That's your idea of "gone wild"?
Each to their own, I guess.
My God! DRINKING!
AND HOOKING UP!
That's your idea of "gone wild"?
Each to their own, I guess.
Last week I said the episode portrayed Burnham like 7 of 9. I'm doubling down on that thought.
I was getting a Seven/Janeway vibe from her and Georgiou back in the premiere, as well.@matthunter said that Burnham was Seven of Nine this week and this is bang on.
Ah, so by this, Klach D'kel Brakt isn't really that "Briar Patch" after all...this having been the subject of some ambiguity and debate back at the airing of "The Augments" (ENT), IIRC. Not that I expect this to settle that matter, of course. Part of me really wishes they'd "customized" the map a bit more...but it's only set dressing after all. Thankfully, it was a stretchable "century ago" from Insurrection (2375) that the Son'a left the Ba'ku and not something more specific like 98 or 107! Still, there are probably other anachronisms I'm not noticing without having my copy of Star Charts out to compare side by side. My eyes are starting to hurt from squinting at this thing.I like maps
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Yeah, funny that...We'll know the next time we see Voq, but it's been a while since we last saw him. He was on his way to a secret training temple...
Part of me really doesn't want to speculate or debate on it too much, rather than just watching and seeing how it plays out, but I guess with this prompting I will anyway...Let's follow up on my comments from earlier about the huge holes that need to be filled in this "Tyler is Voq" theory, with some specific clarifying examples:
- Although he's convinced that the Ash is Voq thing is true, Trek.fm Podcast Network founder Chrtistopher Jones, in his Notes from the Edge podcast, nevertheless pointed out the fact that, because Discovery has shown us that Klingons, as foreign-language speakers, cannot speak English flawlessly, it would stretch believability and credibility for Voq, as a Klingon, to suddenly be able to speak English as if he'd been doing so his entire life, especially with only 3 weeks - or less - having passed between Episode 4 - when we last see Voq - and Episode 5, when we're first introduced to Tyler
- The objective of the Notes from the Edge podcast is to look at links between DSC and the entirety of the Star Trek franchise, including the tie-in comics and novels, and Chris goes into some depth in the most recent episode about how Arne Darvin, although appearing Human outwardly, was still Klingon internally, using a TOS comic telling the story of how Darvin came into existence. Although he was using the comic to argue in favor of the Tyler is Voq theory, the fact that it would have been impossible for the Klingon to have altered or masked Voq's internal Klingon physiology remains
- The DS9 Season 1 episode The Passenger deals with the concept of conscience/personality transference, and establishes that while it is possible to do such a thing outside of a Vulcan mind meld, it is not possible to do without physically affecting the brain in ways that would show up in and he detected by a medical scan.
It strains credibility to believe that Tyler would be serving aboard Discovery without having been subjected to a deep medical scan, one in which, if he were really Voq, his internal Klingon physiology and the physical affects on his brain that would have resulted had he had the memories and personality of the real Ash Tyler implanted into him would have immediately been revealed
The actress is just about the same age that the one who played the Stella android in TOS would have been 12 years before that. On the other hand, Wilson is already almost two decades older than Carmel was when he first played Mudd. But age of actor ≠ age of character, naturally.Why did they cast such a young actress to play Stella? I hate it when they give old guys much younger love interests in movies and series. The actress is only 27 and Wilson is 51.
It's not the confusion, it's the fact that DEE-ESS-SEE doesn't really roll off the tongue. STD has a better sound to it, other than the more popular use of this acronym.
It's more similar to the Y-class freighter from "Fortunate Son" (ENT), as @Mark_Nguyen pointed out in another thread. But then, that was similar to the J-class freighter from "Horizon" (ENT)...which is apparently different from the "small Class J cargo ship" in "Mudd's Women" (TOS)...which rightfully should also be different from the "old Class J starship" on which Pike was disabled in "The Menagerie" (TOS). And Mudd's ship was not originally the same design as the Aurora from "The Way To Eden" (TOS). And the Aurora was not originally a Class-J or J-class anything...but it was replaced in TOS-R with a modification of the design newly created for the remastered "Mudd's Women"...whew!Could Barron Grimes ship be the DISCO version of the J Class?
J Class
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J Class Remastered
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Grimes ship
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Ah, so by this, Klach D'kel Brakt isn't really that "Briar Patch" after all
Was the power flickering at the party ever explained? Was it actually anything?
