What do Gods need with a starship?
Neil
Lol, nice try, but leave the amateur psychology to Lucy van Pelt...Critics here who complain about STC doing things not the way they were done in the '60s just make me tend to ignore them. My answer is, "So what? Do better yourself." They obviously can't, or they'd have done it already. That includes "industry professionals" here who continuously pooh-pooh everything that they weren't invited to work on. Pfft.
I think the reason that STC gets so much BS criticism, much more than any other fan production, is because it comes so much closer to the original series than anything else out there.
Was it just me, or did they lift that from Wrath of Khan when Reliant came out of the nebula? It worked, wherever they got it.And amazing how effective the ominous rising music is the moment the Kongo emerges from the barrier. It so effectively conveys the terrifying fact that "now the espers have a starship in their control"
this production is so far ahead of any other fan production in existence
In my opinion one major accomplishment of Star Trek: Continues should be that it buries the notion that the original series era of Star Trek can't be visually interesting and appealing to the modern audience.
I don't think it proves that at all, since the audience seems largely composed of fans of TOS.In my opinion one major accomplishment of Star Trek: Continues should be that it buries the notion that the original series era of Star Trek can't be visually interesting and appealing to the modern audience.
If you mean the costume and FX design esthetic, well Starship Exeter and the New Voyages series beat STC by a few years as far as firing up the Star Trek fan demographic, TTI for overall production appeal especially. If you mean a wider stretch of hardcores and casual fans, at the risk of waking up the easily outraged, Prelude to Axanar`s FX and visual esthetic (thanks to the director and FX guru Tobias Righter) has it all over STC.In my opinion one major accomplishment of Star Trek: Continues should be that it buries the notion that the original series era of Star Trek can't be visually interesting and appealing to the modern audience.
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