Has he ever mentioned why he wasn't involved with TNG (beyond the use of "The Child")? Given the connection between PhaseII, TMP and TNG, I would have thought he'd have been involved.
I just re-read "The Child" script as reprinted in the old Phase II book and I recall why I didn't like most of the Phase II scripts and treatments I read. As I've mentioned in discussions on writing, weak stories have characters who are reactive rather than active, and Phase II stories suffer from this in spades. In the 1978 script Kirk flounders throughout and it's Xon who acts to save the ship. Ugh.
This is obviously not a reflection on the upcoming fanfilm, which I've clearly not seen and can't critique as yet.
In Kira's case, she was essentially a surrogate mother, so I don't think that's really the same as the other cases you mention.![]()
I just re-read "The Child" script as reprinted in the old Phase II book and I recall why I didn't like most of the Phase II scripts and treatments I read. As I've mentioned in discussions on writing, weak stories have characters who are reactive rather than active, and Phase II stories suffer from this in spades. In the 1978 script Kirk flounders throughout and it's Xon who acts to save the ship. Ugh.
This is obviously not a reflection on the upcoming fanfilm, which I've clearly not seen and can't critique as yet.
The only issue I have with "The Child" script (and stories like it) is that it is a "magical pregnancy" story. We see these stories in sci-fi a fair bit, on shows like Buffy, Stargate, X-Files, Star Trek (TNG with Troi, and DS9 with Kira). Often these female characters have their ovaries harvested by evil aliens (BSG, X-Files), or serve as human incubators for alien spawn (TNG). Its almost always a violation, with the woman being at first afraid, and then accepting the baby. Also, the baby usually ends up aging at an accelerated rate (often dying at the end of the story). The stories are meant to be dramatic, but they have become such a cliche in sci-fi that they usually end up being too predictable for most viewers to feel any real tension.
So back in 1977, I think this hadn't yet become the cliche that it now has become. If you view this work from the 1977 vantage point of when it was written, it might actually be considered a seminal work (pun intended).
The title [of The Midwich Cuckoos] is a reference to the cuckoo bird, which lays its eggs in the nest of other birds in the hopes that they will raise the cuckoo's offspring as their own.
I don't agree. Yes it was a gag to explain the actress' pregnancy, but thematically it's really no different than a surrogacy. She was renting her womb out to another couple. There was no magical alien interference, the baby was born, lived, developed normally.
No drama.
And in the context of the technology available to the characters, it's not especially magical to me. YMMV.![]()
Okay, now you're just nitpicking what I said regarding the drama. And I still disagree that this case is any any way comparable to the others you list. How exactly is it "unbelievable"? If you can suspend disbelief to accept warp drive and transporters, I really don't see how transporter surrogacy is such a huge leap.Actually, there was some drama. Kira started developing feelings for O'Brien in one of the following episodes. Her boyfriend at the time (Vedek Bareil) also got jealous that she was carrying O'Brien's child. No, there wasn't any 'supernatural baby' drama to deal with, but the way they dealt with the pregnancy on the show was just unbelievable - even for Star Trek.
Okay, now you're just nitpicking what I said regarding the drama. And I still disagree that this case is any any way comparable to the others you list. How exactly is it "unbelievable"? If you can suspend disbelief to accept warp drive and transporters, I really don't see how transporter surrogacy is such a huge leap.
As I said, your mileage may vary. And clearly does in this case.
Absolutely. And it's still nothing like the other examples.I think you're taking the DS9 thing too seriously. Not everything has to be letter-perfect hard-core drama.
The obvious gag behind it all was that Nana Visitor was carrying Siddig El Fadil's baby, and this story point gave the writers potential scenes to pair the two together more. There's even a scene in a later episode where Kira, irritated by the side effects of being pregnant, blatantly says to Bashir - "This is all your fault!"
So in short, is it terrible writing? Of course not. Is it the end of the world? No.
Ugh. No.New Voyages/Phase II: What the movies should have been.
Ugh. No.New Voyages/Phase II: What the movies should have been.
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