The flickering lights marked the start of the 30 minute time loop.
Are we really still complaining about the choice of music?
They mentioned on After Trek they picked Staying Alive because that was what the crew were trying to do.
They’re using the 2002 Star Charts book as reference, so it predates the episode that establishes that they are one in the same.
We finally have Discovery’s quote.
that was the most awkward episode for me.. not the episode per se.. but cause every time Rapp was on screen I was thinking about the whole K.Spacey thing and it was really distracting...
I posted about this the other day, but I was on my phone, so I couldn't talk about it in detail: Does anyone get the idea that this episode was one of the two added to the show after the intial order of 13 episodes?
My reasoning is basically as follows. They would not add two episodes on to the end of the season, because that would result in a very anticlimactic ending. So they would have to find somewhere to sandwich two episodes in the middle of the already plotted arc. This episode does call back to earlier continuity, but judging by the trailer for next week, it's sort of awkwardly jammed in the middle of the "Cornwell mini-arc." It also wrapped up things very well, to the point of almost being a self-contained episode. The only possible exception is the burgeoning relationship between Burnham and Ash Tyler, but since they don't actually remember their conversation in the iteration where they kissed, and Burnham made it clear she wanted to "go slow" they could go right back to acting professional for several episodes.
I guess we'll see in the longer run if anything which took place in this episode is referenced anywhere else. If it happens in a single episode, it could always be chalked up to that episode being a mid-arc insertion as well. But if there are multiple references we could conclude that this may indeed have been a story inserted into the arc late in production.
It wasn’t as distracting as the moment I realised Ash Tyler is basing his voice and some mannerisms on Raymond from Everybody Loves Raymond.
But yeah...must be awkward at Netflix planning right now.
I didn't get the Raymond thing at all and I watched all of that sitcom.
I'm not sure that I agree with the reasoning, even though this could be a late addition. If there is any definitive proof, it would be in Stamets' personality. His character seems to have reached a point of frenetic activity which I would think should carry over to the next episoe.I posted about this the other day, but I was on my phone, so I couldn't talk about it in detail: Does anyone get the idea that this episode was one of the two added to the show after the intial order of 13 episodes?
My reasoning is basically as follows. They would not add two episodes on to the end of the season, because that would result in a very anticlimactic ending. So they would have to find somewhere to sandwich two episodes in the middle of the already plotted arc. This episode does call back to earlier continuity, but judging by the trailer for next week, it's sort of awkwardly jammed in the middle of the "Cornwell mini-arc." It also wrapped up things very well, to the point of almost being a self-contained episode. The only possible exception is the burgeoning relationship between Burnham and Ash Tyler, but since they don't actually remember their conversation in the iteration where they kissed, and Burnham made it clear she wanted to "go slow" they could go right back to acting professional for several episodes.
I guess we'll see in the longer run if anything which took place in this episode is referenced anywhere else. If it happens in a single episode, it could always be chalked up to that episode being a mid-arc insertion as well. But if there are multiple references we could conclude that this may indeed have been a story inserted into the arc late in production.
I posted about this the other day, but I was on my phone, so I couldn't talk about it in detail: Does anyone get the idea that this episode was one of the two added to the show after the intial order of 13 episodes?
I posted about this the other day, but I was on my phone, so I couldn't talk about it in detail: Does anyone get the idea that this episode was one of the two added to the show after the intial order of 13 episodes?
Mudd pretty much realized it in the loop where he found out that Stamets was the 'missing piece' that made the Spore Drive work. After that I believe he was captured in the next loop; and only reset the loop after Burnham revealed how 'valuable' she would be to the Klingons (and how much more they'd pay if she were part of the deal); and killed herself. So assuming there weren't other loops in between after that (for whatever reason) Mudd 'got wise' one loop prior to the final situation where he didn't reset and was turned over to Stella and her father.Did Mudd know Stamets was 'in the know'? In the final loop he angrily tells Stamets 'you cheated!' If Mudd knew, he must have known Stamets would do everything he could to stop him. I thought this was a bit confusing. Would have liked it better if Stamets revealed to Mudd that he was outside of the loop at the very end. Also, what I missed a bit was Mudd referencing 'selling' Burnham to the Klingons when they walked to the transporter room at the end. I think both things got lost in editing. In any case, it was a terrific episode.
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