
DAMNIT! It's okay. The office Christmas party was a few hours ago. I found cookies!

Edit: Ninj'ad! @Campe98 your odds of cookies continues to decrease...
No cookies for you! Phantom of the Opera is one of the best musicals out there.
Outta all his stuff I wish they had done JCS......Norman Jewison version is just so dated and was very minimal to begin with. Anyway back on topic of how JJ is the anti-Christ.I honestly find a lot of Andrew Lloyd Weber's works unpalatable. Cats is the worst offender. But that's just my opinion. ()
Foiled again!DAMNIT! It's okay. The office Christmas party was a few hours ago. I found cookies!![]()
Given how much I just listen to the music I think you might be on to something.No doubt about it - Webber outdid himself with that one. This musical might as well be an opera - hell, maybe in 200 years it will be considered one!
JJ: Anti-Christ Superstar. Coming to Broadway soonAnyway back on topic of how JJ is the anti-Christ.![]()
No doubt about it - Webber outdid himself with that one. This musical might as well be an opera - hell, maybe in 200 years it will be considered one!
He gave it a 7 out of 10. I think the fact that he still rated it that high, despite the issue he had with it, is actually a pretty good sign.There is a lot to process walking out of Star Wars: The Rise of Skywalker, a film engineered to hit the viewer on multiple levels while struggling to settle 42 years’ worth of story elements – probably too much for any one film to handle. For as much love, passion, and nostalgia is evident in this movie, it’s also a film very palpably made from a place driven by fear of disappointing the audience, and that anxiety fuels a lot of the story’s curious creative choices and unwieldy execution. The film’s heartstring-tugging moments, technical impressiveness, and relentless action will likely be enough for those fans who just want to keep the visor down on their blast shield helmets and let the Force flow through them. But for those who need some consistency and logic to the story in this elaborately detailed fictional galaxy, there will likely be the bittersweet pang of accepting that this long-running saga couldn’t quite stick the landing. But even at its most divisive and imperfect, the Star Wars franchise has offered much to embrace and celebrate. This finale to the Skywalker Saga is, if nothing else, a tribute to that legacy.
At least buy the soundtrack. Sarah Brightman is a phenomenal talent.I am a terrible musical theater fan but I have actually never seen it. I know, @fireproof78 ! I know! I will never get cookies now. LOL!
At least by the soundtrack. Sarah Brightman is a phenomenal talent.
Yup, the London version. Had to look too. I had a cassette tape and its the 1987 version that I enjoy the most.I think my wife has it. If not, which version? Looking on Spotify there's at least a Canadian and Broadway. I imagine there's a London version too?
ETA: Nevermind, looks like its the London version.
I know it's not the same as seeing it live, but The Phantom of the Opera at Royal Albert Hall, a recorded version which was filmed during a big 25th Anniversary show, is really good. I watched when it was on Netflix, and really enjoyed it. Just don't watch the movie, it wasn't very good.I am a terrible musical theater fan but I have actually never seen it. I know, @fireproof78 ! I know! I will never get cookies now. LOL!
Anywho, The Rise of Skywalker, huh?
1. Instead of resorting to retconning, could the writers for the third film work from what was given in the second film and expand upon it?
I, for instance, had no issues with TLJ, I liked it overall. Reading reviews that they are retconning it in some way, feels like they (Disney) are caving into toxic fandom in order to chase that extra dollar from all the people who were butt hurt after last movie. It's not like Disney is hurting for cash. But I will reserve final judgement of the product once I see the film. Maybe this weekend, maybe around Christmas.Until you see the film, you won't know if this is actually the case.
- Plot holes galore.. just one example: Palpatine manages to build a gigantic Star Destroyer fleet (seems like 100+ SDs). Where do the ressources come from and most important - the crews? The movie doesn't care and apparently only wanted the visual (which admittedly looked cool)
With its grotesque design choices and busy, metronomic editing, "Cats" is as uneasy on the eyes as a Hollywood spectacle can be, tumbling into an uncanny valley between mangy realism and dystopian artifice.
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