Oh that is sweet!
Since Roddenberry was actually involved in the creation of Next Generation, I'm guessing he liked the TNG design ethic well enough. The design ethics of both TOS and TNG were based on where they thought technology would be headed in the future. Going by the current state of computer interfaces, I don't think they were too far off the mark.While you and Drexler are da men, There is something about the whole Sternbach - Okuda approach that I don't like and find displeasing to the eye. Forgive me for saying this, but I loved togle switches. The digital displays of TNG turned me off big time. Touching a piece of glass was of off putting in the extreme. If they leaned their hand on it by accident are they just going to jump to warp. GR had a reason for everything like why the hand held communicators instead of the pin, etc., etc., ad infinitum.
You mean the badge-communicators and control consoles that were in TNG since day one, when GR was IN CHARGE OF THE SHOW?!!While you and Drexler are da men, There is something about the whole Sternbach - Okuda approach that I don't like and find displeasing to the eye. Forgive me for saying this, but I loved togle switches. The digital displays of TNG turned me off big time. Touching a piece of glass was off putting in the extreme. If they leaned their hand on it by accident are they just going to jump to warp. GR had a reason for everything like why the hand held communicators instead of the pin, etc., etc., ad infinitum. The whole artistic design of the TNG bridge turned me off and the sets as well. The bridge was too big and uneven not unlike Picard's head. I hate ugly and gritty.. The aesthetics of even the digital displays were just hidious. But you said it here first. So who is producing and showrunning it if not one of Abram's Keystone kops?
While you and Drexler are da men, There is something about the whole Sternbach - Okuda approach that I don't like and find displeasing to the eye. Forgive me for saying this, but I loved togle switches.
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